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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B281C it is the complementary color #64D7E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B281C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B281C shade: #A02817, #B13A2A, #C24C3D, #D35E50 and #E47063

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B281C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B281C shade: #9B281C, #8A1609, #790400, #680000 and #570000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B281C shade: #9B281C and #9B1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B281C shade: #9B281C, #9B4B1C, #9B6D1C, #9B8F1C and #859B1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B281C shade matches the following richer shades: #9B281C and #AA1C0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B281C shade: #9B281C, #8C342B, #7D413A, #6F4D49 and #605958

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B281C shade: #9B1C55, #9B1C34, #9B271C, #9B491C and #9B6B1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B281C shade: #551610, #781F16, #9B281C, #BE3223 and #D94131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B281C shade: #9B281C, #779B1C and #1C459B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B281C shade: #9B281C, #1C9B27 and #271C9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B281C shade: #9B281C, #779B1C, #1C919B and #401C9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B281C shade: #9B281C, #519B1C, #1C919B and #661C9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 82 / 39

HEX #9B281C

RGB 155 40 28

HSL 5.67, 0.69%, 0.36%

LAB 35.14, 46.64, 35.5

 

Complementary color

CMYK 56 / 5 / 0 / 11

HEX #64D7E3

RGB 100 215 227

HSL 185.67, 0.69%, 0.64%

LAB 80.1, -29.13, -15.8

 

CMYK 0 / 75 / 86 / 37

HEX #A02817

RGB 160 40 23

HSL 7.45, 0.75%, 0.36%

LAB 36.09, 48.14, 39.37

 

CMYK 0 / 67 / 76 / 31

HEX #B13A2A

RGB 177 58 42

HSL 7.11, 0.62%, 0.43%

LAB 42.06, 47.44, 36.19

 

CMYK 0 / 61 / 69 / 24

HEX #C24C3D

RGB 194 76 61

HSL 6.77, 0.52%, 0.5%

LAB 48.23, 46.37, 33.23

 

CMYK 0 / 55 / 62 / 17

HEX #D35E50

RGB 211 94 80

HSL 6.41, 0.6%, 0.57%

LAB 54.48, 45.16, 30.64

 

CMYK 0 / 51 / 57 / 11

HEX #E47063

RGB 228 112 99

HSL 6.05, 0.7%, 0.64%

LAB 60.77, 43.93, 28.41

 

CMYK 0 / 74 / 82 / 39

HEX #9B281C

RGB 155 40 28

HSL 5.67, 0.69%, 0.36%

LAB 35.14, 46.64, 35.5

 

CMYK 0 / 84 / 93 / 46

HEX #8A1609

RGB 138 22 9

HSL 6.05, 0.88%, 0.29%

LAB 29.4, 46.6, 38.6

 

CMYK 0 / 97 / 100 / 53

HEX #790400

RGB 121 4 0

HSL 1.98, 1%, 0.24%

LAB 24.17, 45.33, 36.18

 

CMYK 0 / 100 / 100 / 59

HEX #680000

RGB 104 0 0

HSL 0, 1%, 0.2%

LAB 19.81, 41.44, 30.34

 

CMYK 0 / 100 / 100 / 66

HEX #570000

RGB 87 0 0

HSL 0, 1%, 0.17%

LAB 15.62, 36.59, 24.31

 

CMYK 0 / 74 / 82 / 39

HEX #9B281C

RGB 155 40 28

HSL 5.67, 0.69%, 0.36%

LAB 35.14, 46.64, 35.5

 

CMYK 0 / 82 / 82 / 39

HEX #9B1C1C

RGB 155 28 28

HSL 0, 0.69%, 0.36%

LAB 33.74, 50.56, 34.11

 

CMYK 0 / 74 / 82 / 39

HEX #9B281C

RGB 155 40 28

HSL 5.67, 0.69%, 0.36%

LAB 35.14, 46.64, 35.5

 

CMYK 0 / 52 / 82 / 39

HEX #9B4B1C

RGB 155 75 28

HSL 22.2, 0.69%, 0.36%

LAB 41.35, 30.27, 41.47

 

CMYK 0 / 30 / 82 / 39

HEX #9B6D1C

RGB 155 109 28

HSL 38.27, 0.69%, 0.36%

LAB 49.48, 11.1, 48.95

 

CMYK 0 / 8 / 82 / 39

HEX #9B8F1C

RGB 155 143 28

HSL 54.33, 0.69%, 0.36%

LAB 58.69, -7.91, 57.11

 

CMYK 14 / 0 / 82 / 39

HEX #859B1C

RGB 133 155 28

HSL 70.39, 0.69%, 0.36%

LAB 60.35, -23.95, 57.87

 

CMYK 0 / 74 / 82 / 39

HEX #9B281C

RGB 155 40 28

HSL 5.67, 0.69%, 0.36%

LAB 35.14, 46.64, 35.5

 

CMYK 0 / 84 / 92 / 33

HEX #AA1C0E

RGB 170 28 14

HSL 5.38, 0.85%, 0.36%

LAB 36.76, 54.7, 44.88

 

CMYK 0 / 74 / 82 / 39

HEX #9B281C

RGB 155 40 28

HSL 5.67, 0.69%, 0.36%

LAB 35.14, 46.64, 35.5

 

CMYK 0 / 63 / 69 / 45

HEX #8C342B

RGB 140 52 43

HSL 5.57, 0.53%, 0.36%

LAB 34.41, 36.85, 25.12

 

CMYK 0 / 48 / 54 / 51

HEX #7D413A

RGB 125 65 58

HSL 6.27, 0.37%, 0.36%

LAB 34.9, 25.11, 15.9

 

CMYK 0 / 31 / 34 / 56

HEX #6F4D49

RGB 111 77 73

HSL 6.32, 0.21%, 0.36%

LAB 36.31, 13.78, 8.11

 

CMYK 0 / 7 / 8 / 62

HEX #605958

RGB 96 89 88

HSL 7.5, 0.04%, 0.36%

LAB 38.44, 2.63, 1.59

 

CMYK 0 / 82 / 45 / 39

HEX #9B1C55

RGB 155 28 85

HSL 333.07, 0.69%, 0.36%

LAB 34.91, 54.14, -0.63

 

CMYK 0 / 82 / 66 / 39

HEX #9B1C34

RGB 155 28 52

HSL 348.66, 0.69%, 0.36%

LAB 34.08, 51.62, 19.67

 

CMYK 0 / 75 / 82 / 39

HEX #9B271C

RGB 155 39 28

HSL 5.2, 0.69%, 0.36%

LAB 35.01, 47, 35.37

 

CMYK 0 / 53 / 82 / 39

HEX #9B491C

RGB 155 73 28

HSL 21.26, 0.69%, 0.36%

LAB 40.92, 31.34, 41.07

 

CMYK 0 / 31 / 82 / 39

HEX #9B6B1C

RGB 155 107 28

HSL 37.32, 0.69%, 0.36%

LAB 48.97, 12.24, 48.49

 

CMYK 0 / 74 / 81 / 67

HEX #551610

RGB 85 22 16

HSL 5.22, 0.68%, 0.2%

LAB 18.11, 28.71, 20.3

 

CMYK 0 / 74 / 82 / 53

HEX #781F16

RGB 120 31 22

HSL 5.51, 0.69%, 0.28%

LAB 26.82, 37.96, 28.26

 

CMYK 0 / 74 / 82 / 39

HEX #9B281C

RGB 155 40 28

HSL 5.67, 0.69%, 0.36%

LAB 35.14, 46.64, 35.5

 

CMYK 0 / 74 / 82 / 25

HEX #BE3223

RGB 190 50 35

HSL 5.81, 0.69%, 0.44%

LAB 43.29, 54.58, 42

 

CMYK 0 / 70 / 77 / 15

HEX #D94131

RGB 217 65 49

HSL 5.71, 0.69%, 0.52%

LAB 50.4, 58.2, 43.4

 

CMYK 0 / 74 / 82 / 39

HEX #9B281C

RGB 155 40 28

HSL 5.67, 0.69%, 0.36%

LAB 35.14, 46.64, 35.5

 

CMYK 23 / 0 / 82 / 39

HEX #779B1C

RGB 119 155 28

HSL 77.01, 0.69%, 0.36%

LAB 59.39, -29.85, 56.65

 

CMYK 82 / 55 / 0 / 39

HEX #1C459B

RGB 28 69 155

HSL 220.63, 0.69%, 0.36%

LAB 31.51, 19.02, -50.9

 

CMYK 0 / 74 / 82 / 39

HEX #9B281C

RGB 155 40 28

HSL 5.67, 0.69%, 0.36%

LAB 35.14, 46.64, 35.5

 

CMYK 82 / 0 / 75 / 39

HEX #1C9B27

RGB 28 155 39

HSL 125.2, 0.69%, 0.36%

LAB 55.92, -55.3, 48.5

 

CMYK 75 / 82 / 0 / 39

HEX #271C9B

RGB 39 28 155

HSL 245.2, 0.69%, 0.36%

LAB 22.4, 45.72, -65.83

 

CMYK 0 / 74 / 82 / 39

HEX #9B281C

RGB 155 40 28

HSL 5.67, 0.69%, 0.36%

LAB 35.14, 46.64, 35.5

 

CMYK 23 / 0 / 82 / 39

HEX #779B1C

RGB 119 155 28

HSL 77.01, 0.69%, 0.36%

LAB 59.39, -29.85, 56.65

 

CMYK 82 / 6 / 0 / 39

HEX #1C919B

RGB 28 145 155

HSL 184.72, 0.69%, 0.36%

LAB 54.93, -26.7, -14.12

 

CMYK 59 / 82 / 0 / 39

HEX #401C9B

RGB 64 28 155

HSL 257.01, 0.69%, 0.36%

LAB 24.6, 48.13, -62.13

 

CMYK 0 / 74 / 82 / 39

HEX #9B281C

RGB 155 40 28

HSL 5.67, 0.69%, 0.36%

LAB 35.14, 46.64, 35.5

 

CMYK 48 / 0 / 82 / 39

HEX #519B1C

RGB 81 155 28

HSL 94.96, 0.69%, 0.36%

LAB 57.34, -44, 54.03

 

CMYK 82 / 6 / 0 / 39

HEX #1C919B

RGB 28 145 155

HSL 184.72, 0.69%, 0.36%

LAB 54.93, -26.7, -14.12

 

CMYK 34 / 82 / 0 / 39

HEX #661C9B

RGB 102 28 155

HSL 274.96, 0.69%, 0.36%

LAB 29.47, 53.53, -53.95

 

Description

Color code: HEX #9B281C | qconv.com Color code: HEX #9B281C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 40 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 40 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 82 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 82% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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