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Color name
HEX #9AF5C1

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AF5C1 it is the complementary color #650A3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AF5C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AF5C1 shade: #9FF5BC, #B0FFCF, #C1FFE2, #D2FFF5 and #E3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AF5C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AF5C1 shade: #9AF5C1, #89E3AE, #78D19B, #67BF88 and #56AD75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AF5C1 shade: #99F5C0, #99F5A8, #A3F599, #BCF599 and #D5F599

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AF5C1 shade: #99F5C0, #99F5D9, #99F5F2, #99DFF5 and #99C6F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AF5C1 shade matches the following richer shades: #99F5C0 and #90FEBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AF5C1 shade: #99F5C0, #A2ECC2, #ABE3C3, #B4DAC4 and #BDD1C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AF5C1 shade: #A4F599, #99F5A7, #99F5BF, #99F5D8 and #99F5F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AF5C1 shade: #4EED92, #73F1A9, #99F5C0, #BEF9D7 and #E4FCEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AF5C1 shade: #9AF5C1, #99BCF5 and #F59A99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AF5C1 shade: #9AF5C1, #BF99F5 and #F5BF99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AF5C1 shade: #9AF5C1, #99BCF5, #F599CF and #F5D299

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AF5C1 shade: #9AF5C1, #99A1F5, #F599CF and #F5ED99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 21 / 4

HEX #9AF5C1

RGB 154 245 193

HSL 145.71, 0.82%, 0.78%

LAB 89.87, -38.16, 16.59

 

Complementary color

CMYK 0 / 90 / 39 / 60

HEX #650A3E

RGB 101 10 62

HSL 325.71, 0.82%, 0.22%

LAB 21.33, 41.94, -6.62

 

CMYK 35 / 0 / 23 / 4

HEX #9FF5BC

RGB 159 245 188

HSL 140.23, 0.81%, 0.79%

LAB 90, -37.67, 19.38

 

CMYK 31 / 0 / 19 / 0

HEX #B0FFCF

RGB 176 255 207

HSL 143.54, 1%, 0.85%

LAB 93.99, -33.76, 15.35

 

CMYK 24 / 0 / 11 / 0

HEX #C1FFE2

RGB 193 255 226

HSL 151.94, 1%, 0.88%

LAB 95.31, -25.08, 7.58

 

CMYK 18 / 0 / 4 / 0

HEX #D2FFF5

RGB 210 255 245

HSL 166.67, 1%, 0.91%

LAB 96.74, -16.21, 0.01

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 37 / 0 / 21 / 4

HEX #9AF5C1

RGB 154 245 193

HSL 145.71, 0.82%, 0.78%

LAB 89.87, -38.16, 16.59

 

CMYK 40 / 0 / 23 / 11

HEX #89E3AE

RGB 137 227 174

HSL 144.67, 0.62%, 0.71%

LAB 83.61, -38.42, 17.57

 

CMYK 43 / 0 / 26 / 18

HEX #78D19B

RGB 120 209 155

HSL 143.6, 0.49%, 0.65%

LAB 77.26, -38.66, 18.61

 

CMYK 46 / 0 / 29 / 25

HEX #67BF88

RGB 103 191 136

HSL 142.5, 0.41%, 0.58%

LAB 70.82, -38.9, 19.73

 

CMYK 50 / 0 / 32 / 32

HEX #56AD75

RGB 86 173 117

HSL 141.38, 0.35%, 0.51%

LAB 64.28, -39.08, 20.94

 

CMYK 38 / 0 / 22 / 4

HEX #99F5C0

RGB 153 245 192

HSL 145.43, 0.82%, 0.78%

LAB 89.8, -38.63, 17.01

 

CMYK 38 / 0 / 31 / 4

HEX #99F5A8

RGB 153 245 168

HSL 129.78, 0.82%, 0.78%

LAB 89.35, -42.91, 28.66

 

CMYK 33 / 0 / 38 / 4

HEX #A3F599

RGB 163 245 153

HSL 113.48, 0.82%, 0.78%

LAB 89.58, -42.22, 36.59

 

CMYK 23 / 0 / 38 / 4

HEX #BCF599

RGB 188 245 153

HSL 97.17, 0.82%, 0.78%

LAB 90.91, -33.98, 38.59

 

CMYK 13 / 0 / 38 / 4

HEX #D5F599

RGB 213 245 153

HSL 80.87, 0.82%, 0.78%

LAB 92.46, -25.11, 40.91

 

CMYK 38 / 0 / 22 / 4

HEX #99F5C0

RGB 153 245 192

HSL 145.43, 0.82%, 0.78%

LAB 89.8, -38.63, 17.01

 

CMYK 38 / 0 / 11 / 4

HEX #99F5D9

RGB 153 245 217

HSL 161.74, 0.82%, 0.78%

LAB 90.36, -33.59, 4.85

 

CMYK 38 / 0 / 1 / 4

HEX #99F5F2

RGB 153 245 242

HSL 178.04, 0.82%, 0.78%

LAB 91, -28.01, -7.22

 

CMYK 38 / 9 / 0 / 4

HEX #99DFF5

RGB 153 223 245

HSL 194.35, 0.82%, 0.78%

LAB 85.07, -16.46, -17.66

 

CMYK 38 / 19 / 0 / 4

HEX #99C6F5

RGB 153 198 245

HSL 210.65, 0.82%, 0.78%

LAB 78.32, -3.42, -27.91

 

CMYK 38 / 0 / 22 / 4

HEX #99F5C0

RGB 153 245 192

HSL 145.43, 0.82%, 0.78%

LAB 89.8, -38.63, 17.01

 

CMYK 43 / 0 / 25 / 0

HEX #90FEBF

RGB 144 254 191

HSL 145.64, 0.98%, 0.78%

LAB 91.94, -45.24, 20.45

 

CMYK 38 / 0 / 22 / 4

HEX #99F5C0

RGB 153 245 192

HSL 145.43, 0.82%, 0.78%

LAB 89.8, -38.63, 17.01

 

CMYK 31 / 0 / 18 / 7

HEX #A2ECC2

RGB 162 236 194

HSL 145.95, 0.66%, 0.78%

LAB 87.76, -31.51, 13.15

 

CMYK 25 / 0 / 14 / 11

HEX #ABE3C3

RGB 171 227 195

HSL 145.71, 0.5%, 0.78%

LAB 85.77, -24.27, 9.87

 

CMYK 17 / 0 / 10 / 15

HEX #B4DAC4

RGB 180 218 196

HSL 145.26, 0.34%, 0.78%

LAB 83.88, -16.76, 6.69

 

CMYK 10 / 0 / 5 / 18

HEX #BDD1C6

RGB 189 209 198

HSL 147, 0.18%, 0.78%

LAB 82.11, -8.81, 3.15

 

CMYK 33 / 0 / 38 / 4

HEX #A4F599

RGB 164 245 153

HSL 112.83, 0.82%, 0.78%

LAB 89.63, -41.9, 36.67

 

CMYK 38 / 0 / 32 / 4

HEX #99F5A7

RGB 153 245 167

HSL 129.13, 0.82%, 0.78%

LAB 89.33, -43.08, 29.15

 

CMYK 38 / 0 / 22 / 4

HEX #99F5BF

RGB 153 245 191

HSL 144.78, 0.82%, 0.78%

LAB 89.78, -38.82, 17.49

 

CMYK 38 / 0 / 12 / 4

HEX #99F5D8

RGB 153 245 216

HSL 161.09, 0.82%, 0.78%

LAB 90.34, -33.81, 5.33

 

CMYK 38 / 0 / 2 / 4

HEX #99F5F0

RGB 153 245 240

HSL 176.74, 0.82%, 0.78%

LAB 90.95, -28.48, -6.26

 

CMYK 67 / 0 / 38 / 7

HEX #4EED92

RGB 78 237 146

HSL 145.66, 0.82%, 0.62%

LAB 84.1, -61.16, 32.32

 

CMYK 52 / 0 / 30 / 5

HEX #73F1A9

RGB 115 241 169

HSL 145.71, 0.82%, 0.7%

LAB 86.71, -51.05, 24.32

 

CMYK 38 / 0 / 22 / 4

HEX #99F5C0

RGB 153 245 192

HSL 145.43, 0.82%, 0.78%

LAB 89.8, -38.63, 17.01

 

CMYK 24 / 0 / 14 / 2

HEX #BEF9D7

RGB 190 249 215

HSL 145.42, 0.83%, 0.86%

LAB 93.28, -25.21, 10.32

 

CMYK 10 / 0 / 6 / 1

HEX #E4FCEE

RGB 228 252 238

HSL 145, 0.8%, 0.94%

LAB 96.94, -10.35, 4.03

 

CMYK 37 / 0 / 21 / 4

HEX #9AF5C1

RGB 154 245 193

HSL 145.71, 0.82%, 0.78%

LAB 89.87, -38.16, 16.59

 

CMYK 38 / 23 / 0 / 4

HEX #99BCF5

RGB 153 188 245

HSL 217.17, 0.82%, 0.78%

LAB 75.66, 1.99, -32

 

CMYK 0 / 37 / 38 / 4

HEX #F59A99

RGB 245 154 153

HSL 0.65, 0.82%, 0.78%

LAB 72.78, 33.91, 14.9

 

CMYK 37 / 0 / 21 / 4

HEX #9AF5C1

RGB 154 245 193

HSL 145.71, 0.82%, 0.78%

LAB 89.87, -38.16, 16.59

 

CMYK 22 / 38 / 0 / 4

HEX #BF99F5

RGB 191 153 245

HSL 264.78, 0.82%, 0.78%

LAB 69.79, 32.11, -40.88

 

CMYK 0 / 22 / 38 / 4

HEX #F5BF99

RGB 245 191 153

HSL 24.78, 0.82%, 0.78%

LAB 81.28, 14.42, 26.6

 

CMYK 37 / 0 / 21 / 4

HEX #9AF5C1

RGB 154 245 193

HSL 145.71, 0.82%, 0.78%

LAB 89.87, -38.16, 16.59

 

CMYK 38 / 23 / 0 / 4

HEX #99BCF5

RGB 153 188 245

HSL 217.17, 0.82%, 0.78%

LAB 75.66, 1.99, -32

 

CMYK 0 / 38 / 16 / 4

HEX #F599CF

RGB 245 153 207

HSL 324.78, 0.82%, 0.78%

LAB 74, 41.74, -13.12

 

CMYK 0 / 14 / 38 / 4

HEX #F5D299

RGB 245 210 153

HSL 37.17, 0.82%, 0.78%

LAB 85.91, 4.51, 32.8

 

CMYK 37 / 0 / 21 / 4

HEX #9AF5C1

RGB 154 245 193

HSL 145.71, 0.82%, 0.78%

LAB 89.87, -38.16, 16.59

 

CMYK 38 / 34 / 0 / 4

HEX #99A1F5

RGB 153 161 245

HSL 234.78, 0.82%, 0.78%

LAB 68.65, 17.08, -42.9

 

CMYK 0 / 38 / 16 / 4

HEX #F599CF

RGB 245 153 207

HSL 324.78, 0.82%, 0.78%

LAB 74, 41.74, -13.12

 

CMYK 0 / 3 / 38 / 4

HEX #F5ED99

RGB 245 237 153

HSL 54.78, 0.82%, 0.78%

LAB 92.7, -9.2, 41.67

 

Description

Color code: HEX #9AF5C1 | qconv.com Color code: HEX #9AF5C1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 245 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 245 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 21 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 21% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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