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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BDF61 it is the complementary color #64209E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BDF61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BDF61 shade: #A0DF5C, #B1F16F, #C2FF82, #D3FF95 and #E4FFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BDF61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BDF61 shade: #9BDF61, #8ACD4E, #79BB3B, #68A928 and #579715

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BDF61 shade: #9CDF62, #BDDF62, #DFDF62, #DFBD62 and #DF9C62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BDF61 shade: #9CDF62, #7ADF62, #62DF6C, #62DF8E and #62DFAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BDF61 shade matches the following richer shades: #9CDF62, #9AEE53 and #99FD44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BDF61 shade: #9CDF62, #9DD072, #9EC081, #9FB190 and #A1A29F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BDF61 shade: #DFDF62, #BEDF62, #9CDF62, #7BDF62 and #62DF6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BDF61 shade: #71C629, #86D840, #9CDF62, #B1E685 and #C7EDA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BDF61 shade: #9BDF61, #62DFBE and #DF62CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BDF61 shade: #9BDF61, #629CDF and #DF629C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BDF61 shade: #9BDF61, #62DFBE, #A562DF and #DF6284

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BDF61 shade: #9BDF61, #62DBDF, #A562DF and #DF6762

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 57 / 13

HEX #9BDF61

RGB 155 223 97

HSL 92.38, 0.66%, 0.63%

LAB 82.17, -42.11, 54.09

 

Complementary color

CMYK 37 / 80 / 0 / 38

HEX #64209E

RGB 100 32 158

HSL 272.38, 0.66%, 0.37%

LAB 29.94, 52.43, -55.03

 

CMYK 28 / 0 / 59 / 13

HEX #A0DF5C

RGB 160 223 92

HSL 88.85, 0.67%, 0.62%

LAB 82.39, -40.81, 56.62

 

CMYK 27 / 0 / 54 / 5

HEX #B1F16F

RGB 177 241 111

HSL 89.54, 0.82%, 0.69%

LAB 88.64, -40.91, 55.63

 

CMYK 24 / 0 / 49 / 0

HEX #C2FF82

RGB 194 255 130

HSL 89.28, 1%, 0.75%

LAB 93.71, -39.17, 53.23

 

CMYK 17 / 0 / 42 / 0

HEX #D3FF95

RGB 211 255 149

HSL 84.91, 1%, 0.79%

LAB 94.97, -31.01, 46.03

 

CMYK 11 / 0 / 34 / 0

HEX #E4FFA8

RGB 228 255 168

HSL 78.62, 1%, 0.83%

LAB 96.34, -22.57, 38.75

 

CMYK 30 / 0 / 57 / 13

HEX #9BDF61

RGB 155 223 97

HSL 92.38, 0.66%, 0.63%

LAB 82.17, -42.11, 54.09

 

CMYK 33 / 0 / 62 / 20

HEX #8ACD4E

RGB 138 205 78

HSL 91.65, 0.56%, 0.55%

LAB 75.83, -41.99, 55.02

 

CMYK 35 / 0 / 68 / 27

HEX #79BB3B

RGB 121 187 59

HSL 90.94, 0.52%, 0.48%

LAB 69.41, -41.75, 55.7

 

CMYK 38 / 0 / 76 / 34

HEX #68A928

RGB 104 169 40

HSL 90.23, 0.62%, 0.41%

LAB 62.9, -41.33, 55.87

 

CMYK 42 / 0 / 86 / 41

HEX #579715

RGB 87 151 21

HSL 89.54, 0.76%, 0.34%

LAB 56.3, -40.65, 55.07

 

CMYK 30 / 0 / 56 / 13

HEX #9CDF62

RGB 156 223 98

HSL 92.16, 0.66%, 0.63%

LAB 82.23, -41.66, 53.72

 

CMYK 15 / 0 / 56 / 13

HEX #BDDF62

RGB 189 223 98

HSL 76.32, 0.66%, 0.63%

LAB 84.21, -29.46, 56.52

 

CMYK 0 / 0 / 56 / 13

HEX #DFDF62

RGB 223 223 98

HSL 60, 0.66%, 0.63%

LAB 86.67, -15.98, 59.97

 

CMYK 0 / 15 / 56 / 13

HEX #DFBD62

RGB 223 189 98

HSL 43.68, 0.66%, 0.63%

LAB 77.85, 1.31, 49.86

 

CMYK 0 / 30 / 56 / 13

HEX #DF9C62

RGB 223 156 98

HSL 27.84, 0.66%, 0.63%

LAB 69.72, 18.86, 40.1

 

CMYK 30 / 0 / 56 / 13

HEX #9CDF62

RGB 156 223 98

HSL 92.16, 0.66%, 0.63%

LAB 82.23, -41.66, 53.72

 

CMYK 45 / 0 / 56 / 13

HEX #7ADF62

RGB 122 223 98

HSL 108.48, 0.66%, 0.63%

LAB 80.62, -52.66, 51.44

 

CMYK 56 / 0 / 52 / 13

HEX #62DF6C

RGB 98 223 108

HSL 124.8, 0.66%, 0.63%

LAB 79.87, -57.85, 45.69

 

CMYK 56 / 0 / 36 / 13

HEX #62DF8E

RGB 98 223 142

HSL 141.12, 0.66%, 0.63%

LAB 80.36, -52.56, 29.47

 

CMYK 56 / 0 / 22 / 13

HEX #62DFAF

RGB 98 223 175

HSL 156.96, 0.66%, 0.63%

LAB 81, -46.03, 13.17

 

CMYK 30 / 0 / 56 / 13

HEX #9CDF62

RGB 156 223 98

HSL 92.16, 0.66%, 0.63%

LAB 82.23, -41.66, 53.72

 

CMYK 35 / 0 / 65 / 7

HEX #9AEE53

RGB 154 238 83

HSL 92.52, 0.82%, 0.63%

LAB 86.33, -50.04, 64.59

 

CMYK 40 / 0 / 73 / 1

HEX #99FD44

RGB 153 253 68

HSL 92.43, 0.98%, 0.63%

LAB 90.52, -57.4, 74.27

 

CMYK 30 / 0 / 56 / 13

HEX #9CDF62

RGB 156 223 98

HSL 92.16, 0.66%, 0.63%

LAB 82.23, -41.66, 53.72

 

CMYK 25 / 0 / 45 / 18

HEX #9DD072

RGB 157 208 114

HSL 92.55, 0.5%, 0.63%

LAB 78.17, -32.77, 41.27

 

CMYK 18 / 0 / 33 / 25

HEX #9EC081

RGB 158 192 129

HSL 92.38, 0.33%, 0.63%

LAB 73.9, -22.72, 28.11

 

CMYK 10 / 0 / 19 / 31

HEX #9FB190

RGB 159 177 144

HSL 92.73, 0.17%, 0.63%

LAB 70.06, -12.36, 14.82

 

CMYK 1 / 0 / 2 / 36

HEX #A1A29F

RGB 161 162 159

HSL 80, 0.02%, 0.63%

LAB 66.46, -0.92, 1.42

 

CMYK 0 / 0 / 56 / 13

HEX #DFDF62

RGB 223 223 98

HSL 60, 0.66%, 0.63%

LAB 86.67, -15.98, 59.97

 

CMYK 15 / 0 / 56 / 13

HEX #BEDF62

RGB 190 223 98

HSL 75.84, 0.66%, 0.63%

LAB 84.28, -29.08, 56.61

 

CMYK 30 / 0 / 56 / 13

HEX #9CDF62

RGB 156 223 98

HSL 92.16, 0.66%, 0.63%

LAB 82.23, -41.66, 53.72

 

CMYK 45 / 0 / 56 / 13

HEX #7BDF62

RGB 123 223 98

HSL 108, 0.66%, 0.63%

LAB 80.67, -52.37, 51.5

 

CMYK 56 / 0 / 52 / 13

HEX #62DF6B

RGB 98 223 107

HSL 124.32, 0.66%, 0.63%

LAB 79.86, -57.98, 46.15

 

CMYK 43 / 0 / 79 / 22

HEX #71C629

RGB 113 198 41

HSL 92.48, 0.66%, 0.47%

LAB 72.27, -50.15, 64.56

 

CMYK 38 / 0 / 70 / 15

HEX #86D840

RGB 134 216 64

HSL 92.37, 0.66%, 0.55%

LAB 78.78, -49.09, 63.64

 

CMYK 30 / 0 / 56 / 13

HEX #9CDF62

RGB 156 223 98

HSL 92.16, 0.66%, 0.63%

LAB 82.23, -41.66, 53.72

 

CMYK 23 / 0 / 42 / 10

HEX #B1E685

RGB 177 230 133

HSL 92.78, 0.66%, 0.71%

LAB 85.82, -33.49, 41.79

 

CMYK 16 / 0 / 30 / 7

HEX #C7EDA7

RGB 199 237 167

HSL 92.57, 0.66%, 0.79%

LAB 89.63, -24.44, 29.98

 

CMYK 30 / 0 / 57 / 13

HEX #9BDF61

RGB 155 223 97

HSL 92.38, 0.66%, 0.63%

LAB 82.17, -42.11, 54.09

 

CMYK 56 / 0 / 15 / 13

HEX #62DFBE

RGB 98 223 190

HSL 164.16, 0.66%, 0.63%

LAB 81.34, -42.65, 5.73

 

CMYK 0 / 56 / 8 / 13

HEX #DF62CE

RGB 223 98 206

HSL 308.16, 0.66%, 0.63%

LAB 60.68, 61.9, -33.17

 

CMYK 30 / 0 / 57 / 13

HEX #9BDF61

RGB 155 223 97

HSL 92.38, 0.66%, 0.63%

LAB 82.17, -42.11, 54.09

 

CMYK 56 / 30 / 0 / 13

HEX #629CDF

RGB 98 156 223

HSL 212.16, 0.66%, 0.63%

LAB 63.1, 0.43, -39.74

 

CMYK 0 / 56 / 30 / 13

HEX #DF629C

RGB 223 98 156

HSL 332.16, 0.66%, 0.63%

LAB 58.81, 54.72, -7.34

 

CMYK 30 / 0 / 57 / 13

HEX #9BDF61

RGB 155 223 97

HSL 92.38, 0.66%, 0.63%

LAB 82.17, -42.11, 54.09

 

CMYK 56 / 0 / 15 / 13

HEX #62DFBE

RGB 98 223 190

HSL 164.16, 0.66%, 0.63%

LAB 81.34, -42.65, 5.73

 

CMYK 26 / 56 / 0 / 13

HEX #A562DF

RGB 165 98 223

HSL 272.16, 0.66%, 0.63%

LAB 54.09, 50.02, -53.65

 

CMYK 0 / 56 / 41 / 13

HEX #DF6284

RGB 223 98 132

HSL 343.68, 0.66%, 0.63%

LAB 58.12, 51.94, 5.64

 

CMYK 30 / 0 / 57 / 13

HEX #9BDF61

RGB 155 223 97

HSL 92.38, 0.66%, 0.63%

LAB 82.17, -42.11, 54.09

 

CMYK 56 / 2 / 0 / 13

HEX #62DBDF

RGB 98 219 223

HSL 181.92, 0.66%, 0.63%

LAB 81.06, -32.51, -12.23

 

CMYK 26 / 56 / 0 / 13

HEX #A562DF

RGB 165 98 223

HSL 272.16, 0.66%, 0.63%

LAB 54.09, 50.02, -53.65

 

CMYK 0 / 54 / 56 / 13

HEX #DF6762

RGB 223 103 98

HSL 2.4, 0.66%, 0.63%

LAB 58.29, 46.45, 25.61

 

Description

Color code: HEX #9BDF61 | qconv.com Color code: HEX #9BDF61 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 223 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 223 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 57 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 57% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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