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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BBC21 it is the complementary color #6443DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BBC21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BBC21 shade: #A0BC1C, #B1CE2F, #C2E042, #D3F255 and #E4FF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BBC21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BBC21 shade: #9BBC21, #8AAA0E, #799800, #688600 and #577400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BBC21 shade: #9ABA21, #BAB221, #BA8821, #BA5F21 and #BA3521

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BBC21 shade: #9ABA21, #70BA21, #47BA21, #21BA24 and #21BA4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BBC21 shade matches the following richer shades: #9ABA21 and #A4CC0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BBC21 shade: #9ABA21, #90A933, #859744, #7B8556 and #717368

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BBC21 shade: #BA8721, #BAB021, #9CBA21, #73BA21 and #4ABA21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BBC21 shade: #607415, #7D971B, #9ABA21, #B4DA2B and #C1E04E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BBC21 shade: #9BBC21, #21BA5E and #9C21BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BBC21 shade: #9BBC21, #219CBA and #BA219C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BBC21 shade: #9BBC21, #21BA5E, #4021BA and #BA217D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BBC21 shade: #9BBC21, #21BA8C, #4021BA and #BA214F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 82 / 26

HEX #9BBC21

RGB 155 188 33

HSL 72.77, 0.7%, 0.43%

LAB 71.59, -30.5, 66.99

 

Complementary color

CMYK 55 / 70 / 0 / 13

HEX #6443DE

RGB 100 67 222

HSL 252.77, 0.7%, 0.57%

LAB 41.21, 52.99, -74.26

 

CMYK 15 / 0 / 85 / 26

HEX #A0BC1C

RGB 160 188 28

HSL 70.5, 0.74%, 0.42%

LAB 71.91, -28.6, 68.59

 

CMYK 14 / 0 / 77 / 19

HEX #B1CE2F

RGB 177 206 47

HSL 70.94, 0.63%, 0.5%

LAB 78.28, -29.48, 69.67

 

CMYK 13 / 0 / 71 / 12

HEX #C2E042

RGB 194 224 66

HSL 71.39, 0.72%, 0.57%

LAB 84.57, -30.18, 69.87

 

CMYK 13 / 0 / 65 / 5

HEX #D3F255

RGB 211 242 85

HSL 71.85, 0.86%, 0.64%

LAB 90.78, -30.75, 69.53

 

CMYK 11 / 0 / 59 / 0

HEX #E4FF68

RGB 228 255 104

HSL 70.73, 1%, 0.7%

LAB 95.59, -28.9, 67.4

 

CMYK 18 / 0 / 82 / 26

HEX #9BBC21

RGB 155 188 33

HSL 72.77, 0.7%, 0.43%

LAB 71.59, -30.5, 66.99

 

CMYK 19 / 0 / 92 / 33

HEX #8AAA0E

RGB 138 170 14

HSL 72.31, 0.85%, 0.36%

LAB 65.11, -29.52, 65.03

 

CMYK 20 / 0 / 100 / 40

HEX #799800

RGB 121 152 0

HSL 72.24, 1%, 0.3%

LAB 58.53, -28.31, 61.4

 

CMYK 22 / 0 / 100 / 47

HEX #688600

RGB 104 134 0

HSL 73.43, 1%, 0.26%

LAB 51.83, -26.85, 55.82

 

CMYK 25 / 0 / 100 / 55

HEX #577400

RGB 87 116 0

HSL 75, 1%, 0.23%

LAB 44.97, -25.36, 50.1

 

CMYK 17 / 0 / 82 / 27

HEX #9ABA21

RGB 154 186 33

HSL 72.55, 0.7%, 0.43%

LAB 70.94, -29.97, 66.4

 

CMYK 0 / 4 / 82 / 27

HEX #BAB221

RGB 186 178 33

HSL 56.86, 0.7%, 0.43%

LAB 71.14, -12.35, 67.53

 

CMYK 0 / 27 / 82 / 27

HEX #BA8821

RGB 186 136 33

HSL 40.39, 0.7%, 0.43%

LAB 60.03, 10.16, 57.93

 

CMYK 0 / 49 / 82 / 27

HEX #BA5F21

RGB 186 95 33

HSL 24.31, 0.7%, 0.43%

LAB 50.37, 32.62, 49.32

 

CMYK 0 / 72 / 82 / 27

HEX #BA3521

RGB 186 53 33

HSL 7.84, 0.7%, 0.43%

LAB 42.91, 52.14, 42.41

 

CMYK 17 / 0 / 82 / 27

HEX #9ABA21

RGB 154 186 33

HSL 72.55, 0.7%, 0.43%

LAB 70.94, -29.97, 66.4

 

CMYK 40 / 0 / 82 / 27

HEX #70BA21

RGB 112 186 33

HSL 89.02, 0.7%, 0.43%

LAB 68.51, -46.01, 63.32

 

CMYK 62 / 0 / 82 / 27

HEX #47BA21

RGB 71 186 33

HSL 105.1, 0.7%, 0.43%

LAB 66.95, -58.03, 61.33

 

CMYK 82 / 0 / 81 / 27

HEX #21BA24

RGB 33 186 36

HSL 121.18, 0.7%, 0.43%

LAB 66.19, -64.47, 59.51

 

CMYK 82 / 0 / 58 / 27

HEX #21BA4E

RGB 33 186 78

HSL 137.65, 0.7%, 0.43%

LAB 66.51, -60.46, 43.47

 

CMYK 17 / 0 / 82 / 27

HEX #9ABA21

RGB 154 186 33

HSL 72.55, 0.7%, 0.43%

LAB 70.94, -29.97, 66.4

 

CMYK 20 / 0 / 93 / 20

HEX #A4CC0F

RGB 164 204 15

HSL 72.7, 0.86%, 0.43%

LAB 76.75, -34.73, 74.88

 

CMYK 17 / 0 / 82 / 27

HEX #9ABA21

RGB 154 186 33

HSL 72.55, 0.7%, 0.43%

LAB 70.94, -29.97, 66.4

 

CMYK 15 / 0 / 70 / 34

HEX #90A933

RGB 144 169 51

HSL 72.71, 0.54%, 0.43%

LAB 65.39, -25.06, 55.14

 

CMYK 12 / 0 / 55 / 41

HEX #859744

RGB 133 151 68

HSL 73.01, 0.38%, 0.43%

LAB 59.47, -19.31, 40.99

 

CMYK 8 / 0 / 35 / 48

HEX #7B8556

RGB 123 133 86

HSL 72.77, 0.21%, 0.43%

LAB 53.66, -11.89, 24.16

 

CMYK 2 / 0 / 10 / 55

HEX #717368

RGB 113 115 104

HSL 70.91, 0.05%, 0.43%

LAB 47.97, -2.92, 5.82

 

CMYK 0 / 27 / 82 / 27

HEX #BA8721

RGB 186 135 33

HSL 40, 0.7%, 0.43%

LAB 59.78, 10.71, 57.71

 

CMYK 0 / 5 / 82 / 27

HEX #BAB021

RGB 186 176 33

HSL 56.08, 0.7%, 0.43%

LAB 70.59, -11.32, 67.07

 

CMYK 16 / 0 / 82 / 27

HEX #9CBA21

RGB 156 186 33

HSL 71.76, 0.7%, 0.43%

LAB 71.07, -29.15, 66.57

 

CMYK 38 / 0 / 82 / 27

HEX #73BA21

RGB 115 186 33

HSL 87.84, 0.7%, 0.43%

LAB 68.66, -44.96, 63.51

 

CMYK 60 / 0 / 82 / 27

HEX #4ABA21

RGB 74 186 33

HSL 103.92, 0.7%, 0.43%

LAB 67.04, -57.31, 61.44

 

CMYK 17 / 0 / 82 / 55

HEX #607415

RGB 96 116 21

HSL 72.63, 0.69%, 0.27%

LAB 45.68, -20.69, 45.8

 

CMYK 17 / 0 / 82 / 41

HEX #7D971B

RGB 125 151 27

HSL 72.58, 0.7%, 0.35%

LAB 58.58, -25.44, 56.36

 

CMYK 17 / 0 / 82 / 27

HEX #9ABA21

RGB 154 186 33

HSL 72.55, 0.7%, 0.43%

LAB 70.94, -29.97, 66.4

 

CMYK 17 / 0 / 80 / 15

HEX #B4DA2B

RGB 180 218 43

HSL 73.03, 0.7%, 0.51%

LAB 81.85, -34.01, 74.07

 

CMYK 14 / 0 / 65 / 12

HEX #C1E04E

RGB 193 224 78

HSL 72.74, 0.7%, 0.59%

LAB 84.59, -29.87, 65.4

 

CMYK 18 / 0 / 82 / 26

HEX #9BBC21

RGB 155 188 33

HSL 72.77, 0.7%, 0.43%

LAB 71.59, -30.5, 66.99

 

CMYK 82 / 0 / 49 / 27

HEX #21BA5E

RGB 33 186 94

HSL 143.92, 0.7%, 0.43%

LAB 66.71, -58.09, 35.93

 

CMYK 16 / 82 / 0 / 27

HEX #9C21BA

RGB 156 33 186

HSL 288.24, 0.7%, 0.43%

LAB 40.74, 67.55, -53.86

 

CMYK 18 / 0 / 82 / 26

HEX #9BBC21

RGB 155 188 33

HSL 72.77, 0.7%, 0.43%

LAB 71.59, -30.5, 66.99

 

CMYK 82 / 16 / 0 / 27

HEX #219CBA

RGB 33 156 186

HSL 191.76, 0.7%, 0.43%

LAB 59.57, -21.64, -24.69

 

CMYK 0 / 82 / 16 / 27

HEX #BA219C

RGB 186 33 156

HSL 311.76, 0.7%, 0.43%

LAB 44.13, 68.67, -30.3

 

CMYK 18 / 0 / 82 / 26

HEX #9BBC21

RGB 155 188 33

HSL 72.77, 0.7%, 0.43%

LAB 71.59, -30.5, 66.99

 

CMYK 82 / 0 / 49 / 27

HEX #21BA5E

RGB 33 186 94

HSL 143.92, 0.7%, 0.43%

LAB 66.71, -58.09, 35.93

 

CMYK 66 / 82 / 0 / 27

HEX #4021BA

RGB 64 33 186

HSL 252.16, 0.7%, 0.43%

LAB 28.7, 54.77, -74.03

 

CMYK 0 / 82 / 33 / 27

HEX #BA217D

RGB 186 33 125

HSL 323.92, 0.7%, 0.43%

LAB 42.77, 64.85, -13.52

 

CMYK 18 / 0 / 82 / 26

HEX #9BBC21

RGB 155 188 33

HSL 72.77, 0.7%, 0.43%

LAB 71.59, -30.5, 66.99

 

CMYK 82 / 0 / 25 / 27

HEX #21BA8C

RGB 33 186 140

HSL 161.96, 0.7%, 0.43%

LAB 67.53, -48.82, 12.71

 

CMYK 66 / 82 / 0 / 27

HEX #4021BA

RGB 64 33 186

HSL 252.16, 0.7%, 0.43%

LAB 28.7, 54.77, -74.03

 

CMYK 0 / 82 / 58 / 27

HEX #BA214F

RGB 186 33 79

HSL 341.96, 0.7%, 0.43%

LAB 41.36, 60.7, 13.22

 

Description

Color code: HEX #9BBC21 | qconv.com Color code: HEX #9BBC21 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 188 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 188 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 82 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 82% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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