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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AEBE5 it is the complementary color #65141A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AEBE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AEBE5 shade: #9FEBE0, #B0FDF3, #C1FFFF, #D2FFFF and #E3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AEBE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AEBE5 shade: #9AEBE5, #89D9D2, #78C7BF, #67B5AC and #56A399

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AEBE5 shade: #99EBE5, #99EBCF, #99EBB9, #99EBA2 and #A5EB99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AEBE5 shade: #99EBE5, #99DBEB, #99C5EB, #99AFEB and #9999EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AEBE5 shade matches the following richer shades: #99EBE5, #8FF5ED and #85FFF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AEBE5 shade: #99EBE5, #A3E1DC, #ADD7D4, #B7CDCB and #C0C3C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AEBE5 shade: #99EBB8, #99EBCE, #99EBE4, #99DCEB and #99C6EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AEBE5 shade: #54DDD3, #76E4DC, #99EBE5, #BBF2EE and #DEF8F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AEBE5 shade: #9AEBE5, #A299EB and #EBC399

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AEBE5 shade: #9AEBE5, #E499EB and #EBE499

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AEBE5 shade: #9AEBE5, #A299EB, #EB99A0 and #E1EB99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AEBE5 shade: #9AEBE5, #BB99EB, #EB99A0 and #C9EB99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 3 / 8

HEX #9AEBE5

RGB 154 235 229

HSL 175.56, 0.67%, 0.76%

LAB 87.94, -25.94, -4.95

 

Complementary color

CMYK 0 / 80 / 74 / 60

HEX #65141A

RGB 101 20 26

HSL 355.56, 0.67%, 0.24%

LAB 21.36, 35.84, 18.52

 

CMYK 32 / 0 / 5 / 8

HEX #9FEBE0

RGB 159 235 224

HSL 171.32, 0.66%, 0.77%

LAB 88.05, -25.71, -2.14

 

CMYK 30 / 0 / 4 / 1

HEX #B0FDF3

RGB 176 253 243

HSL 172.21, 0.95%, 0.84%

LAB 94.29, -25.57, -2.77

 

CMYK 24 / 0 / 0 / 0

HEX #C1FFFF

RGB 193 255 255

HSL 180, 1%, 0.88%

LAB 96.03, -19.2, -6.3

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 34 / 0 / 3 / 8

HEX #9AEBE5

RGB 154 235 229

HSL 175.56, 0.67%, 0.76%

LAB 87.94, -25.94, -4.95

 

CMYK 37 / 0 / 3 / 15

HEX #89D9D2

RGB 137 217 210

HSL 174.75, 0.51%, 0.69%

LAB 81.62, -26.05, -4.32

 

CMYK 40 / 0 / 4 / 22

HEX #78C7BF

RGB 120 199 191

HSL 173.92, 0.41%, 0.63%

LAB 75.2, -26.16, -3.65

 

CMYK 43 / 0 / 5 / 29

HEX #67B5AC

RGB 103 181 172

HSL 173.08, 0.35%, 0.56%

LAB 68.69, -26.25, -2.95

 

CMYK 47 / 0 / 6 / 36

HEX #56A399

RGB 86 163 153

HSL 172.21, 0.31%, 0.49%

LAB 62.06, -26.32, -2.19

 

CMYK 35 / 0 / 3 / 8

HEX #99EBE5

RGB 153 235 229

HSL 175.61, 0.67%, 0.76%

LAB 87.89, -26.2, -5.02

 

CMYK 35 / 0 / 12 / 8

HEX #99EBCF

RGB 153 235 207

HSL 159.51, 0.67%, 0.76%

LAB 87.34, -31.02, 5.7

 

CMYK 35 / 0 / 21 / 8

HEX #99EBB9

RGB 153 235 185

HSL 143.41, 0.67%, 0.76%

LAB 86.85, -35.41, 16.48

 

CMYK 35 / 0 / 31 / 8

HEX #99EBA2

RGB 153 235 162

HSL 126.59, 0.67%, 0.76%

LAB 86.4, -39.48, 27.74

 

CMYK 30 / 0 / 35 / 8

HEX #A5EB99

RGB 165 235 153

HSL 111.22, 0.67%, 0.76%

LAB 86.86, -37.12, 33.03

 

CMYK 35 / 0 / 3 / 8

HEX #99EBE5

RGB 153 235 229

HSL 175.61, 0.67%, 0.76%

LAB 87.89, -26.2, -5.02

 

CMYK 35 / 7 / 0 / 8

HEX #99DBEB

RGB 153 219 235

HSL 191.71, 0.67%, 0.76%

LAB 83.67, -16.87, -14.47

 

CMYK 35 / 16 / 0 / 8

HEX #99C5EB

RGB 153 197 235

HSL 207.8, 0.67%, 0.76%

LAB 77.7, -5.43, -23.49

 

CMYK 35 / 26 / 0 / 8

HEX #99AFEB

RGB 153 175 235

HSL 223.9, 0.67%, 0.76%

LAB 71.85, 6.56, -32.47

 

CMYK 35 / 35 / 0 / 8

HEX #9999EB

RGB 153 153 235

HSL 240, 0.67%, 0.76%

LAB 66.18, 18.99, -41.29

 

CMYK 35 / 0 / 3 / 8

HEX #99EBE5

RGB 153 235 229

HSL 175.61, 0.67%, 0.76%

LAB 87.89, -26.2, -5.02

 

CMYK 42 / 0 / 3 / 4

HEX #8FF5ED

RGB 143 245 237

HSL 175.29, 0.84%, 0.76%

LAB 90.44, -31.63, -5.5

 

CMYK 48 / 0 / 4 / 0

HEX #85FFF6

RGB 133 255 246

HSL 175.57, 1%, 0.76%

LAB 93.08, -36.4, -6.31

 

CMYK 35 / 0 / 3 / 8

HEX #99EBE5

RGB 153 235 229

HSL 175.61, 0.67%, 0.76%

LAB 87.89, -26.2, -5.02

 

CMYK 28 / 0 / 2 / 12

HEX #A3E1DC

RGB 163 225 220

HSL 175.16, 0.51%, 0.76%

LAB 85.41, -20.57, -3.89

 

CMYK 20 / 0 / 1 / 16

HEX #ADD7D4

RGB 173 215 212

HSL 175.71, 0.34%, 0.76%

LAB 83.04, -14.28, -3.07

 

CMYK 11 / 0 / 1 / 20

HEX #B7CDCB

RGB 183 205 203

HSL 174.55, 0.18%, 0.76%

LAB 80.76, -7.77, -1.53

 

CMYK 2 / 0 / 0 / 24

HEX #C0C3C3

RGB 192 195 195

HSL 180, 0.02%, 0.76%

LAB 78.56, -1.03, -0.37

 

CMYK 35 / 0 / 22 / 8

HEX #99EBB8

RGB 153 235 184

HSL 142.68, 0.67%, 0.76%

LAB 86.82, -35.59, 16.97

 

CMYK 35 / 0 / 12 / 8

HEX #99EBCE

RGB 153 235 206

HSL 158.78, 0.67%, 0.76%

LAB 87.31, -31.23, 6.18

 

CMYK 35 / 0 / 3 / 8

HEX #99EBE4

RGB 153 235 228

HSL 174.88, 0.67%, 0.76%

LAB 87.87, -26.43, -4.54

 

CMYK 35 / 6 / 0 / 8

HEX #99DCEB

RGB 153 220 235

HSL 190.98, 0.67%, 0.76%

LAB 83.94, -17.38, -14.06

 

CMYK 35 / 16 / 0 / 8

HEX #99C6EB

RGB 153 198 235

HSL 207.07, 0.67%, 0.76%

LAB 77.97, -5.96, -23.08

 

CMYK 62 / 0 / 5 / 13

HEX #54DDD3

RGB 84 221 211

HSL 175.62, 0.67%, 0.6%

LAB 80.91, -39.08, -6.11

 

CMYK 48 / 0 / 4 / 11

HEX #76E4DC

RGB 118 228 220

HSL 175.64, 0.67%, 0.68%

LAB 84.23, -33.48, -5.86

 

CMYK 35 / 0 / 3 / 8

HEX #99EBE5

RGB 153 235 229

HSL 175.61, 0.67%, 0.76%

LAB 87.89, -26.2, -5.02

 

CMYK 23 / 0 / 2 / 5

HEX #BBF2EE

RGB 187 242 238

HSL 175.64, 0.68%, 0.84%

LAB 91.79, -18.14, -3.78

 

CMYK 10 / 0 / 1 / 3

HEX #DEF8F6

RGB 222 248 246

HSL 175.38, 0.65%, 0.92%

LAB 95.71, -8.8, -1.92

 

CMYK 34 / 0 / 3 / 8

HEX #9AEBE5

RGB 154 235 229

HSL 175.56, 0.67%, 0.76%

LAB 87.94, -25.94, -4.95

 

CMYK 31 / 35 / 0 / 8

HEX #A299EB

RGB 162 153 235

HSL 246.59, 0.67%, 0.76%

LAB 66.87, 21.47, -40.15

 

CMYK 0 / 17 / 35 / 8

HEX #EBC399

RGB 235 195 153

HSL 30.73, 0.67%, 0.76%

LAB 81.29, 8.44, 26.45

 

CMYK 34 / 0 / 3 / 8

HEX #9AEBE5

RGB 154 235 229

HSL 175.56, 0.67%, 0.76%

LAB 87.94, -25.94, -4.95

 

CMYK 3 / 35 / 0 / 8

HEX #E499EB

RGB 228 153 235

HSL 294.88, 0.67%, 0.76%

LAB 73.07, 41.09, -30.05

 

CMYK 0 / 3 / 35 / 8

HEX #EBE499

RGB 235 228 153

HSL 54.88, 0.67%, 0.76%

LAB 89.6, -8.53, 37.5

 

CMYK 34 / 0 / 3 / 8

HEX #9AEBE5

RGB 154 235 229

HSL 175.56, 0.67%, 0.76%

LAB 87.94, -25.94, -4.95

 

CMYK 31 / 35 / 0 / 8

HEX #A299EB

RGB 162 153 235

HSL 246.59, 0.67%, 0.76%

LAB 66.87, 21.47, -40.15

 

CMYK 0 / 35 / 32 / 8

HEX #EB99A0

RGB 235 153 160

HSL 354.88, 0.67%, 0.76%

LAB 71.54, 31.59, 9.13

 

CMYK 4 / 0 / 35 / 8

HEX #E1EB99

RGB 225 235 153

HSL 67.32, 0.67%, 0.76%

LAB 90.65, -15.82, 38.72

 

CMYK 34 / 0 / 3 / 8

HEX #9AEBE5

RGB 154 235 229

HSL 175.56, 0.67%, 0.76%

LAB 87.94, -25.94, -4.95

 

CMYK 20 / 35 / 0 / 8

HEX #BB99EB

RGB 187 153 235

HSL 264.88, 0.67%, 0.76%

LAB 69, 28.67, -36.67

 

CMYK 0 / 35 / 32 / 8

HEX #EB99A0

RGB 235 153 160

HSL 354.88, 0.67%, 0.76%

LAB 71.54, 31.59, 9.13

 

CMYK 14 / 0 / 35 / 8

HEX #C9EB99

RGB 201 235 153

HSL 84.88, 0.67%, 0.76%

LAB 88.99, -24.69, 36.23

 

Description

Color code: HEX #9AEBE5 | qconv.com Color code: HEX #9AEBE5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 235 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 235 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 3 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 3% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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