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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B38D1 it is the complementary color #64C72E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B38D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B38D1 shade: #A038CC, #B14ADF, #C25CF2, #D36EFF and #E480FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B38D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B38D1 shade: #9B38D1, #8A26BE, #7914AB, #680298 and #570085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B38D1 shade: #9B39D0, #C439D0, #D039B4, #D0398B and #D03962

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B38D1 shade: #9B39D0, #7239D0, #4939D0 and #3939D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B38D1 shade matches the following richer shades: #9B39D0, #A125E4 and #A711F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B38D1 shade: #9B39D0, #954DBD, #8F60A9, #897495 and #848881

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B38D1 shade: #4839D0, #7039D0, #9939D0, #C139D0 and #D039B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B38D1 shade: #6C2394, #842BB5, #9B39D0, #AC5AD8 and #BD7CE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B38D1 shade: #9B38D1, #D03952 and #39D05C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B38D1 shade: #9B38D1, #D09939 and #39D099

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B38D1 shade: #9B38D1, #D03952, #70D039 and #39D0B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B38D1 shade: #9B38D1, #D04D39, #70D039 and #39BCD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 73 / 0 / 18

HEX #9B38D1

RGB 155 56 209

HSL 278.82, 0.62%, 0.52%

LAB 44.8, 64.32, -60.68

 

Complementary color

CMYK 50 / 0 / 77 / 22

HEX #64C72E

RGB 100 199 46

HSL 98.82, 0.62%, 0.48%

LAB 72.06, -54.29, 62.66

 

CMYK 22 / 73 / 0 / 20

HEX #A038CC

RGB 160 56 204

HSL 282.16, 0.59%, 0.51%

LAB 45.17, 64.26, -57.17

 

CMYK 21 / 67 / 0 / 13

HEX #B14ADF

RGB 177 74 223

HSL 281.48, 0.7%, 0.58%

LAB 51.35, 64.28, -57.96

 

CMYK 20 / 62 / 0 / 5

HEX #C25CF2

RGB 194 92 242

HSL 280.8, 0.85%, 0.65%

LAB 57.59, 63.94, -58.5

 

CMYK 17 / 57 / 0 / 0

HEX #D36EFF

RGB 211 110 255

HSL 281.79, 1%, 0.72%

LAB 63.52, 62.16, -56.1

 

CMYK 11 / 50 / 0 / 0

HEX #E480FF

RGB 228 128 255

HSL 287.24, 1%, 0.75%

LAB 68.86, 57.74, -47.52

 

CMYK 26 / 73 / 0 / 18

HEX #9B38D1

RGB 155 56 209

HSL 278.82, 0.62%, 0.52%

LAB 44.8, 64.32, -60.68

 

CMYK 27 / 80 / 0 / 25

HEX #8A26BE

RGB 138 38 190

HSL 279.47, 0.67%, 0.45%

LAB 38.74, 63.76, -59.58

 

CMYK 29 / 88 / 0 / 33

HEX #7914AB

RGB 121 20 171

HSL 280.13, 0.79%, 0.37%

LAB 32.93, 62.18, -57.87

 

CMYK 32 / 99 / 0 / 40

HEX #680298

RGB 104 2 152

HSL 280.8, 0.97%, 0.3%

LAB 27.45, 59.3, -55.41

 

CMYK 35 / 100 / 0 / 48

HEX #570085

RGB 87 0 133

HSL 279.25, 1%, 0.26%

LAB 22.72, 53.7, -51.44

 

CMYK 25 / 73 / 0 / 18

HEX #9B39D0

RGB 155 57 208

HSL 278.94, 0.62%, 0.52%

LAB 44.87, 63.72, -59.99

 

CMYK 6 / 73 / 0 / 18

HEX #C439D0

RGB 196 57 208

HSL 295.23, 0.62%, 0.52%

LAB 50.94, 71.93, -49.92

 

CMYK 0 / 73 / 13 / 18

HEX #D039B4

RGB 208 57 180

HSL 311.13, 0.62%, 0.52%

LAB 51.42, 70.21, -32.83

 

CMYK 0 / 73 / 33 / 18

HEX #D0398B

RGB 208 57 139

HSL 327.42, 0.62%, 0.52%

LAB 49.74, 64.97, -11.13

 

CMYK 0 / 73 / 53 / 18

HEX #D03962

RGB 208 57 98

HSL 343.71, 0.62%, 0.52%

LAB 48.53, 61.06, 12

 

CMYK 25 / 73 / 0 / 18

HEX #9B39D0

RGB 155 57 208

HSL 278.94, 0.62%, 0.52%

LAB 44.87, 63.72, -59.99

 

CMYK 45 / 73 / 0 / 18

HEX #7239D0

RGB 114 57 208

HSL 262.65, 0.62%, 0.52%

LAB 39.68, 56.35, -68.67

 

CMYK 65 / 73 / 0 / 18

HEX #4939D0

RGB 73 57 208

HSL 246.36, 0.62%, 0.52%

LAB 35.78, 50.52, -75.2

 

CMYK 73 / 73 / 0 / 18

HEX #3939D0

RGB 57 57 208

HSL 240, 0.62%, 0.52%

LAB 34.7, 48.84, -77.02

 

CMYK 25 / 73 / 0 / 18

HEX #9B39D0

RGB 155 57 208

HSL 278.94, 0.62%, 0.52%

LAB 44.87, 63.72, -59.99

 

CMYK 29 / 84 / 0 / 11

HEX #A125E4

RGB 161 37 228

HSL 278.95, 0.78%, 0.52%

LAB 44.94, 75.32, -71.28

 

CMYK 33 / 93 / 0 / 3

HEX #A711F8

RGB 167 17 248

HSL 278.96, 0.94%, 0.52%

LAB 46.17, 83.74, -80.53

 

CMYK 25 / 73 / 0 / 18

HEX #9B39D0

RGB 155 57 208

HSL 278.94, 0.62%, 0.52%

LAB 44.87, 63.72, -59.99

 

CMYK 21 / 59 / 0 / 26

HEX #954DBD

RGB 149 77 189

HSL 278.57, 0.46%, 0.52%

LAB 46.14, 49.21, -46.99

 

CMYK 15 / 43 / 0 / 34

HEX #8F60A9

RGB 143 96 169

HSL 278.63, 0.3%, 0.52%

LAB 48.35, 32.73, -31.86

 

CMYK 8 / 22 / 0 / 42

HEX #897495

RGB 137 116 149

HSL 278.18, 0.13%, 0.52%

LAB 51.81, 14.63, -14.84

 

CMYK 3 / 0 / 5 / 47

HEX #848881

RGB 132 136 129

HSL 94.29, 0.03%, 0.52%

LAB 56.19, -2.85, 3.24

 

CMYK 65 / 73 / 0 / 18

HEX #4839D0

RGB 72 57 208

HSL 245.96, 0.62%, 0.52%

LAB 35.71, 50.41, -75.33

 

CMYK 46 / 73 / 0 / 18

HEX #7039D0

RGB 112 57 208

HSL 261.85, 0.62%, 0.52%

LAB 39.45, 56.02, -69.04

 

CMYK 26 / 73 / 0 / 18

HEX #9939D0

RGB 153 57 208

HSL 278.15, 0.62%, 0.52%

LAB 44.59, 63.34, -60.45

 

CMYK 7 / 73 / 0 / 18

HEX #C139D0

RGB 193 57 208

HSL 294.04, 0.62%, 0.52%

LAB 50.47, 71.31, -50.69

 

CMYK 0 / 73 / 12 / 18

HEX #D039B7

RGB 208 57 183

HSL 309.93, 0.62%, 0.52%

LAB 51.56, 70.64, -34.36

 

CMYK 27 / 76 / 0 / 42

HEX #6C2394

RGB 108 35 148

HSL 278.76, 0.62%, 0.36%

LAB 30.71, 50.41, -47.61

 

CMYK 27 / 76 / 0 / 29

HEX #842BB5

RGB 132 43 181

HSL 278.7, 0.62%, 0.44%

LAB 37.79, 59.07, -55.85

 

CMYK 25 / 73 / 0 / 18

HEX #9B39D0

RGB 155 57 208

HSL 278.94, 0.62%, 0.52%

LAB 44.87, 63.72, -59.99

 

CMYK 20 / 58 / 0 / 15

HEX #AC5AD8

RGB 172 90 216

HSL 279.05, 0.62%, 0.6%

LAB 52.99, 54.26, -51.4

 

CMYK 16 / 45 / 0 / 12

HEX #BD7CE0

RGB 189 124 224

HSL 279, 0.62%, 0.68%

LAB 62.18, 42.78, -41.23

 

CMYK 26 / 73 / 0 / 18

HEX #9B38D1

RGB 155 56 209

HSL 278.82, 0.62%, 0.52%

LAB 44.8, 64.32, -60.68

 

CMYK 0 / 73 / 61 / 18

HEX #D03952

RGB 208 57 82

HSL 350.07, 0.62%, 0.52%

LAB 48.19, 59.92, 21.27

 

CMYK 73 / 0 / 56 / 18

HEX #39D05C

RGB 57 208 92

HSL 133.91, 0.62%, 0.52%

LAB 74.03, -62.77, 45.93

 

CMYK 26 / 73 / 0 / 18

HEX #9B38D1

RGB 155 56 209

HSL 278.82, 0.62%, 0.52%

LAB 44.8, 64.32, -60.68

 

CMYK 0 / 26 / 73 / 18

HEX #D09939

RGB 208 153 57

HSL 38.15, 0.62%, 0.52%

LAB 66.89, 11.51, 56.11

 

CMYK 73 / 0 / 26 / 18

HEX #39D099

RGB 57 208 153

HSL 158.15, 0.62%, 0.52%

LAB 75, -51.84, 16.24

 

CMYK 26 / 73 / 0 / 18

HEX #9B38D1

RGB 155 56 209

HSL 278.82, 0.62%, 0.52%

LAB 44.8, 64.32, -60.68

 

CMYK 0 / 73 / 61 / 18

HEX #D03952

RGB 208 57 82

HSL 350.07, 0.62%, 0.52%

LAB 48.19, 59.92, 21.27

 

CMYK 46 / 0 / 73 / 18

HEX #70D039

RGB 112 208 57

HSL 98.15, 0.62%, 0.52%

LAB 75.36, -53.45, 62.38

 

CMYK 73 / 0 / 12 / 18

HEX #39D0B7

RGB 57 208 183

HSL 170.07, 0.62%, 0.52%

LAB 75.7, -44.58, 1.17

 

CMYK 26 / 73 / 0 / 18

HEX #9B38D1

RGB 155 56 209

HSL 278.82, 0.62%, 0.52%

LAB 44.8, 64.32, -60.68

 

CMYK 0 / 63 / 73 / 18

HEX #D04D39

RGB 208 77 57

HSL 7.95, 0.62%, 0.52%

LAB 50.7, 50.66, 38.94

 

CMYK 46 / 0 / 73 / 18

HEX #70D039

RGB 112 208 57

HSL 98.15, 0.62%, 0.52%

LAB 75.36, -53.45, 62.38

 

CMYK 73 / 10 / 0 / 18

HEX #39BCD0

RGB 57 188 208

HSL 187.95, 0.62%, 0.52%

LAB 70.45, -28.24, -20.24

 

Description

Color code: HEX #9B38D1 | qconv.com Color code: HEX #9B38D1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 56 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 56 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 73 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 73% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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