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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B451C it is the complementary color #64BAE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B451C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B451C shade: #A04517, #B1572A, #C2693D, #D37B50 and #E48D63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B451C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B451C shade: #9B451C, #8A3309, #792100, #680F00 and #570000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B451C shade: #9B451C, #9B231C and #9B1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B451C shade: #9B451C, #9B681C, #9B8A1C, #8A9B1C and #689B1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B451C shade matches the following richer shades: #9B451C and #AA400E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B451C shade: #9B451C, #8C4B2B, #7D503A, #6F5549 and #605A58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B451C shade: #9B1C38, #9B231C, #9B451C, #9B661C and #9B881C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B451C shade: #552610, #783616, #9B451C, #BE5523 and #D96731

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B451C shade: #9B451C, #5A9B1C and #1C279B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B451C shade: #9B451C, #1C9B45 and #451C9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B451C shade: #9B451C, #5A9B1C, #1C739B and #5E1C9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B451C shade: #9B451C, #349B1C, #1C739B and #841C9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 82 / 39

HEX #9B451C

RGB 155 69 28

HSL 19.37, 0.69%, 0.36%

LAB 40.1, 33.45, 40.29

 

Complementary color

CMYK 56 / 18 / 0 / 11

HEX #64BAE3

RGB 100 186 227

HSL 199.37, 0.69%, 0.64%

LAB 71.81, -14.46, -28.41

 

CMYK 0 / 57 / 86 / 37

HEX #A04517

RGB 160 69 23

HSL 20.15, 0.75%, 0.36%

LAB 40.88, 35.31, 43.58

 

CMYK 0 / 51 / 76 / 31

HEX #B1572A

RGB 177 87 42

HSL 20, 0.62%, 0.43%

LAB 47.41, 33.5, 41.82

 

CMYK 0 / 46 / 69 / 24

HEX #C2693D

RGB 194 105 61

HSL 19.85, 0.52%, 0.5%

LAB 53.93, 31.83, 39.84

 

CMYK 0 / 42 / 62 / 17

HEX #D37B50

RGB 211 123 80

HSL 19.69, 0.6%, 0.57%

LAB 60.42, 30.32, 37.93

 

CMYK 0 / 38 / 57 / 11

HEX #E48D63

RGB 228 141 99

HSL 19.53, 0.7%, 0.64%

LAB 66.86, 28.97, 36.16

 

CMYK 0 / 55 / 82 / 39

HEX #9B451C

RGB 155 69 28

HSL 19.37, 0.69%, 0.36%

LAB 40.1, 33.45, 40.29

 

CMYK 0 / 63 / 93 / 46

HEX #8A3309

RGB 138 51 9

HSL 19.53, 0.88%, 0.29%

LAB 33.54, 35.28, 41.6

 

CMYK 0 / 73 / 100 / 53

HEX #792100

RGB 121 33 0

HSL 16.36, 1%, 0.24%

LAB 27.17, 36.91, 38.97

 

CMYK 0 / 86 / 100 / 59

HEX #680F00

RGB 104 15 0

HSL 8.65, 1%, 0.2%

LAB 21.15, 37.62, 31.83

 

CMYK 0 / 100 / 100 / 66

HEX #570000

RGB 87 0 0

HSL 0, 1%, 0.17%

LAB 15.62, 36.59, 24.31

 

CMYK 0 / 55 / 82 / 39

HEX #9B451C

RGB 155 69 28

HSL 19.37, 0.69%, 0.36%

LAB 40.1, 33.45, 40.29

 

CMYK 0 / 77 / 82 / 39

HEX #9B231C

RGB 155 35 28

HSL 3.31, 0.69%, 0.36%

LAB 34.51, 48.4, 34.87

 

CMYK 0 / 82 / 82 / 39

HEX #9B1C1C

RGB 155 28 28

HSL 0, 0.69%, 0.36%

LAB 33.74, 50.56, 34.11

 

CMYK 0 / 55 / 82 / 39

HEX #9B451C

RGB 155 69 28

HSL 19.37, 0.69%, 0.36%

LAB 40.1, 33.45, 40.29

 

CMYK 0 / 33 / 82 / 39

HEX #9B681C

RGB 155 104 28

HSL 35.91, 0.69%, 0.36%

LAB 48.2, 13.96, 47.79

 

CMYK 0 / 11 / 82 / 39

HEX #9B8A1C

RGB 155 138 28

HSL 51.97, 0.69%, 0.36%

LAB 57.3, -5.2, 55.89

 

CMYK 11 / 0 / 82 / 39

HEX #8A9B1C

RGB 138 155 28

HSL 68.03, 0.69%, 0.36%

LAB 60.72, -21.79, 58.34

 

CMYK 33 / 0 / 82 / 39

HEX #689B1C

RGB 104 155 28

HSL 84.09, 0.69%, 0.36%

LAB 58.48, -35.83, 55.49

 

CMYK 0 / 55 / 82 / 39

HEX #9B451C

RGB 155 69 28

HSL 19.37, 0.69%, 0.36%

LAB 40.1, 33.45, 40.29

 

CMYK 0 / 62 / 92 / 33

HEX #AA400E

RGB 170 64 14

HSL 19.23, 0.85%, 0.36%

LAB 41.6, 41.43, 48.32

 

CMYK 0 / 55 / 82 / 39

HEX #9B451C

RGB 155 69 28

HSL 19.37, 0.69%, 0.36%

LAB 40.1, 33.45, 40.29

 

CMYK 0 / 46 / 69 / 45

HEX #8C4B2B

RGB 140 75 43

HSL 19.79, 0.53%, 0.36%

LAB 39.21, 24.61, 30.76

 

CMYK 0 / 36 / 54 / 51

HEX #7D503A

RGB 125 80 58

HSL 19.7, 0.37%, 0.36%

LAB 38.56, 16.3, 20.7

 

CMYK 0 / 23 / 34 / 56

HEX #6F5549

RGB 111 85 73

HSL 18.95, 0.21%, 0.36%

LAB 38.48, 8.9, 11.14

 

CMYK 0 / 6 / 8 / 62

HEX #605A58

RGB 96 90 88

HSL 15, 0.04%, 0.36%

LAB 38.73, 2.02, 2.01

 

CMYK 0 / 82 / 64 / 39

HEX #9B1C38

RGB 155 28 56

HSL 346.77, 0.69%, 0.36%

LAB 34.16, 51.86, 17.18

 

CMYK 0 / 77 / 82 / 39

HEX #9B231C

RGB 155 35 28

HSL 3.31, 0.69%, 0.36%

LAB 34.51, 48.4, 34.87

 

CMYK 0 / 55 / 82 / 39

HEX #9B451C

RGB 155 69 28

HSL 19.37, 0.69%, 0.36%

LAB 40.1, 33.45, 40.29

 

CMYK 0 / 34 / 82 / 39

HEX #9B661C

RGB 155 102 28

HSL 34.96, 0.69%, 0.36%

LAB 47.69, 15.11, 47.34

 

CMYK 0 / 12 / 82 / 39

HEX #9B881C

RGB 155 136 28

HSL 51.02, 0.69%, 0.36%

LAB 56.74, -4.1, 55.41

 

CMYK 0 / 55 / 81 / 67

HEX #552610

RGB 85 38 16

HSL 19.13, 0.68%, 0.2%

LAB 21.41, 20.06, 24.06

 

CMYK 0 / 55 / 82 / 53

HEX #783616

RGB 120 54 22

HSL 19.59, 0.69%, 0.28%

LAB 31.09, 26.68, 32.56

 

CMYK 0 / 55 / 82 / 39

HEX #9B451C

RGB 155 69 28

HSL 19.37, 0.69%, 0.36%

LAB 40.1, 33.45, 40.29

 

CMYK 0 / 55 / 82 / 25

HEX #BE5523

RGB 190 85 35

HSL 19.35, 0.69%, 0.44%

LAB 48.96, 39.43, 47.38

 

CMYK 0 / 53 / 77 / 15

HEX #D96731

RGB 217 103 49

HSL 19.29, 0.69%, 0.52%

LAB 56.76, 41.4, 49.87

 

CMYK 0 / 55 / 82 / 39

HEX #9B451C

RGB 155 69 28

HSL 19.37, 0.69%, 0.36%

LAB 40.1, 33.45, 40.29

 

CMYK 42 / 0 / 82 / 39

HEX #5A9B1C

RGB 90 155 28

HSL 90.71, 0.69%, 0.36%

LAB 57.75, -40.97, 54.56

 

CMYK 82 / 75 / 0 / 39

HEX #1C279B

RGB 28 39 155

HSL 234.8, 0.69%, 0.36%

LAB 23.88, 38.87, -63.4

 

CMYK 0 / 55 / 82 / 39

HEX #9B451C

RGB 155 69 28

HSL 19.37, 0.69%, 0.36%

LAB 40.1, 33.45, 40.29

 

CMYK 82 / 0 / 55 / 39

HEX #1C9B45

RGB 28 155 69

HSL 139.37, 0.69%, 0.36%

LAB 56.21, -51.82, 35.52

 

CMYK 55 / 82 / 0 / 39

HEX #451C9B

RGB 69 28 155

HSL 259.37, 0.69%, 0.36%

LAB 25.14, 48.73, -61.21

 

CMYK 0 / 55 / 82 / 39

HEX #9B451C

RGB 155 69 28

HSL 19.37, 0.69%, 0.36%

LAB 40.1, 33.45, 40.29

 

CMYK 42 / 0 / 82 / 39

HEX #5A9B1C

RGB 90 155 28

HSL 90.71, 0.69%, 0.36%

LAB 57.75, -40.97, 54.56

 

CMYK 82 / 26 / 0 / 39

HEX #1C739B

RGB 28 115 155

HSL 198.9, 0.69%, 0.36%

LAB 45.46, -10.48, -28.67

 

CMYK 39 / 82 / 0 / 39

HEX #5E1C9B

RGB 94 28 155

HSL 271.18, 0.69%, 0.36%

LAB 28.32, 52.25, -55.88

 

CMYK 0 / 55 / 82 / 39

HEX #9B451C

RGB 155 69 28

HSL 19.37, 0.69%, 0.36%

LAB 40.1, 33.45, 40.29

 

CMYK 66 / 0 / 82 / 39

HEX #349B1C

RGB 52 155 28

HSL 108.66, 0.69%, 0.36%

LAB 56.34, -51.94, 52.74

 

CMYK 82 / 26 / 0 / 39

HEX #1C739B

RGB 28 115 155

HSL 198.9, 0.69%, 0.36%

LAB 45.46, -10.48, -28.67

 

CMYK 15 / 82 / 0 / 39

HEX #841C9B

RGB 132 28 155

HSL 289.13, 0.69%, 0.36%

LAB 34.2, 58.84, -46.07

 

Description

Color code: HEX #9B451C | qconv.com Color code: HEX #9B451C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 69 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 69 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 82 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 82% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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