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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B828C it is the complementary color #647D73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B828C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B828C shade: #A08287, #B1949A, #C2A6AD, #D3B8C0 and #E4CAD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B828C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B828C shade: #9B828C, #8A7079, #795E66, #684C53 and #573A40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B828C shade: #9B828C, #9B8286 and #9B8282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B828C shade: #9B828C, #9B8293, #9B829A, #96829B and #8F829B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B828C shade matches the following richer shades: #9B828C, #AD7089, #BF5E85, #D24C81 and #E43A7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B828C shade: #9B828C, #899590, #77A794, #65B997 and #53CB9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B828C shade: #9B8299, #9B8293, #9B828C, #9B8286 and #9B8682

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B828C shade: #715A63, #886D77, #9B828C, #AE99A1 and #C0B0B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B828C shade: #9B828C, #9B9682 and #82969B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B828C shade: #9B828C, #8C9B82 and #828C9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B828C shade: #9B828C, #9B9682, #829B91 and #82879B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B828C shade: #9B828C, #999B82, #829B91 and #85829B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 10 / 39

HEX #9B828C

RGB 155 130 140

HSL 336, 0.11%, 0.56%

LAB 56.91, 11.29, -1.81

 

Complementary color

CMYK 20 / 0 / 8 / 51

HEX #647D73

RGB 100 125 115

HSL 156, 0.11%, 0.44%

LAB 50.23, -11.24, 2.46

 

CMYK 0 / 19 / 16 / 37

HEX #A08287

RGB 160 130 135

HSL 350, 0.14%, 0.57%

LAB 57.26, 12.32, 1.64

 

CMYK 0 / 16 / 13 / 31

HEX #B1949A

RGB 177 148 154

HSL 347.59, 0.16%, 0.64%

LAB 64.05, 11.82, 0.89

 

CMYK 0 / 14 / 11 / 24

HEX #C2A6AD

RGB 194 166 173

HSL 345, 0.19%, 0.71%

LAB 70.7, 11.38, 0.18

 

CMYK 0 / 13 / 9 / 17

HEX #D3B8C0

RGB 211 184 192

HSL 342.22, 0.23%, 0.77%

LAB 77.24, 10.98, -0.49

 

CMYK 0 / 11 / 7 / 11

HEX #E4CAD3

RGB 228 202 211

HSL 339.23, 0.33%, 0.84%

LAB 83.67, 10.61, -1.14

 

CMYK 0 / 16 / 10 / 39

HEX #9B828C

RGB 155 130 140

HSL 336, 0.11%, 0.56%

LAB 56.91, 11.29, -1.81

 

CMYK 0 / 19 / 12 / 46

HEX #8A7079

RGB 138 112 121

HSL 339.23, 0.1%, 0.49%

LAB 49.94, 11.79, -1.11

 

CMYK 0 / 22 / 16 / 53

HEX #795E66

RGB 121 94 102

HSL 342.22, 0.13%, 0.42%

LAB 42.81, 12.36, -0.34

 

CMYK 0 / 27 / 20 / 59

HEX #684C53

RGB 104 76 83

HSL 345, 0.16%, 0.35%

LAB 35.47, 13.03, 0.51

 

CMYK 0 / 33 / 26 / 66

HEX #573A40

RGB 87 58 64

HSL 347.59, 0.2%, 0.28%

LAB 27.91, 13.84, 1.49

 

CMYK 0 / 16 / 10 / 39

HEX #9B828C

RGB 155 130 140

HSL 336, 0.11%, 0.56%

LAB 56.91, 11.29, -1.81

 

CMYK 0 / 16 / 14 / 39

HEX #9B8286

RGB 155 130 134

HSL 350.4, 0.11%, 0.56%

LAB 56.74, 10.23, 1.4

 

CMYK 0 / 16 / 16 / 39

HEX #9B8282

RGB 155 130 130

HSL 0, 0.11%, 0.56%

LAB 56.63, 9.55, 3.56

 

CMYK 0 / 16 / 10 / 39

HEX #9B828C

RGB 155 130 140

HSL 336, 0.11%, 0.56%

LAB 56.91, 11.29, -1.81

 

CMYK 0 / 16 / 5 / 39

HEX #9B8293

RGB 155 130 147

HSL 319.2, 0.11%, 0.56%

LAB 57.11, 12.58, -5.55

 

CMYK 0 / 16 / 1 / 39

HEX #9B829A

RGB 155 130 154

HSL 302.4, 0.11%, 0.56%

LAB 57.33, 13.93, -9.26

 

CMYK 3 / 16 / 0 / 39

HEX #96829B

RGB 150 130 155

HSL 288, 0.11%, 0.56%

LAB 56.9, 12.34, -10.54

 

CMYK 8 / 16 / 0 / 39

HEX #8F829B

RGB 143 130 155

HSL 271.2, 0.11%, 0.56%

LAB 56.26, 9.86, -11.56

 

CMYK 0 / 16 / 10 / 39

HEX #9B828C

RGB 155 130 140

HSL 336, 0.11%, 0.56%

LAB 56.91, 11.29, -1.81

 

CMYK 0 / 35 / 21 / 32

HEX #AD7089

RGB 173 112 137

HSL 335.41, 0.27%, 0.56%

LAB 54.32, 27.76, -3.65

 

CMYK 0 / 51 / 30 / 25

HEX #BF5E85

RGB 191 94 133

HSL 335.88, 0.43%, 0.56%

LAB 52.7, 43.25, -3.41

 

CMYK 0 / 64 / 39 / 18

HEX #D24C81

RGB 210 76 129

HSL 336.27, 0.6%, 0.56%

LAB 52.35, 57.26, -1.22

 

CMYK 0 / 75 / 45 / 11

HEX #E43A7E

RGB 228 58 126

HSL 336, 0.76%, 0.56%

LAB 52.98, 68.66, 1.87

 

CMYK 0 / 16 / 10 / 39

HEX #9B828C

RGB 155 130 140

HSL 336, 0.11%, 0.56%

LAB 56.91, 11.29, -1.81

 

CMYK 8 / 0 / 3 / 42

HEX #899590

RGB 137 149 144

HSL 155, 0.05%, 0.56%

LAB 60.63, -5.31, 1.15

 

CMYK 29 / 0 / 11 / 35

HEX #77A794

RGB 119 167 148

HSL 156.25, 0.21%, 0.56%

LAB 64.72, -20.18, 4.68

 

CMYK 45 / 0 / 18 / 27

HEX #65B997

RGB 101 185 151

HSL 155.71, 0.38%, 0.56%

LAB 69.25, -33.59, 9.4

 

CMYK 59 / 0 / 24 / 20

HEX #53CB9B

RGB 83 203 155

HSL 156, 0.54%, 0.56%

LAB 74.14, -44.94, 14.05

 

CMYK 0 / 16 / 1 / 39

HEX #9B8299

RGB 155 130 153

HSL 304.8, 0.11%, 0.56%

LAB 57.3, 13.74, -8.73

 

CMYK 0 / 16 / 5 / 39

HEX #9B8293

RGB 155 130 147

HSL 319.2, 0.11%, 0.56%

LAB 57.11, 12.58, -5.55

 

CMYK 0 / 16 / 10 / 39

HEX #9B828C

RGB 155 130 140

HSL 336, 0.11%, 0.56%

LAB 56.91, 11.29, -1.81

 

CMYK 0 / 16 / 14 / 39

HEX #9B8286

RGB 155 130 134

HSL 350.4, 0.11%, 0.56%

LAB 56.74, 10.23, 1.4

 

CMYK 0 / 14 / 16 / 39

HEX #9B8682

RGB 155 134 130

HSL 9.6, 0.11%, 0.56%

LAB 57.68, 7.27, 5.08

 

CMYK 0 / 20 / 12 / 56

HEX #715A63

RGB 113 90 99

HSL 336.52, 0.11%, 0.4%

LAB 40.77, 11.03, -1.59

 

CMYK 0 / 20 / 13 / 47

HEX #886D77

RGB 136 109 119

HSL 337.78, 0.11%, 0.48%

LAB 48.89, 12.42, -1.49

 

CMYK 0 / 16 / 10 / 39

HEX #9B828C

RGB 155 130 140

HSL 336, 0.11%, 0.56%

LAB 56.91, 11.29, -1.81

 

CMYK 0 / 12 / 7 / 32

HEX #AE99A1

RGB 174 153 161

HSL 337.14, 0.11%, 0.64%

LAB 65.24, 9.15, -1.34

 

CMYK 0 / 8 / 5 / 25

HEX #C0B0B6

RGB 192 176 182

HSL 337.5, 0.11%, 0.72%

LAB 73.31, 6.78, -0.99

 

CMYK 0 / 16 / 10 / 39

HEX #9B828C

RGB 155 130 140

HSL 336, 0.11%, 0.56%

LAB 56.91, 11.29, -1.81

 

CMYK 0 / 3 / 16 / 39

HEX #9B9682

RGB 155 150 130

HSL 48, 0.11%, 0.56%

LAB 61.99, -1.69, 11.21

 

CMYK 16 / 3 / 0 / 39

HEX #82969B

RGB 130 150 155

HSL 192, 0.11%, 0.56%

LAB 60.72, -5.98, -5.02

 

CMYK 0 / 16 / 10 / 39

HEX #9B828C

RGB 155 130 140

HSL 336, 0.11%, 0.56%

LAB 56.91, 11.29, -1.81

 

CMYK 10 / 0 / 16 / 39

HEX #8C9B82

RGB 140 155 130

HSL 96, 0.11%, 0.56%

LAB 62.19, -10.13, 11.33

 

CMYK 16 / 10 / 0 / 39

HEX #828C9B

RGB 130 140 155

HSL 216, 0.11%, 0.56%

LAB 57.91, -0.38, -9.19

 

CMYK 0 / 16 / 10 / 39

HEX #9B828C

RGB 155 130 140

HSL 336, 0.11%, 0.56%

LAB 56.91, 11.29, -1.81

 

CMYK 0 / 3 / 16 / 39

HEX #9B9682

RGB 155 150 130

HSL 48, 0.11%, 0.56%

LAB 61.99, -1.69, 11.21

 

CMYK 16 / 0 / 6 / 39

HEX #829B91

RGB 130 155 145

HSL 156, 0.11%, 0.56%

LAB 61.85, -10.85, 2.31

 

CMYK 16 / 13 / 0 / 39

HEX #82879B

RGB 130 135 155

HSL 228, 0.11%, 0.56%

LAB 56.53, 2.48, -11.27

 

CMYK 0 / 16 / 10 / 39

HEX #9B828C

RGB 155 130 140

HSL 336, 0.11%, 0.56%

LAB 56.91, 11.29, -1.81

 

CMYK 1 / 0 / 16 / 39

HEX #999B82

RGB 153 155 130

HSL 64.8, 0.11%, 0.56%

LAB 63.2, -5.21, 12.89

 

CMYK 16 / 0 / 6 / 39

HEX #829B91

RGB 130 155 145

HSL 156, 0.11%, 0.56%

LAB 61.85, -10.85, 2.31

 

CMYK 14 / 16 / 0 / 39

HEX #85829B

RGB 133 130 155

HSL 247.2, 0.11%, 0.56%

LAB 55.4, 6.39, -12.94

 

Description

Color code: HEX #9B828C | qconv.com Color code: HEX #9B828C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 130 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 130 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 10 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 10% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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