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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BBC5B it is the complementary color #6443A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BBC5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BBC5B shade: #A0BC56, #B1CE69, #C2E07C, #D3F28F and #E4FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BBC5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BBC5B shade: #9BBC5B, #8AAA48, #799835, #688622 and #57740F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BBC5B shade: #9CBC5C, #B6BC5C, #BCA95C, #BC8F5C and #BC755C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BBC5B shade: #9CBC5C, #82BC5C, #68BC5C, #5CBC6A and #5CBC84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BBC5B shade matches the following richer shades: #9CBC5C, #A2CF49, #A8E237 and #ADF424

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BBC5B shade: #9CBC5C, #96AA6F, #909781, #8A8594 and #8472A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BBC5B shade: #BCA95C, #B6BC5C, #9CBC5C, #83BC5C and #69BC5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BBC5B shade: #708D39, #88AA45, #9CBC5C, #AEC879 and #BFD497

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BBC5B shade: #9BBC5B, #5CBC8F and #B65CBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BBC5B shade: #9BBC5B, #5C9CBC and #BC5C9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BBC5B shade: #9BBC5B, #5CBC8F, #7C5CBC and #BC5C89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BBC5B shade: #9BBC5B, #5CBCAC, #7C5CBC and #BC5C6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 52 / 26

HEX #9BBC5B

RGB 155 188 91

HSL 80.41, 0.42%, 0.55%

LAB 72.02, -26.6, 44.98

 

Complementary color

CMYK 39 / 59 / 0 / 36

HEX #6443A4

RGB 100 67 164

HSL 260.41, 0.42%, 0.45%

LAB 36.75, 36.46, -47.6

 

CMYK 15 / 0 / 54 / 26

HEX #A0BC56

RGB 160 188 86

HSL 76.47, 0.43%, 0.54%

LAB 72.3, -25.12, 47.78

 

CMYK 14 / 0 / 49 / 19

HEX #B1CE69

RGB 177 206 105

HSL 77.23, 0.51%, 0.61%

LAB 78.76, -25.34, 46.67

 

CMYK 13 / 0 / 45 / 12

HEX #C2E07C

RGB 194 224 124

HSL 78, 0.62%, 0.68%

LAB 85.12, -25.49, 45.53

 

CMYK 13 / 0 / 41 / 5

HEX #D3F28F

RGB 211 242 143

HSL 78.79, 0.79%, 0.75%

LAB 91.39, -25.6, 44.4

 

CMYK 11 / 0 / 36 / 0

HEX #E4FFA2

RGB 228 255 162

HSL 77.42, 1%, 0.82%

LAB 96.25, -23.31, 41.58

 

CMYK 18 / 0 / 52 / 26

HEX #9BBC5B

RGB 155 188 91

HSL 80.41, 0.42%, 0.55%

LAB 72.02, -26.6, 44.98

 

CMYK 19 / 0 / 58 / 33

HEX #8AAA48

RGB 138 170 72

HSL 79.59, 0.4%, 0.47%

LAB 65.45, -26.41, 46.06

 

CMYK 20 / 0 / 65 / 40

HEX #799835

RGB 121 152 53

HSL 78.79, 0.48%, 0.4%

LAB 58.77, -26.1, 46.94

 

CMYK 22 / 0 / 75 / 47

HEX #688622

RGB 104 134 34

HSL 78, 0.6%, 0.33%

LAB 51.96, -25.63, 47.37

 

CMYK 25 / 0 / 87 / 55

HEX #57740F

RGB 87 116 15

HSL 77.23, 0.77%, 0.26%

LAB 45.01, -24.9, 46.73

 

CMYK 17 / 0 / 51 / 26

HEX #9CBC5C

RGB 156 188 92

HSL 80, 0.42%, 0.55%

LAB 72.1, -26.11, 44.61

 

CMYK 3 / 0 / 51 / 26

HEX #B6BC5C

RGB 182 188 92

HSL 63.75, 0.42%, 0.55%

LAB 73.99, -15.68, 47.31

 

CMYK 0 / 10 / 51 / 26

HEX #BCA95C

RGB 188 169 92

HSL 48.13, 0.42%, 0.55%

LAB 69.36, -3.29, 41.91

 

CMYK 0 / 24 / 51 / 26

HEX #BC8F5C

RGB 188 143 92

HSL 31.88, 0.42%, 0.55%

LAB 62.6, 10.82, 33.58

 

CMYK 0 / 38 / 51 / 26

HEX #BC755C

RGB 188 117 92

HSL 15.63, 0.42%, 0.55%

LAB 56.27, 25.2, 25.47

 

CMYK 17 / 0 / 51 / 26

HEX #9CBC5C

RGB 156 188 92

HSL 80, 0.42%, 0.55%

LAB 72.1, -26.11, 44.61

 

CMYK 31 / 0 / 51 / 26

HEX #82BC5C

RGB 130 188 92

HSL 96.25, 0.42%, 0.55%

LAB 70.51, -35.83, 42.32

 

CMYK 45 / 0 / 51 / 26

HEX #68BC5C

RGB 104 188 92

HSL 112.5, 0.42%, 0.55%

LAB 69.24, -44.42, 40.48

 

CMYK 51 / 0 / 44 / 26

HEX #5CBC6A

RGB 92 188 106

HSL 128.75, 0.42%, 0.55%

LAB 68.96, -45.83, 32.97

 

CMYK 51 / 0 / 30 / 26

HEX #5CBC84

RGB 92 188 132

HSL 145, 0.42%, 0.55%

LAB 69.4, -41.22, 19.86

 

CMYK 17 / 0 / 51 / 26

HEX #9CBC5C

RGB 156 188 92

HSL 80, 0.42%, 0.55%

LAB 72.1, -26.11, 44.61

 

CMYK 22 / 0 / 65 / 19

HEX #A2CF49

RGB 162 207 73

HSL 80.15, 0.58%, 0.55%

LAB 77.75, -34.41, 59.58

 

CMYK 26 / 0 / 76 / 11

HEX #A8E237

RGB 168 226 55

HSL 80.35, 0.75%, 0.55%

LAB 83.44, -41.73, 71.83

 

CMYK 29 / 0 / 85 / 4

HEX #ADF424

RGB 173 244 36

HSL 80.48, 0.9%, 0.55%

LAB 88.79, -48.3, 81.51

 

CMYK 17 / 0 / 51 / 26

HEX #9CBC5C

RGB 156 188 92

HSL 80, 0.42%, 0.55%

LAB 72.1, -26.11, 44.61

 

CMYK 12 / 0 / 35 / 33

HEX #96AA6F

RGB 150 170 111

HSL 80.34, 0.26%, 0.55%

LAB 66.81, -17.18, 28.17

 

CMYK 5 / 0 / 15 / 41

HEX #909781

RGB 144 151 129

HSL 79.09, 0.1%, 0.55%

LAB 61.35, -6.63, 10.74

 

CMYK 7 / 10 / 0 / 42

HEX #8A8594

RGB 138 133 148

HSL 260, 0.07%, 0.55%

LAB 56.4, 4.88, -7.35

 

CMYK 20 / 31 / 0 / 35

HEX #8472A6

RGB 132 114 166

HSL 260.77, 0.23%, 0.55%

LAB 51.49, 18.02, -25.31

 

CMYK 0 / 10 / 51 / 26

HEX #BCA95C

RGB 188 169 92

HSL 48.13, 0.42%, 0.55%

LAB 69.36, -3.29, 41.91

 

CMYK 3 / 0 / 51 / 26

HEX #B6BC5C

RGB 182 188 92

HSL 63.75, 0.42%, 0.55%

LAB 73.99, -15.68, 47.31

 

CMYK 17 / 0 / 51 / 26

HEX #9CBC5C

RGB 156 188 92

HSL 80, 0.42%, 0.55%

LAB 72.1, -26.11, 44.61

 

CMYK 30 / 0 / 51 / 26

HEX #83BC5C

RGB 131 188 92

HSL 95.63, 0.42%, 0.55%

LAB 70.57, -35.48, 42.4

 

CMYK 44 / 0 / 51 / 26

HEX #69BC5C

RGB 105 188 92

HSL 111.88, 0.42%, 0.55%

LAB 69.29, -44.12, 40.55

 

CMYK 21 / 0 / 60 / 45

HEX #708D39

RGB 112 141 57

HSL 80.71, 0.42%, 0.39%

LAB 54.86, -24, 40.63

 

CMYK 20 / 0 / 59 / 33

HEX #88AA45

RGB 136 170 69

HSL 80.2, 0.42%, 0.47%

LAB 65.29, -27.47, 47.22

 

CMYK 17 / 0 / 51 / 26

HEX #9CBC5C

RGB 156 188 92

HSL 80, 0.42%, 0.55%

LAB 72.1, -26.11, 44.61

 

CMYK 13 / 0 / 40 / 22

HEX #AEC879

RGB 174 200 121

HSL 79.75, 0.42%, 0.63%

LAB 77.09, -21.76, 36.63

 

CMYK 10 / 0 / 29 / 17

HEX #BFD497

RGB 191 212 151

HSL 80.66, 0.41%, 0.71%

LAB 82.05, -17.37, 27.92

 

CMYK 18 / 0 / 52 / 26

HEX #9BBC5B

RGB 155 188 91

HSL 80.41, 0.42%, 0.55%

LAB 72.02, -26.6, 44.98

 

CMYK 51 / 0 / 24 / 26

HEX #5CBC8F

RGB 92 188 143

HSL 151.88, 0.42%, 0.55%

LAB 69.63, -38.98, 14.24

 

CMYK 3 / 51 / 0 / 26

HEX #B65CBC

RGB 182 92 188

HSL 296.25, 0.42%, 0.55%

LAB 53.2, 50.26, -34.97

 

CMYK 18 / 0 / 52 / 26

HEX #9BBC5B

RGB 155 188 91

HSL 80.41, 0.42%, 0.55%

LAB 72.02, -26.6, 44.98

 

CMYK 51 / 17 / 0 / 26

HEX #5C9CBC

RGB 92 156 188

HSL 200, 0.42%, 0.55%

LAB 61.38, -11.56, -22.89

 

CMYK 0 / 51 / 17 / 26

HEX #BC5C9C

RGB 188 92 156

HSL 320, 0.42%, 0.55%

LAB 52.67, 46.57, -17.08

 

CMYK 18 / 0 / 52 / 26

HEX #9BBC5B

RGB 155 188 91

HSL 80.41, 0.42%, 0.55%

LAB 72.02, -26.6, 44.98

 

CMYK 51 / 0 / 24 / 26

HEX #5CBC8F

RGB 92 188 143

HSL 151.88, 0.42%, 0.55%

LAB 69.63, -38.98, 14.24

 

CMYK 34 / 51 / 0 / 26

HEX #7C5CBC

RGB 124 92 188

HSL 260, 0.42%, 0.55%

LAB 46.41, 34.32, -46.15

 

CMYK 0 / 51 / 27 / 26

HEX #BC5C89

RGB 188 92 137

HSL 331.88, 0.42%, 0.55%

LAB 52.01, 43.78, -6.86

 

CMYK 18 / 0 / 52 / 26

HEX #9BBC5B

RGB 155 188 91

HSL 80.41, 0.42%, 0.55%

LAB 72.02, -26.6, 44.98

 

CMYK 51 / 0 / 9 / 26

HEX #5CBCAC

RGB 92 188 172

HSL 170, 0.42%, 0.55%

LAB 70.33, -32.27, -0.58

 

CMYK 34 / 51 / 0 / 26

HEX #7C5CBC

RGB 124 92 188

HSL 260, 0.42%, 0.55%

LAB 46.41, 34.32, -46.15

 

CMYK 0 / 51 / 43 / 26

HEX #BC5C6C

RGB 188 92 108

HSL 350, 0.42%, 0.55%

LAB 51.18, 40.2, 9.21

 

Description

Color code: HEX #9BBC5B | qconv.com Color code: HEX #9BBC5B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 188 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 188 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 52 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 52% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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