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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B421F it is the complementary color #64BDE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B421F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B421F shade: #A0421A, #B1542D, #C26640, #D37853 and #E48A66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B421F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B421F shade: #9B421F, #8A300C, #791E00, #680C00 and #570000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B421F shade: #99411E, #99201E and #991E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B421F shade: #99411E, #99621E, #99831E, #8E991E and #6D991E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B421F shade matches the following richer shades: #99411E, #A83B0F and #B73401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B421F shade: #99411E, #8A472D, #7C4E3C, #6D544B and #5E5B5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B421F shade: #991E3F, #991E1E, #993F1E, #99601E and #99811E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B421F shade: #542411, #773217, #99411E, #BC5025 and #D76133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B421F shade: #9B421F, #60991E and #1E2F99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B421F shade: #9B421F, #1E993F and #3F1E99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B421F shade: #9B421F, #60991E, #1E7999 and #581E99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B421F shade: #9B421F, #3B991E, #1E7999 and #7D1E99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 80 / 39

HEX #9B421F

RGB 155 66 31

HSL 16.94, 0.67%, 0.36%

LAB 39.52, 35.11, 38.25

 

Complementary color

CMYK 55 / 16 / 0 / 12

HEX #64BDE0

RGB 100 189 224

HSL 196.94, 0.67%, 0.64%

LAB 72.55, -16.91, -25.63

 

CMYK 0 / 59 / 84 / 37

HEX #A0421A

RGB 160 66 26

HSL 17.91, 0.72%, 0.36%

LAB 40.32, 36.91, 41.74

 

CMYK 0 / 53 / 75 / 31

HEX #B1542D

RGB 177 84 45

HSL 17.73, 0.59%, 0.44%

LAB 46.81, 35.2, 39.67

 

CMYK 0 / 47 / 67 / 24

HEX #C26640

RGB 194 102 64

HSL 17.54, 0.52%, 0.51%

LAB 53.32, 33.59, 37.54

 

CMYK 0 / 43 / 61 / 17

HEX #D37853

RGB 211 120 83

HSL 17.34, 0.59%, 0.58%

LAB 59.8, 32.12, 35.56

 

CMYK 0 / 39 / 55 / 11

HEX #E48A66

RGB 228 138 102

HSL 17.14, 0.7%, 0.65%

LAB 66.24, 30.8, 33.76

 

CMYK 0 / 57 / 80 / 39

HEX #9B421F

RGB 155 66 31

HSL 16.94, 0.67%, 0.36%

LAB 39.52, 35.11, 38.25

 

CMYK 0 / 65 / 91 / 46

HEX #8A300C

RGB 138 48 12

HSL 17.14, 0.84%, 0.29%

LAB 33.01, 36.78, 40.09

 

CMYK 0 / 75 / 100 / 53

HEX #791E00

RGB 121 30 0

HSL 14.88, 1%, 0.24%

LAB 26.72, 38.15, 38.57

 

CMYK 0 / 88 / 100 / 59

HEX #680C00

RGB 104 12 0

HSL 6.92, 1%, 0.2%

LAB 20.85, 38.47, 31.5

 

CMYK 0 / 100 / 100 / 66

HEX #570000

RGB 87 0 0

HSL 0, 1%, 0.17%

LAB 15.62, 36.59, 24.31

 

CMYK 0 / 58 / 80 / 40

HEX #99411E

RGB 153 65 30

HSL 17.07, 0.67%, 0.36%

LAB 38.98, 34.78, 38.11

 

CMYK 0 / 79 / 80 / 40

HEX #99201E

RGB 153 32 30

HSL 0.98, 0.67%, 0.36%

LAB 33.77, 48.82, 32.86

 

CMYK 0 / 80 / 80 / 40

HEX #991E1E

RGB 153 30 30

HSL 0, 0.67%, 0.36%

LAB 33.55, 49.44, 32.63

 

CMYK 0 / 58 / 80 / 40

HEX #99411E

RGB 153 65 30

HSL 17.07, 0.67%, 0.36%

LAB 38.98, 34.78, 38.11

 

CMYK 0 / 36 / 80 / 40

HEX #99621E

RGB 153 98 30

HSL 33.17, 0.67%, 0.36%

LAB 46.45, 16.57, 45.28

 

CMYK 0 / 14 / 80 / 40

HEX #99831E

RGB 153 131 30

HSL 49.27, 0.67%, 0.36%

LAB 55.17, -2.19, 53.29

 

CMYK 7 / 0 / 80 / 40

HEX #8E991E

RGB 142 153 30

HSL 65.37, 0.67%, 0.36%

LAB 60.45, -18.94, 57.64

 

CMYK 29 / 0 / 80 / 40

HEX #6D991E

RGB 109 153 30

HSL 81.46, 0.67%, 0.36%

LAB 58.16, -32.87, 54.71

 

CMYK 0 / 58 / 80 / 40

HEX #99411E

RGB 153 65 30

HSL 17.07, 0.67%, 0.36%

LAB 38.98, 34.78, 38.11

 

CMYK 0 / 65 / 91 / 34

HEX #A83B0F

RGB 168 59 15

HSL 17.25, 0.84%, 0.36%

LAB 40.39, 43, 46.93

 

CMYK 0 / 72 / 99 / 28

HEX #B73401

RGB 183 52 1

HSL 16.81, 0.99%, 0.36%

LAB 42.04, 50.96, 53.75

 

CMYK 0 / 58 / 80 / 40

HEX #99411E

RGB 153 65 30

HSL 17.07, 0.67%, 0.36%

LAB 38.98, 34.78, 38.11

 

CMYK 0 / 49 / 67 / 46

HEX #8A472D

RGB 138 71 45

HSL 16.77, 0.51%, 0.36%

LAB 38.02, 26.14, 28.15

 

CMYK 0 / 37 / 52 / 51

HEX #7C4E3C

RGB 124 78 60

HSL 16.88, 0.35%, 0.36%

LAB 37.95, 17.26, 18.68

 

CMYK 0 / 23 / 31 / 57

HEX #6D544B

RGB 109 84 75

HSL 15.88, 0.18%, 0.36%

LAB 38.02, 8.93, 9.23

 

CMYK 0 / 3 / 4 / 63

HEX #5E5B5A

RGB 94 91 90

HSL 15, 0.02%, 0.36%

LAB 38.9, 0.99, 1

 

CMYK 0 / 80 / 59 / 40

HEX #991E3F

RGB 153 30 63

HSL 343.9, 0.67%, 0.36%

LAB 34.11, 51.18, 12.49

 

CMYK 0 / 80 / 80 / 40

HEX #991E1E

RGB 153 30 30

HSL 0, 0.67%, 0.36%

LAB 33.55, 49.44, 32.63

 

CMYK 0 / 59 / 80 / 40

HEX #993F1E

RGB 153 63 30

HSL 16.1, 0.67%, 0.36%

LAB 38.59, 35.8, 37.72

 

CMYK 0 / 37 / 80 / 40

HEX #99601E

RGB 153 96 30

HSL 32.2, 0.67%, 0.36%

LAB 45.95, 17.71, 44.81

 

CMYK 0 / 16 / 80 / 40

HEX #99811E

RGB 153 129 30

HSL 48.29, 0.67%, 0.36%

LAB 54.62, -1.08, 52.79

 

CMYK 0 / 57 / 80 / 67

HEX #542411

RGB 84 36 17

HSL 17.01, 0.66%, 0.2%

LAB 20.78, 20.85, 22.75

 

CMYK 0 / 58 / 81 / 53

HEX #773217

RGB 119 50 23

HSL 16.88, 0.68%, 0.28%

LAB 30.07, 28.49, 30.96

 

CMYK 0 / 58 / 80 / 40

HEX #99411E

RGB 153 65 30

HSL 17.07, 0.67%, 0.36%

LAB 38.98, 34.78, 38.11

 

CMYK 0 / 57 / 80 / 26

HEX #BC5025

RGB 188 80 37

HSL 17.09, 0.67%, 0.44%

LAB 47.7, 41.19, 45.14

 

CMYK 0 / 55 / 76 / 16

HEX #D76133

RGB 215 97 51

HSL 16.83, 0.67%, 0.52%

LAB 55.31, 43.67, 47.35

 

CMYK 0 / 57 / 80 / 39

HEX #9B421F

RGB 155 66 31

HSL 16.94, 0.67%, 0.36%

LAB 39.52, 35.11, 38.25

 

CMYK 37 / 0 / 80 / 40

HEX #60991E

RGB 96 153 30

HSL 87.8, 0.67%, 0.36%

LAB 57.43, -37.86, 53.77

 

CMYK 80 / 69 / 0 / 40

HEX #1E2F99

RGB 30 47 153

HSL 231.71, 0.67%, 0.36%

LAB 25.59, 33.28, -59.36

 

CMYK 0 / 57 / 80 / 39

HEX #9B421F

RGB 155 66 31

HSL 16.94, 0.67%, 0.36%

LAB 39.52, 35.11, 38.25

 

CMYK 80 / 0 / 59 / 40

HEX #1E993F

RGB 30 153 63

HSL 136.1, 0.67%, 0.36%

LAB 55.5, -51.74, 37.64

 

CMYK 59 / 80 / 0 / 40

HEX #3F1E99

RGB 63 30 153

HSL 256.1, 0.67%, 0.36%

LAB 24.59, 46.54, -60.91

 

CMYK 0 / 57 / 80 / 39

HEX #9B421F

RGB 155 66 31

HSL 16.94, 0.67%, 0.36%

LAB 39.52, 35.11, 38.25

 

CMYK 37 / 0 / 80 / 40

HEX #60991E

RGB 96 153 30

HSL 87.8, 0.67%, 0.36%

LAB 57.43, -37.86, 53.77

 

CMYK 80 / 21 / 0 / 40

HEX #1E7999

RGB 30 121 153

HSL 195.61, 0.67%, 0.36%

LAB 47.3, -14.43, -24.63

 

CMYK 42 / 80 / 0 / 40

HEX #581E99

RGB 88 30 153

HSL 268.29, 0.67%, 0.36%

LAB 27.58, 50.05, -55.89

 

CMYK 0 / 57 / 80 / 39

HEX #9B421F

RGB 155 66 31

HSL 16.94, 0.67%, 0.36%

LAB 39.52, 35.11, 38.25

 

CMYK 61 / 0 / 80 / 40

HEX #3B991E

RGB 59 153 30

HSL 105.85, 0.67%, 0.36%

LAB 55.89, -49.46, 51.79

 

CMYK 80 / 21 / 0 / 40

HEX #1E7999

RGB 30 121 153

HSL 195.61, 0.67%, 0.36%

LAB 47.3, -14.43, -24.63

 

CMYK 18 / 80 / 0 / 40

HEX #7D1E99

RGB 125 30 153

HSL 286.34, 0.67%, 0.36%

LAB 33.11, 56.53, -46.66

 

Description

Color code: HEX #9B421F | qconv.com Color code: HEX #9B421F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 66 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 66 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 80 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 80% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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