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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BBE10 it is the complementary color #6441EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BBE10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BBE10 shade: #A0BE0B, #B1D01E, #C2E231, #D3F444 and #E4FF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BBE10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BBE10 shade: #9BBE10, #8AAC00, #799A00, #688800 and #577600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BBE10 shade: #99BC10, #BCB010, #BC8210, #BC5410 and #BC2510

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BBE10 shade: #99BC10, #6BBC10, #3DBC10, #10BC12 and #10BC40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BBE10 shade matches the following richer shades: #99BC10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BBE10 shade: #99BC10, #8FAB21, #859B31, #7C8A42 and #727A52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BBE10 shade: #BC8310, #BCB010, #99BC10, #6CBC10 and #3EBC10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BBE10 shade: #5B700A, #7A960D, #99BC10, #B8E214 and #C7ED31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BBE10 shade: #9BBE10, #10BC55 and #9910BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BBE10 shade: #9BBE10, #1099BC and #BC1099

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BBE10 shade: #9BBE10, #10BC55, #3310BC and #BC1077

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BBE10 shade: #9BBE10, #10BC88, #3310BC and #BC1044

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 92 / 25

HEX #9BBE10

RGB 155 190 16

HSL 72.07, 0.84%, 0.4%

LAB 72.12, -31.89, 70.81

 

Complementary color

CMYK 58 / 73 / 0 / 6

HEX #6441EF

RGB 100 65 239

HSL 252.07, 0.84%, 0.6%

LAB 42.34, 58.86, -82.05

 

CMYK 16 / 0 / 94 / 25

HEX #A0BE0B

RGB 160 190 11

HSL 70.06, 0.89%, 0.39%

LAB 72.44, -29.91, 71.86

 

CMYK 15 / 0 / 86 / 18

HEX #B1D01E

RGB 177 208 30

HSL 70.45, 0.75%, 0.47%

LAB 78.78, -31, 74.4

 

CMYK 14 / 0 / 78 / 11

HEX #C2E231

RGB 194 226 49

HSL 70.85, 0.75%, 0.54%

LAB 85.04, -31.89, 75.66

 

CMYK 14 / 0 / 72 / 4

HEX #D3F444

RGB 211 244 68

HSL 71.25, 0.89%, 0.61%

LAB 91.22, -32.62, 76.05

 

CMYK 11 / 0 / 66 / 0

HEX #E4FF57

RGB 228 255 87

HSL 69.64, 1%, 0.67%

LAB 95.46, -30.01, 73.96

 

CMYK 18 / 0 / 92 / 25

HEX #9BBE10

RGB 155 190 16

HSL 72.07, 0.84%, 0.4%

LAB 72.12, -31.89, 70.81

 

CMYK 20 / 0 / 100 / 33

HEX #8AAC00

RGB 138 172 0

HSL 71.86, 1%, 0.34%

LAB 65.68, -30.7, 67.31

 

CMYK 21 / 0 / 100 / 40

HEX #799A00

RGB 121 154 0

HSL 72.86, 1%, 0.3%

LAB 59.14, -29.27, 61.86

 

CMYK 24 / 0 / 100 / 47

HEX #688800

RGB 104 136 0

HSL 74.12, 1%, 0.27%

LAB 52.45, -27.82, 56.29

 

CMYK 26 / 0 / 100 / 54

HEX #577600

RGB 87 118 0

HSL 75.76, 1%, 0.23%

LAB 45.61, -26.35, 50.59

 

CMYK 19 / 0 / 91 / 26

HEX #99BC10

RGB 153 188 16

HSL 72.21, 0.84%, 0.4%

LAB 71.4, -31.77, 70.19

 

CMYK 0 / 6 / 91 / 26

HEX #BCB010

RGB 188 176 16

HSL 55.81, 0.84%, 0.4%

LAB 70.72, -10.83, 70.8

 

CMYK 0 / 31 / 91 / 26

HEX #BC8210

RGB 188 130 16

HSL 39.77, 0.84%, 0.4%

LAB 58.69, 13.95, 61.61

 

CMYK 0 / 55 / 91 / 26

HEX #BC5410

RGB 188 84 16

HSL 23.72, 0.84%, 0.4%

LAB 48.35, 38.68, 53.95

 

CMYK 0 / 80 / 91 / 26

HEX #BC2510

RGB 188 37 16

HSL 7.33, 0.84%, 0.4%

LAB 41.3, 57.65, 48.96

 

CMYK 19 / 0 / 91 / 26

HEX #99BC10

RGB 153 188 16

HSL 72.21, 0.84%, 0.4%

LAB 71.4, -31.77, 70.19

 

CMYK 43 / 0 / 91 / 26

HEX #6BBC10

RGB 107 188 16

HSL 88.26, 0.84%, 0.4%

LAB 68.85, -49.07, 67.05

 

CMYK 68 / 0 / 91 / 26

HEX #3DBC10

RGB 61 188 16

HSL 104.3, 0.84%, 0.4%

LAB 67.27, -61.54, 65.1

 

CMYK 91 / 0 / 90 / 26

HEX #10BC12

RGB 16 188 18

HSL 120.7, 0.84%, 0.4%

LAB 66.61, -67.33, 63.95

 

CMYK 91 / 0 / 66 / 26

HEX #10BC40

RGB 16 188 64

HSL 136.74, 0.84%, 0.4%

LAB 66.86, -64.18, 50.06

 

CMYK 19 / 0 / 91 / 26

HEX #99BC10

RGB 153 188 16

HSL 72.21, 0.84%, 0.4%

LAB 71.4, -31.77, 70.19

 

CMYK 19 / 0 / 91 / 26

HEX #99BC10

RGB 153 188 16

HSL 72.21, 0.84%, 0.4%

LAB 71.4, -31.77, 70.19

 

CMYK 16 / 0 / 81 / 33

HEX #8FAB21

RGB 143 171 33

HSL 72.17, 0.68%, 0.4%

LAB 65.81, -27.36, 61.58

 

CMYK 14 / 0 / 68 / 39

HEX #859B31

RGB 133 155 49

HSL 72.45, 0.52%, 0.4%

LAB 60.47, -22.87, 50.68

 

CMYK 10 / 0 / 52 / 46

HEX #7C8A42

RGB 124 138 66

HSL 71.67, 0.35%, 0.4%

LAB 54.92, -16.54, 36.48

 

CMYK 7 / 0 / 33 / 52

HEX #727A52

RGB 114 122 82

HSL 72, 0.2%, 0.4%

LAB 49.62, -10.15, 20.95

 

CMYK 0 / 30 / 91 / 26

HEX #BC8310

RGB 188 131 16

HSL 40.12, 0.84%, 0.4%

LAB 58.94, 13.4, 61.8

 

CMYK 0 / 6 / 91 / 26

HEX #BCB010

RGB 188 176 16

HSL 55.81, 0.84%, 0.4%

LAB 70.72, -10.83, 70.8

 

CMYK 19 / 0 / 91 / 26

HEX #99BC10

RGB 153 188 16

HSL 72.21, 0.84%, 0.4%

LAB 71.4, -31.77, 70.19

 

CMYK 43 / 0 / 91 / 26

HEX #6CBC10

RGB 108 188 16

HSL 87.91, 0.84%, 0.4%

LAB 68.89, -48.73, 67.1

 

CMYK 67 / 0 / 91 / 26

HEX #3EBC10

RGB 62 188 16

HSL 103.95, 0.84%, 0.4%

LAB 67.3, -61.33, 65.13

 

CMYK 19 / 0 / 91 / 56

HEX #5B700A

RGB 91 112 10

HSL 72.35, 0.84%, 0.24%

LAB 43.99, -21.28, 47.19

 

CMYK 19 / 0 / 91 / 41

HEX #7A960D

RGB 122 150 13

HSL 72.26, 0.84%, 0.32%

LAB 58.02, -26.66, 59.02

 

CMYK 19 / 0 / 91 / 26

HEX #99BC10

RGB 153 188 16

HSL 72.21, 0.84%, 0.4%

LAB 71.4, -31.77, 70.19

 

CMYK 19 / 0 / 91 / 11

HEX #B8E214

RGB 184 226 20

HSL 72.23, 0.84%, 0.48%

LAB 84.29, -36.66, 80.76

 

CMYK 16 / 0 / 79 / 7

HEX #C7ED31

RGB 199 237 49

HSL 72.13, 0.84%, 0.56%

LAB 88.42, -34.95, 78.8

 

CMYK 18 / 0 / 92 / 25

HEX #9BBE10

RGB 155 190 16

HSL 72.07, 0.84%, 0.4%

LAB 72.12, -31.89, 70.81

 

CMYK 91 / 0 / 55 / 26

HEX #10BC55

RGB 16 188 85

HSL 144.07, 0.84%, 0.4%

LAB 67.08, -61.5, 40.78

 

CMYK 19 / 91 / 0 / 26

HEX #9910BC

RGB 153 16 188

HSL 287.79, 0.84%, 0.4%

LAB 39.2, 70.92, -57.55

 

CMYK 18 / 0 / 92 / 25

HEX #9BBE10

RGB 155 190 16

HSL 72.07, 0.84%, 0.4%

LAB 72.12, -31.89, 70.81

 

CMYK 91 / 19 / 0 / 26

HEX #1099BC

RGB 16 153 188

HSL 192.21, 0.84%, 0.4%

LAB 58.53, -20.51, -27.43

 

CMYK 0 / 91 / 19 / 26

HEX #BC1099

RGB 188 16 153

HSL 312.21, 0.84%, 0.4%

LAB 43.3, 71.74, -29.76

 

CMYK 18 / 0 / 92 / 25

HEX #9BBE10

RGB 155 190 16

HSL 72.07, 0.84%, 0.4%

LAB 72.12, -31.89, 70.81

 

CMYK 91 / 0 / 55 / 26

HEX #10BC55

RGB 16 188 85

HSL 144.07, 0.84%, 0.4%

LAB 67.08, -61.5, 40.78

 

CMYK 73 / 91 / 0 / 26

HEX #3310BC

RGB 51 16 188

HSL 252.21, 0.84%, 0.4%

LAB 25.88, 60.37, -79.93

 

CMYK 0 / 91 / 37 / 26

HEX #BC1077

RGB 188 16 119

HSL 324.07, 0.84%, 0.4%

LAB 41.84, 67.85, -11.19

 

CMYK 18 / 0 / 92 / 25

HEX #9BBE10

RGB 155 190 16

HSL 72.07, 0.84%, 0.4%

LAB 72.12, -31.89, 70.81

 

CMYK 91 / 0 / 28 / 26

HEX #10BC88

RGB 16 188 136

HSL 161.86, 0.84%, 0.4%

LAB 67.91, -51.75, 15.4

 

CMYK 73 / 91 / 0 / 26

HEX #3310BC

RGB 51 16 188

HSL 252.21, 0.84%, 0.4%

LAB 25.88, 60.37, -79.93

 

CMYK 0 / 91 / 64 / 26

HEX #BC1044

RGB 188 16 68

HSL 341.86, 0.84%, 0.4%

LAB 40.38, 63.84, 18.93

 

Description

Color code: HEX #9BBE10 | qconv.com Color code: HEX #9BBE10 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 190 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 190 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 92 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 92% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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