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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B3348 it is the complementary color #64CCB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B3348. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B3348 shade: #A03343, #B14556, #C25769, #D3697C and #E47B8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B3348. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B3348 shade: #9B3348, #8A2135, #790F22, #68000F and #570000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B3348 shade: #993348 and #993333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B3348 shade: #993348, #993363, #99337F, #983399 and #7C3399

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B3348 shade matches the following richer shades: #993348, #AA223E, #BA1234 and #CB012A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B3348 shade: #993348, #884451, #78545B, #676565 and #57756F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B3348 shade: #993380, #993364, #993349, #993833 and #995333

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B3348 shade: #5B1E2B, #7A2939, #993348, #B83D56 and #C7576E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B3348 shade: #9B3348, #999733 and #337299

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B3348 shade: #9B3348, #499933 and #334999

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B3348 shade: #9B3348, #999733, #339983 and #333599

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B3348 shade: #9B3348, #7C9933, #339983 and #503399

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 54 / 39

HEX #9B3348

RGB 155 51 72

HSL 347.88, 0.5%, 0.4%

LAB 37.49, 44.78, 11.39

 

Complementary color

CMYK 51 / 0 / 10 / 20

HEX #64CCB7

RGB 100 204 183

HSL 167.88, 0.5%, 0.6%

LAB 75.65, -35.3, 1.23

 

CMYK 0 / 68 / 58 / 37

HEX #A03343

RGB 160 51 67

HSL 351.19, 0.52%, 0.41%

LAB 38.28, 46.04, 15.79

 

CMYK 0 / 61 / 51 / 31

HEX #B14556

RGB 177 69 86

HSL 350.56, 0.44%, 0.48%

LAB 44.63, 45.4, 13.09

 

CMYK 0 / 55 / 46 / 24

HEX #C25769

RGB 194 87 105

HSL 349.91, 0.47%, 0.55%

LAB 51.04, 44.53, 10.93

 

CMYK 0 / 50 / 41 / 17

HEX #D3697C

RGB 211 105 124

HSL 349.25, 0.55%, 0.62%

LAB 57.47, 43.58, 9.14

 

CMYK 0 / 46 / 37 / 11

HEX #E47B8F

RGB 228 123 143

HSL 348.57, 0.66%, 0.69%

LAB 63.87, 42.62, 7.62

 

CMYK 0 / 67 / 54 / 39

HEX #9B3348

RGB 155 51 72

HSL 347.88, 0.5%, 0.4%

LAB 37.49, 44.78, 11.39

 

CMYK 0 / 76 / 62 / 46

HEX #8A2135

RGB 138 33 53

HSL 348.57, 0.61%, 0.34%

LAB 31.23, 44.93, 14.63

 

CMYK 0 / 88 / 72 / 53

HEX #790F22

RGB 121 15 34

HSL 349.25, 0.78%, 0.27%

LAB 25.33, 44.09, 18.96

 

CMYK 0 / 100 / 86 / 59

HEX #68000F

RGB 104 0 15

HSL 351.35, 1%, 0.2%

LAB 19.95, 41.82, 24.09

 

CMYK 0 / 100 / 100 / 66

HEX #570000

RGB 87 0 0

HSL 0, 1%, 0.17%

LAB 15.62, 36.59, 24.31

 

CMYK 0 / 67 / 53 / 40

HEX #993348

RGB 153 51 72

HSL 347.65, 0.5%, 0.4%

LAB 37.13, 44.11, 10.84

 

CMYK 0 / 67 / 67 / 40

HEX #993333

RGB 153 51 51

HSL 0, 0.5%, 0.4%

LAB 36.7, 42.54, 23.53

 

CMYK 0 / 67 / 53 / 40

HEX #993348

RGB 153 51 72

HSL 347.65, 0.5%, 0.4%

LAB 37.13, 44.11, 10.84

 

CMYK 0 / 67 / 35 / 40

HEX #993363

RGB 153 51 99

HSL 331.76, 0.5%, 0.4%

LAB 37.92, 46.94, -5.19

 

CMYK 0 / 67 / 17 / 40

HEX #99337F

RGB 153 51 127

HSL 315.29, 0.5%, 0.4%

LAB 39.02, 50.77, -21.02

 

CMYK 1 / 67 / 0 / 40

HEX #983399

RGB 152 51 153

HSL 299.41, 0.5%, 0.4%

LAB 40.15, 54.78, -35.15

 

CMYK 19 / 67 / 0 / 40

HEX #7C3399

RGB 124 51 153

HSL 282.94, 0.5%, 0.4%

LAB 35.89, 47.99, -42.19

 

CMYK 0 / 67 / 53 / 40

HEX #993348

RGB 153 51 72

HSL 347.65, 0.5%, 0.4%

LAB 37.13, 44.11, 10.84

 

CMYK 0 / 80 / 64 / 33

HEX #AA223E

RGB 170 34 62

HSL 347.65, 0.67%, 0.4%

LAB 37.91, 54.86, 18.82

 

CMYK 0 / 90 / 72 / 27

HEX #BA1234

RGB 186 18 52

HSL 347.86, 0.82%, 0.4%

LAB 39.78, 62.25, 28.15

 

CMYK 0 / 100 / 79 / 20

HEX #CB012A

RGB 203 1 42

HSL 347.82, 0.99%, 0.4%

LAB 42.59, 68.06, 38.3

 

CMYK 0 / 67 / 53 / 40

HEX #993348

RGB 153 51 72

HSL 347.65, 0.5%, 0.4%

LAB 37.13, 44.11, 10.84

 

CMYK 0 / 50 / 40 / 47

HEX #884451

RGB 136 68 81

HSL 348.53, 0.33%, 0.4%

LAB 37.78, 30.41, 5.64

 

CMYK 0 / 30 / 24 / 53

HEX #78545B

RGB 120 84 91

HSL 348.33, 0.18%, 0.4%

LAB 39.73, 16.1, 1.92

 

CMYK 0 / 2 / 2 / 60

HEX #676565

RGB 103 101 101

HSL 0, 0.01%, 0.4%

LAB 42.96, 0.78, 0.27

 

CMYK 26 / 0 / 5 / 54

HEX #57756F

RGB 87 117 111

HSL 168, 0.15%, 0.4%

LAB 46.84, -12.18, -0.22

 

CMYK 0 / 67 / 16 / 40

HEX #993380

RGB 153 51 128

HSL 314.71, 0.5%, 0.4%

LAB 39.07, 50.92, -21.57

 

CMYK 0 / 67 / 35 / 40

HEX #993364

RGB 153 51 100

HSL 331.18, 0.5%, 0.4%

LAB 37.95, 47.06, -5.77

 

CMYK 0 / 67 / 52 / 40

HEX #993349

RGB 153 51 73

HSL 347.06, 0.5%, 0.4%

LAB 37.15, 44.2, 10.24

 

CMYK 0 / 63 / 67 / 40

HEX #993833

RGB 153 56 51

HSL 2.94, 0.5%, 0.4%

LAB 37.55, 40.26, 24.58

 

CMYK 0 / 46 / 67 / 40

HEX #995333

RGB 153 83 51

HSL 18.82, 0.5%, 0.4%

LAB 43.06, 26.19, 31.21

 

CMYK 0 / 67 / 53 / 64

HEX #5B1E2B

RGB 91 30 43

HSL 347.21, 0.5%, 0.24%

LAB 21.31, 29.18, 6.35

 

CMYK 0 / 66 / 53 / 52

HEX #7A2939

RGB 122 41 57

HSL 348.15, 0.5%, 0.32%

LAB 29.46, 36.56, 9.08

 

CMYK 0 / 67 / 53 / 40

HEX #993348

RGB 153 51 72

HSL 347.65, 0.5%, 0.4%

LAB 37.13, 44.11, 10.84

 

CMYK 0 / 67 / 53 / 28

HEX #B83D56

RGB 184 61 86

HSL 347.8, 0.5%, 0.48%

LAB 44.52, 51.25, 13.13

 

CMYK 0 / 56 / 45 / 22

HEX #C7576E

RGB 199 87 110

HSL 347.68, 0.5%, 0.56%

LAB 51.93, 46.77, 9.31

 

CMYK 0 / 67 / 54 / 39

HEX #9B3348

RGB 155 51 72

HSL 347.88, 0.5%, 0.4%

LAB 37.49, 44.78, 11.39

 

CMYK 0 / 1 / 67 / 40

HEX #999733

RGB 153 151 51

HSL 58.82, 0.5%, 0.4%

LAB 60.91, -12, 50.8

 

CMYK 67 / 25 / 0 / 40

HEX #337299

RGB 51 114 153

HSL 202.94, 0.5%, 0.4%

LAB 45.69, -7.4, -27.1

 

CMYK 0 / 67 / 54 / 39

HEX #9B3348

RGB 155 51 72

HSL 347.88, 0.5%, 0.4%

LAB 37.49, 44.78, 11.39

 

CMYK 52 / 0 / 67 / 40

HEX #499933

RGB 73 153 51

HSL 107.06, 0.5%, 0.4%

LAB 56.52, -43.99, 44.65

 

CMYK 67 / 52 / 0 / 40

HEX #334999

RGB 51 73 153

HSL 227.06, 0.5%, 0.4%

LAB 33.5, 18.67, -46.43

 

CMYK 0 / 67 / 54 / 39

HEX #9B3348

RGB 155 51 72

HSL 347.88, 0.5%, 0.4%

LAB 37.49, 44.78, 11.39

 

CMYK 0 / 1 / 67 / 40

HEX #999733

RGB 153 151 51

HSL 58.82, 0.5%, 0.4%

LAB 60.91, -12, 50.8

 

CMYK 67 / 0 / 14 / 40

HEX #339983

RGB 51 153 131

HSL 167.06, 0.5%, 0.4%

LAB 57.2, -34.6, 3.03

 

CMYK 67 / 65 / 0 / 40

HEX #333599

RGB 51 53 153

HSL 238.82, 0.5%, 0.4%

LAB 28.25, 31.89, -54.95

 

CMYK 0 / 67 / 54 / 39

HEX #9B3348

RGB 155 51 72

HSL 347.88, 0.5%, 0.4%

LAB 37.49, 44.78, 11.39

 

CMYK 19 / 0 / 67 / 40

HEX #7C9933

RGB 124 153 51

HSL 77.06, 0.5%, 0.4%

LAB 59.26, -25.5, 48.38

 

CMYK 67 / 0 / 14 / 40

HEX #339983

RGB 51 153 131

HSL 167.06, 0.5%, 0.4%

LAB 57.2, -34.6, 3.03

 

CMYK 48 / 67 / 0 / 40

HEX #503399

RGB 80 51 153

HSL 257.06, 0.5%, 0.4%

LAB 30.33, 38.21, -51.44

 

Description

Color code: HEX #9B3348 | qconv.com Color code: HEX #9B3348 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 51 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 51 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 54 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 54% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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