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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B98C6 it is the complementary color #646739. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B98C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B98C6 shade: #A098C1, #B1AAD4, #C2BCE7, #D3CEFA and #E4E0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B98C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B98C6 shade: #9B98C6, #8A86B3, #7974A0, #68628D and #57507A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B98C6 shade: #9C99C7, #A899C7, #B599C7, #C199C7 and #C799C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B98C6 shade: #9C99C7 and #9999C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B98C6 shade matches the following richer shades: #9C99C7, #918CD4, #867FE0, #7B73ED and #7066FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B98C6 shade: #9C99C7, #A7A6BA, #B2B3AD, #BDBFA1 and #C9CC94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B98C6 shade: #99AFC7, #99A3C7, #9B99C7, #A899C7 and #B499C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B98C6 shade: #6864AA, #827EB8, #9C99C7, #B6B4D6 and #D0CEE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B98C6 shade: #9B98C6, #C799BB and #A9C799

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B98C6 shade: #9B98C6, #C79B99 and #99C79B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B98C6 shade: #9B98C6, #C799BB, #C5C799 and #99C7A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B98C6 shade: #9B98C6, #C799AE, #C5C799 and #99C7B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 23 / 0 / 22

HEX #9B98C6

RGB 155 152 198

HSL 243.91, 0.29%, 0.69%

LAB 64.57, 10.91, -23.27

 

Complementary color

CMYK 3 / 0 / 45 / 60

HEX #646739

RGB 100 103 57

HSL 63.91, 0.29%, 0.31%

LAB 42.32, -8.85, 25.5

 

CMYK 17 / 21 / 0 / 24

HEX #A098C1

RGB 160 152 193

HSL 251.71, 0.25%, 0.68%

LAB 64.79, 11.35, -20.1

 

CMYK 17 / 20 / 0 / 17

HEX #B1AAD4

RGB 177 170 212

HSL 250, 0.33%, 0.75%

LAB 71.45, 10.98, -20.36

 

CMYK 16 / 19 / 0 / 9

HEX #C2BCE7

RGB 194 188 231

HSL 248.37, 0.47%, 0.82%

LAB 78, 10.63, -20.63

 

CMYK 16 / 18 / 0 / 2

HEX #D3CEFA

RGB 211 206 250

HSL 246.82, 0.81%, 0.89%

LAB 84.43, 10.31, -20.92

 

CMYK 11 / 12 / 0 / 0

HEX #E4E0FF

RGB 228 224 255

HSL 247.74, 1%, 0.94%

LAB 90.33, 7.17, -14.53

 

CMYK 22 / 23 / 0 / 22

HEX #9B98C6

RGB 155 152 198

HSL 243.91, 0.29%, 0.69%

LAB 64.57, 10.91, -23.27

 

CMYK 23 / 25 / 0 / 30

HEX #8A86B3

RGB 138 134 179

HSL 245.33, 0.23%, 0.61%

LAB 57.76, 11.34, -23.09

 

CMYK 24 / 28 / 0 / 37

HEX #7974A0

RGB 121 116 160

HSL 246.82, 0.19%, 0.54%

LAB 50.8, 11.82, -22.96

 

CMYK 26 / 30 / 0 / 45

HEX #68628D

RGB 104 98 141

HSL 248.37, 0.18%, 0.47%

LAB 43.66, 12.37, -22.86

 

CMYK 29 / 34 / 0 / 52

HEX #57507A

RGB 87 80 122

HSL 250, 0.21%, 0.4%

LAB 36.31, 13.01, -22.82

 

CMYK 22 / 23 / 0 / 22

HEX #9C99C7

RGB 156 153 199

HSL 243.91, 0.29%, 0.69%

LAB 64.94, 10.89, -23.24

 

CMYK 16 / 23 / 0 / 22

HEX #A899C7

RGB 168 153 199

HSL 259.57, 0.29%, 0.69%

LAB 65.93, 14.71, -21.65

 

CMYK 9 / 23 / 0 / 22

HEX #B599C7

RGB 181 153 199

HSL 276.52, 0.29%, 0.69%

LAB 67.07, 18.96, -19.8

 

CMYK 3 / 23 / 0 / 22

HEX #C199C7

RGB 193 153 199

HSL 292.17, 0.29%, 0.69%

LAB 68.2, 22.96, -17.98

 

CMYK 0 / 23 / 4 / 22

HEX #C799C0

RGB 199 153 192

HSL 309.13, 0.29%, 0.69%

LAB 68.56, 23.67, -13.5

 

CMYK 22 / 23 / 0 / 22

HEX #9C99C7

RGB 156 153 199

HSL 243.91, 0.29%, 0.69%

LAB 64.94, 10.89, -23.24

 

CMYK 23 / 23 / 0 / 22

HEX #9999C7

RGB 153 153 199

HSL 240, 0.29%, 0.69%

LAB 64.71, 9.95, -23.62

 

CMYK 22 / 23 / 0 / 22

HEX #9C99C7

RGB 156 153 199

HSL 243.91, 0.29%, 0.69%

LAB 64.94, 10.89, -23.24

 

CMYK 32 / 34 / 0 / 17

HEX #918CD4

RGB 145 140 212

HSL 244.17, 0.46%, 0.69%

LAB 61.25, 18.25, -36.29

 

CMYK 40 / 43 / 0 / 12

HEX #867FE0

RGB 134 127 224

HSL 244.33, 0.61%, 0.69%

LAB 57.68, 26.11, -48.67

 

CMYK 48 / 51 / 0 / 7

HEX #7B73ED

RGB 123 115 237

HSL 243.93, 0.77%, 0.69%

LAB 54.64, 34.36, -60.84

 

CMYK 55 / 59 / 0 / 2

HEX #7066FA

RGB 112 102 250

HSL 244.05, 0.94%, 0.69%

LAB 51.67, 43.73, -72.93

 

CMYK 22 / 23 / 0 / 22

HEX #9C99C7

RGB 156 153 199

HSL 243.91, 0.29%, 0.69%

LAB 64.94, 10.89, -23.24

 

CMYK 10 / 11 / 0 / 27

HEX #A7A6BA

RGB 167 166 186

HSL 243, 0.13%, 0.69%

LAB 68.78, 4.33, -10.13

 

CMYK 1 / 0 / 3 / 30

HEX #B2B3AD

RGB 178 179 173

HSL 70, 0.04%, 0.69%

LAB 72.71, -1.46, 2.93

 

CMYK 1 / 0 / 16 / 25

HEX #BDBFA1

RGB 189 191 161

HSL 64, 0.19%, 0.69%

LAB 76.47, -5.87, 14.93

 

CMYK 1 / 0 / 27 / 20

HEX #C9CC94

RGB 201 204 148

HSL 63.21, 0.35%, 0.69%

LAB 80.59, -9.99, 27.64

 

CMYK 23 / 12 / 0 / 22

HEX #99AFC7

RGB 153 175 199

HSL 211.3, 0.29%, 0.69%

LAB 70.56, -2.29, -14.73

 

CMYK 23 / 18 / 0 / 22

HEX #99A3C7

RGB 153 163 199

HSL 226.96, 0.29%, 0.69%

LAB 67.34, 4.33, -19.6

 

CMYK 22 / 23 / 0 / 22

HEX #9B99C7

RGB 155 153 199

HSL 242.61, 0.29%, 0.69%

LAB 64.86, 10.58, -23.37

 

CMYK 16 / 23 / 0 / 22

HEX #A899C7

RGB 168 153 199

HSL 259.57, 0.29%, 0.69%

LAB 65.93, 14.71, -21.65

 

CMYK 10 / 23 / 0 / 22

HEX #B499C7

RGB 180 153 199

HSL 275.22, 0.29%, 0.69%

LAB 66.98, 18.63, -19.94

 

CMYK 39 / 41 / 0 / 33

HEX #6864AA

RGB 104 100 170

HSL 243.43, 0.29%, 0.53%

LAB 45.58, 19.14, -37.06

 

CMYK 29 / 32 / 0 / 28

HEX #827EB8

RGB 130 126 184

HSL 244.14, 0.29%, 0.61%

LAB 55.2, 14.8, -29.95

 

CMYK 22 / 23 / 0 / 22

HEX #9C99C7

RGB 156 153 199

HSL 243.91, 0.29%, 0.69%

LAB 64.94, 10.89, -23.24

 

CMYK 15 / 16 / 0 / 16

HEX #B6B4D6

RGB 182 180 214

HSL 243.53, 0.29%, 0.77%

LAB 74.47, 7.51, -16.84

 

CMYK 9 / 10 / 0 / 11

HEX #D0CEE4

RGB 208 206 228

HSL 245.45, 0.29%, 0.85%

LAB 83.52, 4.86, -10.6

 

CMYK 22 / 23 / 0 / 22

HEX #9B98C6

RGB 155 152 198

HSL 243.91, 0.29%, 0.69%

LAB 64.57, 10.91, -23.27

 

CMYK 0 / 23 / 6 / 22

HEX #C799BB

RGB 199 153 187

HSL 315.65, 0.29%, 0.69%

LAB 68.4, 22.76, -10.95

 

CMYK 15 / 0 / 23 / 22

HEX #A9C799

RGB 169 199 153

HSL 99.13, 0.29%, 0.69%

LAB 77.03, -18.54, 19.77

 

CMYK 22 / 23 / 0 / 22

HEX #9B98C6

RGB 155 152 198

HSL 243.91, 0.29%, 0.69%

LAB 64.57, 10.91, -23.27

 

CMYK 0 / 22 / 23 / 22

HEX #C79B99

RGB 199 155 153

HSL 2.61, 0.29%, 0.69%

LAB 67.94, 16.07, 7.34

 

CMYK 23 / 0 / 22 / 22

HEX #99C79B

RGB 153 199 155

HSL 122.61, 0.29%, 0.69%

LAB 76.06, -23.76, 17.2

 

CMYK 22 / 23 / 0 / 22

HEX #9B98C6

RGB 155 152 198

HSL 243.91, 0.29%, 0.69%

LAB 64.57, 10.91, -23.27

 

CMYK 0 / 23 / 6 / 22

HEX #C799BB

RGB 199 153 187

HSL 315.65, 0.29%, 0.69%

LAB 68.4, 22.76, -10.95

 

CMYK 1 / 0 / 23 / 22

HEX #C5C799

RGB 197 199 153

HSL 62.61, 0.29%, 0.69%

LAB 79.05, -8.24, 22.87

 

CMYK 23 / 0 / 18 / 22

HEX #99C7A4

RGB 153 199 164

HSL 134.35, 0.29%, 0.69%

LAB 76.25, -22.13, 12.65

 

CMYK 22 / 23 / 0 / 22

HEX #9B98C6

RGB 155 152 198

HSL 243.91, 0.29%, 0.69%

LAB 64.57, 10.91, -23.27

 

CMYK 0 / 23 / 13 / 22

HEX #C799AE

RGB 199 153 174

HSL 332.61, 0.29%, 0.69%

LAB 68.01, 20.5, -4.28

 

CMYK 1 / 0 / 23 / 22

HEX #C5C799

RGB 197 199 153

HSL 62.61, 0.29%, 0.69%

LAB 79.05, -8.24, 22.87

 

CMYK 23 / 0 / 11 / 22

HEX #99C7B2

RGB 153 199 178

HSL 152.61, 0.29%, 0.69%

LAB 76.58, -19.43, 5.59

 

Description

Color code: HEX #9B98C6 | qconv.com Color code: HEX #9B98C6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 152 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 152 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 23 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 23% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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