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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BAAEB it is the complementary color #645514. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BAAEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BAAEB shade: #A0AAE6, #B1BCF9, #C2CEFF, #D3E0FF and #E4F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BAAEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BAAEB shade: #9BAAEB, #8A98D8, #7986C5, #6874B2 and #57629F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BAAEB shade: #99A8EB, #A099EB, #B699EB, #CC99EB and #E299EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BAAEB shade: #99A8EB and #9999EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BAAEB shade matches the following richer shades: #99A8EB, #8FA2F5 and #859CFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BAAEB shade: #99A8EB, #A3AEE1, #ADB5D7, #B7BBCD and #C0C1C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BAAEB shade: #99D5EB, #99BFEB, #99A9EB, #9E99EB and #B499EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BAAEB shade: #546EDD, #768BE4, #99A8EB, #BBC5F2 and #DEE3F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BAAEB shade: #9BAAEB, #EB99EB and #CAEB99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BAAEB shade: #9BAAEB, #EB99A9 and #A9EB99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BAAEB shade: #9BAAEB, #EB99EB, #EBDA99 and #99EB99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BAAEB shade: #9BAAEB, #EB99D2, #EBDA99 and #99EBB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 28 / 0 / 8

HEX #9BAAEB

RGB 155 170 235

HSL 228.75, 0.67%, 0.76%

LAB 70.67, 9.9, -34.27

 

Complementary color

CMYK 0 / 15 / 80 / 61

HEX #645514

RGB 100 85 20

HSL 48.75, 0.67%, 0.24%

LAB 36.47, -1.45, 37.76

 

CMYK 30 / 26 / 0 / 10

HEX #A0AAE6

RGB 160 170 230

HSL 231.43, 0.58%, 0.76%

LAB 70.83, 10.04, -31.28

 

CMYK 29 / 24 / 0 / 2

HEX #B1BCF9

RGB 177 188 249

HSL 230.83, 0.86%, 0.84%

LAB 77.37, 9.63, -31.38

 

CMYK 24 / 19 / 0 / 0

HEX #C2CEFF

RGB 194 206 255

HSL 228.2, 1%, 0.88%

LAB 83.35, 6.24, -25.32

 

CMYK 17 / 12 / 0 / 0

HEX #D3E0FF

RGB 211 224 255

HSL 222.27, 1%, 0.91%

LAB 89.1, 1.86, -16.5

 

CMYK 11 / 5 / 0 / 0

HEX #E4F2FF

RGB 228 242 255

HSL 208.89, 1%, 0.95%

LAB 94.83, -2.12, -7.83

 

CMYK 34 / 28 / 0 / 8

HEX #9BAAEB

RGB 155 170 235

HSL 228.75, 0.67%, 0.76%

LAB 70.67, 9.9, -34.27

 

CMYK 36 / 30 / 0 / 15

HEX #8A98D8

RGB 138 152 216

HSL 229.23, 0.5%, 0.69%

LAB 64.01, 10.41, -34.25

 

CMYK 39 / 32 / 0 / 23

HEX #7986C5

RGB 121 134 197

HSL 229.74, 0.4%, 0.62%

LAB 57.22, 11, -34.27

 

CMYK 42 / 35 / 0 / 30

HEX #6874B2

RGB 104 116 178

HSL 230.27, 0.32%, 0.55%

LAB 50.27, 11.69, -34.34

 

CMYK 45 / 38 / 0 / 38

HEX #57629F

RGB 87 98 159

HSL 230.83, 0.29%, 0.48%

LAB 43.16, 12.51, -34.47

 

CMYK 35 / 29 / 0 / 8

HEX #99A8EB

RGB 153 168 235

HSL 229.02, 0.67%, 0.76%

LAB 70.02, 10.48, -35.3

 

CMYK 32 / 35 / 0 / 8

HEX #A099EB

RGB 160 153 235

HSL 245.12, 0.67%, 0.76%

LAB 66.71, 20.91, -40.41

 

CMYK 23 / 35 / 0 / 8

HEX #B699EB

RGB 182 153 235

HSL 261.22, 0.67%, 0.76%

LAB 68.55, 27.2, -37.41

 

CMYK 13 / 35 / 0 / 8

HEX #CC99EB

RGB 204 153 235

HSL 277.32, 0.67%, 0.76%

LAB 70.61, 33.76, -34.05

 

CMYK 4 / 35 / 0 / 8

HEX #E299EB

RGB 226 153 235

HSL 293.41, 0.67%, 0.76%

LAB 72.86, 40.48, -30.39

 

CMYK 35 / 29 / 0 / 8

HEX #99A8EB

RGB 153 168 235

HSL 229.02, 0.67%, 0.76%

LAB 70.02, 10.48, -35.3

 

CMYK 35 / 35 / 0 / 8

HEX #9999EB

RGB 153 153 235

HSL 240, 0.67%, 0.76%

LAB 66.18, 18.99, -41.29

 

CMYK 35 / 29 / 0 / 8

HEX #99A8EB

RGB 153 168 235

HSL 229.02, 0.67%, 0.76%

LAB 70.02, 10.48, -35.3

 

CMYK 42 / 34 / 0 / 4

HEX #8FA2F5

RGB 143 162 245

HSL 228.82, 0.84%, 0.76%

LAB 68.22, 13.94, -43.61

 

CMYK 48 / 39 / 0 / 0

HEX #859CFF

RGB 133 156 255

HSL 228.69, 1%, 0.76%

LAB 66.51, 17.84, -51.81

 

CMYK 35 / 29 / 0 / 8

HEX #99A8EB

RGB 153 168 235

HSL 229.02, 0.67%, 0.76%

LAB 70.02, 10.48, -35.3

 

CMYK 28 / 23 / 0 / 12

HEX #A3AEE1

RGB 163 174 225

HSL 229.35, 0.51%, 0.76%

LAB 71.89, 7.46, -26.9

 

CMYK 20 / 16 / 0 / 16

HEX #ADB5D7

RGB 173 181 215

HSL 228.57, 0.34%, 0.76%

LAB 74.09, 4.33, -18.03

 

CMYK 11 / 9 / 0 / 20

HEX #B7BBCD

RGB 183 187 205

HSL 229.09, 0.18%, 0.76%

LAB 76.08, 2.16, -9.53

 

CMYK 2 / 1 / 0 / 24

HEX #C0C1C3

RGB 192 193 195

HSL 220, 0.02%, 0.76%

LAB 78.04, 0.03, -1.13

 

CMYK 35 / 9 / 0 / 8

HEX #99D5EB

RGB 153 213 235

HSL 196.1, 0.67%, 0.76%

LAB 82.03, -13.81, -16.93

 

CMYK 35 / 19 / 0 / 8

HEX #99BFEB

RGB 153 191 235

HSL 212.2, 0.67%, 0.76%

LAB 76.09, -2.21, -25.95

 

CMYK 35 / 28 / 0 / 8

HEX #99A9EB

RGB 153 169 235

HSL 228.29, 0.67%, 0.76%

LAB 70.28, 9.91, -34.9

 

CMYK 33 / 35 / 0 / 8

HEX #9E99EB

RGB 158 153 235

HSL 243.66, 0.67%, 0.76%

LAB 66.56, 20.36, -40.67

 

CMYK 23 / 35 / 0 / 8

HEX #B499EB

RGB 180 153 235

HSL 259.76, 0.67%, 0.76%

LAB 68.38, 26.61, -37.69

 

CMYK 62 / 50 / 0 / 13

HEX #546EDD

RGB 84 110 221

HSL 228.61, 0.67%, 0.6%

LAB 49.81, 24.66, -59.77

 

CMYK 48 / 39 / 0 / 11

HEX #768BE4

RGB 118 139 228

HSL 228.55, 0.67%, 0.68%

LAB 59.81, 16.3, -47.6

 

CMYK 35 / 29 / 0 / 8

HEX #99A8EB

RGB 153 168 235

HSL 229.02, 0.67%, 0.76%

LAB 70.02, 10.48, -35.3

 

CMYK 23 / 19 / 0 / 5

HEX #BBC5F2

RGB 187 197 242

HSL 229.09, 0.68%, 0.84%

LAB 80.13, 6.03, -23.35

 

CMYK 10 / 8 / 0 / 3

HEX #DEE3F8

RGB 222 227 248

HSL 228.46, 0.65%, 0.92%

LAB 90.43, 2.32, -10.76

 

CMYK 34 / 28 / 0 / 8

HEX #9BAAEB

RGB 155 170 235

HSL 228.75, 0.67%, 0.76%

LAB 70.67, 9.9, -34.27

 

CMYK 0 / 35 / 0 / 8

HEX #EB99EB

RGB 235 153 235

HSL 300, 0.67%, 0.76%

LAB 73.83, 43.25, -28.81

 

CMYK 14 / 0 / 35 / 8

HEX #CAEB99

RGB 202 235 153

HSL 84.15, 0.67%, 0.76%

LAB 89.05, -24.33, 36.32

 

CMYK 34 / 28 / 0 / 8

HEX #9BAAEB

RGB 155 170 235

HSL 228.75, 0.67%, 0.76%

LAB 70.67, 9.9, -34.27

 

CMYK 0 / 35 / 28 / 8

HEX #EB99A9

RGB 235 153 169

HSL 348.29, 0.67%, 0.76%

LAB 71.76, 32.77, 4.46

 

CMYK 28 / 0 / 35 / 8

HEX #A9EB99

RGB 169 235 153

HSL 108.29, 0.67%, 0.76%

LAB 87.07, -35.81, 33.35

 

CMYK 34 / 28 / 0 / 8

HEX #9BAAEB

RGB 155 170 235

HSL 228.75, 0.67%, 0.76%

LAB 70.67, 9.9, -34.27

 

CMYK 0 / 35 / 0 / 8

HEX #EB99EB

RGB 235 153 235

HSL 300, 0.67%, 0.76%

LAB 73.83, 43.25, -28.81

 

CMYK 0 / 7 / 35 / 8

HEX #EBDA99

RGB 235 218 153

HSL 47.56, 0.67%, 0.76%

LAB 87.05, -3.47, 34.15

 

CMYK 35 / 0 / 35 / 8

HEX #99EB99

RGB 153 235 153

HSL 120, 0.67%, 0.76%

LAB 86.25, -40.92, 32.11

 

CMYK 34 / 28 / 0 / 8

HEX #9BAAEB

RGB 155 170 235

HSL 228.75, 0.67%, 0.76%

LAB 70.67, 9.9, -34.27

 

CMYK 0 / 35 / 11 / 8

HEX #EB99D2

RGB 235 153 210

HSL 318.29, 0.67%, 0.76%

LAB 72.96, 38.92, -16.45

 

CMYK 0 / 7 / 35 / 8

HEX #EBDA99

RGB 235 218 153

HSL 47.56, 0.67%, 0.76%

LAB 87.05, -3.47, 34.15

 

CMYK 35 / 0 / 25 / 8

HEX #99EBB1

RGB 153 235 177

HSL 137.56, 0.67%, 0.76%

LAB 86.68, -36.88, 20.4

 

Description

Color code: HEX #9BAAEB | qconv.com Color code: HEX #9BAAEB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 170 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 170 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 28 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 28% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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