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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B7122 it is the complementary color #648EDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B7122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B7122 shade: #A0711D, #B18330, #C29543, #D3A756 and #E4B969

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B7122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B7122 shade: #9B7122, #8A5F0F, #794D00, #683B00 and #572900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B7122 shade: #9B7122, #9B5022, #9B3022 and #9B2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B7122 shade: #9B7122, #9B9122, #849B22, #639B22 and #429B22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B7122 shade matches the following richer shades: #9B7122, #AA7513 and #B97A03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B7122 shade: #9B7122, #8B6C31, #7C6740, #6D6350 and #5E5E5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B7122 shade: #9B3022, #9B5022, #9B7022, #9B9122 and #859B22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B7122 shade: #573F13, #79581B, #9B7122, #BD8929 and #D49F3B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B7122 shade: #9B7122, #349B22 and #40229B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B7122 shade: #9B7122, #229B70 and #70229B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B7122 shade: #9B7122, #349B22, #224C9B and #89229B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B7122 shade: #9B7122, #229B34, #224C9B and #9B2289

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 78 / 39

HEX #9B7122

RGB 155 113 34

HSL 39.17, 0.64%, 0.37%

LAB 50.56, 9.05, 47.61

 

Complementary color

CMYK 55 / 36 / 0 / 13

HEX #648EDD

RGB 100 142 221

HSL 219.17, 0.64%, 0.63%

LAB 59.23, 8.35, -44.7

 

CMYK 0 / 29 / 82 / 37

HEX #A0711D

RGB 160 113 29

HSL 38.47, 0.69%, 0.37%

LAB 51.12, 11.15, 50.28

 

CMYK 0 / 26 / 73 / 31

HEX #B18330

RGB 177 131 48

HSL 38.6, 0.57%, 0.44%

LAB 57.84, 9.52, 49.7

 

CMYK 0 / 23 / 65 / 24

HEX #C29543

RGB 194 149 67

HSL 38.74, 0.51%, 0.51%

LAB 64.46, 8.16, 48.61

 

CMYK 0 / 21 / 59 / 17

HEX #D3A756

RGB 211 167 86

HSL 38.88, 0.59%, 0.58%

LAB 70.98, 7.02, 47.34

 

CMYK 0 / 19 / 54 / 11

HEX #E4B969

RGB 228 185 105

HSL 39.02, 0.69%, 0.65%

LAB 77.41, 6.04, 46.03

 

CMYK 0 / 27 / 78 / 39

HEX #9B7122

RGB 155 113 34

HSL 39.17, 0.64%, 0.37%

LAB 50.56, 9.05, 47.61

 

CMYK 0 / 31 / 89 / 46

HEX #8A5F0F

RGB 138 95 15

HSL 39.02, 0.8%, 0.3%

LAB 43.69, 10.87, 47.55

 

CMYK 0 / 36 / 100 / 53

HEX #794D00

RGB 121 77 0

HSL 38.18, 1%, 0.24%

LAB 36.69, 13.09, 45.69

 

CMYK 0 / 43 / 100 / 59

HEX #683B00

RGB 104 59 0

HSL 34.04, 1%, 0.2%

LAB 29.59, 15.76, 39.74

 

CMYK 0 / 53 / 100 / 66

HEX #572900

RGB 87 41 0

HSL 28.28, 1%, 0.17%

LAB 22.35, 18.55, 32.11

 

CMYK 0 / 27 / 78 / 39

HEX #9B7122

RGB 155 113 34

HSL 39.17, 0.64%, 0.37%

LAB 50.56, 9.05, 47.61

 

CMYK 0 / 48 / 78 / 39

HEX #9B5022

RGB 155 80 34

HSL 22.81, 0.64%, 0.37%

LAB 42.49, 27.78, 39.72

 

CMYK 0 / 69 / 78 / 39

HEX #9B3022

RGB 155 48 34

HSL 6.94, 0.64%, 0.37%

LAB 36.36, 43.68, 33.4

 

CMYK 0 / 78 / 78 / 39

HEX #9B2222

RGB 155 34 34

HSL 0, 0.64%, 0.37%

LAB 34.45, 48.94, 31.35

 

CMYK 0 / 27 / 78 / 39

HEX #9B7122

RGB 155 113 34

HSL 39.17, 0.64%, 0.37%

LAB 50.56, 9.05, 47.61

 

CMYK 0 / 6 / 78 / 39

HEX #9B9122

RGB 155 145 34

HSL 55.04, 0.64%, 0.37%

LAB 59.28, -8.77, 55.74

 

CMYK 15 / 0 / 78 / 39

HEX #849B22

RGB 132 155 34

HSL 71.4, 0.64%, 0.37%

LAB 60.31, -24.13, 55.99

 

CMYK 36 / 0 / 78 / 39

HEX #639B22

RGB 99 155 34

HSL 87.77, 0.64%, 0.37%

LAB 58.24, -37.42, 53.32

 

CMYK 57 / 0 / 78 / 39

HEX #429B22

RGB 66 155 34

HSL 104.13, 0.64%, 0.37%

LAB 56.8, -48.12, 51.44

 

CMYK 0 / 27 / 78 / 39

HEX #9B7122

RGB 155 113 34

HSL 39.17, 0.64%, 0.37%

LAB 50.56, 9.05, 47.61

 

CMYK 0 / 31 / 89 / 33

HEX #AA7513

RGB 170 117 19

HSL 38.94, 0.8%, 0.37%

LAB 53.29, 13.15, 55.79

 

CMYK 0 / 34 / 98 / 27

HEX #B97A03

RGB 185 122 3

HSL 39.23, 0.97%, 0.37%

LAB 56.33, 16.86, 62.08

 

CMYK 0 / 27 / 78 / 39

HEX #9B7122

RGB 155 113 34

HSL 39.17, 0.64%, 0.37%

LAB 50.56, 9.05, 47.61

 

CMYK 0 / 22 / 65 / 45

HEX #8B6C31

RGB 139 108 49

HSL 39.33, 0.48%, 0.37%

LAB 47.54, 5.4, 36.97

 

CMYK 0 / 17 / 48 / 51

HEX #7C6740

RGB 124 103 64

HSL 39, 0.32%, 0.37%

LAB 44.74, 2.8, 25.07

 

CMYK 0 / 9 / 27 / 57

HEX #6D6350

RGB 109 99 80

HSL 39.31, 0.15%, 0.37%

LAB 42.39, 0.65, 12.26

 

CMYK 1 / 1 / 0 / 63

HEX #5E5E5F

RGB 94 94 95

HSL 240, 0.01%, 0.37%

LAB 39.93, 0.21, -0.58

 

CMYK 0 / 69 / 78 / 39

HEX #9B3022

RGB 155 48 34

HSL 6.94, 0.64%, 0.37%

LAB 36.36, 43.68, 33.4

 

CMYK 0 / 48 / 78 / 39

HEX #9B5022

RGB 155 80 34

HSL 22.81, 0.64%, 0.37%

LAB 42.49, 27.78, 39.72

 

CMYK 0 / 28 / 78 / 39

HEX #9B7022

RGB 155 112 34

HSL 38.68, 0.64%, 0.37%

LAB 50.3, 9.62, 47.36

 

CMYK 0 / 6 / 78 / 39

HEX #9B9122

RGB 155 145 34

HSL 55.04, 0.64%, 0.37%

LAB 59.28, -8.77, 55.74

 

CMYK 14 / 0 / 78 / 39

HEX #859B22

RGB 133 155 34

HSL 70.91, 0.64%, 0.37%

LAB 60.38, -23.7, 56.09

 

CMYK 0 / 28 / 78 / 66

HEX #573F13

RGB 87 63 19

HSL 38.82, 0.64%, 0.21%

LAB 28.45, 5.52, 29.84

 

CMYK 0 / 27 / 78 / 53

HEX #79581B

RGB 121 88 27

HSL 38.94, 0.64%, 0.29%

LAB 39.79, 7.36, 38.79

 

CMYK 0 / 27 / 78 / 39

HEX #9B7122

RGB 155 113 34

HSL 39.17, 0.64%, 0.37%

LAB 50.56, 9.05, 47.61

 

CMYK 0 / 28 / 78 / 26

HEX #BD8929

RGB 189 137 41

HSL 38.92, 0.64%, 0.45%

LAB 60.67, 11.22, 55.78

 

CMYK 0 / 25 / 72 / 17

HEX #D49F3B

RGB 212 159 59

HSL 39.22, 0.64%, 0.53%

LAB 68.83, 10.1, 57.37

 

CMYK 0 / 27 / 78 / 39

HEX #9B7122

RGB 155 113 34

HSL 39.17, 0.64%, 0.37%

LAB 50.56, 9.05, 47.61

 

CMYK 66 / 0 / 78 / 39

HEX #349B22

RGB 52 155 34

HSL 111.07, 0.64%, 0.37%

LAB 56.38, -51.56, 50.88

 

CMYK 59 / 78 / 0 / 39

HEX #40229B

RGB 64 34 155

HSL 254.88, 0.64%, 0.37%

LAB 25.57, 45.33, -60.53

 

CMYK 0 / 27 / 78 / 39

HEX #9B7122

RGB 155 113 34

HSL 39.17, 0.64%, 0.37%

LAB 50.56, 9.05, 47.61

 

CMYK 78 / 0 / 28 / 39

HEX #229B70

RGB 34 155 112

HSL 158.68, 0.64%, 0.37%

LAB 57.03, -42.76, 13.49

 

CMYK 28 / 78 / 0 / 39

HEX #70229B

RGB 112 34 155

HSL 278.68, 0.64%, 0.37%

LAB 31.71, 53.11, -50.25

 

CMYK 0 / 27 / 78 / 39

HEX #9B7122

RGB 155 113 34

HSL 39.17, 0.64%, 0.37%

LAB 50.56, 9.05, 47.61

 

CMYK 66 / 0 / 78 / 39

HEX #349B22

RGB 52 155 34

HSL 111.07, 0.64%, 0.37%

LAB 56.38, -51.56, 50.88

 

CMYK 78 / 51 / 0 / 39

HEX #224C9B

RGB 34 76 155

HSL 219.17, 0.64%, 0.37%

LAB 33.72, 14.92, -47.31

 

CMYK 12 / 78 / 0 / 39

HEX #89229B

RGB 137 34 155

HSL 291.07, 0.64%, 0.37%

LAB 35.65, 57.99, -43.68

 

CMYK 0 / 27 / 78 / 39

HEX #9B7122

RGB 155 113 34

HSL 39.17, 0.64%, 0.37%

LAB 50.56, 9.05, 47.61

 

CMYK 78 / 0 / 66 / 39

HEX #229B34

RGB 34 155 52

HSL 128.93, 0.64%, 0.37%

LAB 56.12, -53.23, 43.46

 

CMYK 78 / 51 / 0 / 39

HEX #224C9B

RGB 34 76 155

HSL 219.17, 0.64%, 0.37%

LAB 33.72, 14.92, -47.31

 

CMYK 0 / 78 / 12 / 39

HEX #9B2289

RGB 155 34 137

HSL 308.93, 0.64%, 0.37%

LAB 37.7, 58.86, -29.23

 

Description

Color code: HEX #9B7122 | qconv.com Color code: HEX #9B7122 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 113 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 113 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 78 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 78% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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