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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BBF35 it is the complementary color #6440CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BBF35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BBF35 shade: #A0BF30, #B1D143, #C2E356, #D3F569 and #E4FF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BBF35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BBF35 shade: #9BBF35, #8AAD22, #799B0F, #688900 and #577700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BBF35 shade: #9CC035, #C0BF35, #C09935, #C07435 and #C04E35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BBF35 shade: #9CC035, #76C035, #51C035, #35C03E and #35C064

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BBF35 shade matches the following richer shades: #9CC035, #A5D421 and #AFE80D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BBF35 shade: #9CC035, #92AC48, #89995C, #7F8570 and #767184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BBF35 shade: #C09935, #C0BE35, #9DC035, #78C035 and #53C035

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BBF35 shade: #677F23, #82A02C, #9CC035, #AECF4F and #BDD870

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BBF35 shade: #9BBF35, #35C073 and #AB35C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BBF35 shade: #9BBF35, #359DC0 and #C0359D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BBF35 shade: #9BBF35, #35C073, #5835C0 and #C03581

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BBF35 shade: #9BBF35, #35C09D, #5835C0 and #C03558

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 72 / 25

HEX #9BBF35

RGB 155 191 53

HSL 75.65, 0.57%, 0.48%

LAB 72.55, -31.02, 61.77

 

Complementary color

CMYK 50 / 68 / 0 / 21

HEX #6440CA

RGB 100 64 202

HSL 255.65, 0.57%, 0.52%

LAB 38.97, 48.86, -66.41

 

CMYK 16 / 0 / 75 / 25

HEX #A0BF30

RGB 160 191 48

HSL 73.01, 0.6%, 0.47%

LAB 72.86, -29.25, 63.89

 

CMYK 15 / 0 / 68 / 18

HEX #B1D143

RGB 177 209 67

HSL 73.52, 0.61%, 0.54%

LAB 79.24, -29.86, 63.79

 

CMYK 15 / 0 / 62 / 11

HEX #C2E356

RGB 194 227 86

HSL 74.04, 0.72%, 0.61%

LAB 85.54, -30.34, 63.23

 

CMYK 14 / 0 / 57 / 4

HEX #D3F569

RGB 211 245 105

HSL 74.57, 0.88%, 0.69%

LAB 91.76, -30.71, 62.41

 

CMYK 11 / 0 / 51 / 0

HEX #E4FF7C

RGB 228 255 124

HSL 72.37, 1%, 0.74%

LAB 95.78, -27.28, 58.95

 

CMYK 19 / 0 / 72 / 25

HEX #9BBF35

RGB 155 191 53

HSL 75.65, 0.57%, 0.48%

LAB 72.55, -31.02, 61.77

 

CMYK 20 / 0 / 80 / 32

HEX #8AAD22

RGB 138 173 34

HSL 75.11, 0.67%, 0.41%

LAB 66.06, -30.34, 61.4

 

CMYK 22 / 0 / 90 / 39

HEX #799B0F

RGB 121 155 15

HSL 74.57, 0.82%, 0.33%

LAB 59.47, -29.45, 59.82

 

CMYK 24 / 0 / 100 / 46

HEX #688900

RGB 104 137 0

HSL 74.45, 1%, 0.27%

LAB 52.77, -28.3, 56.53

 

CMYK 27 / 0 / 100 / 53

HEX #577700

RGB 87 119 0

HSL 76.13, 1%, 0.23%

LAB 45.93, -26.84, 50.84

 

CMYK 19 / 0 / 72 / 25

HEX #9CC035

RGB 156 192 53

HSL 75.54, 0.57%, 0.48%

LAB 72.91, -31.08, 62.13

 

CMYK 0 / 1 / 72 / 25

HEX #C0BF35

RGB 192 191 53

HSL 59.57, 0.57%, 0.48%

LAB 75.28, -15.62, 65.34

 

CMYK 0 / 20 / 72 / 25

HEX #C09935

RGB 192 153 53

HSL 43.17, 0.57%, 0.48%

LAB 65.16, 4.33, 55.47

 

CMYK 0 / 40 / 72 / 25

HEX #C07435

RGB 192 116 53

HSL 27.19, 0.57%, 0.48%

LAB 56.04, 24.63, 46.11

 

CMYK 0 / 59 / 72 / 25

HEX #C04E35

RGB 192 78 53

HSL 10.79, 0.57%, 0.48%

LAB 48.15, 44.3, 37.53

 

CMYK 19 / 0 / 72 / 25

HEX #9CC035

RGB 156 192 53

HSL 75.54, 0.57%, 0.48%

LAB 72.91, -31.08, 62.13

 

CMYK 39 / 0 / 72 / 25

HEX #76C035

RGB 118 192 53

HSL 91.94, 0.57%, 0.48%

LAB 70.74, -45.34, 59.26

 

CMYK 58 / 0 / 72 / 25

HEX #51C035

RGB 81 192 53

HSL 107.91, 0.57%, 0.48%

LAB 69.26, -56.44, 57.29

 

CMYK 72 / 0 / 68 / 25

HEX #35C03E

RGB 53 192 62

HSL 123.88, 0.57%, 0.48%

LAB 68.61, -61.53, 52.93

 

CMYK 72 / 0 / 48 / 25

HEX #35C064

RGB 53 192 100

HSL 140.29, 0.57%, 0.48%

LAB 69.02, -56.63, 35.89

 

CMYK 19 / 0 / 72 / 25

HEX #9CC035

RGB 156 192 53

HSL 75.54, 0.57%, 0.48%

LAB 72.91, -31.08, 62.13

 

CMYK 22 / 0 / 84 / 17

HEX #A5D421

RGB 165 212 33

HSL 75.75, 0.73%, 0.48%

LAB 79.15, -37.54, 73.76

 

CMYK 25 / 0 / 94 / 9

HEX #AFE80D

RGB 175 232 13

HSL 75.62, 0.89%, 0.48%

LAB 85.43, -42.92, 82.22

 

CMYK 19 / 0 / 72 / 25

HEX #9CC035

RGB 156 192 53

HSL 75.54, 0.57%, 0.48%

LAB 72.91, -31.08, 62.13

 

CMYK 15 / 0 / 58 / 33

HEX #92AC48

RGB 146 172 72

HSL 75.6, 0.41%, 0.48%

LAB 66.58, -24.16, 47.49

 

CMYK 10 / 0 / 40 / 40

HEX #89995C

RGB 137 153 92

HSL 75.74, 0.25%, 0.48%

LAB 60.67, -16.03, 30.17

 

CMYK 5 / 0 / 16 / 48

HEX #7F8570

RGB 127 133 112

HSL 77.14, 0.09%, 0.48%

LAB 54.51, -6.2, 10.58

 

CMYK 11 / 14 / 0 / 48

HEX #767184

RGB 118 113 132

HSL 255.79, 0.08%, 0.48%

LAB 48.67, 5.92, -9.73

 

CMYK 0 / 20 / 72 / 25

HEX #C09935

RGB 192 153 53

HSL 43.17, 0.57%, 0.48%

LAB 65.16, 4.33, 55.47

 

CMYK 0 / 1 / 72 / 25

HEX #C0BE35

RGB 192 190 53

HSL 59.14, 0.57%, 0.48%

LAB 75.01, -15.12, 65.08

 

CMYK 18 / 0 / 72 / 25

HEX #9DC035

RGB 157 192 53

HSL 75.11, 0.57%, 0.48%

LAB 72.97, -30.68, 62.22

 

CMYK 38 / 0 / 72 / 25

HEX #78C035

RGB 120 192 53

HSL 91.08, 0.57%, 0.48%

LAB 70.84, -44.65, 59.39

 

CMYK 57 / 0 / 72 / 25

HEX #53C035

RGB 83 192 53

HSL 107.05, 0.57%, 0.48%

LAB 69.32, -55.93, 57.38

 

CMYK 19 / 0 / 72 / 50

HEX #677F23

RGB 103 127 35

HSL 75.65, 0.57%, 0.32%

LAB 49.72, -22.48, 44.73

 

CMYK 19 / 0 / 73 / 37

HEX #82A02C

RGB 130 160 44

HSL 75.52, 0.57%, 0.4%

LAB 61.71, -26.91, 53.81

 

CMYK 19 / 0 / 72 / 25

HEX #9CC035

RGB 156 192 53

HSL 75.54, 0.57%, 0.48%

LAB 72.91, -31.08, 62.13

 

CMYK 16 / 0 / 62 / 19

HEX #AECF4F

RGB 174 207 79

HSL 75.47, 0.57%, 0.56%

LAB 78.57, -29.29, 58.21

 

CMYK 13 / 0 / 48 / 15

HEX #BDD870

RGB 189 216 112

HSL 75.58, 0.57%, 0.64%

LAB 82.43, -24.82, 47.95

 

CMYK 19 / 0 / 72 / 25

HEX #9BBF35

RGB 155 191 53

HSL 75.65, 0.57%, 0.48%

LAB 72.55, -31.02, 61.77

 

CMYK 72 / 0 / 40 / 25

HEX #35C073

RGB 53 192 115

HSL 146.76, 0.57%, 0.48%

LAB 69.25, -54.03, 28.49

 

CMYK 11 / 72 / 0 / 25

HEX #AB35C0

RGB 171 53 192

HSL 290.94, 0.57%, 0.48%

LAB 45.65, 65.31, -49.35

 

CMYK 19 / 0 / 72 / 25

HEX #9BBF35

RGB 155 191 53

HSL 75.65, 0.57%, 0.48%

LAB 72.55, -31.02, 61.77

 

CMYK 72 / 18 / 0 / 25

HEX #359DC0

RGB 53 157 192

HSL 195.11, 0.57%, 0.48%

LAB 60.5, -17.96, -26.61

 

CMYK 0 / 72 / 18 / 25

HEX #C0359D

RGB 192 53 157

HSL 315.11, 0.57%, 0.48%

LAB 47.22, 64.49, -26.01

 

CMYK 19 / 0 / 72 / 25

HEX #9BBF35

RGB 155 191 53

HSL 75.65, 0.57%, 0.48%

LAB 72.55, -31.02, 61.77

 

CMYK 72 / 0 / 40 / 25

HEX #35C073

RGB 53 192 115

HSL 146.76, 0.57%, 0.48%

LAB 69.25, -54.03, 28.49

 

CMYK 54 / 72 / 0 / 25

HEX #5835C0

RGB 88 53 192

HSL 255.11, 0.57%, 0.48%

LAB 34.86, 49.86, -67.35

 

CMYK 0 / 72 / 33 / 25

HEX #C03581

RGB 192 53 129

HSL 327.19, 0.57%, 0.48%

LAB 46.09, 60.93, -10.85

 

CMYK 19 / 0 / 72 / 25

HEX #9BBF35

RGB 155 191 53

HSL 75.65, 0.57%, 0.48%

LAB 72.55, -31.02, 61.77

 

CMYK 72 / 0 / 18 / 25

HEX #35C09D

RGB 53 192 157

HSL 164.89, 0.57%, 0.48%

LAB 70.1, -44.87, 7.14

 

CMYK 54 / 72 / 0 / 25

HEX #5835C0

RGB 88 53 192

HSL 255.11, 0.57%, 0.48%

LAB 34.86, 49.86, -67.35

 

CMYK 0 / 72 / 54 / 25

HEX #C03558

RGB 192 53 88

HSL 344.89, 0.57%, 0.48%

LAB 44.88, 56.96, 12.62

 

Description

Color code: HEX #9BBF35 | qconv.com Color code: HEX #9BBF35 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 191 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 191 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 72 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 72% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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