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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AFE09 it is the complementary color #6501F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AFE09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AFE09 shade: #9FFE04, #B0FF17, #C1FF2A, #D2FF3D and #E3FF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AFE09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AFE09 shade: #9AFE09, #89EC00, #78DA00, #67C800 and #56B600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AFE09 shade: #9BFE0B, #DCFE0B, #FEDE0B, #FE9D0B and #FE5B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AFE09 shade: #9BFE0B, #5AFE0B, #18FE0B, #0BFE40 and #0BFE81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AFE09 shade matches the following richer shades: #9BFE0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AFE09 shade: #9BFE0B, #97EA1F, #94D633, #90C247 and #8CAF5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AFE09 shade: #FEDD0B, #DDFE0B, #9DFE0B, #5CFE0B and #1CFE0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AFE09 shade: #6CB601, #84DF01, #9BFE0B, #ACFE34 and #BDFE5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AFE09 shade: #9AFE09, #0BFE9D and #FE0BFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AFE09 shade: #9AFE09, #0B9DFE and #FE0B9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AFE09 shade: #9AFE09, #0BFE9D, #6C0BFE and #FE0B6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AFE09 shade: #9AFE09, #0BFEE6, #6C0BFE and #FE0B24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 96 / 0

HEX #9AFE09

RGB 154 254 9

HSL 84.49, 0.99%, 0.52%

LAB 90.68, -59.39, 86.21

 

Complementary color

CMYK 59 / 100 / 0 / 4

HEX #6501F6

RGB 101 1 246

HSL 264.49, 0.99%, 0.48%

LAB 36.82, 79.37, -95.12

 

CMYK 37 / 0 / 98 / 0

HEX #9FFE04

RGB 159 254 4

HSL 82.8, 0.99%, 0.51%

LAB 90.9, -57.79, 86.85

 

CMYK 31 / 0 / 91 / 0

HEX #B0FF17

RGB 176 255 23

HSL 80.43, 1%, 0.55%

LAB 92.05, -52.07, 86.38

 

CMYK 24 / 0 / 84 / 0

HEX #C1FF2A

RGB 193 255 42

HSL 77.46, 1%, 0.58%

LAB 93.03, -45.42, 84.34

 

CMYK 18 / 0 / 76 / 0

HEX #D2FF3D

RGB 210 255 61

HSL 73.92, 1%, 0.62%

LAB 94.12, -38.3, 80.92

 

CMYK 11 / 0 / 69 / 0

HEX #E3FF50

RGB 227 255 80

HSL 69.6, 1%, 0.66%

LAB 95.34, -30.79, 76.36

 

CMYK 39 / 0 / 96 / 0

HEX #9AFE09

RGB 154 254 9

HSL 84.49, 0.99%, 0.52%

LAB 90.68, -59.39, 86.21

 

CMYK 42 / 0 / 100 / 7

HEX #89EC00

RGB 137 236 0

HSL 85.17, 1%, 0.46%

LAB 84.64, -58.14, 81.86

 

CMYK 45 / 0 / 100 / 15

HEX #78DA00

RGB 120 218 0

HSL 86.97, 1%, 0.43%

LAB 78.54, -56.73, 76.79

 

CMYK 49 / 0 / 100 / 22

HEX #67C800

RGB 103 200 0

HSL 89.1, 1%, 0.39%

LAB 72.36, -55.25, 71.66

 

CMYK 53 / 0 / 100 / 29

HEX #56B600

RGB 86 182 0

HSL 91.65, 1%, 0.36%

LAB 66.09, -53.64, 66.47

 

CMYK 39 / 0 / 96 / 0

HEX #9BFE0B

RGB 155 254 11

HSL 84.44, 0.99%, 0.52%

LAB 90.72, -59.04, 86.12

 

CMYK 13 / 0 / 96 / 0

HEX #DCFE0B

RGB 220 254 11

HSL 68.4, 0.99%, 0.52%

LAB 94.37, -35.16, 90.52

 

CMYK 0 / 13 / 96 / 0

HEX #FEDE0B

RGB 254 222 11

HSL 52.1, 0.99%, 0.52%

LAB 88.61, -5.79, 87.39

 

CMYK 0 / 38 / 96 / 0

HEX #FE9D0B

RGB 254 157 11

HSL 36.05, 0.99%, 0.52%

LAB 73.03, 27.77, 76.35

 

CMYK 0 / 64 / 96 / 0

HEX #FE5B0B

RGB 254 91 11

HSL 19.75, 0.99%, 0.52%

LAB 60.41, 59.42, 68.28

 

CMYK 39 / 0 / 96 / 0

HEX #9BFE0B

RGB 155 254 11

HSL 84.44, 0.99%, 0.52%

LAB 90.72, -59.04, 86.12

 

CMYK 65 / 0 / 96 / 0

HEX #5AFE0B

RGB 90 254 11

HSL 100.49, 0.99%, 0.52%

LAB 88.49, -76.56, 83.39

 

CMYK 91 / 0 / 96 / 0

HEX #18FE0B

RGB 24 254 11

HSL 116.79, 0.99%, 0.52%

LAB 87.53, -84.91, 82.22

 

CMYK 96 / 0 / 75 / 0

HEX #0BFE40

RGB 11 254 64

HSL 133.09, 0.99%, 0.52%

LAB 87.64, -83.29, 71.65

 

CMYK 96 / 0 / 49 / 0

HEX #0BFE81

RGB 11 254 129

HSL 149.14, 0.99%, 0.52%

LAB 88.23, -76, 45.79

 

CMYK 39 / 0 / 96 / 0

HEX #9BFE0B

RGB 155 254 11

HSL 84.44, 0.99%, 0.52%

LAB 90.72, -59.04, 86.12

 

CMYK 39 / 0 / 96 / 0

HEX #9BFE0B

RGB 155 254 11

HSL 84.44, 0.99%, 0.52%

LAB 90.72, -59.04, 86.12

 

CMYK 35 / 0 / 87 / 8

HEX #97EA1F

RGB 151 234 31

HSL 84.53, 0.83%, 0.52%

LAB 84.75, -52.14, 78.61

 

CMYK 31 / 0 / 76 / 16

HEX #94D633

RGB 148 214 51

HSL 84.29, 0.67%, 0.52%

LAB 78.83, -44.12, 68.32

 

CMYK 26 / 0 / 63 / 24

HEX #90C247

RGB 144 194 71

HSL 84.39, 0.5%, 0.52%

LAB 72.87, -35.48, 54.85

 

CMYK 20 / 0 / 48 / 31

HEX #8CAF5B

RGB 140 175 91

HSL 85, 0.34%, 0.52%

LAB 67.27, -26.1, 39.01

 

CMYK 0 / 13 / 96 / 0

HEX #FEDD0B

RGB 254 221 11

HSL 51.85, 0.99%, 0.52%

LAB 88.36, -5.29, 87.2

 

CMYK 13 / 0 / 96 / 0

HEX #DDFE0B

RGB 221 254 11

HSL 68.15, 0.99%, 0.52%

LAB 94.43, -34.76, 90.6

 

CMYK 38 / 0 / 96 / 0

HEX #9DFE0B

RGB 157 254 11

HSL 83.95, 0.99%, 0.52%

LAB 90.81, -58.38, 86.23

 

CMYK 64 / 0 / 96 / 0

HEX #5CFE0B

RGB 92 254 11

HSL 100, 0.99%, 0.52%

LAB 88.53, -76.15, 83.45

 

CMYK 89 / 0 / 96 / 0

HEX #1CFE0B

RGB 28 254 11

HSL 115.8, 0.99%, 0.52%

LAB 87.56, -84.68, 82.25

 

CMYK 41 / 0 / 99 / 29

HEX #6CB601

RGB 108 182 1

HSL 84.53, 0.99%, 0.36%

LAB 67.01, -46.6, 67.46

 

CMYK 41 / 0 / 100 / 13

HEX #84DF01

RGB 132 223 1

HSL 84.59, 0.99%, 0.44%

LAB 80.56, -54.76, 78.5

 

CMYK 39 / 0 / 96 / 0

HEX #9BFE0B

RGB 155 254 11

HSL 84.44, 0.99%, 0.52%

LAB 90.72, -59.04, 86.12

 

CMYK 32 / 0 / 80 / 0

HEX #ACFE34

RGB 172 254 52

HSL 84.36, 0.99%, 0.6%

LAB 91.64, -52.23, 80.33

 

CMYK 26 / 0 / 63 / 0

HEX #BDFE5E

RGB 189 254 94

HSL 84.38, 0.99%, 0.68%

LAB 92.8, -43.78, 67.73

 

CMYK 39 / 0 / 96 / 0

HEX #9AFE09

RGB 154 254 9

HSL 84.49, 0.99%, 0.52%

LAB 90.68, -59.39, 86.21

 

CMYK 96 / 0 / 38 / 0

HEX #0BFE9D

RGB 11 254 157

HSL 156.05, 0.99%, 0.52%

LAB 88.63, -71.18, 32.69

 

CMYK 0 / 96 / 0 / 0

HEX #FE0BFE

RGB 254 11 254

HSL 300, 0.99%, 0.52%

LAB 60.31, 97.33, -60.32

 

CMYK 39 / 0 / 96 / 0

HEX #9AFE09

RGB 154 254 9

HSL 84.49, 0.99%, 0.52%

LAB 90.68, -59.39, 86.21

 

CMYK 96 / 38 / 0 / 0

HEX #0B9DFE

RGB 11 157 254

HSL 203.95, 0.99%, 0.52%

LAB 62.79, 1.12, -57.4

 

CMYK 0 / 96 / 38 / 0

HEX #FE0B9D

RGB 254 11 157

HSL 323.95, 0.99%, 0.52%

LAB 55.83, 85.99, -11.84

 

CMYK 39 / 0 / 96 / 0

HEX #9AFE09

RGB 154 254 9

HSL 84.49, 0.99%, 0.52%

LAB 90.68, -59.39, 86.21

 

CMYK 96 / 0 / 38 / 0

HEX #0BFE9D

RGB 11 254 157

HSL 156.05, 0.99%, 0.52%

LAB 88.63, -71.18, 32.69

 

CMYK 57 / 96 / 0 / 0

HEX #6C0BFE

RGB 108 11 254

HSL 263.95, 0.99%, 0.52%

LAB 38.87, 80.37, -96.19

 

CMYK 0 / 96 / 57 / 0

HEX #FE0B6C

RGB 254 11 108

HSL 336.05, 0.99%, 0.52%

LAB 54.44, 82.28, 15.46

 

CMYK 39 / 0 / 96 / 0

HEX #9AFE09

RGB 154 254 9

HSL 84.49, 0.99%, 0.52%

LAB 90.68, -59.39, 86.21

 

CMYK 96 / 0 / 9 / 0

HEX #0BFEE6

RGB 11 254 230

HSL 174.07, 0.99%, 0.52%

LAB 90.17, -54.37, -2.56

 

CMYK 57 / 96 / 0 / 0

HEX #6C0BFE

RGB 108 11 254

HSL 263.95, 0.99%, 0.52%

LAB 38.87, 80.37, -96.19

 

CMYK 0 / 96 / 86 / 0

HEX #FE0B24

RGB 254 11 36

HSL 353.83, 0.99%, 0.52%

LAB 53.43, 79.5, 55.33

 

Description

Color code: HEX #9AFE09 | qconv.com Color code: HEX #9AFE09 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 254 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 254 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 96 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 96% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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