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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B104F it is the complementary color #64EFB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B104F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B104F shade: #A0104A, #B1225D, #C23470, #D34683 and #E45896

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B104F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B104F shade: #9B104F, #8A003C, #790029, #680016 and #570003

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B104F shade: #9D1050, #9D102A and #9D1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B104F shade: #9D1050, #9D1076, #9D109C, #78109D and #52109D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B104F shade matches the following richer shades: #9D1050 and #AB024F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B104F shade: #9D1050, #8F1F51, #812D53, #733B54 and #654955

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B104F shade: #9D109D, #9D1077, #9D1052, #9D102D and #9D1A10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B104F shade: #52092A, #780D3D, #9D1050, #C21463 and #E71976

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B104F shade: #9B104F, #9D7710 and #108A9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B104F shade: #9B104F, #529D10 and #10529D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B104F shade: #9B104F, #9D7710, #109D5B and #10369D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B104F shade: #9B104F, #989D10, #109D5B and #15109D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 49 / 39

HEX #9B104F

RGB 155 16 79

HSL 332.81, 0.81%, 0.34%

LAB 33.78, 56.31, 1.63

 

Complementary color

CMYK 58 / 0 / 26 / 6

HEX #64EFB0

RGB 100 239 176

HSL 152.81, 0.81%, 0.66%

LAB 85.79, -52.1, 19.38

 

CMYK 0 / 90 / 54 / 37

HEX #A0104A

RGB 160 16 74

HSL 335.83, 0.82%, 0.35%

LAB 34.68, 57.17, 6.32

 

CMYK 0 / 81 / 47 / 31

HEX #B1225D

RGB 177 34 93

HSL 335.24, 0.68%, 0.41%

LAB 40.05, 59.13, 2.26

 

CMYK 0 / 73 / 42 / 24

HEX #C23470

RGB 194 52 112

HSL 334.65, 0.58%, 0.48%

LAB 45.76, 60.01, -0.89

 

CMYK 0 / 67 / 38 / 17

HEX #D34683

RGB 211 70 131

HSL 334.04, 0.62%, 0.55%

LAB 51.69, 60.2, -3.37

 

CMYK 0 / 61 / 34 / 11

HEX #E45896

RGB 228 88 150

HSL 333.43, 0.72%, 0.62%

LAB 57.73, 59.97, -5.37

 

CMYK 0 / 90 / 49 / 39

HEX #9B104F

RGB 155 16 79

HSL 332.81, 0.81%, 0.34%

LAB 33.78, 56.31, 1.63

 

CMYK 0 / 100 / 57 / 46

HEX #8A003C

RGB 138 0 60

HSL 333.91, 1%, 0.27%

LAB 28.72, 53.08, 6.52

 

CMYK 0 / 100 / 66 / 53

HEX #790029

RGB 121 0 41

HSL 339.67, 1%, 0.24%

LAB 24.4, 47.55, 12.99

 

CMYK 0 / 100 / 79 / 59

HEX #680016

RGB 104 0 22

HSL 347.31, 1%, 0.2%

LAB 20.05, 42.08, 19.86

 

CMYK 0 / 100 / 97 / 66

HEX #570003

RGB 87 0 3

HSL 357.93, 1%, 0.17%

LAB 15.66, 36.69, 23.13

 

CMYK 0 / 90 / 49 / 38

HEX #9D1050

RGB 157 16 80

HSL 332.77, 0.82%, 0.34%

LAB 34.23, 56.9, 1.67

 

CMYK 0 / 90 / 73 / 38

HEX #9D102A

RGB 157 16 42

HSL 348.94, 0.82%, 0.34%

LAB 33.36, 54.44, 25.29

 

CMYK 0 / 90 / 90 / 38

HEX #9D1010

RGB 157 16 16

HSL 0, 0.82%, 0.34%

LAB 33.08, 53.64, 40.06

 

CMYK 0 / 90 / 49 / 38

HEX #9D1050

RGB 157 16 80

HSL 332.77, 0.82%, 0.34%

LAB 34.23, 56.9, 1.67

 

CMYK 0 / 90 / 25 / 38

HEX #9D1076

RGB 157 16 118

HSL 316.6, 0.82%, 0.34%

LAB 35.69, 60.9, -20.51

 

CMYK 0 / 90 / 1 / 38

HEX #9D109C

RGB 157 16 156

HSL 300.43, 0.82%, 0.34%

LAB 37.73, 66.24, -40.76

 

CMYK 24 / 90 / 0 / 38

HEX #78109D

RGB 120 16 157

HSL 284.26, 0.82%, 0.34%

LAB 31.34, 60.1, -52

 

CMYK 48 / 90 / 0 / 38

HEX #52109D

RGB 82 16 157

HSL 268.09, 0.82%, 0.34%

LAB 25.56, 54.93, -61.69

 

CMYK 0 / 90 / 49 / 38

HEX #9D1050

RGB 157 16 80

HSL 332.77, 0.82%, 0.34%

LAB 34.23, 56.9, 1.67

 

CMYK 0 / 99 / 54 / 33

HEX #AB024F

RGB 171 2 79

HSL 332.66, 0.98%, 0.34%

LAB 36.49, 62.08, 5.96

 

CMYK 0 / 90 / 49 / 38

HEX #9D1050

RGB 157 16 80

HSL 332.77, 0.82%, 0.34%

LAB 34.23, 56.9, 1.67

 

CMYK 0 / 78 / 43 / 44

HEX #8F1F51

RGB 143 31 81

HSL 333.21, 0.64%, 0.34%

LAB 32.73, 49.55, -1.51

 

CMYK 0 / 65 / 36 / 49

HEX #812D53

RGB 129 45 83

HSL 332.86, 0.48%, 0.34%

LAB 32.19, 39.97, -3.91

 

CMYK 0 / 49 / 27 / 55

HEX #733B54

RGB 115 59 84

HSL 333.21, 0.32%, 0.34%

LAB 32.73, 27.83, -4

 

CMYK 0 / 28 / 16 / 60

HEX #654955

RGB 101 73 85

HSL 334.29, 0.16%, 0.34%

LAB 34.37, 14.02, -2.42

 

CMYK 0 / 90 / 0 / 38

HEX #9D109D

RGB 157 16 157

HSL 300, 0.82%, 0.34%

LAB 37.79, 66.39, -41.27

 

CMYK 0 / 90 / 24 / 38

HEX #9D1077

RGB 157 16 119

HSL 316.17, 0.82%, 0.34%

LAB 35.73, 61.02, -21.07

 

CMYK 0 / 90 / 48 / 38

HEX #9D1052

RGB 157 16 82

HSL 331.91, 0.82%, 0.34%

LAB 34.29, 57.07, 0.46

 

CMYK 0 / 90 / 71 / 38

HEX #9D102D

RGB 157 16 45

HSL 347.66, 0.82%, 0.34%

LAB 33.41, 54.58, 23.43

 

CMYK 0 / 83 / 90 / 38

HEX #9D1A10

RGB 157 26 16

HSL 4.26, 0.82%, 0.34%

LAB 33.87, 51.41, 40.66

 

CMYK 0 / 89 / 49 / 68

HEX #52092A

RGB 82 9 42

HSL 332.88, 0.8%, 0.18%

LAB 16.29, 34.68, -0.38

 

CMYK 0 / 89 / 49 / 53

HEX #780D3D

RGB 120 13 61

HSL 333.08, 0.8%, 0.26%

LAB 25.62, 46.23, 0.88

 

CMYK 0 / 90 / 49 / 38

HEX #9D1050

RGB 157 16 80

HSL 332.77, 0.82%, 0.34%

LAB 34.23, 56.9, 1.67

 

CMYK 0 / 90 / 49 / 24

HEX #C21463

RGB 194 20 99

HSL 332.76, 0.81%, 0.42%

LAB 42.57, 66.84, 2.54

 

CMYK 0 / 89 / 49 / 9

HEX #E71976

RGB 231 25 118

HSL 332.91, 0.81%, 0.5%

LAB 50.68, 76.27, 3.44

 

CMYK 0 / 90 / 49 / 39

HEX #9B104F

RGB 155 16 79

HSL 332.81, 0.81%, 0.34%

LAB 33.78, 56.31, 1.63

 

CMYK 0 / 24 / 90 / 38

HEX #9D7710

RGB 157 119 16

HSL 43.83, 0.82%, 0.34%

LAB 52.29, 5.98, 55.11

 

CMYK 90 / 12 / 0 / 38

HEX #108A9D

RGB 16 138 157

HSL 188.09, 0.82%, 0.34%

LAB 52.64, -23.36, -18.77

 

CMYK 0 / 90 / 49 / 39

HEX #9B104F

RGB 155 16 79

HSL 332.81, 0.81%, 0.34%

LAB 33.78, 56.31, 1.63

 

CMYK 48 / 0 / 90 / 38

HEX #529D10

RGB 82 157 16

HSL 91.91, 0.82%, 0.34%

LAB 57.98, -44.97, 57.53

 

CMYK 90 / 48 / 0 / 38

HEX #10529D

RGB 16 82 157

HSL 211.91, 0.82%, 0.34%

LAB 35.16, 10.02, -46.22

 

CMYK 0 / 90 / 49 / 39

HEX #9B104F

RGB 155 16 79

HSL 332.81, 0.81%, 0.34%

LAB 33.78, 56.31, 1.63

 

CMYK 0 / 24 / 90 / 38

HEX #9D7710

RGB 157 119 16

HSL 43.83, 0.82%, 0.34%

LAB 52.29, 5.98, 55.11

 

CMYK 90 / 0 / 42 / 38

HEX #109D5B

RGB 16 157 91

HSL 151.91, 0.82%, 0.34%

LAB 57.06, -49.84, 25.08

 

CMYK 90 / 66 / 0 / 38

HEX #10369D

RGB 16 54 157

HSL 223.83, 0.82%, 0.34%

LAB 27.25, 29.16, -59.09

 

CMYK 0 / 90 / 49 / 39

HEX #9B104F

RGB 155 16 79

HSL 332.81, 0.81%, 0.34%

LAB 33.78, 56.31, 1.63

 

CMYK 3 / 0 / 90 / 38

HEX #989D10

RGB 152 157 16

HSL 62.13, 0.82%, 0.34%

LAB 62.36, -16.98, 62.93

 

CMYK 90 / 0 / 42 / 38

HEX #109D5B

RGB 16 157 91

HSL 151.91, 0.82%, 0.34%

LAB 57.06, -49.84, 25.08

 

CMYK 87 / 90 / 0 / 38

HEX #15109D

RGB 21 16 157

HSL 242.13, 0.82%, 0.34%

LAB 19.9, 50.57, -71.25

 

Description

Color code: HEX #9B104F | qconv.com Color code: HEX #9B104F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 16 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 16 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 49 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 49% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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