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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AEE38 it is the complementary color #6511C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AEE38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AEE38 shade: #9FEE33, #B0FF46, #C1FF59, #D2FF6C and #E3FF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AEE38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AEE38 shade: #9AEE38, #89DC25, #78CA12, #67B800 and #56A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AEE38 shade: #9BEE3A, #CBEE3A, #EEE03A, #EEAF3A and #EE7F3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AEE38 shade: #9BEE3A, #6AEE3A, #3AEE3A, #3AEE6B and #3AEE9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AEE38 shade matches the following richer shades: #9BEE3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AEE38 shade: #9BEE3A, #99DD4B, #98CB5D, #97BA6E and #95A97F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AEE38 shade: #EEDF3A, #CDEE3A, #9DEE3A, #6DEE3A and #3DEE3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AEE38 shade: #72C411, #88EA14, #9BEE3A, #AEF160 and #C1F486

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AEE38 shade: #9AEE38, #3AEEAF and #EE3AE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AEE38 shade: #9AEE38, #3A9DEE and #EE3A9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AEE38 shade: #9AEE38, #3AEEAF, #8B3AEE and #EE3A79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AEE38 shade: #9AEE38, #3AEEE5, #8B3AEE and #EE3A43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 76 / 7

HEX #9AEE38

RGB 154 238 56

HSL 87.69, 0.84%, 0.58%

LAB 86.16, -51.76, 73.83

 

Complementary color

CMYK 49 / 91 / 0 / 22

HEX #6511C7

RGB 101 17 199

HSL 267.69, 0.84%, 0.42%

LAB 32.46, 66.48, -75.34

 

CMYK 33 / 0 / 79 / 7

HEX #9FEE33

RGB 159 238 51

HSL 85.35, 0.85%, 0.57%

LAB 86.38, -50.26, 75.56

 

CMYK 31 / 0 / 73 / 0

HEX #B0FF46

RGB 176 255 70

HSL 85.62, 1%, 0.64%

LAB 92.22, -50.38, 75.65

 

CMYK 24 / 0 / 65 / 0

HEX #C1FF59

RGB 193 255 89

HSL 82.41, 1%, 0.67%

LAB 93.27, -43.12, 70.25

 

CMYK 18 / 0 / 58 / 0

HEX #D2FF6C

RGB 210 255 108

HSL 78.37, 1%, 0.71%

LAB 94.44, -35.43, 64.12

 

CMYK 11 / 0 / 50 / 0

HEX #E3FF7F

RGB 227 255 127

HSL 73.13, 1%, 0.75%

LAB 95.74, -27.39, 57.54

 

CMYK 35 / 0 / 76 / 7

HEX #9AEE38

RGB 154 238 56

HSL 87.69, 0.84%, 0.58%

LAB 86.16, -51.76, 73.83

 

CMYK 38 / 0 / 83 / 14

HEX #89DC25

RGB 137 220 37

HSL 87.21, 0.72%, 0.5%

LAB 79.98, -51.11, 72.97

 

CMYK 41 / 0 / 91 / 21

HEX #78CA12

RGB 120 202 18

HSL 86.74, 0.84%, 0.43%

LAB 73.73, -50.24, 71.01

 

CMYK 44 / 0 / 100 / 28

HEX #67B800

RGB 103 184 0

HSL 86.41, 1%, 0.36%

LAB 67.4, -49.11, 67.79

 

CMYK 48 / 0 / 100 / 35

HEX #56A600

RGB 86 166 0

HSL 88.92, 1%, 0.33%

LAB 61, -47.6, 62.48

 

CMYK 35 / 0 / 76 / 7

HEX #9BEE3A

RGB 155 238 58

HSL 87.67, 0.84%, 0.58%

LAB 86.22, -51.31, 73.3

 

CMYK 15 / 0 / 76 / 7

HEX #CBEE3A

RGB 203 238 58

HSL 71.67, 0.84%, 0.58%

LAB 88.99, -33.48, 76.9

 

CMYK 0 / 6 / 76 / 7

HEX #EEE03A

RGB 238 224 58

HSL 55.33, 0.84%, 0.58%

LAB 87.87, -12.5, 76.82

 

CMYK 0 / 26 / 76 / 7

HEX #EEAF3A

RGB 238 175 58

HSL 39, 0.84%, 0.58%

LAB 75.54, 12.67, 65.3

 

CMYK 0 / 47 / 76 / 7

HEX #EE7F3A

RGB 238 127 58

HSL 23, 0.84%, 0.58%

LAB 64.69, 37.84, 54.66

 

CMYK 35 / 0 / 76 / 7

HEX #9BEE3A

RGB 155 238 58

HSL 87.67, 0.84%, 0.58%

LAB 86.22, -51.31, 73.3

 

CMYK 55 / 0 / 76 / 7

HEX #6AEE3A

RGB 106 238 58

HSL 104, 0.84%, 0.58%

LAB 84.24, -66.04, 70.71

 

CMYK 76 / 0 / 76 / 7

HEX #3AEE3A

RGB 58 238 58

HSL 120, 0.84%, 0.58%

LAB 83.1, -75.44, 69.22

 

CMYK 76 / 0 / 55 / 7

HEX #3AEE6B

RGB 58 238 107

HSL 136.33, 0.84%, 0.58%

LAB 83.5, -70.59, 50.32

 

CMYK 76 / 0 / 35 / 7

HEX #3AEE9B

RGB 58 238 155

HSL 152.33, 0.84%, 0.58%

LAB 84.18, -62.71, 27.8

 

CMYK 35 / 0 / 76 / 7

HEX #9BEE3A

RGB 155 238 58

HSL 87.67, 0.84%, 0.58%

LAB 86.22, -51.31, 73.3

 

CMYK 35 / 0 / 76 / 7

HEX #9BEE3A

RGB 155 238 58

HSL 87.67, 0.84%, 0.58%

LAB 86.22, -51.31, 73.3

 

CMYK 31 / 0 / 66 / 13

HEX #99DD4B

RGB 153 221 75

HSL 87.95, 0.68%, 0.58%

LAB 81.29, -43.83, 62.37

 

CMYK 25 / 0 / 54 / 20

HEX #98CB5D

RGB 152 203 93

HSL 87.82, 0.51%, 0.58%

LAB 76.18, -34.62, 48.9

 

CMYK 19 / 0 / 41 / 27

HEX #97BA6E

RGB 151 186 110

HSL 87.63, 0.36%, 0.58%

LAB 71.43, -24.97, 34.7

 

CMYK 12 / 0 / 25 / 34

HEX #95A97F

RGB 149 169 127

HSL 88.57, 0.2%, 0.58%

LAB 66.75, -14.68, 19.42

 

CMYK 0 / 6 / 76 / 7

HEX #EEDF3A

RGB 238 223 58

HSL 55, 0.84%, 0.58%

LAB 87.61, -12.01, 76.58

 

CMYK 14 / 0 / 76 / 7

HEX #CDEE3A

RGB 205 238 58

HSL 71, 0.84%, 0.58%

LAB 89.13, -32.69, 77.07

 

CMYK 34 / 0 / 76 / 7

HEX #9DEE3A

RGB 157 238 58

HSL 87, 0.84%, 0.58%

LAB 86.32, -50.62, 73.43

 

CMYK 54 / 0 / 76 / 7

HEX #6DEE3A

RGB 109 238 58

HSL 103, 0.84%, 0.58%

LAB 84.33, -65.27, 70.83

 

CMYK 74 / 0 / 76 / 7

HEX #3DEE3A

RGB 61 238 58

HSL 119, 0.84%, 0.58%

LAB 83.15, -75.02, 69.28

 

CMYK 42 / 0 / 91 / 23

HEX #72C411

RGB 114 196 17

HSL 87.49, 0.84%, 0.42%

LAB 71.62, -49.89, 69.32

 

CMYK 42 / 0 / 91 / 8

HEX #88EA14

RGB 136 234 20

HSL 87.48, 0.84%, 0.5%

LAB 84.03, -57.42, 79.47

 

CMYK 35 / 0 / 76 / 7

HEX #9BEE3A

RGB 155 238 58

HSL 87.67, 0.84%, 0.58%

LAB 86.22, -51.31, 73.3

 

CMYK 28 / 0 / 60 / 5

HEX #AEF160

RGB 174 241 96

HSL 87.72, 0.84%, 0.66%

LAB 88.33, -43.34, 61.78

 

CMYK 21 / 0 / 45 / 4

HEX #C1F486

RGB 193 244 134

HSL 87.82, 0.83%, 0.74%

LAB 90.67, -34.12, 47.6

 

CMYK 35 / 0 / 76 / 7

HEX #9AEE38

RGB 154 238 56

HSL 87.69, 0.84%, 0.58%

LAB 86.16, -51.76, 73.83

 

CMYK 76 / 0 / 26 / 7

HEX #3AEEAF

RGB 58 238 175

HSL 159, 0.84%, 0.58%

LAB 84.56, -58.57, 18.03

 

CMYK 0 / 76 / 4 / 7

HEX #EE3AE5

RGB 238 58 229

HSL 303, 0.84%, 0.58%

LAB 58.84, 83.47, -48.86

 

CMYK 35 / 0 / 76 / 7

HEX #9AEE38

RGB 154 238 56

HSL 87.69, 0.84%, 0.58%

LAB 86.16, -51.76, 73.83

 

CMYK 76 / 34 / 0 / 7

HEX #3A9DEE

RGB 58 157 238

HSL 207, 0.84%, 0.58%

LAB 62.66, -1.56, -48.79

 

CMYK 0 / 76 / 34 / 7

HEX #EE3A9D

RGB 238 58 157

HSL 327, 0.84%, 0.58%

LAB 55.72, 74.26, -12.29

 

CMYK 35 / 0 / 76 / 7

HEX #9AEE38

RGB 154 238 56

HSL 87.69, 0.84%, 0.58%

LAB 86.16, -51.76, 73.83

 

CMYK 76 / 0 / 26 / 7

HEX #3AEEAF

RGB 58 238 175

HSL 159, 0.84%, 0.58%

LAB 84.56, -58.57, 18.03

 

CMYK 42 / 76 / 0 / 7

HEX #8B3AEE

RGB 139 58 238

HSL 267, 0.84%, 0.58%

LAB 45.2, 67.26, -76.64

 

CMYK 0 / 76 / 49 / 7

HEX #EE3A79

RGB 238 58 121

HSL 339, 0.84%, 0.58%

LAB 54.64, 70.91, 7.49

 

CMYK 35 / 0 / 76 / 7

HEX #9AEE38

RGB 154 238 56

HSL 87.69, 0.84%, 0.58%

LAB 86.16, -51.76, 73.83

 

CMYK 76 / 0 / 4 / 7

HEX #3AEEE5

RGB 58 238 229

HSL 177, 0.84%, 0.58%

LAB 85.86, -45.17, -8.35

 

CMYK 42 / 76 / 0 / 7

HEX #8B3AEE

RGB 139 58 238

HSL 267, 0.84%, 0.58%

LAB 45.2, 67.26, -76.64

 

CMYK 0 / 76 / 72 / 7

HEX #EE3A43

RGB 238 58 67

HSL 357, 0.84%, 0.58%

LAB 53.61, 67.61, 38.07

 

Description

Color code: HEX #9AEE38 | qconv.com Color code: HEX #9AEE38 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 238 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 238 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 76 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 76% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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