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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B25EC it is the complementary color #64DA13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B25EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B25EC shade: #A025E7, #B137FA, #C249FF, #D35BFF and #E46DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B25EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B25EC shade: #9B25EC, #8A13D9, #7901C6, #6800B3 and #5700A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B25EC shade: #9C27EC, #D127EC, #EC27D2, #EC279D and #EC2768

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B25EC shade: #9C27EC, #6727EC, #3227EC and #2727EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B25EC shade matches the following richer shades: #9C27EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B25EC shade: #9C27EC, #983AD9, #954DC6, #9160B3 and #8E73A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B25EC shade: #3127EC, #6627EC, #9A27EC, #CF27EC and #EC27D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B25EC shade: #700FB1, #8713D7, #9C27EC, #AD4DF0 and #BF73F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B25EC shade: #9B25EC, #EC2752 and #27EC4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B25EC shade: #9B25EC, #EC9A27 and #27EC9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B25EC shade: #9B25EC, #EC2752, #79EC27 and #27ECC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B25EC shade: #9B25EC, #EC3827, #79EC27 and #27DCEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 84 / 0 / 7

HEX #9B25EC

RGB 155 37 236

HSL 275.58, 0.84%, 0.54%

LAB 44.73, 76.08, -76.2

 

Complementary color

CMYK 54 / 0 / 91 / 15

HEX #64DA13

RGB 100 218 19

HSL 95.58, 0.84%, 0.46%

LAB 77.82, -62.27, 73.92

 

CMYK 31 / 84 / 0 / 9

HEX #A025E7

RGB 160 37 231

HSL 278.04, 0.8%, 0.53%

LAB 45.03, 75.77, -72.84

 

CMYK 29 / 78 / 0 / 2

HEX #B137FA

RGB 177 55 250

HSL 277.54, 0.95%, 0.6%

LAB 50.67, 76.92, -74.25

 

CMYK 24 / 71 / 0 / 0

HEX #C249FF

RGB 194 73 255

HSL 279.89, 1%, 0.64%

LAB 55.54, 74.53, -69.03

 

CMYK 17 / 64 / 0 / 0

HEX #D35BFF

RGB 211 91 255

HSL 283.9, 1%, 0.68%

LAB 60.38, 70.74, -61.11

 

CMYK 11 / 57 / 0 / 0

HEX #E46DFF

RGB 228 109 255

HSL 288.9, 1%, 0.71%

LAB 65.48, 66.76, -52.87

 

CMYK 34 / 84 / 0 / 7

HEX #9B25EC

RGB 155 37 236

HSL 275.58, 0.84%, 0.54%

LAB 44.73, 76.08, -76.2

 

CMYK 36 / 91 / 0 / 15

HEX #8A13D9

RGB 138 19 217

HSL 276.06, 0.84%, 0.46%

LAB 39.38, 73.96, -74.23

 

CMYK 39 / 99 / 0 / 22

HEX #7901C6

RGB 121 1 198

HSL 276.55, 0.99%, 0.39%

LAB 34.32, 70.7, -71.6

 

CMYK 42 / 100 / 0 / 30

HEX #6800B3

RGB 104 0 179

HSL 274.86, 1%, 0.35%

LAB 29.91, 65.21, -67.72

 

CMYK 46 / 100 / 0 / 37

HEX #5700A0

RGB 87 0 160

HSL 272.63, 1%, 0.31%

LAB 25.46, 59.5, -63.67

 

CMYK 34 / 83 / 0 / 7

HEX #9C27EC

RGB 156 39 236

HSL 275.63, 0.84%, 0.54%

LAB 45.05, 75.69, -75.68

 

CMYK 11 / 83 / 0 / 7

HEX #D127EC

RGB 209 39 236

HSL 291.78, 0.84%, 0.54%

LAB 53.02, 83.83, -62.37

 

CMYK 0 / 83 / 11 / 7

HEX #EC27D2

RGB 236 39 210

HSL 307.92, 0.84%, 0.54%

LAB 56.02, 84.8, -42.58

 

CMYK 0 / 83 / 33 / 7

HEX #EC279D

RGB 236 39 157

HSL 324.06, 0.84%, 0.54%

LAB 53.73, 78.48, -15.35

 

CMYK 0 / 83 / 56 / 7

HEX #EC2768

RGB 236 39 104

HSL 340.2, 0.84%, 0.54%

LAB 52.16, 73.97, 14.17

 

CMYK 34 / 83 / 0 / 7

HEX #9C27EC

RGB 156 39 236

HSL 275.63, 0.84%, 0.54%

LAB 45.05, 75.69, -75.68

 

CMYK 56 / 83 / 0 / 7

HEX #6727EC

RGB 103 39 236

HSL 259.49, 0.84%, 0.54%

LAB 38.53, 69.4, -86.62

 

CMYK 79 / 83 / 0 / 7

HEX #3227EC

RGB 50 39 236

HSL 243.35, 0.84%, 0.54%

LAB 34.37, 65.62, -93.66

 

CMYK 83 / 83 / 0 / 7

HEX #2727EC

RGB 39 39 236

HSL 240, 0.84%, 0.54%

LAB 33.85, 65.17, -94.52

 

CMYK 34 / 83 / 0 / 7

HEX #9C27EC

RGB 156 39 236

HSL 275.63, 0.84%, 0.54%

LAB 45.05, 75.69, -75.68

 

CMYK 34 / 83 / 0 / 7

HEX #9C27EC

RGB 156 39 236

HSL 275.63, 0.84%, 0.54%

LAB 45.05, 75.69, -75.68

 

CMYK 30 / 73 / 0 / 15

HEX #983AD9

RGB 152 58 217

HSL 275.47, 0.68%, 0.54%

LAB 45.24, 64.68, -64.59

 

CMYK 25 / 61 / 0 / 22

HEX #954DC6

RGB 149 77 198

HSL 275.7, 0.51%, 0.54%

LAB 46.68, 51.23, -51.35

 

CMYK 19 / 46 / 0 / 30

HEX #9160B3

RGB 145 96 179

HSL 275.42, 0.35%, 0.54%

LAB 49.06, 35.6, -36.57

 

CMYK 11 / 28 / 0 / 37

HEX #8E73A0

RGB 142 115 160

HSL 276, 0.19%, 0.54%

LAB 52.45, 19.34, -20.25

 

CMYK 79 / 83 / 0 / 7

HEX #3127EC

RGB 49 39 236

HSL 243.05, 0.84%, 0.54%

LAB 34.31, 65.57, -93.74

 

CMYK 57 / 83 / 0 / 7

HEX #6627EC

RGB 102 39 236

HSL 259.19, 0.84%, 0.54%

LAB 38.43, 69.3, -86.79

 

CMYK 35 / 83 / 0 / 7

HEX #9A27EC

RGB 154 39 236

HSL 275.03, 0.84%, 0.54%

LAB 44.77, 75.41, -76.14

 

CMYK 12 / 83 / 0 / 7

HEX #CF27EC

RGB 207 39 236

HSL 291.17, 0.84%, 0.54%

LAB 52.7, 83.5, -62.9

 

CMYK 0 / 83 / 10 / 7

HEX #EC27D5

RGB 236 39 213

HSL 307.01, 0.84%, 0.54%

LAB 56.18, 85.2, -44.05

 

CMYK 37 / 92 / 0 / 31

HEX #700FB1

RGB 112 15 177

HSL 275.93, 0.84%, 0.38%

LAB 31.72, 63.25, -63.5

 

CMYK 37 / 91 / 0 / 16

HEX #8713D7

RGB 135 19 215

HSL 275.51, 0.84%, 0.46%

LAB 38.77, 73.2, -74.1

 

CMYK 34 / 83 / 0 / 7

HEX #9C27EC

RGB 156 39 236

HSL 275.63, 0.84%, 0.54%

LAB 45.05, 75.69, -75.68

 

CMYK 28 / 68 / 0 / 6

HEX #AD4DF0

RGB 173 77 240

HSL 275.34, 0.84%, 0.62%

LAB 52.38, 65.73, -65.91

 

CMYK 21 / 53 / 0 / 5

HEX #BF73F3

RGB 191 115 243

HSL 275.63, 0.84%, 0.7%

LAB 61.49, 52.18, -52.86

 

CMYK 34 / 84 / 0 / 7

HEX #9B25EC

RGB 155 37 236

HSL 275.58, 0.84%, 0.54%

LAB 44.73, 76.08, -76.2

 

CMYK 0 / 83 / 65 / 7

HEX #EC2752

RGB 236 39 82

HSL 346.9, 0.84%, 0.54%

LAB 51.72, 72.68, 26.88

 

CMYK 83 / 0 / 68 / 7

HEX #27EC4B

RGB 39 236 75

HSL 130.96, 0.84%, 0.54%

LAB 82.34, -75.68, 62.44

 

CMYK 34 / 84 / 0 / 7

HEX #9B25EC

RGB 155 37 236

HSL 275.58, 0.84%, 0.54%

LAB 44.73, 76.08, -76.2

 

CMYK 0 / 35 / 83 / 7

HEX #EC9A27

RGB 236 154 39

HSL 35.03, 0.84%, 0.54%

LAB 70.24, 22.3, 67.07

 

CMYK 83 / 0 / 35 / 7

HEX #27EC9A

RGB 39 236 154

HSL 155.03, 0.84%, 0.54%

LAB 83.31, -64.1, 27.1

 

CMYK 34 / 84 / 0 / 7

HEX #9B25EC

RGB 155 37 236

HSL 275.58, 0.84%, 0.54%

LAB 44.73, 76.08, -76.2

 

CMYK 0 / 83 / 65 / 7

HEX #EC2752

RGB 236 39 82

HSL 346.9, 0.84%, 0.54%

LAB 51.72, 72.68, 26.88

 

CMYK 49 / 0 / 83 / 7

HEX #79EC27

RGB 121 236 39

HSL 95.03, 0.84%, 0.54%

LAB 84.07, -62.2, 75.87

 

CMYK 83 / 0 / 18 / 7

HEX #27ECC2

RGB 39 236 194

HSL 167.21, 0.84%, 0.54%

LAB 84.13, -55.13, 7.48

 

CMYK 34 / 84 / 0 / 7

HEX #9B25EC

RGB 155 37 236

HSL 275.58, 0.84%, 0.54%

LAB 44.73, 76.08, -76.2

 

CMYK 0 / 76 / 83 / 7

HEX #EC3827

RGB 236 56 39

HSL 5.18, 0.84%, 0.54%

LAB 52.74, 66.72, 51.93

 

CMYK 49 / 0 / 83 / 7

HEX #79EC27

RGB 121 236 39

HSL 95.03, 0.84%, 0.54%

LAB 84.07, -62.2, 75.87

 

CMYK 83 / 7 / 0 / 7

HEX #27DCEC

RGB 39 220 236

HSL 184.87, 0.84%, 0.54%

LAB 80.56, -36.66, -20.03

 

Description

Color code: HEX #9B25EC | qconv.com Color code: HEX #9B25EC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 37 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 37 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 84 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 84% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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