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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B3159 it is the complementary color #64CEA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B3159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B3159 shade: #A03154, #B14367, #C2557A, #D3678D and #E479A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B3159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B3159 shade: #9B3159, #8A1F46, #790D33, #680020 and #57000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B3159 shade: #9B3159, #9B313C and #9B3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B3159 shade: #9B3159, #9B3176, #9B3192, #87319B and #6B319B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B3159 shade matches the following richer shades: #9B3159, #AC2055 and #BC1051

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B3159 shade: #9B3159, #8B415D, #7A5261, #6A6265 and #597369

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B3159 shade: #9B3192, #9B3176, #9B315A, #9B313D and #9B4131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B3159 shade: #5C1D35, #7C2747, #9B3159, #BA3B6B and #C95581

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B3159 shade: #9B3159, #9B8831 and #31849B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B3159 shade: #9B3159, #5A9B31 and #315A9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B3159 shade: #9B3159, #9B8831, #319B72 and #31449B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B3159 shade: #9B3159, #8F9B31, #319B72 and #3D319B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 43 / 39

HEX #9B3159

RGB 155 49 89

HSL 337.36, 0.52%, 0.4%

LAB 37.64, 47.27, 0.78

 

Complementary color

CMYK 51 / 0 / 19 / 19

HEX #64CEA6

RGB 100 206 166

HSL 157.36, 0.52%, 0.6%

LAB 75.83, -40.14, 10.63

 

CMYK 0 / 69 / 48 / 37

HEX #A03154

RGB 160 49 84

HSL 341.08, 0.53%, 0.41%

LAB 38.39, 48.33, 5.17

 

CMYK 0 / 62 / 42 / 31

HEX #B14367

RGB 177 67 103

HSL 340.36, 0.45%, 0.48%

LAB 44.72, 47.99, 2.77

 

CMYK 0 / 56 / 37 / 24

HEX #C2557A

RGB 194 85 122

HSL 339.63, 0.47%, 0.55%

LAB 51.12, 47.34, 0.87

 

CMYK 0 / 51 / 33 / 17

HEX #D3678D

RGB 211 103 141

HSL 338.89, 0.55%, 0.62%

LAB 57.53, 46.55, -0.69

 

CMYK 0 / 47 / 30 / 11

HEX #E479A0

RGB 228 121 160

HSL 338.13, 0.66%, 0.68%

LAB 63.92, 45.71, -2.01

 

CMYK 0 / 68 / 43 / 39

HEX #9B3159

RGB 155 49 89

HSL 337.36, 0.52%, 0.4%

LAB 37.64, 47.27, 0.78

 

CMYK 0 / 78 / 49 / 46

HEX #8A1F46

RGB 138 31 70

HSL 338.13, 0.63%, 0.33%

LAB 31.41, 47.03, 3.67

 

CMYK 0 / 89 / 58 / 53

HEX #790D33

RGB 121 13 51

HSL 338.89, 0.81%, 0.26%

LAB 25.54, 45.65, 7.64

 

CMYK 0 / 100 / 69 / 59

HEX #680020

RGB 104 0 32

HSL 341.54, 1%, 0.2%

LAB 20.23, 42.58, 13.08

 

CMYK 0 / 100 / 85 / 66

HEX #57000D

RGB 87 0 13

HSL 351.03, 1%, 0.17%

LAB 15.77, 37, 19.1

 

CMYK 0 / 68 / 43 / 39

HEX #9B3159

RGB 155 49 89

HSL 337.36, 0.52%, 0.4%

LAB 37.64, 47.27, 0.78

 

CMYK 0 / 68 / 61 / 39

HEX #9B313C

RGB 155 49 60

HSL 353.77, 0.52%, 0.4%

LAB 36.91, 44.69, 18.24

 

CMYK 0 / 68 / 68 / 39

HEX #9B3131

RGB 155 49 49

HSL 0, 0.52%, 0.4%

LAB 36.72, 43.98, 24.87

 

CMYK 0 / 68 / 43 / 39

HEX #9B3159

RGB 155 49 89

HSL 337.36, 0.52%, 0.4%

LAB 37.64, 47.27, 0.78

 

CMYK 0 / 68 / 24 / 39

HEX #9B3176

RGB 155 49 118

HSL 320.94, 0.52%, 0.4%

LAB 38.68, 50.84, -15.93

 

CMYK 0 / 68 / 6 / 39

HEX #9B3192

RGB 155 49 146

HSL 305.09, 0.52%, 0.4%

LAB 39.98, 55.12, -31.14

 

CMYK 13 / 68 / 0 / 39

HEX #87319B

RGB 135 49 155

HSL 288.68, 0.52%, 0.4%

LAB 37.32, 51.9, -41.02

 

CMYK 31 / 68 / 0 / 39

HEX #6B319B

RGB 107 49 155

HSL 272.83, 0.52%, 0.4%

LAB 33.33, 45.52, -47.66

 

CMYK 0 / 68 / 43 / 39

HEX #9B3159

RGB 155 49 89

HSL 337.36, 0.52%, 0.4%

LAB 37.64, 47.27, 0.78

 

CMYK 0 / 81 / 51 / 33

HEX #AC2055

RGB 172 32 85

HSL 337.29, 0.69%, 0.4%

LAB 38.65, 57.64, 5.21

 

CMYK 0 / 91 / 57 / 26

HEX #BC1051

RGB 188 16 81

HSL 337.33, 0.84%, 0.4%

LAB 40.66, 64.65, 11.05

 

CMYK 0 / 68 / 43 / 39

HEX #9B3159

RGB 155 49 89

HSL 337.36, 0.52%, 0.4%

LAB 37.64, 47.27, 0.78

 

CMYK 0 / 53 / 33 / 45

HEX #8B415D

RGB 139 65 93

HSL 337.3, 0.36%, 0.4%

LAB 37.95, 34.71, -1.61

 

CMYK 0 / 33 / 20 / 52

HEX #7A5261

RGB 122 82 97

HSL 337.5, 0.2%, 0.4%

LAB 39.64, 19.11, -1.9

 

CMYK 0 / 8 / 5 / 58

HEX #6A6265

RGB 106 98 101

HSL 337.5, 0.04%, 0.4%

LAB 42.37, 3.77, -0.56

 

CMYK 23 / 0 / 9 / 55

HEX #597369

RGB 89 115 105

HSL 156.92, 0.13%, 0.4%

LAB 46.18, -11.75, 2.42

 

CMYK 0 / 68 / 6 / 39

HEX #9B3192

RGB 155 49 146

HSL 305.09, 0.52%, 0.4%

LAB 39.98, 55.12, -31.14

 

CMYK 0 / 68 / 24 / 39

HEX #9B3176

RGB 155 49 118

HSL 320.94, 0.52%, 0.4%

LAB 38.68, 50.84, -15.93

 

CMYK 0 / 68 / 42 / 39

HEX #9B315A

RGB 155 49 90

HSL 336.79, 0.52%, 0.4%

LAB 37.67, 47.38, 0.19

 

CMYK 0 / 68 / 61 / 39

HEX #9B313D

RGB 155 49 61

HSL 353.21, 0.52%, 0.4%

LAB 36.93, 44.76, 17.63

 

CMYK 0 / 58 / 68 / 39

HEX #9B4131

RGB 155 65 49

HSL 9.06, 0.52%, 0.4%

LAB 39.53, 36.5, 28.26

 

CMYK 0 / 68 / 42 / 64

HEX #5C1D35

RGB 92 29 53

HSL 337.14, 0.52%, 0.24%

LAB 21.62, 31.19, -0.13

 

CMYK 0 / 69 / 43 / 51

HEX #7C2747

RGB 124 39 71

HSL 337.41, 0.52%, 0.32%

LAB 29.89, 39.61, 0.48

 

CMYK 0 / 68 / 43 / 39

HEX #9B3159

RGB 155 49 89

HSL 337.36, 0.52%, 0.4%

LAB 37.64, 47.27, 0.78

 

CMYK 0 / 68 / 42 / 27

HEX #BA3B6B

RGB 186 59 107

HSL 337.32, 0.52%, 0.48%

LAB 45.12, 54.61, 1.08

 

CMYK 0 / 58 / 36 / 21

HEX #C95581

RGB 201 85 129

HSL 337.24, 0.52%, 0.56%

LAB 52.4, 50.46, -1.32

 

CMYK 0 / 68 / 43 / 39

HEX #9B3159

RGB 155 49 89

HSL 337.36, 0.52%, 0.4%

LAB 37.64, 47.27, 0.78

 

CMYK 0 / 12 / 68 / 39

HEX #9B8831

RGB 155 136 49

HSL 49.25, 0.52%, 0.4%

LAB 56.88, -3.11, 47.54

 

CMYK 68 / 15 / 0 / 39

HEX #31849B

RGB 49 132 155

HSL 193.02, 0.52%, 0.4%

LAB 51.29, -17.27, -19.62

 

CMYK 0 / 68 / 43 / 39

HEX #9B3159

RGB 155 49 89

HSL 337.36, 0.52%, 0.4%

LAB 37.64, 47.27, 0.78

 

CMYK 42 / 0 / 68 / 39

HEX #5A9B31

RGB 90 155 49

HSL 96.79, 0.52%, 0.4%

LAB 57.88, -39.58, 47.17

 

CMYK 68 / 42 / 0 / 39

HEX #315A9B

RGB 49 90 155

HSL 216.79, 0.52%, 0.4%

LAB 38.43, 7.85, -39.72

 

CMYK 0 / 68 / 43 / 39

HEX #9B3159

RGB 155 49 89

HSL 337.36, 0.52%, 0.4%

LAB 37.64, 47.27, 0.78

 

CMYK 0 / 12 / 68 / 39

HEX #9B8831

RGB 155 136 49

HSL 49.25, 0.52%, 0.4%

LAB 56.88, -3.11, 47.54

 

CMYK 68 / 0 / 26 / 39

HEX #319B72

RGB 49 155 114

HSL 156.79, 0.52%, 0.4%

LAB 57.38, -40.06, 12.9

 

CMYK 68 / 56 / 0 / 39

HEX #31449B

RGB 49 68 155

HSL 229.25, 0.52%, 0.4%

LAB 32.15, 22.43, -49.81

 

CMYK 0 / 68 / 43 / 39

HEX #9B3159

RGB 155 49 89

HSL 337.36, 0.52%, 0.4%

LAB 37.64, 47.27, 0.78

 

CMYK 8 / 0 / 68 / 39

HEX #8F9B31

RGB 143 155 49

HSL 66.79, 0.52%, 0.4%

LAB 61.22, -18.58, 51.69

 

CMYK 68 / 0 / 26 / 39

HEX #319B72

RGB 49 155 114

HSL 156.79, 0.52%, 0.4%

LAB 57.38, -40.06, 12.9

 

CMYK 61 / 68 / 0 / 39

HEX #3D319B

RGB 61 49 155

HSL 246.79, 0.52%, 0.4%

LAB 28.26, 36.6, -56.12

 

Description

Color code: HEX #9B3159 | qconv.com Color code: HEX #9B3159 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 49 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 49 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 43 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 43% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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