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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AFD5A it is the complementary color #6502A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AFD5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AFD5A shade: #9FFD55, #B0FF68, #C1FF7B, #D2FF8E and #E3FFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AFD5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AFD5A shade: #9AFD5A, #89EB47, #78D934, #67C721 and #56B50E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AFD5A shade: #99FD58, #C6FD58, #F2FD58, #FDDC58 and #FDB058

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AFD5A shade: #99FD58, #6DFD58, #58FD71, #58FD9D and #58FDCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AFD5A shade matches the following richer shades: #99FD58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AFD5A shade: #99FD58, #9CF066, #9FE274, #A2D481 and #A5C78F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AFD5A shade: #F2FD58, #C6FD58, #9AFD58, #6EFD58 and #58FD6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AFD5A shade: #67FC07, #80FD30, #99FD58, #B2FE81 and #CBFEAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AFD5A shade: #9AFD5A, #58FDDC and #FD58DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AFD5A shade: #9AFD5A, #589AFD and #FD589A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AFD5A shade: #9AFD5A, #58FDDC, #BB58FD and #FD5879

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AFD5A shade: #9AFD5A, #58EDFD, #BB58FD and #FD6958

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 64 / 1

HEX #9AFD5A

RGB 154 253 90

HSL 96.44, 0.98%, 0.67%

LAB 90.72, -55.55, 66.54

 

Complementary color

CMYK 39 / 99 / 0 / 35

HEX #6502A5

RGB 101 2 165

HSL 276.44, 0.98%, 0.33%

LAB 28.19, 61.63, -62.14

 

CMYK 37 / 0 / 66 / 1

HEX #9FFD55

RGB 159 253 85

HSL 93.57, 0.98%, 0.66%

LAB 90.91, -54.34, 68.75

 

CMYK 31 / 0 / 59 / 0

HEX #B0FF68

RGB 176 255 104

HSL 91.39, 1%, 0.7%

LAB 92.46, -47.94, 63.06

 

CMYK 24 / 0 / 52 / 0

HEX #C1FF7B

RGB 193 255 123

HSL 88.18, 1%, 0.74%

LAB 93.58, -40.25, 56.26

 

CMYK 18 / 0 / 44 / 0

HEX #D2FF8E

RGB 210 255 142

HSL 83.89, 1%, 0.78%

LAB 94.81, -32.16, 49.17

 

CMYK 11 / 0 / 37 / 0

HEX #E3FFA1

RGB 227 255 161

HSL 77.87, 1%, 0.82%

LAB 96.17, -23.79, 41.95

 

CMYK 39 / 0 / 64 / 1

HEX #9AFD5A

RGB 154 253 90

HSL 96.44, 0.98%, 0.67%

LAB 90.72, -55.55, 66.54

 

CMYK 42 / 0 / 70 / 8

HEX #89EB47

RGB 137 235 71

HSL 95.85, 0.8%, 0.6%

LAB 84.58, -55.25, 67.06

 

CMYK 45 / 0 / 76 / 15

HEX #78D934

RGB 120 217 52

HSL 95.27, 0.68%, 0.53%

LAB 78.38, -54.77, 67.12

 

CMYK 48 / 0 / 83 / 22

HEX #67C721

RGB 103 199 33

HSL 94.7, 0.72%, 0.45%

LAB 72.12, -54.05, 66.41

 

CMYK 52 / 0 / 92 / 29

HEX #56B50E

RGB 86 181 14

HSL 94.13, 0.86%, 0.38%

LAB 65.79, -52.99, 64.47

 

CMYK 40 / 0 / 65 / 1

HEX #99FD58

RGB 153 253 88

HSL 96.36, 0.98%, 0.67%

LAB 90.66, -56.03, 67.25

 

CMYK 22 / 0 / 65 / 1

HEX #C6FD58

RGB 198 253 88

HSL 80, 0.98%, 0.67%

LAB 93, -40.48, 70.44

 

CMYK 4 / 0 / 65 / 1

HEX #F2FD58

RGB 242 253 88

HSL 64, 0.98%, 0.67%

LAB 95.93, -23.5, 74.39

 

CMYK 0 / 13 / 65 / 1

HEX #FDDC58

RGB 253 220 88

HSL 48, 0.98%, 0.67%

LAB 88.34, -2.85, 66.77

 

CMYK 0 / 30 / 65 / 1

HEX #FDB058

RGB 253 176 88

HSL 32, 0.98%, 0.67%

LAB 77.66, 19.89, 55.19

 

CMYK 40 / 0 / 65 / 1

HEX #99FD58

RGB 153 253 88

HSL 96.36, 0.98%, 0.67%

LAB 90.66, -56.03, 67.25

 

CMYK 57 / 0 / 65 / 1

HEX #6DFD58

RGB 109 253 88

HSL 112.36, 0.98%, 0.67%

LAB 89.02, -68.26, 65.01

 

CMYK 65 / 0 / 55 / 1

HEX #58FD71

RGB 88 253 113

HSL 129.09, 0.98%, 0.67%

LAB 88.69, -70.04, 53.94

 

CMYK 65 / 0 / 38 / 1

HEX #58FD9D

RGB 88 253 157

HSL 145.09, 0.98%, 0.67%

LAB 89.28, -63.42, 33.72

 

CMYK 65 / 0 / 20 / 1

HEX #58FDCA

RGB 88 253 202

HSL 161.45, 0.98%, 0.67%

LAB 90.13, -54.35, 12

 

CMYK 40 / 0 / 65 / 1

HEX #99FD58

RGB 153 253 88

HSL 96.36, 0.98%, 0.67%

LAB 90.66, -56.03, 67.25

 

CMYK 40 / 0 / 65 / 1

HEX #99FD58

RGB 153 253 88

HSL 96.36, 0.98%, 0.67%

LAB 90.66, -56.03, 67.25

 

CMYK 35 / 0 / 58 / 6

HEX #9CF066

RGB 156 240 102

HSL 96.52, 0.82%, 0.67%

LAB 87.17, -48.55, 57.64

 

CMYK 30 / 0 / 49 / 11

HEX #9FE274

RGB 159 226 116

HSL 96.55, 0.65%, 0.67%

LAB 83.46, -40.01, 46.86

 

CMYK 24 / 0 / 39 / 17

HEX #A2D481

RGB 162 212 129

HSL 96.14, 0.49%, 0.67%

LAB 79.81, -30.93, 35.91

 

CMYK 17 / 0 / 28 / 22

HEX #A5C78F

RGB 165 199 143

HSL 96.43, 0.33%, 0.67%

LAB 76.58, -21.55, 24.4

 

CMYK 4 / 0 / 65 / 1

HEX #F2FD58

RGB 242 253 88

HSL 64, 0.98%, 0.67%

LAB 95.93, -23.5, 74.39

 

CMYK 22 / 0 / 65 / 1

HEX #C6FD58

RGB 198 253 88

HSL 80, 0.98%, 0.67%

LAB 93, -40.48, 70.44

 

CMYK 39 / 0 / 65 / 1

HEX #9AFD58

RGB 154 253 88

HSL 96, 0.98%, 0.67%

LAB 90.7, -55.71, 67.31

 

CMYK 57 / 0 / 65 / 1

HEX #6EFD58

RGB 110 253 88

HSL 112, 0.98%, 0.67%

LAB 89.05, -68.02, 65.05

 

CMYK 65 / 0 / 57 / 1

HEX #58FD6E

RGB 88 253 110

HSL 128, 0.98%, 0.67%

LAB 88.66, -70.4, 55.24

 

CMYK 59 / 0 / 97 / 1

HEX #67FC07

RGB 103 252 7

HSL 96.49, 0.98%, 0.51%

LAB 88.22, -73.15, 83.62

 

CMYK 49 / 0 / 81 / 1

HEX #80FD30

RGB 128 253 48

HSL 96.59, 0.98%, 0.59%

LAB 89.42, -65.96, 78.61

 

CMYK 40 / 0 / 65 / 1

HEX #99FD58

RGB 153 253 88

HSL 96.36, 0.98%, 0.67%

LAB 90.66, -56.03, 67.25

 

CMYK 30 / 0 / 49 / 0

HEX #B2FE81

RGB 178 254 129

HSL 96.48, 0.98%, 0.75%

LAB 92.55, -44.35, 52.08

 

CMYK 20 / 0 / 33 / 0

HEX #CBFEAA

RGB 203 254 170

HSL 96.43, 0.98%, 0.83%

LAB 94.52, -30.66, 35.05

 

CMYK 39 / 0 / 64 / 1

HEX #9AFD5A

RGB 154 253 90

HSL 96.44, 0.98%, 0.67%

LAB 90.72, -55.55, 66.54

 

CMYK 65 / 0 / 13 / 1

HEX #58FDDC

RGB 88 253 220

HSL 168, 0.98%, 0.67%

LAB 90.55, -50.14, 3.29

 

CMYK 0 / 65 / 13 / 1

HEX #FD58DC

RGB 253 88 220

HSL 312, 0.98%, 0.67%

LAB 64.18, 75.82, -35.25

 

CMYK 39 / 0 / 64 / 1

HEX #9AFD5A

RGB 154 253 90

HSL 96.44, 0.98%, 0.67%

LAB 90.72, -55.55, 66.54

 

CMYK 65 / 39 / 0 / 1

HEX #589AFD

RGB 88 154 253

HSL 216, 0.98%, 0.67%

LAB 63.57, 9.54, -55.52

 

CMYK 0 / 65 / 39 / 1

HEX #FD589A

RGB 253 88 154

HSL 336, 0.98%, 0.67%

LAB 61.82, 67.73, -1.21

 

CMYK 39 / 0 / 64 / 1

HEX #9AFD5A

RGB 154 253 90

HSL 96.44, 0.98%, 0.67%

LAB 90.72, -55.55, 66.54

 

CMYK 65 / 0 / 13 / 1

HEX #58FDDC

RGB 88 253 220

HSL 168, 0.98%, 0.67%

LAB 90.55, -50.14, 3.29

 

CMYK 26 / 65 / 0 / 1

HEX #BB58FD

RGB 187 88 253

HSL 276, 0.98%, 0.67%

LAB 56.72, 66.52, -66.06

 

CMYK 0 / 65 / 52 / 1

HEX #FD5879

RGB 253 88 121

HSL 348, 0.98%, 0.67%

LAB 61, 64.77, 16.77

 

CMYK 39 / 0 / 64 / 1

HEX #9AFD5A

RGB 154 253 90

HSL 96.44, 0.98%, 0.67%

LAB 90.72, -55.55, 66.54

 

CMYK 65 / 6 / 0 / 1

HEX #58EDFD

RGB 88 237 253

HSL 185.82, 0.98%, 0.67%

LAB 86.87, -34.35, -19.38

 

CMYK 26 / 65 / 0 / 1

HEX #BB58FD

RGB 187 88 253

HSL 276, 0.98%, 0.67%

LAB 56.72, 66.52, -66.06

 

CMYK 0 / 58 / 65 / 1

HEX #FD6958

RGB 253 105 88

HSL 6.18, 0.98%, 0.67%

LAB 63.09, 55.4, 38.24

 

Description

Color code: HEX #9AFD5A | qconv.com Color code: HEX #9AFD5A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 253 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 253 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 64 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 64% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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