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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BCA35 it is the complementary color #6435CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BCA35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BCA35 shade: #A0CA30, #B1DC43, #C2EE56, #D3FF69 and #E4FF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BCA35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BCA35 shade: #9BCA35, #8AB822, #79A60F, #689400 and #578200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BCA35 shade: #9BC936, #C3C936, #C9A836, #C98036 and #C95936

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BCA35 shade: #9BC936, #73C936, #4BC936, #36C948 and #36C970

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BCA35 shade matches the following richer shades: #9BC936, #A2DE21 and #AAF30C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BCA35 shade: #9BC936, #93B54A, #8CA05F, #848C73 and #7C7788

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BCA35 shade: #C9A736, #C5C936, #9DC936, #76C936 and #4EC936

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BCA35 shade: #698824, #82A92D, #9BC936, #ABD256 and #BBDB77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BCA35 shade: #9BCA35, #36C980 and #BB36C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BCA35 shade: #9BCA35, #369DC9 and #C9369D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BCA35 shade: #9BCA35, #36C980, #6236C9 and #C93680

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BCA35 shade: #9BCA35, #36C9AC, #6236C9 and #C93653

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 74 / 21

HEX #9BCA35

RGB 155 202 53

HSL 78.93, 0.58%, 0.5%

LAB 75.74, -36.1, 64.87

 

Complementary color

CMYK 50 / 74 / 0 / 21

HEX #6435CA

RGB 100 53 202

HSL 258.93, 0.58%, 0.5%

LAB 36.97, 54.45, -69.69

 

CMYK 21 / 0 / 76 / 21

HEX #A0CA30

RGB 160 202 48

HSL 76.36, 0.62%, 0.49%

LAB 76.03, -34.39, 66.87

 

CMYK 20 / 0 / 70 / 14

HEX #B1DC43

RGB 177 220 67

HSL 76.86, 0.69%, 0.56%

LAB 82.35, -34.96, 66.93

 

CMYK 18 / 0 / 64 / 7

HEX #C2EE56

RGB 194 238 86

HSL 77.37, 0.82%, 0.64%

LAB 88.59, -35.41, 66.48

 

CMYK 17 / 0 / 59 / 0

HEX #D3FF69

RGB 211 255 105

HSL 77.6, 1%, 0.71%

LAB 94.48, -35.29, 65.45

 

CMYK 11 / 0 / 51 / 0

HEX #E4FF7C

RGB 228 255 124

HSL 72.37, 1%, 0.74%

LAB 95.78, -27.28, 58.95

 

CMYK 23 / 0 / 74 / 21

HEX #9BCA35

RGB 155 202 53

HSL 78.93, 0.58%, 0.5%

LAB 75.74, -36.1, 64.87

 

CMYK 25 / 0 / 82 / 28

HEX #8AB822

RGB 138 184 34

HSL 78.4, 0.69%, 0.43%

LAB 69.33, -35.45, 64.32

 

CMYK 27 / 0 / 91 / 35

HEX #79A60F

RGB 121 166 15

HSL 77.88, 0.83%, 0.35%

LAB 62.82, -34.58, 62.56

 

CMYK 30 / 0 / 100 / 42

HEX #689400

RGB 104 148 0

HSL 77.84, 1%, 0.29%

LAB 56.21, -33.47, 59.16

 

CMYK 33 / 0 / 100 / 49

HEX #578200

RGB 87 130 0

HSL 79.85, 1%, 0.25%

LAB 49.49, -32.04, 53.56

 

CMYK 23 / 0 / 73 / 21

HEX #9BC936

RGB 155 201 54

HSL 78.78, 0.58%, 0.5%

LAB 75.46, -35.59, 64.25

 

CMYK 3 / 0 / 73 / 21

HEX #C3C936

RGB 195 201 54

HSL 62.45, 0.58%, 0.5%

LAB 78.25, -19.3, 67.91

 

CMYK 0 / 16 / 73 / 21

HEX #C9A836

RGB 201 168 54

HSL 46.53, 0.58%, 0.5%

LAB 69.96, 0.26, 60.12

 

CMYK 0 / 36 / 73 / 21

HEX #C98036

RGB 201 128 54

HSL 30.2, 0.58%, 0.5%

LAB 60, 21.96, 50.13

 

CMYK 0 / 56 / 73 / 21

HEX #C95936

RGB 201 89 54

HSL 14.29, 0.58%, 0.5%

LAB 51.64, 42.41, 41.27

 

CMYK 23 / 0 / 73 / 21

HEX #9BC936

RGB 155 201 54

HSL 78.78, 0.58%, 0.5%

LAB 75.46, -35.59, 64.25

 

CMYK 43 / 0 / 73 / 21

HEX #73C936

RGB 115 201 54

HSL 95.1, 0.58%, 0.5%

LAB 73.34, -49.95, 61.46

 

CMYK 63 / 0 / 73 / 21

HEX #4BC936

RGB 75 201 54

HSL 111.43, 0.58%, 0.5%

LAB 71.92, -60.94, 59.56

 

CMYK 73 / 0 / 64 / 21

HEX #36C948

RGB 54 201 72

HSL 127.35, 0.58%, 0.5%

LAB 71.57, -63.3, 52.02

 

CMYK 73 / 0 / 44 / 21

HEX #36C970

RGB 54 201 112

HSL 143.67, 0.58%, 0.5%

LAB 72.05, -57.73, 33.68

 

CMYK 23 / 0 / 73 / 21

HEX #9BC936

RGB 155 201 54

HSL 78.78, 0.58%, 0.5%

LAB 75.46, -35.59, 64.25

 

CMYK 27 / 0 / 85 / 13

HEX #A2DE21

RGB 162 222 33

HSL 79.05, 0.74%, 0.5%

LAB 81.86, -43.1, 76

 

CMYK 30 / 0 / 95 / 5

HEX #AAF30C

RGB 170 243 12

HSL 78.96, 0.91%, 0.5%

LAB 88.29, -49.45, 84.44

 

CMYK 23 / 0 / 73 / 21

HEX #9BC936

RGB 155 201 54

HSL 78.78, 0.58%, 0.5%

LAB 75.46, -35.59, 64.25

 

CMYK 19 / 0 / 59 / 29

HEX #93B54A

RGB 147 181 74

HSL 79.07, 0.42%, 0.5%

LAB 69.29, -27.97, 49.64

 

CMYK 13 / 0 / 41 / 37

HEX #8CA05F

RGB 140 160 95

HSL 78.46, 0.25%, 0.5%

LAB 62.96, -18.08, 31.55

 

CMYK 6 / 0 / 18 / 45

HEX #848C73

RGB 132 140 115

HSL 79.2, 0.1%, 0.5%

LAB 56.98, -7.62, 12.39

 

CMYK 9 / 13 / 0 / 47

HEX #7C7788

RGB 124 119 136

HSL 257.65, 0.07%, 0.5%

LAB 50.99, 5.42, -8.57

 

CMYK 0 / 17 / 73 / 21

HEX #C9A736

RGB 201 167 54

HSL 46.12, 0.58%, 0.5%

LAB 69.7, 0.79, 59.87

 

CMYK 2 / 0 / 73 / 21

HEX #C5C936

RGB 197 201 54

HSL 61.63, 0.58%, 0.5%

LAB 78.41, -18.46, 68.11

 

CMYK 22 / 0 / 73 / 21

HEX #9DC936

RGB 157 201 54

HSL 77.96, 0.58%, 0.5%

LAB 75.58, -34.81, 64.41

 

CMYK 41 / 0 / 73 / 21

HEX #76C936

RGB 118 201 54

HSL 93.88, 0.58%, 0.5%

LAB 73.47, -48.97, 61.63

 

CMYK 61 / 0 / 73 / 21

HEX #4EC936

RGB 78 201 54

HSL 110.2, 0.58%, 0.5%

LAB 72, -60.26, 59.67

 

CMYK 23 / 0 / 74 / 47

HEX #698824

RGB 105 136 36

HSL 78.6, 0.58%, 0.34%

LAB 52.66, -26.07, 47.32

 

CMYK 23 / 0 / 73 / 34

HEX #82A92D

RGB 130 169 45

HSL 78.87, 0.58%, 0.42%

LAB 64.41, -31.16, 56.1

 

CMYK 23 / 0 / 73 / 21

HEX #9BC936

RGB 155 201 54

HSL 78.78, 0.58%, 0.5%

LAB 75.46, -35.59, 64.25

 

CMYK 19 / 0 / 59 / 18

HEX #ABD256

RGB 171 210 86

HSL 78.87, 0.58%, 0.58%

LAB 79.28, -31.32, 55.93

 

CMYK 15 / 0 / 46 / 14

HEX #BBDB77

RGB 187 219 119

HSL 79.2, 0.58%, 0.66%

LAB 83.21, -26.29, 45.5

 

CMYK 23 / 0 / 74 / 21

HEX #9BCA35

RGB 155 202 53

HSL 78.93, 0.58%, 0.5%

LAB 75.74, -36.1, 64.87

 

CMYK 73 / 0 / 36 / 21

HEX #36C980

RGB 54 201 128

HSL 150.2, 0.58%, 0.5%

LAB 72.31, -54.79, 25.75

 

CMYK 7 / 73 / 0 / 21

HEX #BB36C9

RGB 187 54 201

HSL 294.29, 0.58%, 0.5%

LAB 48.79, 69.87, -49.41

 

CMYK 23 / 0 / 74 / 21

HEX #9BCA35

RGB 155 202 53

HSL 78.93, 0.58%, 0.5%

LAB 75.74, -36.1, 64.87

 

CMYK 73 / 22 / 0 / 21

HEX #369DC9

RGB 54 157 201

HSL 197.96, 0.58%, 0.5%

LAB 60.88, -14.83, -31.05

 

CMYK 0 / 73 / 22 / 21

HEX #C9369D

RGB 201 54 157

HSL 317.96, 0.58%, 0.5%

LAB 48.87, 66.37, -23.32

 

CMYK 23 / 0 / 74 / 21

HEX #9BCA35

RGB 155 202 53

HSL 78.93, 0.58%, 0.5%

LAB 75.74, -36.1, 64.87

 

CMYK 73 / 0 / 36 / 21

HEX #36C980

RGB 54 201 128

HSL 150.2, 0.58%, 0.5%

LAB 72.31, -54.79, 25.75

 

CMYK 51 / 73 / 0 / 21

HEX #6236C9

RGB 98 54 201

HSL 257.96, 0.58%, 0.5%

LAB 36.84, 53.39, -69.32

 

CMYK 0 / 73 / 36 / 21

HEX #C93680

RGB 201 54 128

HSL 329.8, 0.58%, 0.5%

LAB 47.77, 62.9, -7.56

 

CMYK 23 / 0 / 74 / 21

HEX #9BCA35

RGB 155 202 53

HSL 78.93, 0.58%, 0.5%

LAB 75.74, -36.1, 64.87

 

CMYK 73 / 0 / 14 / 21

HEX #36C9AC

RGB 54 201 172

HSL 168.16, 0.58%, 0.5%

LAB 73.24, -44.79, 3.53

 

CMYK 51 / 73 / 0 / 21

HEX #6236C9

RGB 98 54 201

HSL 257.96, 0.58%, 0.5%

LAB 36.84, 53.39, -69.32

 

CMYK 0 / 73 / 59 / 21

HEX #C93653

RGB 201 54 83

HSL 348.16, 0.58%, 0.5%

LAB 46.55, 58.93, 18.25

 

Description

Color code: HEX #9BCA35 | qconv.com Color code: HEX #9BCA35 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 202 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 202 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 74 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 74% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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