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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BADC1 it is the complementary color #64523E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BADC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BADC1 shade: #A0ADBC, #B1BFCF, #C2D1E2, #D3E3F5 and #E4F5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BADC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BADC1 shade: #9BADC1, #8A9BAE, #79899B, #687788 and #576575

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BADC1 shade: #9BACC0, #9BA2C0, #9D9BC0, #A79BC0 and #B19BC0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BADC1 shade: #9BACC0, #9BA2C0 and #9B9BC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BADC1 shade matches the following richer shades: #9BACC0, #8DACCD, #80ABDB, #73AAE8 and #66AAF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BADC1 shade: #9BACC0, #A8ADB3, #B5AEA6, #C2AE99 and #CFAF8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BADC1 shade: #9BC0C0, #9BB7C0, #9BADC0, #9BA3C0 and #9D9BC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BADC1 shade: #6883A0, #8198B0, #9BACC0, #B4C1D0 and #CDD6E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BADC1 shade: #9BADC1, #B69BC0 and #BCC09B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BADC1 shade: #9BADC1, #C09BAD and #ADC09B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BADC1 shade: #9BADC1, #B69BC0, #C0AE9B and #A5C09B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BADC1 shade: #9BADC1, #C09BC0, #C0AE9B and #9BC09B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 10 / 0 / 24

HEX #9BADC1

RGB 155 173 193

HSL 211.58, 0.23%, 0.68%

LAB 69.97, -1.94, -12.3

 

Complementary color

CMYK 0 / 18 / 38 / 61

HEX #64523E

RGB 100 82 62

HSL 31.58, 0.23%, 0.32%

LAB 36.16, 4.26, 14.55

 

CMYK 15 / 8 / 0 / 26

HEX #A0ADBC

RGB 160 173 188

HSL 212.14, 0.17%, 0.68%

LAB 70.17, -1.41, -9.21

 

CMYK 14 / 8 / 0 / 19

HEX #B1BFCF

RGB 177 191 207

HSL 212, 0.24%, 0.75%

LAB 76.75, -1.53, -9.66

 

CMYK 14 / 8 / 0 / 11

HEX #C2D1E2

RGB 194 209 226

HSL 211.88, 0.36%, 0.82%

LAB 83.21, -1.65, -10.11

 

CMYK 14 / 7 / 0 / 4

HEX #D3E3F5

RGB 211 227 245

HSL 211.76, 0.63%, 0.89%

LAB 89.57, -1.77, -10.56

 

CMYK 11 / 4 / 0 / 0

HEX #E4F5FF

RGB 228 245 255

HSL 202.22, 1%, 0.95%

LAB 95.59, -3.65, -6.71

 

CMYK 20 / 10 / 0 / 24

HEX #9BADC1

RGB 155 173 193

HSL 211.58, 0.23%, 0.68%

LAB 69.97, -1.94, -12.3

 

CMYK 21 / 11 / 0 / 32

HEX #8A9BAE

RGB 138 155 174

HSL 211.67, 0.18%, 0.61%

LAB 63.26, -1.81, -11.91

 

CMYK 22 / 12 / 0 / 39

HEX #79899B

RGB 121 137 155

HSL 211.76, 0.15%, 0.54%

LAB 56.41, -1.68, -11.51

 

CMYK 24 / 13 / 0 / 47

HEX #687788

RGB 104 119 136

HSL 211.88, 0.13%, 0.47%

LAB 49.39, -1.54, -11.12

 

CMYK 26 / 14 / 0 / 54

HEX #576575

RGB 87 101 117

HSL 212, 0.15%, 0.4%

LAB 42.18, -1.39, -10.75

 

CMYK 19 / 10 / 0 / 25

HEX #9BACC0

RGB 155 172 192

HSL 212.43, 0.23%, 0.68%

LAB 69.67, -1.61, -12.2

 

CMYK 19 / 16 / 0 / 25

HEX #9BA2C0

RGB 155 162 192

HSL 228.65, 0.23%, 0.68%

LAB 66.99, 3.9, -16.24

 

CMYK 18 / 19 / 0 / 25

HEX #9D9BC0

RGB 157 155 192

HSL 243.24, 0.23%, 0.68%

LAB 65.29, 8.46, -18.79

 

CMYK 13 / 19 / 0 / 25

HEX #A79BC0

RGB 167 155 192

HSL 259.46, 0.23%, 0.68%

LAB 66.11, 11.73, -17.48

 

CMYK 8 / 19 / 0 / 25

HEX #B19BC0

RGB 177 155 192

HSL 275.68, 0.23%, 0.68%

LAB 66.97, 15.07, -16.09

 

CMYK 19 / 10 / 0 / 25

HEX #9BACC0

RGB 155 172 192

HSL 212.43, 0.23%, 0.68%

LAB 69.67, -1.61, -12.2

 

CMYK 19 / 16 / 0 / 25

HEX #9BA2C0

RGB 155 162 192

HSL 228.65, 0.23%, 0.68%

LAB 66.99, 3.9, -16.24

 

CMYK 19 / 19 / 0 / 25

HEX #9B9BC0

RGB 155 155 192

HSL 240, 0.23%, 0.68%

LAB 65.13, 7.82, -19.05

 

CMYK 19 / 10 / 0 / 25

HEX #9BACC0

RGB 155 172 192

HSL 212.43, 0.23%, 0.68%

LAB 69.67, -1.61, -12.2

 

CMYK 31 / 16 / 0 / 20

HEX #8DACCD

RGB 141 172 205

HSL 210.94, 0.39%, 0.68%

LAB 69.17, -2.82, -20.22

 

CMYK 42 / 22 / 0 / 14

HEX #80ABDB

RGB 128 171 219

HSL 211.65, 0.56%, 0.68%

LAB 68.63, -2.17, -28.82

 

CMYK 50 / 27 / 0 / 9

HEX #73AAE8

RGB 115 170 232

HSL 211.79, 0.72%, 0.68%

LAB 68.18, -1.06, -36.69

 

CMYK 58 / 31 / 0 / 4

HEX #66AAF5

RGB 102 170 245

HSL 211.47, 0.88%, 0.68%

LAB 68.14, 0.2, -43.89

 

CMYK 19 / 10 / 0 / 25

HEX #9BACC0

RGB 155 172 192

HSL 212.43, 0.23%, 0.68%

LAB 69.67, -1.61, -12.2

 

CMYK 6 / 3 / 0 / 30

HEX #A8ADB3

RGB 168 173 179

HSL 212.73, 0.07%, 0.68%

LAB 70.5, -0.58, -3.69

 

CMYK 0 / 4 / 8 / 29

HEX #B5AEA6

RGB 181 174 166

HSL 32, 0.09%, 0.68%

LAB 71.45, 1.07, 4.98

 

CMYK 0 / 10 / 21 / 24

HEX #C2AE99

RGB 194 174 153

HSL 30.73, 0.25%, 0.68%

LAB 72.26, 3.82, 13.4

 

CMYK 0 / 15 / 33 / 19

HEX #CFAF8B

RGB 207 175 139

HSL 31.76, 0.41%, 0.68%

LAB 73.41, 6.39, 22.79

 

CMYK 19 / 0 / 0 / 25

HEX #9BC0C0

RGB 155 192 192

HSL 180, 0.23%, 0.68%

LAB 75.12, -12.29, -4.1

 

CMYK 19 / 5 / 0 / 25

HEX #9BB7C0

RGB 155 183 192

HSL 194.59, 0.23%, 0.68%

LAB 72.66, -7.55, -7.75

 

CMYK 19 / 10 / 0 / 25

HEX #9BADC0

RGB 155 173 192

HSL 210.81, 0.23%, 0.68%

LAB 69.94, -2.16, -11.8

 

CMYK 19 / 15 / 0 / 25

HEX #9BA3C0

RGB 155 163 192

HSL 227.03, 0.23%, 0.68%

LAB 67.25, 3.34, -15.84

 

CMYK 18 / 19 / 0 / 25

HEX #9D9BC0

RGB 157 155 192

HSL 243.24, 0.23%, 0.68%

LAB 65.29, 8.46, -18.79

 

CMYK 35 / 18 / 0 / 37

HEX #6883A0

RGB 104 131 160

HSL 211.07, 0.23%, 0.52%

LAB 53.72, -2.29, -18.58

 

CMYK 27 / 14 / 0 / 31

HEX #8198B0

RGB 129 152 176

HSL 210.64, 0.23%, 0.6%

LAB 61.88, -2.51, -15.18

 

CMYK 19 / 10 / 0 / 25

HEX #9BACC0

RGB 155 172 192

HSL 212.43, 0.23%, 0.68%

LAB 69.67, -1.61, -12.2

 

CMYK 13 / 7 / 0 / 18

HEX #B4C1D0

RGB 180 193 208

HSL 212.14, 0.23%, 0.76%

LAB 77.52, -1.42, -9.04

 

CMYK 8 / 4 / 0 / 12

HEX #CDD6E0

RGB 205 214 224

HSL 211.58, 0.23%, 0.84%

LAB 85.23, -1.12, -5.97

 

CMYK 20 / 10 / 0 / 24

HEX #9BADC1

RGB 155 173 193

HSL 211.58, 0.23%, 0.68%

LAB 69.97, -1.94, -12.3

 

CMYK 5 / 19 / 0 / 25

HEX #B69BC0

RGB 182 155 192

HSL 283.78, 0.23%, 0.68%

LAB 67.42, 16.76, -15.37

 

CMYK 2 / 0 / 19 / 25

HEX #BCC09B

RGB 188 192 155

HSL 66.49, 0.23%, 0.68%

LAB 76.53, -7.69, 18.22

 

CMYK 20 / 10 / 0 / 24

HEX #9BADC1

RGB 155 173 193

HSL 211.58, 0.23%, 0.68%

LAB 69.97, -1.94, -12.3

 

CMYK 0 / 19 / 10 / 25

HEX #C09BAD

RGB 192 155 173

HSL 330.81, 0.23%, 0.68%

LAB 67.77, 16.7, -4.14

 

CMYK 10 / 0 / 19 / 25

HEX #ADC09B

RGB 173 192 155

HSL 90.81, 0.23%, 0.68%

LAB 75.42, -13.22, 16.51

 

CMYK 20 / 10 / 0 / 24

HEX #9BADC1

RGB 155 173 193

HSL 211.58, 0.23%, 0.68%

LAB 69.97, -1.94, -12.3

 

CMYK 5 / 19 / 0 / 25

HEX #B69BC0

RGB 182 155 192

HSL 283.78, 0.23%, 0.68%

LAB 67.42, 16.76, -15.37

 

CMYK 0 / 9 / 19 / 25

HEX #C0AE9B

RGB 192 174 155

HSL 30.81, 0.23%, 0.68%

LAB 72.12, 3.36, 12.1

 

CMYK 14 / 0 / 19 / 25

HEX #A5C09B

RGB 165 192 155

HSL 103.78, 0.23%, 0.68%

LAB 74.87, -16.09, 15.65

 

CMYK 20 / 10 / 0 / 24

HEX #9BADC1

RGB 155 173 193

HSL 211.58, 0.23%, 0.68%

LAB 69.97, -1.94, -12.3

 

CMYK 0 / 19 / 0 / 25

HEX #C09BC0

RGB 192 155 192

HSL 300, 0.23%, 0.68%

LAB 68.35, 20.16, -13.87

 

CMYK 0 / 9 / 19 / 25

HEX #C0AE9B

RGB 192 174 155

HSL 30.81, 0.23%, 0.68%

LAB 72.12, 3.36, 12.1

 

CMYK 19 / 0 / 19 / 25

HEX #9BC09B

RGB 155 192 155

HSL 120, 0.23%, 0.68%

LAB 74.21, -19.59, 14.64

 

Description

Color code: HEX #9BADC1 | qconv.com Color code: HEX #9BADC1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 173 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 173 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 10 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 10% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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