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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AF875 it is the complementary color #65078A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AF875. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AF875 shade: #9FF870, #B0FF83, #C1FF96, #D2FFA9 and #E3FFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AF875. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AF875 shade: #9AF875, #89E662, #78D44F, #67C23C and #56B029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AF875 shade: #9CF877, #BEF877, #E1F877, #F8EC77 and #F8C977

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AF875 shade: #9CF877, #79F877, #77F898, #77F8BB and #77F8DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AF875 shade matches the following richer shades: #9CF877

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AF875 shade: #9CF877, #A1EC83, #A6E18E, #ABD59A and #B0CAA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AF875 shade: #E0F877, #BEF877, #9CF877, #79F877 and #77F897

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AF875 shade: #62F429, #7FF650, #9CF877, #B8FA9F and #D5FCC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AF875 shade: #9AF875, #77F8ED and #F877CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AF875 shade: #9AF875, #779CF8 and #F8779C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AF875 shade: #9AF875, #77F8ED, #D377F8 and #F87782

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AF875 shade: #9AF875, #77DCF8, #D377F8 and #F89377

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 53 / 3

HEX #9AF875

RGB 154 248 117

HSL 103.05, 0.9%, 0.72%

LAB 89.53, -50.95, 53.68

 

Complementary color

CMYK 27 / 95 / 0 / 46

HEX #65078A

RGB 101 7 138

HSL 283.05, 0.9%, 0.28%

LAB 26.02, 55.16, -49.09

 

CMYK 36 / 0 / 55 / 3

HEX #9FF870

RGB 159 248 112

HSL 99.26, 0.91%, 0.71%

LAB 89.71, -49.9, 56.2

 

CMYK 31 / 0 / 49 / 0

HEX #B0FF83

RGB 176 255 131

HSL 98.23, 1%, 0.76%

LAB 92.75, -45.22, 51.37

 

CMYK 24 / 0 / 41 / 0

HEX #C1FF96

RGB 193 255 150

HSL 95.43, 1%, 0.79%

LAB 93.91, -37.2, 43.98

 

CMYK 18 / 0 / 34 / 0

HEX #D2FFA9

RGB 210 255 169

HSL 91.4, 1%, 0.83%

LAB 95.2, -28.84, 36.52

 

CMYK 11 / 0 / 26 / 0

HEX #E3FFBC

RGB 227 255 188

HSL 85.07, 1%, 0.87%

LAB 96.61, -20.25, 29.1

 

CMYK 38 / 0 / 53 / 3

HEX #9AF875

RGB 154 248 117

HSL 103.05, 0.9%, 0.72%

LAB 89.53, -50.95, 53.68

 

CMYK 40 / 0 / 57 / 10

HEX #89E662

RGB 137 230 98

HSL 102.27, 0.73%, 0.64%

LAB 83.33, -50.93, 54.76

 

CMYK 43 / 0 / 63 / 17

HEX #78D44F

RGB 120 212 79

HSL 101.5, 0.61%, 0.57%

LAB 77.07, -50.8, 55.71

 

CMYK 47 / 0 / 69 / 24

HEX #67C23C

RGB 103 194 60

HSL 100.75, 0.53%, 0.5%

LAB 70.73, -50.5, 56.42

 

CMYK 51 / 0 / 77 / 31

HEX #56B029

RGB 86 176 41

HSL 100, 0.62%, 0.43%

LAB 64.31, -49.96, 56.63

 

CMYK 37 / 0 / 52 / 3

HEX #9CF877

RGB 156 248 119

HSL 102.79, 0.9%, 0.72%

LAB 89.64, -50.1, 52.93

 

CMYK 23 / 0 / 52 / 3

HEX #BEF877

RGB 190 248 119

HSL 86.98, 0.9%, 0.72%

LAB 91.42, -38.6, 55.48

 

CMYK 9 / 0 / 52 / 3

HEX #E1F877

RGB 225 248 119

HSL 70.7, 0.9%, 0.72%

LAB 93.66, -25.58, 58.67

 

CMYK 0 / 5 / 52 / 3

HEX #F8EC77

RGB 248 236 119

HSL 54.42, 0.9%, 0.72%

LAB 92.26, -10.75, 57.46

 

CMYK 0 / 19 / 52 / 3

HEX #F8C977

RGB 248 201 119

HSL 38.14, 0.9%, 0.72%

LAB 83.47, 7.01, 46.94

 

CMYK 37 / 0 / 52 / 3

HEX #9CF877

RGB 156 248 119

HSL 102.79, 0.9%, 0.72%

LAB 89.64, -50.1, 52.93

 

CMYK 51 / 0 / 52 / 3

HEX #79F877

RGB 121 248 119

HSL 119.07, 0.9%, 0.72%

LAB 88.22, -60.17, 50.88

 

CMYK 52 / 0 / 39 / 3

HEX #77F898

RGB 119 248 152

HSL 135.35, 0.9%, 0.72%

LAB 88.6, -55.92, 35.47

 

CMYK 52 / 0 / 25 / 3

HEX #77F8BB

RGB 119 248 187

HSL 151.63, 0.9%, 0.72%

LAB 89.23, -49.54, 18.58

 

CMYK 52 / 0 / 10 / 3

HEX #77F8DE

RGB 119 248 222

HSL 167.91, 0.9%, 0.72%

LAB 90.01, -41.92, 1.58

 

CMYK 37 / 0 / 52 / 3

HEX #9CF877

RGB 156 248 119

HSL 102.79, 0.9%, 0.72%

LAB 89.64, -50.1, 52.93

 

CMYK 37 / 0 / 52 / 3

HEX #9CF877

RGB 156 248 119

HSL 102.79, 0.9%, 0.72%

LAB 89.64, -50.1, 52.93

 

CMYK 32 / 0 / 44 / 7

HEX #A1EC83

RGB 161 236 131

HSL 102.86, 0.73%, 0.72%

LAB 86.61, -41.92, 43.58

 

CMYK 26 / 0 / 37 / 12

HEX #A6E18E

RGB 166 225 142

HSL 102.65, 0.58%, 0.72%

LAB 83.92, -33.81, 34.72

 

CMYK 20 / 0 / 28 / 16

HEX #ABD59A

RGB 171 213 154

HSL 102.71, 0.41%, 0.72%

LAB 81.06, -24.6, 24.79

 

CMYK 13 / 0 / 18 / 21

HEX #B0CAA6

RGB 176 202 166

HSL 103.33, 0.25%, 0.72%

LAB 78.59, -15.42, 15.09

 

CMYK 10 / 0 / 52 / 3

HEX #E0F877

RGB 224 248 119

HSL 71.16, 0.9%, 0.72%

LAB 93.59, -25.96, 58.57

 

CMYK 23 / 0 / 52 / 3

HEX #BEF877

RGB 190 248 119

HSL 86.98, 0.9%, 0.72%

LAB 91.42, -38.6, 55.48

 

CMYK 37 / 0 / 52 / 3

HEX #9CF877

RGB 156 248 119

HSL 102.79, 0.9%, 0.72%

LAB 89.64, -50.1, 52.93

 

CMYK 51 / 0 / 52 / 3

HEX #79F877

RGB 121 248 119

HSL 119.07, 0.9%, 0.72%

LAB 88.22, -60.17, 50.88

 

CMYK 52 / 0 / 39 / 3

HEX #77F897

RGB 119 248 151

HSL 134.88, 0.9%, 0.72%

LAB 88.59, -56.09, 35.94

 

CMYK 60 / 0 / 83 / 4

HEX #62F429

RGB 98 244 41

HSL 103.15, 0.9%, 0.56%

LAB 85.73, -70.86, 76.6

 

CMYK 48 / 0 / 67 / 4

HEX #7FF650

RGB 127 246 80

HSL 103.01, 0.9%, 0.64%

LAB 87.49, -61.76, 66.62

 

CMYK 37 / 0 / 52 / 3

HEX #9CF877

RGB 156 248 119

HSL 102.79, 0.9%, 0.72%

LAB 89.64, -50.1, 52.93

 

CMYK 26 / 0 / 36 / 2

HEX #B8FA9F

RGB 184 250 159

HSL 103.52, 0.9%, 0.8%

LAB 92.16, -36.79, 37.21

 

CMYK 15 / 0 / 21 / 1

HEX #D5FCC6

RGB 213 252 198

HSL 103.33, 0.9%, 0.88%

LAB 95.1, -22.13, 21.8

 

CMYK 38 / 0 / 53 / 3

HEX #9AF875

RGB 154 248 117

HSL 103.05, 0.9%, 0.72%

LAB 89.53, -50.95, 53.68

 

CMYK 52 / 0 / 4 / 3

HEX #77F8ED

RGB 119 248 237

HSL 174.88, 0.9%, 0.72%

LAB 90.4, -38.31, -5.66

 

CMYK 0 / 52 / 17 / 3

HEX #F877CF

RGB 248 119 207

HSL 319.07, 0.9%, 0.72%

LAB 67.77, 59.53, -22.51

 

CMYK 38 / 0 / 53 / 3

HEX #9AF875

RGB 154 248 117

HSL 103.05, 0.9%, 0.72%

LAB 89.53, -50.95, 53.68

 

CMYK 52 / 37 / 0 / 3

HEX #779CF8

RGB 119 156 248

HSL 222.79, 0.9%, 0.72%

LAB 65.34, 12.63, -49.89

 

CMYK 0 / 52 / 37 / 3

HEX #F8779C

RGB 248 119 156

HSL 342.79, 0.9%, 0.72%

LAB 66.17, 52.92, 3.89

 

CMYK 38 / 0 / 53 / 3

HEX #9AF875

RGB 154 248 117

HSL 103.05, 0.9%, 0.72%

LAB 89.53, -50.95, 53.68

 

CMYK 52 / 0 / 4 / 3

HEX #77F8ED

RGB 119 248 237

HSL 174.88, 0.9%, 0.72%

LAB 90.4, -38.31, -5.66

 

CMYK 15 / 52 / 0 / 3

HEX #D377F8

RGB 211 119 248

HSL 282.79, 0.9%, 0.72%

LAB 64.82, 56.35, -50.2

 

CMYK 0 / 52 / 48 / 3

HEX #F87782

RGB 248 119 130

HSL 354.88, 0.9%, 0.72%

LAB 65.56, 50.27, 17.79

 

CMYK 38 / 0 / 53 / 3

HEX #9AF875

RGB 154 248 117

HSL 103.05, 0.9%, 0.72%

LAB 89.53, -50.95, 53.68

 

CMYK 52 / 11 / 0 / 3

HEX #77DCF8

RGB 119 220 248

HSL 193.02, 0.9%, 0.72%

LAB 82.85, -22.07, -22.74

 

CMYK 15 / 52 / 0 / 3

HEX #D377F8

RGB 211 119 248

HSL 282.79, 0.9%, 0.72%

LAB 64.82, 56.35, -50.2

 

CMYK 0 / 41 / 52 / 3

HEX #F89377

RGB 248 147 119

HSL 13.02, 0.9%, 0.72%

LAB 70.98, 35.27, 31.16

 

Description

Color code: HEX #9AF875 | qconv.com Color code: HEX #9AF875 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 248 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 248 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 53 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 53% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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