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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B7C42 it is the complementary color #6483BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B7C42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B7C42 shade: #A07C3D, #B18E50, #C2A063, #D3B276 and #E4C489

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B7C42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B7C42 shade: #9B7C42, #8A6A2F, #79581C, #684609 and #573400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B7C42 shade: #9A7B42, #9A6342, #9A4C42 and #9A4242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B7C42 shade: #9A7B42, #9A9342, #899A42, #719A42 and #599A42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B7C42 shade matches the following richer shades: #9A7B42, #AB8030, #BD861E and #CF8B0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B7C42 shade: #9A7B42, #887654, #767065, #646B77 and #536589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B7C42 shade: #9A4C42, #9A6342, #9A7B42, #9A9242 and #899A42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B7C42 shade: #604D29, #7D6435, #9A7B42, #B49150 and #C1A46D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B7C42 shade: #9B7C42, #4F9A42 and #58429A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B7C42 shade: #9B7C42, #429A7B and #7B429A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B7C42 shade: #9B7C42, #4F9A42, #42609A and #8C429A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B7C42 shade: #9B7C42, #429A4F, #42609A and #9A428C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 57 / 39

HEX #9B7C42

RGB 155 124 66

HSL 39.1, 0.4%, 0.43%

LAB 53.79, 4.82, 35.82

 

Complementary color

CMYK 47 / 31 / 0 / 26

HEX #6483BD

RGB 100 131 189

HSL 219.1, 0.4%, 0.57%

LAB 54.67, 4.93, -33.79

 

CMYK 0 / 23 / 62 / 37

HEX #A07C3D

RGB 160 124 61

HSL 38.18, 0.45%, 0.43%

LAB 54.27, 6.65, 39.1

 

CMYK 0 / 20 / 55 / 31

HEX #B18E50

RGB 177 142 80

HSL 38.35, 0.38%, 0.5%

LAB 61.02, 5.59, 37.72

 

CMYK 0 / 18 / 49 / 24

HEX #C2A063

RGB 194 160 99

HSL 38.53, 0.44%, 0.57%

LAB 67.66, 4.72, 36.35

 

CMYK 0 / 16 / 44 / 17

HEX #D3B276

RGB 211 178 118

HSL 38.71, 0.51%, 0.65%

LAB 74.19, 3.98, 35.05

 

CMYK 0 / 14 / 40 / 11

HEX #E4C489

RGB 228 196 137

HSL 38.9, 0.63%, 0.72%

LAB 80.62, 3.34, 33.81

 

CMYK 0 / 20 / 57 / 39

HEX #9B7C42

RGB 155 124 66

HSL 39.1, 0.4%, 0.43%

LAB 53.79, 4.82, 35.82

 

CMYK 0 / 23 / 66 / 46

HEX #8A6A2F

RGB 138 106 47

HSL 38.9, 0.49%, 0.36%

LAB 46.86, 5.96, 37.2

 

CMYK 0 / 27 / 77 / 53

HEX #79581C

RGB 121 88 28

HSL 38.71, 0.62%, 0.29%

LAB 39.8, 7.41, 38.34

 

CMYK 0 / 33 / 91 / 59

HEX #684609

RGB 104 70 9

HSL 38.53, 0.84%, 0.22%

LAB 32.58, 9.27, 38.55

 

CMYK 0 / 40 / 100 / 66

HEX #573400

RGB 87 52 0

HSL 35.86, 1%, 0.17%

LAB 25.21, 11.7, 34.97

 

CMYK 0 / 20 / 57 / 40

HEX #9A7B42

RGB 154 123 66

HSL 38.86, 0.4%, 0.43%

LAB 53.42, 4.94, 35.35

 

CMYK 0 / 36 / 57 / 40

HEX #9A6342

RGB 154 99 66

HSL 22.5, 0.4%, 0.43%

LAB 47.22, 18.68, 27.79

 

CMYK 0 / 51 / 57 / 40

HEX #9A4C42

RGB 154 76 66

HSL 6.82, 0.4%, 0.43%

LAB 41.9, 31.58, 21

 

CMYK 0 / 57 / 57 / 40

HEX #9A4242

RGB 154 66 66

HSL 0, 0.4%, 0.43%

LAB 39.85, 36.83, 18.32

 

CMYK 0 / 20 / 57 / 40

HEX #9A7B42

RGB 154 123 66

HSL 38.86, 0.4%, 0.43%

LAB 53.42, 4.94, 35.35

 

CMYK 0 / 5 / 57 / 40

HEX #9A9342

RGB 154 147 66

HSL 55.23, 0.4%, 0.43%

LAB 60.01, -8.36, 43.03

 

CMYK 11 / 0 / 57 / 40

HEX #899A42

RGB 137 154 66

HSL 71.59, 0.4%, 0.43%

LAB 60.63, -19.36, 43.37

 

CMYK 27 / 0 / 57 / 40

HEX #719A42

RGB 113 154 66

HSL 87.95, 0.4%, 0.43%

LAB 58.99, -29.09, 41.06

 

CMYK 42 / 0 / 57 / 40

HEX #599A42

RGB 89 154 66

HSL 104.32, 0.4%, 0.43%

LAB 57.68, -37.78, 39.2

 

CMYK 0 / 20 / 57 / 40

HEX #9A7B42

RGB 154 123 66

HSL 38.86, 0.4%, 0.43%

LAB 53.42, 4.94, 35.35

 

CMYK 0 / 25 / 72 / 33

HEX #AB8030

RGB 171 128 48

HSL 39.02, 0.56%, 0.43%

LAB 56.4, 8.51, 48.01

 

CMYK 0 / 29 / 84 / 26

HEX #BD861E

RGB 189 134 30

HSL 39.25, 0.73%, 0.43%

LAB 59.86, 12.51, 58.89

 

CMYK 0 / 33 / 94 / 19

HEX #CF8B0D

RGB 207 139 13

HSL 38.97, 0.88%, 0.43%

LAB 63.14, 17.37, 66.47

 

CMYK 0 / 20 / 57 / 40

HEX #9A7B42

RGB 154 123 66

HSL 38.86, 0.4%, 0.43%

LAB 53.42, 4.94, 35.35

 

CMYK 0 / 13 / 38 / 47

HEX #887654

RGB 136 118 84

HSL 39.23, 0.24%, 0.43%

LAB 50.49, 1.77, 21.32

 

CMYK 0 / 5 / 14 / 54

HEX #767065

RGB 118 112 101

HSL 38.82, 0.08%, 0.43%

LAB 47.47, 0.27, 6.94

 

CMYK 16 / 10 / 0 / 53

HEX #646B77

RGB 100 107 119

HSL 217.89, 0.09%, 0.43%

LAB 45.02, 0.05, -7.59

 

CMYK 39 / 26 / 0 / 46

HEX #536589

RGB 83 101 137

HSL 220, 0.25%, 0.43%

LAB 42.69, 2.88, -22.08

 

CMYK 0 / 51 / 57 / 40

HEX #9A4C42

RGB 154 76 66

HSL 6.82, 0.4%, 0.43%

LAB 41.9, 31.58, 21

 

CMYK 0 / 36 / 57 / 40

HEX #9A6342

RGB 154 99 66

HSL 22.5, 0.4%, 0.43%

LAB 47.22, 18.68, 27.79

 

CMYK 0 / 20 / 57 / 40

HEX #9A7B42

RGB 154 123 66

HSL 38.86, 0.4%, 0.43%

LAB 53.42, 4.94, 35.35

 

CMYK 0 / 5 / 57 / 40

HEX #9A9242

RGB 154 146 66

HSL 54.55, 0.4%, 0.43%

LAB 59.73, -7.82, 42.71

 

CMYK 11 / 0 / 57 / 40

HEX #899A42

RGB 137 154 66

HSL 71.59, 0.4%, 0.43%

LAB 60.63, -19.36, 43.37

 

CMYK 0 / 20 / 57 / 62

HEX #604D29

RGB 96 77 41

HSL 39.27, 0.4%, 0.27%

LAB 33.89, 2.97, 24.18

 

CMYK 0 / 20 / 58 / 51

HEX #7D6435

RGB 125 100 53

HSL 39.17, 0.4%, 0.35%

LAB 43.85, 3.93, 30.16

 

CMYK 0 / 20 / 57 / 40

HEX #9A7B42

RGB 154 123 66

HSL 38.86, 0.4%, 0.43%

LAB 53.42, 4.94, 35.35

 

CMYK 0 / 19 / 56 / 29

HEX #B49150

RGB 180 145 80

HSL 39, 0.4%, 0.51%

LAB 62.11, 5.23, 39.1

 

CMYK 0 / 15 / 44 / 24

HEX #C1A46D

RGB 193 164 109

HSL 39.29, 0.4%, 0.59%

LAB 68.75, 3.15, 32.44

 

CMYK 0 / 20 / 57 / 39

HEX #9B7C42

RGB 155 124 66

HSL 39.1, 0.4%, 0.43%

LAB 53.79, 4.82, 35.82

 

CMYK 49 / 0 / 57 / 40

HEX #4F9A42

RGB 79 154 66

HSL 111.14, 0.4%, 0.43%

LAB 57.24, -40.97, 38.57

 

CMYK 43 / 57 / 0 / 40

HEX #58429A

RGB 88 66 154

HSL 255, 0.4%, 0.43%

LAB 34.61, 31.33, -45.09

 

CMYK 0 / 20 / 57 / 39

HEX #9B7C42

RGB 155 124 66

HSL 39.1, 0.4%, 0.43%

LAB 53.79, 4.82, 35.82

 

CMYK 57 / 0 / 20 / 40

HEX #429A7B

RGB 66 154 123

HSL 158.86, 0.4%, 0.43%

LAB 57.75, -34.11, 8.42

 

CMYK 20 / 57 / 0 / 40

HEX #7B429A

RGB 123 66 154

HSL 278.86, 0.4%, 0.43%

LAB 38.62, 40.35, -38.44

 

CMYK 0 / 20 / 57 / 39

HEX #9B7C42

RGB 155 124 66

HSL 39.1, 0.4%, 0.43%

LAB 53.79, 4.82, 35.82

 

CMYK 49 / 0 / 57 / 40

HEX #4F9A42

RGB 79 154 66

HSL 111.14, 0.4%, 0.43%

LAB 57.24, -40.97, 38.57

 

CMYK 57 / 38 / 0 / 40

HEX #42609A

RGB 66 96 154

HSL 219.55, 0.4%, 0.43%

LAB 40.99, 7.01, -35.01

 

CMYK 9 / 57 / 0 / 40

HEX #8C429A

RGB 140 66 154

HSL 290.45, 0.4%, 0.43%

LAB 40.9, 44.99, -34.68

 

CMYK 0 / 20 / 57 / 39

HEX #9B7C42

RGB 155 124 66

HSL 39.1, 0.4%, 0.43%

LAB 53.79, 4.82, 35.82

 

CMYK 57 / 0 / 49 / 40

HEX #429A4F

RGB 66 154 79

HSL 128.86, 0.4%, 0.43%

LAB 56.91, -42.8, 31.48

 

CMYK 57 / 38 / 0 / 40

HEX #42609A

RGB 66 96 154

HSL 219.55, 0.4%, 0.43%

LAB 40.99, 7.01, -35.01

 

CMYK 0 / 57 / 9 / 40

HEX #9A428C

RGB 154 66 140

HSL 309.55, 0.4%, 0.43%

LAB 42.25, 46.37, -23.97

 

Description

Color code: HEX #9B7C42 | qconv.com Color code: HEX #9B7C42 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 124 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 124 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 57 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 57% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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