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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BD105 it is the complementary color #642EFA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BD105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BD105 shade: #A0D100, #B1E313, #C2F526, #D3FF39 and #E4FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BD105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BD105 shade: #9BD105, #8ABF00, #79AD00, #689B00 and #578900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BD105 shade: #9BD105, #D1D005, #D19905, #D16205 and #D12B05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BD105 shade: #9BD105, #64D105, #2DD105, #05D114 and #05D14B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BD105 shade matches the following richer shades: #9BD105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BD105 shade: #9BD105, #93C017, #8BAE28, #839D39 and #7A8C4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BD105 shade: #D19705, #D1CD05, #9ED105, #68D105 and #31D105

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BD105 shade: #5F8003, #7DA904, #9BD105, #B9F907 and #C4FA2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BD105 shade: #9BD105, #05D161 and #B205D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BD105 shade: #9BD105, #059ED1 and #D1059E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BD105 shade: #9BD105, #05D161, #3805D1 and #D10575

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BD105 shade: #9BD105, #05D19E, #3805D1 and #D10538

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 98 / 18

HEX #9BD105

RGB 155 209 5

HSL 75.88, 0.95%, 0.42%

LAB 77.63, -40.65, 76.36

 

Complementary color

CMYK 60 / 82 / 0 / 2

HEX #642EFA

RGB 100 46 250

HSL 255.88, 0.95%, 0.58%

LAB 40.52, 70.16, -91.25

 

CMYK 23 / 0 / 100 / 18

HEX #A0D100

RGB 160 209 0

HSL 74.07, 1%, 0.41%

LAB 77.92, -38.76, 77.2

 

CMYK 22 / 0 / 92 / 11

HEX #B1E313

RGB 177 227 19

HSL 74.42, 0.85%, 0.48%

LAB 84.14, -39.87, 80.58

 

CMYK 21 / 0 / 84 / 4

HEX #C2F526

RGB 194 245 38

HSL 74.78, 0.91%, 0.55%

LAB 90.28, -40.82, 82.86

 

CMYK 17 / 0 / 78 / 0

HEX #D3FF39

RGB 211 255 57

HSL 73.33, 1%, 0.61%

LAB 94.17, -38.08, 82.11

 

CMYK 11 / 0 / 70 / 0

HEX #E4FF4C

RGB 228 255 76

HSL 69.05, 1%, 0.65%

LAB 95.39, -30.61, 77.81

 

CMYK 26 / 0 / 98 / 18

HEX #9BD105

RGB 155 209 5

HSL 75.88, 0.95%, 0.42%

LAB 77.63, -40.65, 76.36

 

CMYK 28 / 0 / 100 / 25

HEX #8ABF00

RGB 138 191 0

HSL 76.65, 1%, 0.37%

LAB 71.33, -39.37, 71.6

 

CMYK 30 / 0 / 100 / 32

HEX #79AD00

RGB 121 173 0

HSL 78.03, 1%, 0.34%

LAB 64.92, -38.01, 66.27

 

CMYK 33 / 0 / 100 / 39

HEX #689B00

RGB 104 155 0

HSL 79.74, 1%, 0.3%

LAB 58.4, -36.63, 60.84

 

CMYK 36 / 0 / 100 / 46

HEX #578900

RGB 87 137 0

HSL 81.9, 1%, 0.27%

LAB 51.74, -35.2, 55.3

 

CMYK 26 / 0 / 98 / 18

HEX #9BD105

RGB 155 209 5

HSL 75.88, 0.95%, 0.42%

LAB 77.63, -40.65, 76.36

 

CMYK 0 / 0 / 98 / 18

HEX #D1D005

RGB 209 208 5

HSL 59.71, 0.95%, 0.42%

LAB 81.11, -18.01, 80.66

 

CMYK 0 / 27 / 98 / 18

HEX #D19905

RGB 209 153 5

HSL 43.53, 0.95%, 0.42%

LAB 66.79, 10.58, 70.3

 

CMYK 0 / 53 / 98 / 18

HEX #D16205

RGB 209 98 5

HSL 27.35, 0.95%, 0.42%

LAB 54.35, 39.81, 62.04

 

CMYK 0 / 79 / 98 / 18

HEX #D12B05

RGB 209 43 5

HSL 11.18, 0.95%, 0.42%

LAB 46.03, 62.05, 57.34

 

CMYK 26 / 0 / 98 / 18

HEX #9BD105

RGB 155 209 5

HSL 75.88, 0.95%, 0.42%

LAB 77.63, -40.65, 76.36

 

CMYK 52 / 0 / 98 / 18

HEX #64D105

RGB 100 209 5

HSL 92.06, 0.95%, 0.42%

LAB 75.03, -59.34, 73.21

 

CMYK 78 / 0 / 98 / 18

HEX #2DD105

RGB 45 209 5

HSL 108.24, 0.95%, 0.42%

LAB 73.66, -70.81, 71.53

 

CMYK 98 / 0 / 90 / 18

HEX #05D114

RGB 5 209 20

HSL 124.41, 0.95%, 0.42%

LAB 73.34, -73.56, 69.34

 

CMYK 98 / 0 / 64 / 18

HEX #05D14B

RGB 5 209 75

HSL 140.59, 0.95%, 0.42%

LAB 73.64, -69.75, 52.91

 

CMYK 26 / 0 / 98 / 18

HEX #9BD105

RGB 155 209 5

HSL 75.88, 0.95%, 0.42%

LAB 77.63, -40.65, 76.36

 

CMYK 26 / 0 / 98 / 18

HEX #9BD105

RGB 155 209 5

HSL 75.88, 0.95%, 0.42%

LAB 77.63, -40.65, 76.36

 

CMYK 23 / 0 / 88 / 25

HEX #93C017

RGB 147 192 23

HSL 75.98, 0.79%, 0.42%

LAB 72.2, -35.88, 69.51

 

CMYK 20 / 0 / 77 / 32

HEX #8BAE28

RGB 139 174 40

HSL 75.67, 0.63%, 0.42%

LAB 66.45, -30.14, 59.96

 

CMYK 17 / 0 / 64 / 38

HEX #839D39

RGB 131 157 57

HSL 75.6, 0.47%, 0.42%

LAB 60.99, -24.13, 47.78

 

CMYK 13 / 0 / 46 / 45

HEX #7A8C4B

RGB 122 140 75

HSL 76.62, 0.3%, 0.42%

LAB 55.48, -17.45, 32.45

 

CMYK 0 / 28 / 98 / 18

HEX #D19705

RGB 209 151 5

HSL 42.94, 0.95%, 0.42%

LAB 66.29, 11.66, 69.96

 

CMYK 0 / 2 / 98 / 18

HEX #D1CD05

RGB 209 205 5

HSL 58.82, 0.95%, 0.42%

LAB 80.31, -16.53, 80.07

 

CMYK 24 / 0 / 98 / 18

HEX #9ED105

RGB 158 209 5

HSL 75, 0.95%, 0.42%

LAB 77.8, -39.48, 76.58

 

CMYK 50 / 0 / 98 / 18

HEX #68D105

RGB 104 209 5

HSL 90.88, 0.95%, 0.42%

LAB 75.17, -58.18, 73.39

 

CMYK 77 / 0 / 98 / 18

HEX #31D105

RGB 49 209 5

HSL 107.06, 0.95%, 0.42%

LAB 73.72, -70.27, 71.61

 

CMYK 26 / 0 / 98 / 50

HEX #5F8003

RGB 95 128 3

HSL 75.84, 0.95%, 0.26%

LAB 49.35, -27.71, 53.07

 

CMYK 26 / 0 / 98 / 34

HEX #7DA904

RGB 125 169 4

HSL 76, 0.95%, 0.34%

LAB 63.95, -34.56, 65.1

 

CMYK 26 / 0 / 98 / 18

HEX #9BD105

RGB 155 209 5

HSL 75.88, 0.95%, 0.42%

LAB 77.63, -40.65, 76.36

 

CMYK 26 / 0 / 97 / 2

HEX #B9F907

RGB 185 249 7

HSL 75.87, 0.95%, 0.5%

LAB 90.82, -46.5, 87.15

 

CMYK 22 / 0 / 81 / 2

HEX #C4FA2F

RGB 196 250 47

HSL 75.96, 0.95%, 0.58%

LAB 91.82, -41.97, 82.24

 

CMYK 26 / 0 / 98 / 18

HEX #9BD105

RGB 155 209 5

HSL 75.88, 0.95%, 0.42%

LAB 77.63, -40.65, 76.36

 

CMYK 98 / 0 / 54 / 18

HEX #05D161

RGB 5 209 97

HSL 147.06, 0.95%, 0.42%

LAB 73.87, -66.91, 43.25

 

CMYK 15 / 98 / 0 / 18

HEX #B205D1

RGB 178 5 209

HSL 290.88, 0.95%, 0.42%

LAB 44.49, 79.43, -61.02

 

CMYK 26 / 0 / 98 / 18

HEX #9BD105

RGB 155 209 5

HSL 75.88, 0.95%, 0.42%

LAB 77.63, -40.65, 76.36

 

CMYK 98 / 24 / 0 / 18

HEX #059ED1

RGB 5 158 209

HSL 195, 0.95%, 0.42%

LAB 60.86, -16.15, -35.61

 

CMYK 0 / 98 / 24 / 18

HEX #D1059E

RGB 209 5 158

HSL 315, 0.95%, 0.42%

LAB 47.15, 77.52, -26.47

 

CMYK 26 / 0 / 98 / 18

HEX #9BD105

RGB 155 209 5

HSL 75.88, 0.95%, 0.42%

LAB 77.63, -40.65, 76.36

 

CMYK 98 / 0 / 54 / 18

HEX #05D161

RGB 5 209 97

HSL 147.06, 0.95%, 0.42%

LAB 73.87, -66.91, 43.25

 

CMYK 73 / 98 / 0 / 18

HEX #3805D1

RGB 56 5 209

HSL 255, 0.95%, 0.42%

LAB 28.25, 68.14, -88.3

 

CMYK 0 / 98 / 44 / 18

HEX #D10575

RGB 209 5 117

HSL 327.06, 0.95%, 0.42%

LAB 45.56, 73.4, -3.94

 

CMYK 26 / 0 / 98 / 18

HEX #9BD105

RGB 155 209 5

HSL 75.88, 0.95%, 0.42%

LAB 77.63, -40.65, 76.36

 

CMYK 98 / 0 / 24 / 18

HEX #05D19E

RGB 5 209 158

HSL 165, 0.95%, 0.42%

LAB 74.89, -55.02, 13.34

 

CMYK 73 / 98 / 0 / 18

HEX #3805D1

RGB 56 5 209

HSL 255, 0.95%, 0.42%

LAB 28.25, 68.14, -88.3

 

CMYK 0 / 98 / 73 / 18

HEX #D10538

RGB 209 5 56

HSL 345, 0.95%, 0.42%

LAB 44.16, 69.63, 32.07

 

Description

Color code: HEX #9BD105 | qconv.com Color code: HEX #9BD105 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 209 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 209 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 98 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 98% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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