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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AEFD2 it is the complementary color #65102D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AEFD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AEFD2 shade: #9FEFCD, #B0FFE0, #C1FFF3, #D2FFFF and #E3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AEFD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AEFD2 shade: #9AEFD2, #89DDBF, #78CBAC, #67B999 and #56A786

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AEFD2 shade: #9AEFD2, #9AEFBB, #9AEFA4, #A6EF9A and #BDEF9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AEFD2 shade: #9AEFD2, #9AEFE9, #9ADEEF, #9AC7EF and #9AB0EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AEFD2 shade matches the following richer shades: #9AEFD2 and #90F9D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AEFD2 shade: #9AEFD2, #A3E6CF, #ADDCCC, #B6D3C9 and #BFC9C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AEFD2 shade: #9AEFA4, #9AEFBA, #9AEFD1, #9AEFE8 and #9ADFEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AEFD2 shade: #52E4B2, #76EAC2, #9AEFD2, #BDF5E2 and #E1FAF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AEFD2 shade: #9AEFD2, #9AA6EF and #EFAF9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AEFD2 shade: #9AEFD2, #D19AEF and #EFD19A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AEFD2 shade: #9AEFD2, #9AA6EF, #EF9AB8 and #EFE29A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AEFD2 shade: #9AEFD2, #A69AEF, #EF9AB8 and #E2EF9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 12 / 6

HEX #9AEFD2

RGB 154 239 210

HSL 159.53, 0.73%, 0.77%

LAB 88.57, -32, 5.91

 

Complementary color

CMYK 0 / 84 / 55 / 60

HEX #65102D

RGB 101 16 45

HSL 339.53, 0.73%, 0.23%

LAB 21.31, 38.56, 5.24

 

CMYK 33 / 0 / 14 / 6

HEX #9FEFCD

RGB 159 239 205

HSL 154.5, 0.71%, 0.78%

LAB 88.69, -31.63, 8.73

 

CMYK 31 / 0 / 12 / 0

HEX #B0FFE0

RGB 176 255 224

HSL 156.46, 1%, 0.85%

LAB 94.37, -30.48, 7.15

 

CMYK 24 / 0 / 5 / 0

HEX #C1FFF3

RGB 193 255 243

HSL 168.39, 1%, 0.88%

LAB 95.72, -21.71, -0.58

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 36 / 0 / 12 / 6

HEX #9AEFD2

RGB 154 239 210

HSL 159.53, 0.73%, 0.77%

LAB 88.57, -32, 5.91

 

CMYK 38 / 0 / 14 / 13

HEX #89DDBF

RGB 137 221 191

HSL 158.57, 0.55%, 0.7%

LAB 82.27, -32.21, 6.72

 

CMYK 41 / 0 / 15 / 20

HEX #78CBAC

RGB 120 203 172

HSL 157.59, 0.44%, 0.63%

LAB 75.87, -32.42, 7.58

 

CMYK 44 / 0 / 17 / 27

HEX #67B999

RGB 103 185 153

HSL 156.59, 0.37%, 0.56%

LAB 69.38, -32.63, 8.51

 

CMYK 49 / 0 / 20 / 35

HEX #56A786

RGB 86 167 134

HSL 155.56, 0.32%, 0.5%

LAB 62.79, -32.81, 9.51

 

CMYK 36 / 0 / 12 / 6

HEX #9AEFD2

RGB 154 239 210

HSL 159.53, 0.73%, 0.77%

LAB 88.57, -32, 5.91

 

CMYK 36 / 0 / 22 / 6

HEX #9AEFBB

RGB 154 239 187

HSL 143.29, 0.73%, 0.77%

LAB 88.06, -36.57, 17.15

 

CMYK 36 / 0 / 31 / 6

HEX #9AEFA4

RGB 154 239 164

HSL 127.06, 0.73%, 0.77%

LAB 87.62, -40.63, 28.37

 

CMYK 31 / 0 / 36 / 6

HEX #A6EF9A

RGB 166 239 154

HSL 111.53, 0.73%, 0.77%

LAB 88.05, -38.45, 34.11

 

CMYK 21 / 0 / 36 / 6

HEX #BDEF9A

RGB 189 239 154

HSL 95.29, 0.73%, 0.77%

LAB 89.34, -30.72, 36.05

 

CMYK 36 / 0 / 12 / 6

HEX #9AEFD2

RGB 154 239 210

HSL 159.53, 0.73%, 0.77%

LAB 88.57, -32, 5.91

 

CMYK 36 / 0 / 3 / 6

HEX #9AEFE9

RGB 154 239 233

HSL 175.76, 0.73%, 0.77%

LAB 89.15, -26.96, -5.26

 

CMYK 36 / 7 / 0 / 6

HEX #9ADEEF

RGB 154 222 239

HSL 192, 0.73%, 0.77%

LAB 84.66, -17.16, -15.09

 

CMYK 36 / 17 / 0 / 6

HEX #9AC7EF

RGB 154 199 239

HSL 208.24, 0.73%, 0.77%

LAB 78.43, -5.22, -24.52

 

CMYK 36 / 26 / 0 / 6

HEX #9AB0EF

RGB 154 176 239

HSL 224.47, 0.73%, 0.77%

LAB 72.33, 7.32, -33.89

 

CMYK 36 / 0 / 12 / 6

HEX #9AEFD2

RGB 154 239 210

HSL 159.53, 0.73%, 0.77%

LAB 88.57, -32, 5.91

 

CMYK 42 / 0 / 14 / 2

HEX #90F9D5

RGB 144 249 213

HSL 159.43, 0.9%, 0.77%

LAB 91, -38.61, 7.8

 

CMYK 36 / 0 / 12 / 6

HEX #9AEFD2

RGB 154 239 210

HSL 159.53, 0.73%, 0.77%

LAB 88.57, -32, 5.91

 

CMYK 29 / 0 / 10 / 10

HEX #A3E6CF

RGB 163 230 207

HSL 159.4, 0.57%, 0.77%

LAB 86.45, -25.78, 4.48

 

CMYK 21 / 0 / 7 / 14

HEX #ADDCCC

RGB 173 220 204

HSL 159.57, 0.4%, 0.77%

LAB 84.19, -18.44, 2.86

 

CMYK 14 / 0 / 5 / 17

HEX #B6D3C9

RGB 182 211 201

HSL 159.31, 0.25%, 0.77%

LAB 82.24, -11.59, 1.69

 

CMYK 5 / 0 / 1 / 21

HEX #BFC9C6

RGB 191 201 198

HSL 162, 0.08%, 0.77%

LAB 80.14, -3.97, 0.3

 

CMYK 36 / 0 / 31 / 6

HEX #9AEFA4

RGB 154 239 164

HSL 127.06, 0.73%, 0.77%

LAB 87.62, -40.63, 28.37

 

CMYK 36 / 0 / 22 / 6

HEX #9AEFBA

RGB 154 239 186

HSL 142.59, 0.73%, 0.77%

LAB 88.04, -36.76, 17.64

 

CMYK 36 / 0 / 13 / 6

HEX #9AEFD1

RGB 154 239 209

HSL 158.82, 0.73%, 0.77%

LAB 88.55, -32.21, 6.4

 

CMYK 36 / 0 / 3 / 6

HEX #9AEFE8

RGB 154 239 232

HSL 175.06, 0.73%, 0.77%

LAB 89.12, -27.19, -4.77

 

CMYK 36 / 7 / 0 / 6

HEX #9ADFEF

RGB 154 223 239

HSL 191.29, 0.73%, 0.77%

LAB 84.93, -17.66, -14.68

 

CMYK 64 / 0 / 22 / 11

HEX #52E4B2

RGB 82 228 178

HSL 159.45, 0.73%, 0.61%

LAB 82.11, -50.51, 13.09

 

CMYK 50 / 0 / 17 / 8

HEX #76EAC2

RGB 118 234 194

HSL 159.31, 0.73%, 0.69%

LAB 85.3, -42.28, 9.39

 

CMYK 36 / 0 / 12 / 6

HEX #9AEFD2

RGB 154 239 210

HSL 159.53, 0.73%, 0.77%

LAB 88.57, -32, 5.91

 

CMYK 23 / 0 / 8 / 4

HEX #BDF5E2

RGB 189 245 226

HSL 159.64, 0.74%, 0.85%

LAB 92.4, -21.46, 3.36

 

CMYK 10 / 0 / 3 / 2

HEX #E1FAF2

RGB 225 250 242

HSL 160.8, 0.71%, 0.93%

LAB 96.32, -9.59, 1.06

 

CMYK 36 / 0 / 12 / 6

HEX #9AEFD2

RGB 154 239 210

HSL 159.53, 0.73%, 0.77%

LAB 88.57, -32, 5.91

 

CMYK 36 / 31 / 0 / 6

HEX #9AA6EF

RGB 154 166 239

HSL 231.53, 0.73%, 0.77%

LAB 69.74, 12.92, -37.92

 

CMYK 0 / 27 / 36 / 6

HEX #EFAF9A

RGB 239 175 154

HSL 14.82, 0.73%, 0.77%

LAB 76.89, 20.68, 19.97

 

CMYK 36 / 0 / 12 / 6

HEX #9AEFD2

RGB 154 239 210

HSL 159.53, 0.73%, 0.77%

LAB 88.57, -32, 5.91

 

CMYK 13 / 36 / 0 / 6

HEX #D19AEF

RGB 209 154 239

HSL 278.82, 0.73%, 0.77%

LAB 71.49, 35.56, -34.84

 

CMYK 0 / 13 / 36 / 6

HEX #EFD19A

RGB 239 209 154

HSL 38.82, 0.73%, 0.77%

LAB 85.14, 2.81, 31.17

 

CMYK 36 / 0 / 12 / 6

HEX #9AEFD2

RGB 154 239 210

HSL 159.53, 0.73%, 0.77%

LAB 88.57, -32, 5.91

 

CMYK 36 / 31 / 0 / 6

HEX #9AA6EF

RGB 154 166 239

HSL 231.53, 0.73%, 0.77%

LAB 69.74, 12.92, -37.92

 

CMYK 0 / 36 / 23 / 6

HEX #EF9AB8

RGB 239 154 184

HSL 338.82, 0.73%, 0.77%

LAB 72.84, 35.74, -2.23

 

CMYK 0 / 5 / 36 / 6

HEX #EFE29A

RGB 239 226 154

HSL 50.82, 0.73%, 0.77%

LAB 89.43, -5.88, 36.83

 

CMYK 36 / 0 / 12 / 6

HEX #9AEFD2

RGB 154 239 210

HSL 159.53, 0.73%, 0.77%

LAB 88.57, -32, 5.91

 

CMYK 31 / 36 / 0 / 6

HEX #A69AEF

RGB 166 154 239

HSL 248.47, 0.73%, 0.77%

LAB 67.61, 23.02, -41.16

 

CMYK 0 / 36 / 23 / 6

HEX #EF9AB8

RGB 239 154 184

HSL 338.82, 0.73%, 0.77%

LAB 72.84, 35.74, -2.23

 

CMYK 5 / 0 / 36 / 6

HEX #E2EF9A

RGB 226 239 154

HSL 69.18, 0.73%, 0.77%

LAB 91.79, -17.28, 39.71

 

Description

Color code: HEX #9AEFD2 | qconv.com Color code: HEX #9AEFD2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 239 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 239 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 12 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 12% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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