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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BA5E2 it is the complementary color #645A1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BA5E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BA5E2 shade: #A0A5DD, #B1B7F0, #C2C9FF, #D3DBFF and #E4EDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BA5E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BA5E2 shade: #9BA5E2, #8A93CF, #7981BC, #686FA9 and #575D96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BA5E2 shade: #9CA6E2, #A59CE2, #B89CE2, #CB9CE2 and #DD9CE2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BA5E2 shade: #9CA6E2 and #9C9CE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BA5E2 shade matches the following richer shades: #9CA6E2, #919EEC and #8797F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BA5E2 shade: #9CA6E2, #A6ADD7, #B0B4CD, #BBBCC3 and #C5C3B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BA5E2 shade: #9CCCE2, #9CB9E2, #9CA6E2, #A49CE2 and #B79CE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BA5E2 shade: #5C6CCF, #7C89D9, #9CA6E2, #BCC2EB and #DCDFF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BA5E2 shade: #9BA5E2, #E29CDE and #C2E29C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BA5E2 shade: #9BA5E2, #E29CA6 and #A6E29C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BA5E2 shade: #9BA5E2, #E29CDE, #E2D79C and #9CE29F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BA5E2 shade: #9BA5E2, #E29CC9, #E2D79C and #9CE2B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 27 / 0 / 11

HEX #9BA5E2

RGB 155 165 226

HSL 231.55, 0.55%, 0.75%

LAB 69.02, 10.41, -31.91

 

Complementary color

CMYK 0 / 10 / 71 / 61

HEX #645A1D

RGB 100 90 29

HSL 51.55, 0.55%, 0.25%

LAB 38.04, -3.91, 35.34

 

CMYK 28 / 25 / 0 / 13

HEX #A0A5DD

RGB 160 165 221

HSL 235.08, 0.47%, 0.75%

LAB 69.19, 10.62, -28.88

 

CMYK 26 / 24 / 0 / 6

HEX #B1B7F0

RGB 177 183 240

HSL 234.29, 0.68%, 0.82%

LAB 75.76, 10.21, -29.01

 

CMYK 24 / 21 / 0 / 0

HEX #C2C9FF

RGB 194 201 255

HSL 233.11, 1%, 0.88%

LAB 82.09, 8.93, -27.25

 

CMYK 17 / 14 / 0 / 0

HEX #D3DBFF

RGB 211 219 255

HSL 229.09, 1%, 0.91%

LAB 87.84, 4.48, -18.4

 

CMYK 11 / 7 / 0 / 0

HEX #E4EDFF

RGB 228 237 255

HSL 220, 1%, 0.95%

LAB 93.57, 0.43, -9.7

 

CMYK 31 / 27 / 0 / 11

HEX #9BA5E2

RGB 155 165 226

HSL 231.55, 0.55%, 0.75%

LAB 69.02, 10.41, -31.91

 

CMYK 33 / 29 / 0 / 19

HEX #8A93CF

RGB 138 147 207

HSL 232.17, 0.42%, 0.68%

LAB 62.32, 10.9, -31.87

 

CMYK 36 / 31 / 0 / 26

HEX #7981BC

RGB 121 129 188

HSL 232.84, 0.33%, 0.61%

LAB 55.48, 11.46, -31.87

 

CMYK 38 / 34 / 0 / 34

HEX #686FA9

RGB 104 111 169

HSL 233.54, 0.27%, 0.54%

LAB 48.48, 12.11, -31.91

 

CMYK 42 / 38 / 0 / 41

HEX #575D96

RGB 87 93 150

HSL 234.29, 0.27%, 0.46%

LAB 41.31, 12.9, -32.02

 

CMYK 31 / 27 / 0 / 11

HEX #9CA6E2

RGB 156 166 226

HSL 231.43, 0.55%, 0.75%

LAB 69.35, 10.13, -31.4

 

CMYK 27 / 31 / 0 / 11

HEX #A59CE2

RGB 165 156 226

HSL 247.71, 0.55%, 0.75%

LAB 67.48, 18.38, -34.24

 

CMYK 19 / 31 / 0 / 11

HEX #B89CE2

RGB 184 156 226

HSL 264, 0.55%, 0.75%

LAB 69.08, 24.07, -31.63

 

CMYK 10 / 31 / 0 / 11

HEX #CB9CE2

RGB 203 156 226

HSL 280.29, 0.55%, 0.75%

LAB 70.85, 29.95, -28.76

 

CMYK 2 / 31 / 0 / 11

HEX #DD9CE2

RGB 221 156 226

HSL 295.71, 0.55%, 0.75%

LAB 72.65, 35.62, -25.83

 

CMYK 31 / 27 / 0 / 11

HEX #9CA6E2

RGB 156 166 226

HSL 231.43, 0.55%, 0.75%

LAB 69.35, 10.13, -31.4

 

CMYK 31 / 31 / 0 / 11

HEX #9C9CE2

RGB 156 156 226

HSL 240, 0.55%, 0.75%

LAB 66.78, 15.79, -35.39

 

CMYK 31 / 27 / 0 / 11

HEX #9CA6E2

RGB 156 166 226

HSL 231.43, 0.55%, 0.75%

LAB 69.35, 10.13, -31.4

 

CMYK 39 / 33 / 0 / 7

HEX #919EEC

RGB 145 158 236

HSL 231.43, 0.71%, 0.75%

LAB 66.92, 14.26, -40.71

 

CMYK 45 / 39 / 0 / 4

HEX #8797F6

RGB 135 151 246

HSL 231.35, 0.86%, 0.75%

LAB 64.91, 18.58, -49.4

 

CMYK 31 / 27 / 0 / 11

HEX #9CA6E2

RGB 156 166 226

HSL 231.43, 0.55%, 0.75%

LAB 69.35, 10.13, -31.4

 

CMYK 23 / 20 / 0 / 16

HEX #A6ADD7

RGB 166 173 215

HSL 231.43, 0.38%, 0.75%

LAB 71.49, 6.54, -22.03

 

CMYK 14 / 12 / 0 / 20

HEX #B0B4CD

RGB 176 180 205

HSL 231.72, 0.22%, 0.75%

LAB 73.73, 3.65, -13.1

 

CMYK 4 / 4 / 0 / 24

HEX #BBBCC3

RGB 187 188 195

HSL 232.5, 0.06%, 0.75%

LAB 76.36, 0.98, -3.65

 

CMYK 0 / 1 / 6 / 23

HEX #C5C3B9

RGB 197 195 185

HSL 50, 0.09%, 0.75%

LAB 78.7, -1.08, 5.26

 

CMYK 31 / 10 / 0 / 11

HEX #9CCCE2

RGB 156 204 226

HSL 198.86, 0.55%, 0.75%

LAB 79.47, -10.5, -15.97

 

CMYK 31 / 18 / 0 / 11

HEX #9CB9E2

RGB 156 185 226

HSL 215.14, 0.55%, 0.75%

LAB 74.35, -0.37, -23.71

 

CMYK 31 / 27 / 0 / 11

HEX #9CA6E2

RGB 156 166 226

HSL 231.43, 0.55%, 0.75%

LAB 69.35, 10.13, -31.4

 

CMYK 27 / 31 / 0 / 11

HEX #A49CE2

RGB 164 156 226

HSL 246.86, 0.55%, 0.75%

LAB 67.4, 18.09, -34.37

 

CMYK 19 / 31 / 0 / 11

HEX #B79CE2

RGB 183 156 226

HSL 263.14, 0.55%, 0.75%

LAB 68.99, 23.76, -31.77

 

CMYK 56 / 48 / 0 / 19

HEX #5C6CCF

RGB 92 108 207

HSL 231.65, 0.55%, 0.59%

LAB 48.89, 22.76, -53.27

 

CMYK 43 / 37 / 0 / 15

HEX #7C89D9

RGB 124 137 217

HSL 231.61, 0.55%, 0.67%

LAB 59.15, 15.7, -42.49

 

CMYK 31 / 27 / 0 / 11

HEX #9CA6E2

RGB 156 166 226

HSL 231.43, 0.55%, 0.75%

LAB 69.35, 10.13, -31.4

 

CMYK 20 / 17 / 0 / 8

HEX #BCC2EB

RGB 188 194 235

HSL 232.34, 0.54%, 0.83%

LAB 79.2, 6.39, -21

 

CMYK 10 / 9 / 0 / 4

HEX #DCDFF4

RGB 220 223 244

HSL 232.5, 0.52%, 0.91%

LAB 89.17, 2.97, -10.56

 

CMYK 31 / 27 / 0 / 11

HEX #9BA5E2

RGB 155 165 226

HSL 231.55, 0.55%, 0.75%

LAB 69.02, 10.41, -31.91

 

CMYK 0 / 31 / 2 / 11

HEX #E29CDE

RGB 226 156 222

HSL 303.43, 0.55%, 0.75%

LAB 73.04, 36.48, -23.01

 

CMYK 14 / 0 / 31 / 11

HEX #C2E29C

RGB 194 226 156

HSL 87.43, 0.55%, 0.75%

LAB 86.14, -22.47, 30.85

 

CMYK 31 / 27 / 0 / 11

HEX #9BA5E2

RGB 155 165 226

HSL 231.55, 0.55%, 0.75%

LAB 69.02, 10.41, -31.91

 

CMYK 0 / 31 / 27 / 11

HEX #E29CA6

RGB 226 156 166

HSL 351.43, 0.55%, 0.75%

LAB 71.35, 27.48, 5.39

 

CMYK 27 / 0 / 31 / 11

HEX #A6E29C

RGB 166 226 156

HSL 111.43, 0.55%, 0.75%

LAB 84.43, -32.19, 28.27

 

CMYK 31 / 27 / 0 / 11

HEX #9BA5E2

RGB 155 165 226

HSL 231.55, 0.55%, 0.75%

LAB 69.02, 10.41, -31.91

 

CMYK 0 / 31 / 2 / 11

HEX #E29CDE

RGB 226 156 222

HSL 303.43, 0.55%, 0.75%

LAB 73.04, 36.48, -23.01

 

CMYK 0 / 5 / 31 / 11

HEX #E2D79C

RGB 226 215 156

HSL 50.57, 0.55%, 0.75%

LAB 85.59, -5.04, 30.53

 

CMYK 31 / 0 / 30 / 11

HEX #9CE29F

RGB 156 226 159

HSL 122.57, 0.55%, 0.75%

LAB 83.95, -34.96, 25.97

 

CMYK 31 / 27 / 0 / 11

HEX #9BA5E2

RGB 155 165 226

HSL 231.55, 0.55%, 0.75%

LAB 69.02, 10.41, -31.91

 

CMYK 0 / 31 / 11 / 11

HEX #E29CC9

RGB 226 156 201

HSL 321.43, 0.55%, 0.75%

LAB 72.34, 32.83, -12.52

 

CMYK 0 / 5 / 31 / 11

HEX #E2D79C

RGB 226 215 156

HSL 50.57, 0.55%, 0.75%

LAB 85.59, -5.04, 30.53

 

CMYK 31 / 0 / 20 / 11

HEX #9CE2B4

RGB 156 226 180

HSL 140.57, 0.55%, 0.75%

LAB 84.36, -31.26, 15.62

 

Description

Color code: HEX #9BA5E2 | qconv.com Color code: HEX #9BA5E2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 165 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 165 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 27 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 27% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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