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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B31BC it is the complementary color #64CE43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B31BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B31BC shade: #A031B7, #B143CA, #C255DD, #D367F0 and #E479FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B31BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B31BC shade: #9B31BC, #8A1FA9, #790D96, #680083 and #570070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B31BC shade: #9A30BB, #BB30B6, #BB3091, #BB306B and #BB3046

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B31BC shade: #9A30BB, #7430BB, #4F30BB and #3030BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B31BC shade matches the following richer shades: #9A30BB, #A41DCD and #AE0AE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B31BC shade: #9A30BB, #9043A8, #865695, #7C6982 and #727C6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B31BC shade: #4E30BB, #7330BB, #9830BB, #BB30B8 and #BB3093

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B31BC shade: #641F79, #7F289A, #9A30BB, #AE45CF and #BC66D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B31BC shade: #9B31BC, #BB3037 and #30BB61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B31BC shade: #9B31BC, #BB9830 and #30BB98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B31BC shade: #9B31BC, #BB3037, #53BB30 and #30BBB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B31BC shade: #9B31BC, #BB5330, #53BB30 and #3098BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 74 / 0 / 26

HEX #9B31BC

RGB 155 49 188

HSL 285.76, 0.59%, 0.46%

LAB 42.45, 62.72, -52.27

 

Complementary color

CMYK 51 / 0 / 67 / 19

HEX #64CE43

RGB 100 206 67

HSL 105.76, 0.59%, 0.54%

LAB 74.35, -55.42, 57.46

 

CMYK 13 / 73 / 0 / 28

HEX #A031B7

RGB 160 49 183

HSL 289.7, 0.58%, 0.45%

LAB 42.9, 62.79, -48.58

 

CMYK 12 / 67 / 0 / 21

HEX #B143CA

RGB 177 67 202

HSL 288.89, 0.56%, 0.53%

LAB 49.04, 63.09, -49.67

 

CMYK 12 / 62 / 0 / 13

HEX #C255DD

RGB 194 85 221

HSL 288.09, 0.67%, 0.6%

LAB 55.26, 62.93, -50.44

 

CMYK 12 / 57 / 0 / 6

HEX #D367F0

RGB 211 103 240

HSL 287.3, 0.82%, 0.67%

LAB 61.52, 62.5, -51.01

 

CMYK 11 / 53 / 0 / 0

HEX #E479FF

RGB 228 121 255

HSL 287.91, 1%, 0.74%

LAB 67.57, 61.15, -49.56

 

CMYK 18 / 74 / 0 / 26

HEX #9B31BC

RGB 155 49 188

HSL 285.76, 0.59%, 0.46%

LAB 42.45, 62.72, -52.27

 

CMYK 18 / 82 / 0 / 34

HEX #8A1FA9

RGB 138 31 169

HSL 286.52, 0.69%, 0.39%

LAB 36.46, 61.73, -50.82

 

CMYK 19 / 91 / 0 / 41

HEX #790D96

RGB 121 13 150

HSL 287.3, 0.84%, 0.32%

LAB 30.77, 59.5, -48.64

 

CMYK 21 / 100 / 0 / 49

HEX #680083

RGB 104 0 131

HSL 287.63, 1%, 0.26%

LAB 25.51, 55.59, -45.51

 

CMYK 22 / 100 / 0 / 56

HEX #570070

RGB 87 0 112

HSL 286.61, 1%, 0.22%

LAB 20.81, 49.45, -41.15

 

CMYK 18 / 74 / 0 / 27

HEX #9A30BB

RGB 154 48 187

HSL 285.76, 0.59%, 0.46%

LAB 42.11, 62.69, -52.24

 

CMYK 0 / 74 / 3 / 27

HEX #BB30B6

RGB 187 48 182

HSL 302.16, 0.59%, 0.46%

LAB 47.05, 68.65, -41.12

 

CMYK 0 / 74 / 22 / 27

HEX #BB3091

RGB 187 48 145

HSL 318.13, 0.59%, 0.46%

LAB 45.25, 63.28, -21.91

 

CMYK 0 / 74 / 43 / 27

HEX #BB306B

RGB 187 48 107

HSL 334.53, 0.59%, 0.46%

LAB 43.86, 58.91, -0.74

 

CMYK 0 / 74 / 63 / 27

HEX #BB3046

RGB 187 48 70

HSL 350.5, 0.59%, 0.46%

LAB 42.94, 55.94, 21.01

 

CMYK 18 / 74 / 0 / 27

HEX #9A30BB

RGB 154 48 187

HSL 285.76, 0.59%, 0.46%

LAB 42.11, 62.69, -52.24

 

CMYK 38 / 74 / 0 / 27

HEX #7430BB

RGB 116 48 187

HSL 269.35, 0.59%, 0.46%

LAB 36.77, 55.51, -61.15

 

CMYK 58 / 74 / 0 / 27

HEX #4F30BB

RGB 79 48 187

HSL 253.38, 0.59%, 0.46%

LAB 32.62, 49.69, -68.11

 

CMYK 74 / 74 / 0 / 27

HEX #3030BB

RGB 48 48 187

HSL 240, 0.59%, 0.46%

LAB 30.23, 46.19, -72.13

 

CMYK 18 / 74 / 0 / 27

HEX #9A30BB

RGB 154 48 187

HSL 285.76, 0.59%, 0.46%

LAB 42.11, 62.69, -52.24

 

CMYK 20 / 86 / 0 / 20

HEX #A41DCD

RGB 164 29 205

HSL 286.02, 0.75%, 0.46%

LAB 43.03, 73.3, -61.17

 

CMYK 22 / 96 / 0 / 12

HEX #AE0AE0

RGB 174 10 224

HSL 285.98, 0.91%, 0.46%

LAB 45.08, 80.98, -68.7

 

CMYK 18 / 74 / 0 / 27

HEX #9A30BB

RGB 154 48 187

HSL 285.76, 0.59%, 0.46%

LAB 42.11, 62.69, -52.24

 

CMYK 14 / 60 / 0 / 34

HEX #9043A8

RGB 144 67 168

HSL 285.74, 0.43%, 0.46%

LAB 42.42, 48.43, -40.62

 

CMYK 10 / 42 / 0 / 42

HEX #865695

RGB 134 86 149

HSL 285.71, 0.27%, 0.46%

LAB 44.08, 31.24, -26.75

 

CMYK 5 / 19 / 0 / 49

HEX #7C6982

RGB 124 105 130

HSL 285.6, 0.11%, 0.46%

LAB 46.97, 12.43, -11.03

 

CMYK 8 / 0 / 10 / 51

HEX #727C6F

RGB 114 124 111

HSL 106.15, 0.06%, 0.46%

LAB 50.85, -6.35, 5.83

 

CMYK 58 / 74 / 0 / 27

HEX #4E30BB

RGB 78 48 187

HSL 252.95, 0.59%, 0.46%

LAB 32.53, 49.55, -68.26

 

CMYK 39 / 74 / 0 / 27

HEX #7330BB

RGB 115 48 187

HSL 268.92, 0.59%, 0.46%

LAB 36.64, 55.34, -61.36

 

CMYK 19 / 74 / 0 / 27

HEX #9830BB

RGB 152 48 187

HSL 284.89, 0.59%, 0.46%

LAB 41.81, 62.29, -52.75

 

CMYK 0 / 74 / 2 / 27

HEX #BB30B8

RGB 187 48 184

HSL 301.29, 0.59%, 0.46%

LAB 47.16, 68.97, -42.12

 

CMYK 0 / 74 / 21 / 27

HEX #BB3093

RGB 187 48 147

HSL 317.27, 0.59%, 0.46%

LAB 45.34, 63.55, -22.99

 

CMYK 17 / 74 / 0 / 53

HEX #641F79

RGB 100 31 121

HSL 286, 0.59%, 0.3%

LAB 26.93, 44.49, -36.92

 

CMYK 18 / 74 / 0 / 40

HEX #7F289A

RGB 127 40 154

HSL 285.79, 0.59%, 0.38%

LAB 34.73, 53.6, -44.64

 

CMYK 18 / 74 / 0 / 27

HEX #9A30BB

RGB 154 48 187

HSL 285.76, 0.59%, 0.46%

LAB 42.11, 62.69, -52.24

 

CMYK 16 / 67 / 0 / 19

HEX #AE45CF

RGB 174 69 207

HSL 285.65, 0.59%, 0.54%

LAB 49.2, 62.55, -52.3

 

CMYK 13 / 53 / 0 / 16

HEX #BC66D7

RGB 188 102 215

HSL 285.66, 0.59%, 0.62%

LAB 57.17, 52.15, -44.07

 

CMYK 18 / 74 / 0 / 26

HEX #9B31BC

RGB 155 49 188

HSL 285.76, 0.59%, 0.46%

LAB 42.45, 62.72, -52.27

 

CMYK 0 / 74 / 71 / 27

HEX #BB3037

RGB 187 48 55

HSL 356.98, 0.59%, 0.46%

LAB 42.69, 55.11, 29.85

 

CMYK 74 / 0 / 48 / 27

HEX #30BB61

RGB 48 187 97

HSL 141.15, 0.59%, 0.46%

LAB 67.3, -56.08, 35.21

 

CMYK 18 / 74 / 0 / 26

HEX #9B31BC

RGB 155 49 188

HSL 285.76, 0.59%, 0.46%

LAB 42.45, 62.72, -52.27

 

CMYK 0 / 19 / 74 / 27

HEX #BB9830

RGB 187 152 48

HSL 44.89, 0.59%, 0.46%

LAB 64.35, 2.42, 56.51

 

CMYK 74 / 0 / 19 / 27

HEX #30BB98

RGB 48 187 152

HSL 164.89, 0.59%, 0.46%

LAB 68.34, -44.65, 7.34

 

CMYK 18 / 74 / 0 / 26

HEX #9B31BC

RGB 155 49 188

HSL 285.76, 0.59%, 0.46%

LAB 42.45, 62.72, -52.27

 

CMYK 0 / 74 / 71 / 27

HEX #BB3037

RGB 187 48 55

HSL 356.98, 0.59%, 0.46%

LAB 42.69, 55.11, 29.85

 

CMYK 56 / 0 / 74 / 27

HEX #53BB30

RGB 83 187 48

HSL 104.89, 0.59%, 0.46%

LAB 67.72, -54.47, 57.55

 

CMYK 74 / 0 / 4 / 27

HEX #30BBB4

RGB 48 187 180

HSL 176.98, 0.59%, 0.46%

LAB 69.09, -37.15, -6.94

 

CMYK 18 / 74 / 0 / 26

HEX #9B31BC

RGB 155 49 188

HSL 285.76, 0.59%, 0.46%

LAB 42.45, 62.72, -52.27

 

CMYK 0 / 56 / 74 / 27

HEX #BB5330

RGB 187 83 48

HSL 15.11, 0.59%, 0.46%

LAB 48.22, 39.77, 40.07

 

CMYK 56 / 0 / 74 / 27

HEX #53BB30

RGB 83 187 48

HSL 104.89, 0.59%, 0.46%

LAB 67.72, -54.47, 57.55

 

CMYK 74 / 19 / 0 / 27

HEX #3098BB

RGB 48 152 187

HSL 195.11, 0.59%, 0.46%

LAB 58.67, -17.6, -26.61

 

Description

Color code: HEX #9B31BC | qconv.com Color code: HEX #9B31BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 49 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 49 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 74 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 74% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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