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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B2E53 it is the complementary color #64D1AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B2E53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B2E53 shade: #A02E4E, #B14061, #C25274, #D36487 and #E4769A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B2E53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B2E53 shade: #9B2E53, #8A1C40, #790A2D, #68001A and #570007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B2E53 shade: #992E52, #992E35 and #992E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B2E53 shade: #992E52, #992E6F, #992E8C, #892E99 and #6C2E99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B2E53 shade matches the following richer shades: #992E52, #A91E4D and #B90E48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B2E53 shade: #992E52, #893E57, #794E5D, #695E62 and #596E67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B2E53 shade: #992E8D, #992E70, #992E53, #992E37 and #99412E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B2E53 shade: #5A1B30, #792441, #992E52, #B93763 and #CA4F79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B2E53 shade: #9B2E53, #99892E and #2E7E99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B2E53 shade: #9B2E53, #53992E and #2E5399

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B2E53 shade: #9B2E53, #99892E, #2E9974 and #2E3E99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B2E53 shade: #9B2E53, #89992E, #2E9974 and #3E2E99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 46 / 39

HEX #9B2E53

RGB 155 46 83

HSL 339.63, 0.54%, 0.39%

LAB 37.02, 47.88, 3.71

 

Complementary color

CMYK 52 / 0 / 18 / 18

HEX #64D1AC

RGB 100 209 172

HSL 159.63, 0.54%, 0.61%

LAB 76.85, -40.14, 8.88

 

CMYK 0 / 71 / 51 / 37

HEX #A02E4E

RGB 160 46 78

HSL 343.16, 0.55%, 0.4%

LAB 37.8, 48.97, 8.15

 

CMYK 0 / 64 / 45 / 31

HEX #B14061

RGB 177 64 97

HSL 342.48, 0.47%, 0.47%

LAB 44.06, 48.7, 5.51

 

CMYK 0 / 58 / 40 / 24

HEX #C25274

RGB 194 82 116

HSL 341.79, 0.48%, 0.54%

LAB 50.41, 48.09, 3.44

 

CMYK 0 / 53 / 36 / 17

HEX #D36487

RGB 211 100 135

HSL 341.08, 0.56%, 0.61%

LAB 56.79, 47.31, 1.74

 

CMYK 0 / 48 / 32 / 11

HEX #E4769A

RGB 228 118 154

HSL 340.36, 0.67%, 0.68%

LAB 63.16, 46.46, 0.31

 

CMYK 0 / 70 / 46 / 39

HEX #9B2E53

RGB 155 46 83

HSL 339.63, 0.54%, 0.39%

LAB 37.02, 47.88, 3.71

 

CMYK 0 / 80 / 54 / 46

HEX #8A1C40

RGB 138 28 64

HSL 340.36, 0.66%, 0.33%

LAB 30.89, 47.48, 6.9

 

CMYK 0 / 92 / 63 / 53

HEX #790A2D

RGB 121 10 45

HSL 341.08, 0.85%, 0.26%

LAB 25.17, 45.84, 11.26

 

CMYK 0 / 100 / 75 / 59

HEX #68001A

RGB 104 0 26

HSL 345, 1%, 0.2%

LAB 20.11, 42.26, 17.16

 

CMYK 0 / 100 / 92 / 66

HEX #570007

RGB 87 0 7

HSL 355.17, 1%, 0.17%

LAB 15.7, 36.81, 21.56

 

CMYK 0 / 70 / 46 / 40

HEX #992E52

RGB 153 46 82

HSL 339.81, 0.54%, 0.39%

LAB 36.62, 47.15, 3.73

 

CMYK 0 / 70 / 65 / 40

HEX #992E35

RGB 153 46 53

HSL 356.07, 0.54%, 0.39%

LAB 35.95, 44.8, 21.34

 

CMYK 0 / 70 / 70 / 40

HEX #992E2E

RGB 153 46 46

HSL 0, 0.54%, 0.39%

LAB 35.84, 44.39, 25.56

 

CMYK 0 / 70 / 46 / 40

HEX #992E52

RGB 153 46 82

HSL 339.81, 0.54%, 0.39%

LAB 36.62, 47.15, 3.73

 

CMYK 0 / 70 / 27 / 40

HEX #992E6F

RGB 153 46 111

HSL 323.55, 0.54%, 0.39%

LAB 37.62, 50.52, -13.21

 

CMYK 0 / 70 / 8 / 40

HEX #992E8C

RGB 153 46 140

HSL 307.29, 0.54%, 0.39%

LAB 38.93, 54.79, -29.16

 

CMYK 10 / 70 / 0 / 40

HEX #892E99

RGB 137 46 153

HSL 291.03, 0.54%, 0.39%

LAB 37.06, 53.23, -40.21

 

CMYK 29 / 70 / 0 / 40

HEX #6C2E99

RGB 108 46 153

HSL 274.77, 0.54%, 0.39%

LAB 32.79, 46.71, -47.3

 

CMYK 0 / 70 / 46 / 40

HEX #992E52

RGB 153 46 82

HSL 339.81, 0.54%, 0.39%

LAB 36.62, 47.15, 3.73

 

CMYK 0 / 82 / 54 / 34

HEX #A91E4D

RGB 169 30 77

HSL 339.71, 0.7%, 0.39%

LAB 37.66, 56.71, 8.84

 

CMYK 0 / 92 / 61 / 27

HEX #B90E48

RGB 185 14 72

HSL 339.65, 0.86%, 0.39%

LAB 39.74, 63.6, 15.43

 

CMYK 0 / 70 / 46 / 40

HEX #992E52

RGB 153 46 82

HSL 339.81, 0.54%, 0.39%

LAB 36.62, 47.15, 3.73

 

CMYK 0 / 55 / 36 / 46

HEX #893E57

RGB 137 62 87

HSL 340, 0.38%, 0.39%

LAB 36.84, 34.78, 0.52

 

CMYK 0 / 36 / 23 / 53

HEX #794E5D

RGB 121 78 93

HSL 339.07, 0.22%, 0.39%

LAB 38.38, 20.44, -1.27

 

CMYK 0 / 10 / 7 / 59

HEX #695E62

RGB 105 94 98

HSL 338.18, 0.06%, 0.39%

LAB 41.04, 5.19, -0.68

 

CMYK 19 / 0 / 6 / 57

HEX #596E67

RGB 89 110 103

HSL 160, 0.11%, 0.39%

LAB 44.6, -9.36, 1.31

 

CMYK 0 / 70 / 8 / 40

HEX #992E8D

RGB 153 46 141

HSL 306.73, 0.54%, 0.39%

LAB 38.98, 54.95, -29.69

 

CMYK 0 / 70 / 27 / 40

HEX #992E70

RGB 153 46 112

HSL 322.99, 0.54%, 0.39%

LAB 37.66, 50.65, -13.78

 

CMYK 0 / 70 / 46 / 40

HEX #992E53

RGB 153 46 83

HSL 339.25, 0.54%, 0.39%

LAB 36.65, 47.25, 3.14

 

CMYK 0 / 70 / 64 / 40

HEX #992E37

RGB 153 46 55

HSL 354.95, 0.54%, 0.39%

LAB 35.99, 44.93, 20.12

 

CMYK 0 / 58 / 70 / 40

HEX #99412E

RGB 153 65 46

HSL 10.65, 0.54%, 0.39%

LAB 39.16, 35.55, 29.5

 

CMYK 0 / 70 / 47 / 65

HEX #5A1B30

RGB 90 27 48

HSL 340, 0.54%, 0.23%

LAB 20.72, 30.84, 1.99

 

CMYK 0 / 70 / 46 / 53

HEX #792441

RGB 121 36 65

HSL 339.53, 0.54%, 0.31%

LAB 28.66, 39.28, 2.61

 

CMYK 0 / 70 / 46 / 40

HEX #992E52

RGB 153 46 82

HSL 339.81, 0.54%, 0.39%

LAB 36.62, 47.15, 3.73

 

CMYK 0 / 70 / 46 / 27

HEX #B93763

RGB 185 55 99

HSL 339.69, 0.54%, 0.47%

LAB 44.16, 55.08, 4.61

 

CMYK 0 / 61 / 40 / 21

HEX #CA4F79

RGB 202 79 121

HSL 339.51, 0.54%, 0.55%

LAB 51.3, 52.61, 1.88

 

CMYK 0 / 70 / 46 / 39

HEX #9B2E53

RGB 155 46 83

HSL 339.63, 0.54%, 0.39%

LAB 37.02, 47.88, 3.71

 

CMYK 0 / 10 / 70 / 40

HEX #99892E

RGB 153 137 46

HSL 51.03, 0.54%, 0.39%

LAB 56.94, -4.75, 48.84

 

CMYK 70 / 18 / 0 / 40

HEX #2E7E99

RGB 46 126 153

HSL 195.14, 0.54%, 0.39%

LAB 49.26, -15.11, -21.59

 

CMYK 0 / 70 / 46 / 39

HEX #9B2E53

RGB 155 46 83

HSL 339.63, 0.54%, 0.39%

LAB 37.02, 47.88, 3.71

 

CMYK 46 / 0 / 70 / 40

HEX #53992E

RGB 83 153 46

HSL 99.25, 0.54%, 0.39%

LAB 56.9, -41.33, 47.28

 

CMYK 70 / 46 / 0 / 40

HEX #2E5399

RGB 46 83 153

HSL 219.25, 0.54%, 0.39%

LAB 36.11, 11.18, -42.23

 

CMYK 0 / 70 / 46 / 39

HEX #9B2E53

RGB 155 46 83

HSL 339.63, 0.54%, 0.39%

LAB 37.02, 47.88, 3.71

 

CMYK 0 / 10 / 70 / 40

HEX #99892E

RGB 153 137 46

HSL 51.03, 0.54%, 0.39%

LAB 56.94, -4.75, 48.84

 

CMYK 70 / 0 / 24 / 40

HEX #2E9974

RGB 46 153 116

HSL 159.25, 0.54%, 0.39%

LAB 56.71, -39.23, 10.82

 

CMYK 70 / 59 / 0 / 40

HEX #2E3E99

RGB 46 62 153

HSL 231.03, 0.54%, 0.39%

LAB 30.22, 25.24, -51.75

 

CMYK 0 / 70 / 46 / 39

HEX #9B2E53

RGB 155 46 83

HSL 339.63, 0.54%, 0.39%

LAB 37.02, 47.88, 3.71

 

CMYK 10 / 0 / 70 / 40

HEX #89992E

RGB 137 153 46

HSL 68.97, 0.54%, 0.39%

LAB 60.16, -20.34, 51.66

 

CMYK 70 / 0 / 24 / 40

HEX #2E9974

RGB 46 153 116

HSL 159.25, 0.54%, 0.39%

LAB 56.71, -39.23, 10.82

 

CMYK 59 / 70 / 0 / 40

HEX #3E2E99

RGB 62 46 153

HSL 248.97, 0.54%, 0.39%

LAB 27.51, 37.9, -56.12

 

Description

Color code: HEX #9B2E53 | qconv.com Color code: HEX #9B2E53 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 46 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 46 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 46 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 46% 39% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

24% - Amoreena O'Bryon...
Link: http://amoreena.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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