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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B2652 it is the complementary color #64D9AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B2652. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B2652 shade: #A0264D, #B13860, #C24A73, #D35C86 and #E46E99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B2652. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B2652 shade: #9B2652, #8A143F, #79022C, #680019 and #570006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B2652 shade: #9C2652, #9C2632 and #9C2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B2652 shade: #9C2652, #9C2672, #9C2692, #86269C and #66269C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B2652 shade matches the following richer shades: #9C2652, #AC164E and #BB064A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B2652 shade: #9C2652, #8C3556, #7D455A, #6D555E and #5D6562

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B2652 shade: #9C2692, #9C2673, #9C2653, #9C2634 and #9C3826

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B2652 shade: #5A162F, #7B1E41, #9C2652, #BD2E64 and #D14378

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B2652 shade: #9B2652, #9C8626 and #26829C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B2652 shade: #9B2652, #539C26 and #26539C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B2652 shade: #9B2652, #9C8626, #269C6F and #263B9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B2652 shade: #9B2652, #8E9C26, #269C6F and #34269C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 47 / 39

HEX #9B2652

RGB 155 38 82

HSL 337.44, 0.61%, 0.38%

LAB 35.91, 50.77, 2.76

 

Complementary color

CMYK 54 / 0 / 20 / 15

HEX #64D9AD

RGB 100 217 173

HSL 157.44, 0.61%, 0.62%

LAB 79.24, -43.45, 11.75

 

CMYK 0 / 76 / 52 / 37

HEX #A0264D

RGB 160 38 77

HSL 340.82, 0.62%, 0.39%

LAB 36.74, 51.79, 7.28

 

CMYK 0 / 68 / 46 / 31

HEX #B13860

RGB 177 56 96

HSL 340.17, 0.52%, 0.46%

LAB 42.79, 51.97, 4.33

 

CMYK 0 / 62 / 41 / 24

HEX #C24A73

RGB 194 74 115

HSL 339.5, 0.5%, 0.53%

LAB 49.01, 51.64, 2.02

 

CMYK 0 / 56 / 36 / 17

HEX #D35C86

RGB 211 92 134

HSL 338.82, 0.57%, 0.59%

LAB 55.3, 51.02, 0.15

 

CMYK 0 / 52 / 33 / 11

HEX #E46E99

RGB 228 110 153

HSL 338.14, 0.69%, 0.66%

LAB 61.61, 50.27, -1.39

 

CMYK 0 / 75 / 47 / 39

HEX #9B2652

RGB 155 38 82

HSL 337.44, 0.61%, 0.38%

LAB 35.91, 50.77, 2.76

 

CMYK 0 / 86 / 54 / 46

HEX #8A143F

RGB 138 20 63

HSL 338.14, 0.75%, 0.31%

LAB 30.07, 49.66, 6.41

 

CMYK 0 / 98 / 64 / 53

HEX #79022C

RGB 121 2 44

HSL 338.82, 0.97%, 0.24%

LAB 24.61, 47.34, 11.19

 

CMYK 0 / 100 / 76 / 59

HEX #680019

RGB 104 0 25

HSL 345.58, 1%, 0.2%

LAB 20.1, 42.21, 17.84

 

CMYK 0 / 100 / 93 / 66

HEX #570006

RGB 87 0 6

HSL 355.86, 1%, 0.17%

LAB 15.69, 36.78, 21.95

 

CMYK 0 / 76 / 47 / 39

HEX #9C2652

RGB 156 38 82

HSL 337.63, 0.61%, 0.38%

LAB 36.11, 51.06, 3.06

 

CMYK 0 / 76 / 68 / 39

HEX #9C2632

RGB 156 38 50

HSL 353.9, 0.61%, 0.38%

LAB 35.37, 48.66, 22.62

 

CMYK 0 / 76 / 76 / 39

HEX #9C2626

RGB 156 38 38

HSL 0, 0.61%, 0.38%

LAB 35.19, 48.06, 29.83

 

CMYK 0 / 76 / 47 / 39

HEX #9C2652

RGB 156 38 82

HSL 337.63, 0.61%, 0.38%

LAB 36.11, 51.06, 3.06

 

CMYK 0 / 76 / 27 / 39

HEX #9C2672

RGB 156 38 114

HSL 321.36, 0.61%, 0.38%

LAB 37.24, 54.64, -15.62

 

CMYK 0 / 76 / 6 / 39

HEX #9C2692

RGB 156 38 146

HSL 305.08, 0.61%, 0.38%

LAB 38.78, 59.25, -33.03

 

CMYK 14 / 76 / 0 / 39

HEX #86269C

RGB 134 38 156

HSL 288.81, 0.61%, 0.38%

LAB 35.7, 56.21, -44.23

 

CMYK 35 / 76 / 0 / 39

HEX #66269C

RGB 102 38 156

HSL 272.54, 0.61%, 0.38%

LAB 30.91, 49.86, -52.22

 

CMYK 0 / 76 / 47 / 39

HEX #9C2652

RGB 156 38 82

HSL 337.63, 0.61%, 0.38%

LAB 36.11, 51.06, 3.06

 

CMYK 0 / 87 / 55 / 33

HEX #AC164E

RGB 172 22 78

HSL 337.6, 0.77%, 0.38%

LAB 37.65, 59.42, 8.27

 

CMYK 0 / 97 / 60 / 27

HEX #BB064A

RGB 187 6 74

HSL 337.46, 0.94%, 0.38%

LAB 39.9, 65.1, 14.43

 

CMYK 0 / 76 / 47 / 39

HEX #9C2652

RGB 156 38 82

HSL 337.63, 0.61%, 0.38%

LAB 36.11, 51.06, 3.06

 

CMYK 0 / 62 / 39 / 45

HEX #8C3556

RGB 140 53 86

HSL 337.24, 0.45%, 0.38%

LAB 35.58, 40.25, -0.62

 

CMYK 0 / 45 / 28 / 51

HEX #7D455A

RGB 125 69 90

HSL 337.5, 0.29%, 0.38%

LAB 36.66, 26.83, -1.86

 

CMYK 0 / 22 / 14 / 57

HEX #6D555E

RGB 109 85 94

HSL 337.5, 0.12%, 0.38%

LAB 38.82, 11.53, -1.41

 

CMYK 8 / 0 / 3 / 60

HEX #5D6562

RGB 93 101 98

HSL 157.5, 0.04%, 0.38%

LAB 42.03, -3.73, 0.63

 

CMYK 0 / 76 / 6 / 39

HEX #9C2692

RGB 156 38 146

HSL 305.08, 0.61%, 0.38%

LAB 38.78, 59.25, -33.03

 

CMYK 0 / 76 / 26 / 39

HEX #9C2673

RGB 156 38 115

HSL 320.85, 0.61%, 0.38%

LAB 37.28, 54.77, -16.18

 

CMYK 0 / 76 / 47 / 39

HEX #9C2653

RGB 156 38 83

HSL 337.12, 0.61%, 0.38%

LAB 36.14, 51.15, 2.46

 

CMYK 0 / 76 / 67 / 39

HEX #9C2634

RGB 156 38 52

HSL 352.88, 0.61%, 0.38%

LAB 35.4, 48.77, 21.39

 

CMYK 0 / 64 / 76 / 39

HEX #9C3826

RGB 156 56 38

HSL 9.15, 0.61%, 0.38%

LAB 37.91, 40.66, 32.84

 

CMYK 0 / 76 / 48 / 65

HEX #5A162F

RGB 90 22 47

HSL 337.94, 0.61%, 0.22%

LAB 19.85, 33.01, 1.44

 

CMYK 0 / 76 / 47 / 52

HEX #7B1E41

RGB 123 30 65

HSL 337.42, 0.61%, 0.3%

LAB 28.17, 42.35, 1.95

 

CMYK 0 / 76 / 47 / 39

HEX #9C2652

RGB 156 38 82

HSL 337.63, 0.61%, 0.38%

LAB 36.11, 51.06, 3.06

 

CMYK 0 / 76 / 47 / 26

HEX #BD2E64

RGB 189 46 100

HSL 337.34, 0.61%, 0.46%

LAB 43.79, 59.47, 3.55

 

CMYK 0 / 68 / 43 / 18

HEX #D14378

RGB 209 67 120

HSL 337.61, 0.61%, 0.54%

LAB 50.6, 59.65, 1.61

 

CMYK 0 / 75 / 47 / 39

HEX #9B2652

RGB 155 38 82

HSL 337.44, 0.61%, 0.38%

LAB 35.91, 50.77, 2.76

 

CMYK 0 / 14 / 76 / 39

HEX #9C8626

RGB 156 134 38

HSL 48.81, 0.61%, 0.38%

LAB 56.35, -2.14, 51.59

 

CMYK 76 / 17 / 0 / 39

HEX #26829C

RGB 38 130 156

HSL 193.22, 0.61%, 0.38%

LAB 50.43, -17.43, -21.55

 

CMYK 0 / 75 / 47 / 39

HEX #9B2652

RGB 155 38 82

HSL 337.44, 0.61%, 0.38%

LAB 35.91, 50.77, 2.76

 

CMYK 47 / 0 / 76 / 39

HEX #539C26

RGB 83 156 38

HSL 97.12, 0.61%, 0.38%

LAB 57.8, -43.17, 51.26

 

CMYK 76 / 47 / 0 / 39

HEX #26539C

RGB 38 83 156

HSL 217.12, 0.61%, 0.38%

LAB 35.98, 11.14, -44.27

 

CMYK 0 / 75 / 47 / 39

HEX #9B2652

RGB 155 38 82

HSL 337.44, 0.61%, 0.38%

LAB 35.91, 50.77, 2.76

 

CMYK 0 / 14 / 76 / 39

HEX #9C8626

RGB 156 134 38

HSL 48.81, 0.61%, 0.38%

LAB 56.35, -2.14, 51.59

 

CMYK 76 / 0 / 29 / 39

HEX #269C6F

RGB 38 156 111

HSL 157.12, 0.61%, 0.38%

LAB 57.4, -42.88, 14.58

 

CMYK 76 / 62 / 0 / 39

HEX #263B9C

RGB 38 59 156

HSL 229.32, 0.61%, 0.38%

LAB 29.26, 27.31, -55.15

 

CMYK 0 / 75 / 47 / 39

HEX #9B2652

RGB 155 38 82

HSL 337.44, 0.61%, 0.38%

LAB 35.91, 50.77, 2.76

 

CMYK 9 / 0 / 76 / 39

HEX #8E9C26

RGB 142 156 38

HSL 67.12, 0.61%, 0.38%

LAB 61.37, -20.13, 55.92

 

CMYK 76 / 0 / 29 / 39

HEX #269C6F

RGB 38 156 111

HSL 157.12, 0.61%, 0.38%

LAB 57.4, -42.88, 14.58

 

CMYK 67 / 76 / 0 / 39

HEX #34269C

RGB 52 38 156

HSL 247.12, 0.61%, 0.38%

LAB 25.31, 42.06, -61.6

 

Description

Color code: HEX #9B2652 | qconv.com Color code: HEX #9B2652 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 38 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 38 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 47 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 47% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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