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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B4FAE it is the complementary color #64B051. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B4FAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B4FAE shade: #A04FA9, #B161BC, #C273CF, #D385E2 and #E497F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B4FAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B4FAE shade: #9B4FAE, #8A3D9B, #792B88, #681975 and #570762

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B4FAE shade: #9D4FB0, #B04FA9, #B04F8F, #B04F75 and #B04F5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B4FAE shade: #9D4FB0, #824FB0, #684FB0 and #4F4FB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B4FAE shade matches the following richer shades: #9D4FB0, #A93AC5, #B526D9 and #C211EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B4FAE shade: #9D4FB0, #90649B, #847887, #778D72 and #6BA25D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B4FAE shade: #694FB0, #834FB0, #9D4FB0, #B04FA9 and #B04F90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B4FAE shade: #6A3577, #834293, #9D4FB0, #AC6CBD and #BC88CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B4FAE shade: #9B4FAE, #B04F4F and #4FB076

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B4FAE shade: #9B4FAE, #B09D4F and #4FB09D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B4FAE shade: #9B4FAE, #B04F4F, #62B04F and #4FB0B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B4FAE shade: #9B4FAE, #B06C4F, #62B04F and #4F93B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 55 / 0 / 32

HEX #9B4FAE

RGB 155 79 174

HSL 288, 0.38%, 0.5%

LAB 46.47, 46.57, -37.65

 

Complementary color

CMYK 43 / 0 / 54 / 31

HEX #64B051

RGB 100 176 81

HSL 108, 0.38%, 0.5%

LAB 65.24, -41.96, 40.98

 

CMYK 5 / 53 / 0 / 34

HEX #A04FA9

RGB 160 79 169

HSL 294, 0.36%, 0.49%

LAB 46.88, 46.97, -34.01

 

CMYK 6 / 48 / 0 / 26

HEX #B161BC

RGB 177 97 188

HSL 292.75, 0.4%, 0.56%

LAB 53.52, 46.29, -34.51

 

CMYK 6 / 44 / 0 / 19

HEX #C273CF

RGB 194 115 207

HSL 291.52, 0.49%, 0.63%

LAB 60.1, 45.55, -34.91

 

CMYK 7 / 41 / 0 / 11

HEX #D385E2

RGB 211 133 226

HSL 290.32, 0.62%, 0.7%

LAB 66.61, 44.79, -35.25

 

CMYK 7 / 38 / 0 / 4

HEX #E497F5

RGB 228 151 245

HSL 289.15, 0.82%, 0.78%

LAB 73.04, 44.05, -35.55

 

CMYK 11 / 55 / 0 / 32

HEX #9B4FAE

RGB 155 79 174

HSL 288, 0.38%, 0.5%

LAB 46.47, 46.57, -37.65

 

CMYK 11 / 61 / 0 / 39

HEX #8A3D9B

RGB 138 61 155

HSL 289.15, 0.44%, 0.42%

LAB 39.76, 47.14, -37.11

 

CMYK 11 / 68 / 0 / 47

HEX #792B88

RGB 121 43 136

HSL 290.32, 0.52%, 0.35%

LAB 33.07, 47.37, -36.31

 

CMYK 11 / 79 / 0 / 54

HEX #681975

RGB 104 25 117

HSL 291.52, 0.65%, 0.28%

LAB 26.51, 46.88, -35.01

 

CMYK 11 / 93 / 0 / 62

HEX #570762

RGB 87 7 98

HSL 292.75, 0.87%, 0.21%

LAB 20.28, 45, -32.85

 

CMYK 11 / 55 / 0 / 31

HEX #9D4FB0

RGB 157 79 176

HSL 288.25, 0.38%, 0.5%

LAB 46.84, 47.52, -38.22

 

CMYK 0 / 55 / 4 / 31

HEX #B04FA9

RGB 176 79 169

HSL 304.33, 0.38%, 0.5%

LAB 49.11, 51.48, -30.35

 

CMYK 0 / 55 / 19 / 31

HEX #B04F8F

RGB 176 79 143

HSL 320.41, 0.38%, 0.5%

LAB 48.01, 47.23, -16.63

 

CMYK 0 / 55 / 34 / 31

HEX #B04F75

RGB 176 79 117

HSL 336.49, 0.38%, 0.5%

LAB 47.11, 43.6, -2.31

 

CMYK 0 / 55 / 48 / 31

HEX #B04F5B

RGB 176 79 91

HSL 352.58, 0.38%, 0.5%

LAB 46.42, 40.68, 12.49

 

CMYK 11 / 55 / 0 / 31

HEX #9D4FB0

RGB 157 79 176

HSL 288.25, 0.38%, 0.5%

LAB 46.84, 47.52, -38.22

 

CMYK 26 / 55 / 0 / 31

HEX #824FB0

RGB 130 79 176

HSL 271.55, 0.38%, 0.5%

LAB 43.47, 40.27, -43.78

 

CMYK 41 / 55 / 0 / 31

HEX #684FB0

RGB 104 79 176

HSL 255.46, 0.38%, 0.5%

LAB 40.69, 33.69, -48.39

 

CMYK 55 / 55 / 0 / 31

HEX #4F4FB0

RGB 79 79 176

HSL 240, 0.38%, 0.5%

LAB 38.53, 28.11, -51.97

 

CMYK 11 / 55 / 0 / 31

HEX #9D4FB0

RGB 157 79 176

HSL 288.25, 0.38%, 0.5%

LAB 46.84, 47.52, -38.22

 

CMYK 14 / 71 / 0 / 23

HEX #A93AC5

RGB 169 58 197

HSL 287.91, 0.55%, 0.5%

LAB 46.3, 63.97, -51.23

 

CMYK 17 / 82 / 0 / 15

HEX #B526D9

RGB 181 38 217

HSL 287.93, 0.7%, 0.5%

LAB 47.26, 76.15, -61.1

 

CMYK 18 / 93 / 0 / 7

HEX #C211EE

RGB 194 17 238

HSL 288.05, 0.87%, 0.5%

LAB 49.55, 85.42, -69.22

 

CMYK 11 / 55 / 0 / 31

HEX #9D4FB0

RGB 157 79 176

HSL 288.25, 0.38%, 0.5%

LAB 46.84, 47.52, -38.22

 

CMYK 7 / 35 / 0 / 39

HEX #90649B

RGB 144 100 155

HSL 288, 0.22%, 0.5%

LAB 48.77, 27.69, -22.95

 

CMYK 2 / 11 / 0 / 47

HEX #847887

RGB 132 120 135

HSL 288, 0.06%, 0.5%

LAB 51.94, 7.54, -6.49

 

CMYK 16 / 0 / 19 / 45

HEX #778D72

RGB 119 141 114

HSL 108.89, 0.11%, 0.5%

LAB 56.27, -13.29, 11.83

 

CMYK 34 / 0 / 43 / 36

HEX #6BA25D

RGB 107 162 93

HSL 107.83, 0.27%, 0.5%

LAB 61.44, -31.73, 30.24

 

CMYK 40 / 55 / 0 / 31

HEX #694FB0

RGB 105 79 176

HSL 256.08, 0.38%, 0.5%

LAB 40.78, 33.93, -48.23

 

CMYK 26 / 55 / 0 / 31

HEX #834FB0

RGB 131 79 176

HSL 272.16, 0.38%, 0.5%

LAB 43.58, 40.53, -43.59

 

CMYK 11 / 55 / 0 / 31

HEX #9D4FB0

RGB 157 79 176

HSL 288.25, 0.38%, 0.5%

LAB 46.84, 47.52, -38.22

 

CMYK 0 / 55 / 4 / 31

HEX #B04FA9

RGB 176 79 169

HSL 304.33, 0.38%, 0.5%

LAB 49.11, 51.48, -30.35

 

CMYK 0 / 55 / 18 / 31

HEX #B04F90

RGB 176 79 144

HSL 319.79, 0.38%, 0.5%

LAB 48.05, 47.38, -17.17

 

CMYK 11 / 55 / 0 / 53

HEX #6A3577

RGB 106 53 119

HSL 288.18, 0.38%, 0.34%

LAB 31.68, 34.77, -28.05

 

CMYK 11 / 55 / 0 / 42

HEX #834293

RGB 131 66 147

HSL 288.15, 0.38%, 0.42%

LAB 39.29, 41.03, -33.09

 

CMYK 11 / 55 / 0 / 31

HEX #9D4FB0

RGB 157 79 176

HSL 288.25, 0.38%, 0.5%

LAB 46.84, 47.52, -38.22

 

CMYK 9 / 43 / 0 / 26

HEX #AC6CBD

RGB 172 108 189

HSL 287.41, 0.38%, 0.58%

LAB 55.25, 39.14, -32.43

 

CMYK 7 / 33 / 0 / 21

HEX #BC88CA

RGB 188 136 202

HSL 287.27, 0.38%, 0.66%

LAB 63.81, 31.34, -26.41

 

CMYK 11 / 55 / 0 / 32

HEX #9B4FAE

RGB 155 79 174

HSL 288, 0.38%, 0.5%

LAB 46.47, 46.57, -37.65

 

CMYK 0 / 55 / 55 / 31

HEX #B04F4F

RGB 176 79 79

HSL 0, 0.38%, 0.5%

LAB 46.16, 39.59, 19.4

 

CMYK 55 / 0 / 33 / 31

HEX #4FB076

RGB 79 176 118

HSL 144.12, 0.38%, 0.5%

LAB 64.98, -41.96, 21.3

 

CMYK 11 / 55 / 0 / 32

HEX #9B4FAE

RGB 155 79 174

HSL 288, 0.38%, 0.5%

LAB 46.47, 46.57, -37.65

 

CMYK 0 / 11 / 55 / 31

HEX #B09D4F

RGB 176 157 79

HSL 48.25, 0.38%, 0.5%

LAB 64.89, -3.12, 42.81

 

CMYK 55 / 0 / 11 / 31

HEX #4FB09D

RGB 79 176 157

HSL 168.25, 0.38%, 0.5%

LAB 65.86, -33.2, 1.11

 

CMYK 11 / 55 / 0 / 32

HEX #9B4FAE

RGB 155 79 174

HSL 288, 0.38%, 0.5%

LAB 46.47, 46.57, -37.65

 

CMYK 0 / 55 / 55 / 31

HEX #B04F4F

RGB 176 79 79

HSL 0, 0.38%, 0.5%

LAB 46.16, 39.59, 19.4

 

CMYK 44 / 0 / 55 / 31

HEX #62B04F

RGB 98 176 79

HSL 108.25, 0.38%, 0.5%

LAB 65.13, -42.83, 41.8

 

CMYK 55 / 0 / 0 / 31

HEX #4FB0B0

RGB 79 176 176

HSL 180, 0.38%, 0.5%

LAB 66.4, -28.19, -8.64

 

CMYK 11 / 55 / 0 / 32

HEX #9B4FAE

RGB 155 79 174

HSL 288, 0.38%, 0.5%

LAB 46.47, 46.57, -37.65

 

CMYK 0 / 39 / 55 / 31

HEX #B06C4F

RGB 176 108 79

HSL 17.94, 0.38%, 0.5%

LAB 52.42, 24.07, 27.56

 

CMYK 44 / 0 / 55 / 31

HEX #62B04F

RGB 98 176 79

HSL 108.25, 0.38%, 0.5%

LAB 65.13, -42.83, 41.8

 

CMYK 55 / 16 / 0 / 31

HEX #4F93B0

RGB 79 147 176

HSL 197.94, 0.38%, 0.5%

LAB 57.72, -13.12, -21.76

 

Description

Color code: HEX #9B4FAE | qconv.com Color code: HEX #9B4FAE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 79 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 79 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 55 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 55% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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