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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BE0EB it is the complementary color #641F14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BE0EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BE0EB shade: #A0E0E6, #B1F2F9, #C2FFFF, #D3FFFF and #E4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BE0EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BE0EB shade: #9BE0EB, #8ACED8, #79BCC5, #68AAB2 and #57989F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BE0EB shade: #99E0EB, #99C9EB, #99B3EB, #999DEB and #AB99EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BE0EB shade: #99E0EB, #99C9EB, #99B3EB, #999DEB and #9999EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BE0EB shade matches the following richer shades: #99E0EB, #8FE7F5 and #85EEFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BE0EB shade: #99E0EB, #A3D8E1, #ADD1D7, #B7CACD and #C0C3C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BE0EB shade: #99EBCA, #99EBE0, #99E0EB, #99CAEB and #99B4EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BE0EB shade: #54CADD, #76D5E4, #99E0EB, #BBEAF2 and #DEF5F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BE0EB shade: #9BE0EB, #B499EB and #EBD599

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BE0EB shade: #9BE0EB, #EB99E0 and #E0EB99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BE0EB shade: #9BE0EB, #B499EB, #EBA499 and #CFEB99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BE0EB shade: #9BE0EB, #CD99EB, #EBA499 and #B7EB99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 5 / 0 / 8

HEX #9BE0EB

RGB 155 224 235

HSL 188.25, 0.67%, 0.76%

LAB 85.14, -18.86, -12.26

 

Complementary color

CMYK 0 / 69 / 80 / 61

HEX #641F14

RGB 100 31 20

HSL 8.25, 0.67%, 0.24%

LAB 22.79, 30.45, 23.99

 

CMYK 30 / 3 / 0 / 10

HEX #A0E0E6

RGB 160 224 230

HSL 185.14, 0.58%, 0.76%

LAB 85.25, -18.67, -9.42

 

CMYK 29 / 3 / 0 / 2

HEX #B1F2F9

RGB 177 242 249

HSL 185.83, 0.86%, 0.84%

LAB 91.55, -18.61, -9.93

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 34 / 5 / 0 / 8

HEX #9BE0EB

RGB 155 224 235

HSL 188.25, 0.67%, 0.76%

LAB 85.14, -18.86, -12.26

 

CMYK 36 / 5 / 0 / 15

HEX #8ACED8

RGB 138 206 216

HSL 187.69, 0.5%, 0.69%

LAB 78.75, -18.88, -11.77

 

CMYK 39 / 5 / 0 / 23

HEX #79BCC5

RGB 121 188 197

HSL 187.11, 0.4%, 0.62%

LAB 72.27, -18.89, -11.26

 

CMYK 42 / 4 / 0 / 30

HEX #68AAB2

RGB 104 170 178

HSL 186.49, 0.32%, 0.55%

LAB 65.68, -18.89, -10.73

 

CMYK 45 / 4 / 0 / 38

HEX #57989F

RGB 87 152 159

HSL 185.83, 0.29%, 0.48%

LAB 58.96, -18.85, -10.17

 

CMYK 35 / 5 / 0 / 8

HEX #99E0EB

RGB 153 224 235

HSL 188.05, 0.67%, 0.76%

LAB 85.04, -19.39, -12.42

 

CMYK 35 / 14 / 0 / 8

HEX #99C9EB

RGB 153 201 235

HSL 204.88, 0.67%, 0.76%

LAB 78.78, -7.55, -21.85

 

CMYK 35 / 24 / 0 / 8

HEX #99B3EB

RGB 153 179 235

HSL 220.98, 0.67%, 0.76%

LAB 72.9, 4.34, -30.85

 

CMYK 35 / 33 / 0 / 8

HEX #999DEB

RGB 153 157 235

HSL 237.07, 0.67%, 0.76%

LAB 67.19, 16.71, -39.71

 

CMYK 27 / 35 / 0 / 8

HEX #AB99EB

RGB 171 153 235

HSL 253.17, 0.67%, 0.76%

LAB 67.6, 24.01, -38.95

 

CMYK 35 / 5 / 0 / 8

HEX #99E0EB

RGB 153 224 235

HSL 188.05, 0.67%, 0.76%

LAB 85.04, -19.39, -12.42

 

CMYK 35 / 14 / 0 / 8

HEX #99C9EB

RGB 153 201 235

HSL 204.88, 0.67%, 0.76%

LAB 78.78, -7.55, -21.85

 

CMYK 35 / 24 / 0 / 8

HEX #99B3EB

RGB 153 179 235

HSL 220.98, 0.67%, 0.76%

LAB 72.9, 4.34, -30.85

 

CMYK 35 / 33 / 0 / 8

HEX #999DEB

RGB 153 157 235

HSL 237.07, 0.67%, 0.76%

LAB 67.19, 16.71, -39.71

 

CMYK 35 / 35 / 0 / 8

HEX #9999EB

RGB 153 153 235

HSL 240, 0.67%, 0.76%

LAB 66.18, 18.99, -41.29

 

CMYK 35 / 5 / 0 / 8

HEX #99E0EB

RGB 153 224 235

HSL 188.05, 0.67%, 0.76%

LAB 85.04, -19.39, -12.42

 

CMYK 42 / 6 / 0 / 4

HEX #8FE7F5

RGB 143 231 245

HSL 188.24, 0.84%, 0.76%

LAB 86.79, -22.95, -15.11

 

CMYK 48 / 7 / 0 / 0

HEX #85EEFF

RGB 133 238 255

HSL 188.36, 1%, 0.76%

LAB 88.62, -26.11, -17.65

 

CMYK 35 / 5 / 0 / 8

HEX #99E0EB

RGB 153 224 235

HSL 188.05, 0.67%, 0.76%

LAB 85.04, -19.39, -12.42

 

CMYK 28 / 4 / 0 / 12

HEX #A3D8E1

RGB 163 216 225

HSL 188.71, 0.51%, 0.76%

LAB 83.09, -14.92, -9.97

 

CMYK 20 / 3 / 0 / 16

HEX #ADD1D7

RGB 173 209 215

HSL 188.57, 0.34%, 0.76%

LAB 81.51, -10.56, -6.93

 

CMYK 11 / 1 / 0 / 20

HEX #B7CACD

RGB 183 202 205

HSL 188.18, 0.18%, 0.76%

LAB 80.02, -5.81, -3.69

 

CMYK 2 / 0 / 0 / 24

HEX #C0C3C3

RGB 192 195 195

HSL 180, 0.02%, 0.76%

LAB 78.56, -1.03, -0.37

 

CMYK 35 / 0 / 14 / 8

HEX #99EBCA

RGB 153 235 202

HSL 155.85, 0.67%, 0.76%

LAB 87.22, -32.06, 8.14

 

CMYK 35 / 0 / 5 / 8

HEX #99EBE0

RGB 153 235 224

HSL 171.95, 0.67%, 0.76%

LAB 87.76, -27.34, -2.59

 

CMYK 35 / 5 / 0 / 8

HEX #99E0EB

RGB 153 224 235

HSL 188.05, 0.67%, 0.76%

LAB 85.04, -19.39, -12.42

 

CMYK 35 / 14 / 0 / 8

HEX #99CAEB

RGB 153 202 235

HSL 204.15, 0.67%, 0.76%

LAB 79.05, -8.08, -21.44

 

CMYK 35 / 23 / 0 / 8

HEX #99B4EB

RGB 153 180 235

HSL 220.24, 0.67%, 0.76%

LAB 73.16, 3.79, -30.44

 

CMYK 62 / 9 / 0 / 13

HEX #54CADD

RGB 84 202 221

HSL 188.32, 0.67%, 0.6%

LAB 75.67, -27.33, -19.32

 

CMYK 48 / 7 / 0 / 11

HEX #76D5E4

RGB 118 213 228

HSL 188.18, 0.67%, 0.68%

LAB 80.2, -24.19, -16.11

 

CMYK 35 / 5 / 0 / 8

HEX #99E0EB

RGB 153 224 235

HSL 188.05, 0.67%, 0.76%

LAB 85.04, -19.39, -12.42

 

CMYK 23 / 3 / 0 / 5

HEX #BBEAF2

RGB 187 234 242

HSL 188.73, 0.68%, 0.84%

LAB 89.78, -13.3, -8.85

 

CMYK 10 / 1 / 0 / 3

HEX #DEF5F8

RGB 222 245 248

HSL 186.92, 0.65%, 0.92%

LAB 95, -6.9, -4.01

 

CMYK 34 / 5 / 0 / 8

HEX #9BE0EB

RGB 155 224 235

HSL 188.25, 0.67%, 0.76%

LAB 85.14, -18.86, -12.26

 

CMYK 23 / 35 / 0 / 8

HEX #B499EB

RGB 180 153 235

HSL 259.76, 0.67%, 0.76%

LAB 68.38, 26.61, -37.69

 

CMYK 0 / 9 / 35 / 8

HEX #EBD599

RGB 235 213 153

HSL 43.9, 0.67%, 0.76%

LAB 85.78, -0.91, 32.47

 

CMYK 34 / 5 / 0 / 8

HEX #9BE0EB

RGB 155 224 235

HSL 188.25, 0.67%, 0.76%

LAB 85.14, -18.86, -12.26

 

CMYK 0 / 35 / 5 / 8

HEX #EB99E0

RGB 235 153 224

HSL 308.05, 0.67%, 0.76%

LAB 73.43, 41.29, -23.41

 

CMYK 5 / 0 / 35 / 8

HEX #E0EB99

RGB 224 235 153

HSL 68.05, 0.67%, 0.76%

LAB 90.58, -16.19, 38.61

 

CMYK 34 / 5 / 0 / 8

HEX #9BE0EB

RGB 155 224 235

HSL 188.25, 0.67%, 0.76%

LAB 85.14, -18.86, -12.26

 

CMYK 23 / 35 / 0 / 8

HEX #B499EB

RGB 180 153 235

HSL 259.76, 0.67%, 0.76%

LAB 68.38, 26.61, -37.69

 

CMYK 0 / 30 / 35 / 8

HEX #EBA499

RGB 235 164 153

HSL 8.05, 0.67%, 0.76%

LAB 73.88, 24.88, 16.27

 

CMYK 12 / 0 / 35 / 8

HEX #CFEB99

RGB 207 235 153

HSL 80.49, 0.67%, 0.76%

LAB 89.38, -22.51, 36.82

 

CMYK 34 / 5 / 0 / 8

HEX #9BE0EB

RGB 155 224 235

HSL 188.25, 0.67%, 0.76%

LAB 85.14, -18.86, -12.26

 

CMYK 13 / 35 / 0 / 8

HEX #CD99EB

RGB 205 153 235

HSL 278.05, 0.67%, 0.76%

LAB 70.7, 34.06, -33.89

 

CMYK 0 / 30 / 35 / 8

HEX #EBA499

RGB 235 164 153

HSL 8.05, 0.67%, 0.76%

LAB 73.88, 24.88, 16.27

 

CMYK 22 / 0 / 35 / 8

HEX #B7EB99

RGB 183 235 153

HSL 98.05, 0.67%, 0.76%

LAB 87.86, -31.07, 34.54

 

Description

Color code: HEX #9BE0EB | qconv.com Color code: HEX #9BE0EB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 224 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 224 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 5 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 5% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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