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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B1B9D it is the complementary color #64E462. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B1B9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B1B9D shade: #A01B98, #B12DAB, #C23FBE, #D351D1 and #E463E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B1B9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B1B9D shade: #9B1B9D, #8A098A, #790077, #680064 and #570051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B1B9D shade: #9B1B9D, #9D1B7C, #9D1B59, #9D1B36 and #9D1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B1B9D shade: #9B1B9D, #781B9D, #551B9D, #321B9D and #1B1B9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B1B9D shade matches the following richer shades: #9B1B9D and #A90CAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B1B9D shade: #9B1B9D, #8D298E, #7E387F, #704770 and #615662

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B1B9D shade: #551B9D, #781B9D, #9B1B9D, #9D1B7C and #9D1B5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B1B9D shade: #550F56, #78157A, #9B1B9D, #BE21C0 and #D92EDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B1B9D shade: #9B1B9D, #9D331B and #1B9D67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B1B9D shade: #9B1B9D, #9D9B1B and #1B9D9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B1B9D shade: #9B1B9D, #9D331B, #1D9D1B and #1B859D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B1B9D shade: #9B1B9D, #9D5A1B, #1D9D1B and #1B5E9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 83 / 0 / 38

HEX #9B1B9D

RGB 155 27 157

HSL 299.08, 0.71%, 0.36%

LAB 38.18, 63.86, -40.68

 

Complementary color

CMYK 56 / 0 / 57 / 11

HEX #64E462

RGB 100 228 98

HSL 119.08, 0.71%, 0.64%

LAB 81.33, -60.47, 52.08

 

CMYK 0 / 83 / 5 / 37

HEX #A01B98

RGB 160 27 152

HSL 303.61, 0.71%, 0.37%

LAB 38.77, 64.06, -36.65

 

CMYK 0 / 75 / 3 / 31

HEX #B12DAB

RGB 177 45 171

HSL 302.73, 0.59%, 0.44%

LAB 44.47, 65.68, -38.83

 

CMYK 0 / 68 / 2 / 24

HEX #C23FBE

RGB 194 63 190

HSL 301.83, 0.52%, 0.5%

LAB 50.38, 66.42, -40.44

 

CMYK 0 / 62 / 1 / 17

HEX #D351D1

RGB 211 81 209

HSL 300.92, 0.6%, 0.57%

LAB 56.42, 66.58, -41.65

 

CMYK 0 / 57 / 0 / 11

HEX #E463E4

RGB 228 99 228

HSL 300, 0.7%, 0.64%

LAB 62.52, 66.4, -42.59

 

CMYK 1 / 83 / 0 / 38

HEX #9B1B9D

RGB 155 27 157

HSL 299.08, 0.71%, 0.36%

LAB 38.18, 63.86, -40.68

 

CMYK 0 / 93 / 0 / 46

HEX #8A098A

RGB 138 9 138

HSL 300, 0.88%, 0.29%

LAB 32.77, 60.96, -37.85

 

CMYK 0 / 100 / 2 / 53

HEX #790077

RGB 121 0 119

HSL 300.99, 1%, 0.24%

LAB 27.84, 56.29, -33.99

 

CMYK 0 / 100 / 4 / 59

HEX #680064

RGB 104 0 100

HSL 302.31, 1%, 0.2%

LAB 23.21, 50.18, -29.28

 

CMYK 0 / 100 / 7 / 66

HEX #570051

RGB 87 0 81

HSL 304.14, 1%, 0.17%

LAB 18.45, 43.89, -24.38

 

CMYK 1 / 83 / 0 / 38

HEX #9B1B9D

RGB 155 27 157

HSL 299.08, 0.71%, 0.36%

LAB 38.18, 63.86, -40.68

 

CMYK 0 / 83 / 21 / 38

HEX #9D1B7C

RGB 157 27 124

HSL 315.23, 0.71%, 0.36%

LAB 36.76, 59.38, -22.61

 

CMYK 0 / 83 / 43 / 38

HEX #9D1B59

RGB 157 27 89

HSL 331.38, 0.71%, 0.36%

LAB 35.35, 55.32, -2.53

 

CMYK 0 / 83 / 66 / 38

HEX #9D1B36

RGB 157 27 54

HSL 347.54, 0.71%, 0.36%

LAB 34.43, 52.59, 18.91

 

CMYK 0 / 83 / 83 / 38

HEX #9D1B1B

RGB 157 27 27

HSL 0, 0.71%, 0.36%

LAB 34.05, 51.41, 35.12

 

CMYK 1 / 83 / 0 / 38

HEX #9B1B9D

RGB 155 27 157

HSL 299.08, 0.71%, 0.36%

LAB 38.18, 63.86, -40.68

 

CMYK 24 / 83 / 0 / 38

HEX #781B9D

RGB 120 27 157

HSL 282.92, 0.71%, 0.36%

LAB 32.28, 57.34, -50.47

 

CMYK 46 / 83 / 0 / 38

HEX #551B9D

RGB 85 27 157

HSL 266.77, 0.71%, 0.36%

LAB 27.16, 51.77, -59.05

 

CMYK 68 / 83 / 0 / 38

HEX #321B9D

RGB 50 27 157

HSL 250.62, 0.71%, 0.36%

LAB 23.33, 47.71, -65.5

 

CMYK 83 / 83 / 0 / 38

HEX #1B1B9D

RGB 27 27 157

HSL 240, 0.71%, 0.36%

LAB 21.77, 46.09, -68.13

 

CMYK 1 / 83 / 0 / 38

HEX #9B1B9D

RGB 155 27 157

HSL 299.08, 0.71%, 0.36%

LAB 38.18, 63.86, -40.68

 

CMYK 2 / 93 / 0 / 33

HEX #A90CAC

RGB 169 12 172

HSL 298.88, 0.87%, 0.36%

LAB 40.7, 71.38, -45.51

 

CMYK 1 / 83 / 0 / 38

HEX #9B1B9D

RGB 155 27 157

HSL 299.08, 0.71%, 0.36%

LAB 38.18, 63.86, -40.68

 

CMYK 1 / 71 / 0 / 44

HEX #8D298E

RGB 141 41 142

HSL 299.41, 0.55%, 0.36%

LAB 36.37, 54.09, -34.56

 

CMYK 1 / 56 / 0 / 50

HEX #7E387F

RGB 126 56 127

HSL 299.15, 0.39%, 0.36%

LAB 35.59, 40.74, -26.69

 

CMYK 0 / 37 / 0 / 56

HEX #704770

RGB 112 71 112

HSL 300, 0.22%, 0.36%

LAB 36.22, 24.78, -16.52

 

CMYK 1 / 12 / 0 / 62

HEX #615662

RGB 97 86 98

HSL 295, 0.07%, 0.36%

LAB 37.98, 6.94, -5.28

 

CMYK 46 / 83 / 0 / 38

HEX #551B9D

RGB 85 27 157

HSL 266.77, 0.71%, 0.36%

LAB 27.16, 51.77, -59.05

 

CMYK 24 / 83 / 0 / 38

HEX #781B9D

RGB 120 27 157

HSL 282.92, 0.71%, 0.36%

LAB 32.28, 57.34, -50.47

 

CMYK 1 / 83 / 0 / 38

HEX #9B1B9D

RGB 155 27 157

HSL 299.08, 0.71%, 0.36%

LAB 38.18, 63.86, -40.68

 

CMYK 0 / 83 / 21 / 38

HEX #9D1B7C

RGB 157 27 124

HSL 315.23, 0.71%, 0.36%

LAB 36.76, 59.38, -22.61

 

CMYK 0 / 83 / 43 / 38

HEX #9D1B5A

RGB 157 27 90

HSL 330.92, 0.71%, 0.36%

LAB 35.38, 55.42, -3.13

 

CMYK 1 / 83 / 0 / 66

HEX #550F56

RGB 85 15 86

HSL 299.15, 0.7%, 0.2%

LAB 19.82, 40.12, -25.61

 

CMYK 2 / 83 / 0 / 52

HEX #78157A

RGB 120 21 122

HSL 298.81, 0.71%, 0.28%

LAB 29.25, 52.46, -33.65

 

CMYK 1 / 83 / 0 / 38

HEX #9B1B9D

RGB 155 27 157

HSL 299.08, 0.71%, 0.36%

LAB 38.18, 63.86, -40.68

 

CMYK 1 / 83 / 0 / 25

HEX #BE21C0

RGB 190 33 192

HSL 299.25, 0.71%, 0.44%

LAB 46.76, 74.72, -47.39

 

CMYK 1 / 79 / 0 / 14

HEX #D92EDC

RGB 217 46 220

HSL 298.97, 0.71%, 0.52%

LAB 53.89, 81.12, -51.86

 

CMYK 1 / 83 / 0 / 38

HEX #9B1B9D

RGB 155 27 157

HSL 299.08, 0.71%, 0.36%

LAB 38.18, 63.86, -40.68

 

CMYK 0 / 68 / 83 / 38

HEX #9D331B

RGB 157 51 27

HSL 11.08, 0.71%, 0.36%

LAB 37.14, 42.85, 38.1

 

CMYK 83 / 0 / 34 / 38

HEX #1B9D67

RGB 27 157 103

HSL 155.08, 0.71%, 0.36%

LAB 57.39, -46.4, 18.99

 

CMYK 1 / 83 / 0 / 38

HEX #9B1B9D

RGB 155 27 157

HSL 299.08, 0.71%, 0.36%

LAB 38.18, 63.86, -40.68

 

CMYK 0 / 1 / 83 / 38

HEX #9D9B1B

RGB 157 155 27

HSL 59.08, 0.71%, 0.36%

LAB 62.24, -13.42, 60.53

 

CMYK 83 / 0 / 1 / 38

HEX #1B9D9B

RGB 27 157 155

HSL 179.08, 0.71%, 0.36%

LAB 58.71, -32.64, -8.45

 

CMYK 1 / 83 / 0 / 38

HEX #9B1B9D

RGB 155 27 157

HSL 299.08, 0.71%, 0.36%

LAB 38.18, 63.86, -40.68

 

CMYK 0 / 68 / 83 / 38

HEX #9D331B

RGB 157 51 27

HSL 11.08, 0.71%, 0.36%

LAB 37.14, 42.85, 38.1

 

CMYK 82 / 0 / 83 / 38

HEX #1D9D1B

RGB 29 157 27

HSL 119.08, 0.71%, 0.36%

LAB 56.54, -56.64, 53.05

 

CMYK 83 / 15 / 0 / 38

HEX #1B859D

RGB 27 133 157

HSL 191.08, 0.71%, 0.36%

LAB 51.2, -19.91, -20.96

 

CMYK 1 / 83 / 0 / 38

HEX #9B1B9D

RGB 155 27 157

HSL 299.08, 0.71%, 0.36%

LAB 38.18, 63.86, -40.68

 

CMYK 0 / 43 / 83 / 38

HEX #9D5A1B

RGB 157 90 27

HSL 29.08, 0.71%, 0.36%

LAB 45.02, 22.8, 45.41

 

CMYK 82 / 0 / 83 / 38

HEX #1D9D1B

RGB 29 157 27

HSL 119.08, 0.71%, 0.36%

LAB 56.54, -56.64, 53.05

 

CMYK 83 / 40 / 0 / 38

HEX #1B5E9D

RGB 27 94 157

HSL 209.08, 0.71%, 0.36%

LAB 39.02, 3.05, -40.02

 

Description

Color code: HEX #9B1B9D | qconv.com Color code: HEX #9B1B9D | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 27 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 27 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 83 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 83% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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