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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AE45D it is the complementary color #651BA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AE45D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AE45D shade: #9FE458, #B0F66B, #C1FF7E, #D2FF91 and #E3FFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AE45D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AE45D shade: #9AE45D, #89D24A, #78C037, #67AE24 and #569C11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AE45D shade: #9AE45E, #BEE45E, #E2E45E, #E4C15E and #E49D5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AE45D shade: #9AE45E, #76E45E, #5EE469, #5EE48E and #5EE4B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AE45D shade matches the following richer shades: #9AE45E and #99F34E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AE45D shade: #9AE45E, #9CD46D, #9DC57C, #9FB68B and #A0A79B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AE45D shade: #E4E45E, #C0E45E, #9CE45E, #78E45E and #5EE467

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AE45D shade: #6FCC23, #84DE3A, #9AE45E, #B0EA81 and #C6F0A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AE45D shade: #9AE45D, #5EE4C0 and #E45ED2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AE45D shade: #9AE45D, #5E9CE4 and #E45E9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AE45D shade: #9AE45D, #5EE4C0, #A55EE4 and #E45E81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AE45D shade: #9AE45D, #5EDFE4, #A55EE4 and #E4625E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 59 / 11

HEX #9AE45D

RGB 154 228 93

HSL 92.89, 0.71%, 0.63%

LAB 83.52, -44.99, 57.38

 

Complementary color

CMYK 38 / 83 / 0 / 36

HEX #651BA2

RGB 101 27 162

HSL 272.89, 0.71%, 0.37%

LAB 29.81, 55.31, -57.66

 

CMYK 30 / 0 / 61 / 11

HEX #9FE458

RGB 159 228 88

HSL 89.57, 0.72%, 0.62%

LAB 83.74, -43.69, 59.82

 

CMYK 28 / 0 / 57 / 4

HEX #B0F66B

RGB 176 246 107

HSL 90.22, 0.89%, 0.69%

LAB 89.95, -43.83, 58.92

 

CMYK 24 / 0 / 51 / 0

HEX #C1FF7E

RGB 193 255 126

HSL 88.84, 1%, 0.75%

LAB 93.61, -39.94, 54.94

 

CMYK 18 / 0 / 43 / 0

HEX #D2FF91

RGB 210 255 145

HSL 84.55, 1%, 0.78%

LAB 94.85, -31.83, 47.79

 

CMYK 11 / 0 / 36 / 0

HEX #E3FFA4

RGB 227 255 164

HSL 78.46, 1%, 0.82%

LAB 96.22, -23.43, 40.54

 

CMYK 32 / 0 / 59 / 11

HEX #9AE45D

RGB 154 228 93

HSL 92.89, 0.71%, 0.63%

LAB 83.52, -44.99, 57.38

 

CMYK 35 / 0 / 65 / 18

HEX #89D24A

RGB 137 210 74

HSL 92.21, 0.6%, 0.56%

LAB 77.22, -44.82, 58.19

 

CMYK 38 / 0 / 71 / 25

HEX #78C037

RGB 120 192 55

HSL 91.53, 0.55%, 0.48%

LAB 70.85, -44.51, 58.68

 

CMYK 41 / 0 / 79 / 32

HEX #67AE24

RGB 103 174 36

HSL 90.87, 0.66%, 0.41%

LAB 64.39, -44, 58.54

 

CMYK 45 / 0 / 89 / 39

HEX #569C11

RGB 86 156 17

HSL 90.22, 0.8%, 0.34%

LAB 57.84, -43.21, 57.28

 

CMYK 32 / 0 / 59 / 11

HEX #9AE45E

RGB 154 228 94

HSL 93.13, 0.71%, 0.63%

LAB 83.53, -44.9, 56.95

 

CMYK 17 / 0 / 59 / 11

HEX #BEE45E

RGB 190 228 94

HSL 77.01, 0.71%, 0.63%

LAB 85.63, -31.75, 59.88

 

CMYK 1 / 0 / 59 / 11

HEX #E2E45E

RGB 226 228 94

HSL 60.9, 0.71%, 0.63%

LAB 88.19, -17.51, 63.44

 

CMYK 0 / 15 / 59 / 11

HEX #E4C15E

RGB 228 193 94

HSL 44.33, 0.71%, 0.63%

LAB 79.3, 1.01, 53.54

 

CMYK 0 / 31 / 59 / 11

HEX #E49D5E

RGB 228 157 94

HSL 28.21, 0.71%, 0.63%

LAB 70.47, 20.07, 43.2

 

CMYK 32 / 0 / 59 / 11

HEX #9AE45E

RGB 154 228 94

HSL 93.13, 0.71%, 0.63%

LAB 83.53, -44.9, 56.95

 

CMYK 48 / 0 / 59 / 11

HEX #76E45E

RGB 118 228 94

HSL 109.25, 0.71%, 0.63%

LAB 81.92, -56.21, 54.69

 

CMYK 59 / 0 / 54 / 11

HEX #5EE469

RGB 94 228 105

HSL 124.93, 0.71%, 0.63%

LAB 81.23, -61.02, 48.71

 

CMYK 59 / 0 / 38 / 11

HEX #5EE48E

RGB 94 228 142

HSL 141.49, 0.71%, 0.63%

LAB 81.74, -55.42, 31.29

 

CMYK 59 / 0 / 22 / 11

HEX #5EE4B2

RGB 94 228 178

HSL 157.61, 0.71%, 0.63%

LAB 82.42, -48.31, 13.58

 

CMYK 32 / 0 / 59 / 11

HEX #9AE45E

RGB 154 228 94

HSL 93.13, 0.71%, 0.63%

LAB 83.53, -44.9, 56.95

 

CMYK 37 / 0 / 68 / 5

HEX #99F34E

RGB 153 243 78

HSL 92.73, 0.87%, 0.63%

LAB 87.69, -52.78, 67.92

 

CMYK 32 / 0 / 59 / 11

HEX #9AE45E

RGB 154 228 94

HSL 93.13, 0.71%, 0.63%

LAB 83.53, -44.9, 56.95

 

CMYK 26 / 0 / 49 / 17

HEX #9CD46D

RGB 156 212 109

HSL 92.62, 0.54%, 0.63%

LAB 79.19, -35.56, 44.97

 

CMYK 20 / 0 / 37 / 23

HEX #9DC57C

RGB 157 197 124

HSL 92.88, 0.39%, 0.63%

LAB 75.17, -26.24, 32.38

 

CMYK 13 / 0 / 24 / 29

HEX #9FB68B

RGB 159 182 139

HSL 92.09, 0.23%, 0.63%

LAB 71.34, -15.78, 19.33

 

CMYK 4 / 0 / 7 / 35

HEX #A0A79B

RGB 160 167 155

HSL 95, 0.06%, 0.63%

LAB 67.63, -4.75, 5.34

 

CMYK 0 / 0 / 59 / 11

HEX #E4E45E

RGB 228 228 94

HSL 60, 0.71%, 0.63%

LAB 88.35, -16.7, 63.65

 

CMYK 16 / 0 / 59 / 11

HEX #C0E45E

RGB 192 228 94

HSL 76.12, 0.71%, 0.63%

LAB 85.76, -30.98, 60.06

 

CMYK 32 / 0 / 59 / 11

HEX #9CE45E

RGB 156 228 94

HSL 92.24, 0.71%, 0.63%

LAB 83.63, -44.21, 57.1

 

CMYK 47 / 0 / 59 / 11

HEX #78E45E

RGB 120 228 94

HSL 108.36, 0.71%, 0.63%

LAB 81.99, -55.64, 54.8

 

CMYK 59 / 0 / 55 / 11

HEX #5EE467

RGB 94 228 103

HSL 124.03, 0.71%, 0.63%

LAB 81.21, -61.27, 49.61

 

CMYK 46 / 0 / 83 / 20

HEX #6FCC23

RGB 111 204 35

HSL 93.02, 0.71%, 0.47%

LAB 73.99, -53.41, 67.7

 

CMYK 41 / 0 / 74 / 13

HEX #84DE3A

RGB 132 222 58

HSL 92.93, 0.71%, 0.55%

LAB 80.43, -52.56, 67.35

 

CMYK 32 / 0 / 59 / 11

HEX #9AE45E

RGB 154 228 94

HSL 93.13, 0.71%, 0.63%

LAB 83.53, -44.9, 56.95

 

CMYK 25 / 0 / 45 / 8

HEX #B0EA81

RGB 176 234 129

HSL 93.14, 0.71%, 0.71%

LAB 86.83, -36.17, 45

 

CMYK 18 / 0 / 32 / 6

HEX #C6F0A4

RGB 198 240 164

HSL 93.16, 0.72%, 0.79%

LAB 90.32, -26.66, 32.42

 

CMYK 32 / 0 / 59 / 11

HEX #9AE45D

RGB 154 228 93

HSL 92.89, 0.71%, 0.63%

LAB 83.52, -44.99, 57.38

 

CMYK 59 / 0 / 16 / 11

HEX #5EE4C0

RGB 94 228 192

HSL 163.88, 0.71%, 0.63%

LAB 82.74, -45.14, 6.67

 

CMYK 0 / 59 / 8 / 11

HEX #E45ED2

RGB 228 94 210

HSL 308.06, 0.71%, 0.63%

LAB 60.92, 65.61, -35

 

CMYK 32 / 0 / 59 / 11

HEX #9AE45D

RGB 154 228 93

HSL 92.89, 0.71%, 0.63%

LAB 83.52, -44.99, 57.38

 

CMYK 59 / 32 / 0 / 11

HEX #5E9CE4

RGB 94 156 228

HSL 212.24, 0.71%, 0.63%

LAB 63.14, 1.21, -42.44

 

CMYK 0 / 59 / 32 / 11

HEX #E45E9C

RGB 228 94 156

HSL 332.24, 0.71%, 0.63%

LAB 58.88, 58.07, -7.15

 

CMYK 32 / 0 / 59 / 11

HEX #9AE45D

RGB 154 228 93

HSL 92.89, 0.71%, 0.63%

LAB 83.52, -44.99, 57.38

 

CMYK 59 / 0 / 16 / 11

HEX #5EE4C0

RGB 94 228 192

HSL 163.88, 0.71%, 0.63%

LAB 82.74, -45.14, 6.67

 

CMYK 28 / 59 / 0 / 11

HEX #A55EE4

RGB 165 94 228

HSL 271.79, 0.71%, 0.63%

LAB 53.61, 53.24, -57.25

 

CMYK 0 / 59 / 43 / 11

HEX #E45E81

RGB 228 94 129

HSL 344.33, 0.71%, 0.63%

LAB 58.12, 55.1, 7.48

 

CMYK 32 / 0 / 59 / 11

HEX #9AE45D

RGB 154 228 93

HSL 92.89, 0.71%, 0.63%

LAB 83.52, -44.99, 57.38

 

CMYK 59 / 2 / 0 / 11

HEX #5EDFE4

RGB 94 223 228

HSL 182.24, 0.71%, 0.63%

LAB 82.25, -33.76, -13.13

 

CMYK 28 / 59 / 0 / 11

HEX #A55EE4

RGB 165 94 228

HSL 271.79, 0.71%, 0.63%

LAB 53.61, 53.24, -57.25

 

CMYK 0 / 57 / 59 / 11

HEX #E4625E

RGB 228 98 94

HSL 1.79, 0.71%, 0.63%

LAB 58.07, 50.3, 27.76

 

Description

Color code: HEX #9AE45D | qconv.com Color code: HEX #9AE45D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 228 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 228 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 59 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 59% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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