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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9ADE79 it is the complementary color #652186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9ADE79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9ADE79 shade: #9FDE74, #B0F087, #C1FF9A, #D2FFAD and #E3FFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9ADE79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9ADE79 shade: #9ADE79, #89CC66, #78BA53, #67A840 and #56962D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9ADE79 shade: #99DD78, #B5DD78, #D0DD78, #DDD078 and #DDB478

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9ADE79 shade: #99DD78, #7EDD78, #78DD8E, #78DDA9 and #78DDC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9ADE79 shade matches the following richer shades: #99DD78, #95EB6B and #90F95D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9ADE79 shade: #99DD78, #9ED086, #A3C294, #A8B4A1 and #ACA7AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9ADE79 shade: #D0DD78, #B5DD78, #9ADD78, #7FDD78 and #78DD8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9ADE79 shade: #68CD36, #80D557, #99DD78, #B2E699 and #CBEEBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9ADE79 shade: #9ADE79, #78DDD0 and #DD78C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9ADE79 shade: #9ADE79, #789ADD and #DD789A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9ADE79 shade: #9ADE79, #78DDD0, #BC78DD and #DD7886

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9ADE79 shade: #9ADE79, #78CDDD, #BC78DD and #DD8978

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 45 / 13

HEX #9ADE79

RGB 154 222 121

HSL 100.4, 0.6%, 0.67%

LAB 82.11, -39.33, 42.72

 

Complementary color

CMYK 25 / 75 / 0 / 47

HEX #652186

RGB 101 33 134

HSL 280.4, 0.6%, 0.33%

LAB 28.32, 46.7, -42.86

 

CMYK 28 / 0 / 48 / 13

HEX #9FDE74

RGB 159 222 116

HSL 95.66, 0.62%, 0.66%

LAB 82.31, -38.22, 45.46

 

CMYK 27 / 0 / 44 / 6

HEX #B0F087

RGB 176 240 135

HSL 96.57, 0.78%, 0.74%

LAB 88.59, -38.15, 44.31

 

CMYK 24 / 0 / 40 / 0

HEX #C1FF9A

RGB 193 255 154

HSL 96.83, 1%, 0.8%

LAB 93.97, -36.69, 42.11

 

CMYK 18 / 0 / 32 / 0

HEX #D2FFAD

RGB 210 255 173

HSL 92.93, 1%, 0.84%

LAB 95.26, -28.3, 34.62

 

CMYK 11 / 0 / 25 / 0

HEX #E3FFC0

RGB 227 255 192

HSL 86.67, 1%, 0.88%

LAB 96.68, -19.67, 27.17

 

CMYK 31 / 0 / 45 / 13

HEX #9ADE79

RGB 154 222 121

HSL 100.4, 0.6%, 0.67%

LAB 82.11, -39.33, 42.72

 

CMYK 33 / 0 / 50 / 20

HEX #89CC66

RGB 137 204 102

HSL 99.41, 0.5%, 0.6%

LAB 75.74, -39.42, 43.9

 

CMYK 35 / 0 / 55 / 27

HEX #78BA53

RGB 120 186 83

HSL 98.45, 0.43%, 0.53%

LAB 69.28, -39.45, 45.05

 

CMYK 39 / 0 / 62 / 34

HEX #67A840

RGB 103 168 64

HSL 97.5, 0.45%, 0.45%

LAB 62.73, -39.38, 46.1

 

CMYK 43 / 0 / 70 / 41

HEX #56962D

RGB 86 150 45

HSL 96.57, 0.54%, 0.38%

LAB 56.07, -39.14, 46.86

 

CMYK 31 / 0 / 46 / 13

HEX #99DD78

RGB 153 221 120

HSL 100.4, 0.6%, 0.67%

LAB 81.75, -39.35, 42.75

 

CMYK 18 / 0 / 46 / 13

HEX #B5DD78

RGB 181 221 120

HSL 83.76, 0.6%, 0.67%

LAB 83.39, -29.38, 45.14

 

CMYK 6 / 0 / 46 / 13

HEX #D0DD78

RGB 208 221 120

HSL 67.72, 0.6%, 0.67%

LAB 85.24, -19.07, 47.84

 

CMYK 0 / 6 / 46 / 13

HEX #DDD078

RGB 221 208 120

HSL 52.28, 0.6%, 0.67%

LAB 82.83, -7.4, 45.11

 

CMYK 0 / 19 / 46 / 13

HEX #DDB478

RGB 221 180 120

HSL 35.64, 0.6%, 0.67%

LAB 75.68, 7.18, 36.11

 

CMYK 31 / 0 / 46 / 13

HEX #99DD78

RGB 153 221 120

HSL 100.4, 0.6%, 0.67%

LAB 81.75, -39.35, 42.75

 

CMYK 43 / 0 / 46 / 13

HEX #7EDD78

RGB 126 221 120

HSL 116.44, 0.6%, 0.67%

LAB 80.46, -47.93, 40.86

 

CMYK 46 / 0 / 36 / 13

HEX #78DD8E

RGB 120 221 142

HSL 133.07, 0.6%, 0.67%

LAB 80.55, -46.26, 29.86

 

CMYK 46 / 0 / 24 / 13

HEX #78DDA9

RGB 120 221 169

HSL 149.11, 0.6%, 0.67%

LAB 81.05, -41.28, 16.52

 

CMYK 46 / 0 / 11 / 13

HEX #78DDC4

RGB 120 221 196

HSL 165.15, 0.6%, 0.67%

LAB 81.67, -35.48, 3.12

 

CMYK 31 / 0 / 46 / 13

HEX #99DD78

RGB 153 221 120

HSL 100.4, 0.6%, 0.67%

LAB 81.75, -39.35, 42.75

 

CMYK 37 / 0 / 54 / 8

HEX #95EB6B

RGB 149 235 107

HSL 100.31, 0.76%, 0.67%

LAB 85.44, -48.23, 53.32

 

CMYK 42 / 0 / 63 / 2

HEX #90F95D

RGB 144 249 93

HSL 100.38, 0.93%, 0.67%

LAB 89.14, -56.83, 63.51

 

CMYK 31 / 0 / 46 / 13

HEX #99DD78

RGB 153 221 120

HSL 100.4, 0.6%, 0.67%

LAB 81.75, -39.35, 42.75

 

CMYK 24 / 0 / 36 / 18

HEX #9ED086

RGB 158 208 134

HSL 100.54, 0.44%, 0.67%

LAB 78.52, -29.75, 31.62

 

CMYK 16 / 0 / 24 / 24

HEX #A3C294

RGB 163 194 148

HSL 100.43, 0.27%, 0.67%

LAB 75.14, -18.98, 19.77

 

CMYK 7 / 0 / 11 / 29

HEX #A8B4A1

RGB 168 180 161

HSL 97.89, 0.11%, 0.67%

LAB 71.92, -7.73, 8.26

 

CMYK 2 / 5 / 0 / 31

HEX #ACA7AF

RGB 172 167 175

HSL 277.5, 0.05%, 0.67%

LAB 69.11, 3.3, -3.48

 

CMYK 6 / 0 / 46 / 13

HEX #D0DD78

RGB 208 221 120

HSL 67.72, 0.6%, 0.67%

LAB 85.24, -19.07, 47.84

 

CMYK 18 / 0 / 46 / 13

HEX #B5DD78

RGB 181 221 120

HSL 83.76, 0.6%, 0.67%

LAB 83.39, -29.38, 45.14

 

CMYK 30 / 0 / 46 / 13

HEX #9ADD78

RGB 154 221 120

HSL 99.8, 0.6%, 0.67%

LAB 81.81, -39.01, 42.83

 

CMYK 43 / 0 / 46 / 13

HEX #7FDD78

RGB 127 221 120

HSL 115.84, 0.6%, 0.67%

LAB 80.51, -47.63, 40.92

 

CMYK 46 / 0 / 36 / 13

HEX #78DD8D

RGB 120 221 141

HSL 132.48, 0.6%, 0.67%

LAB 80.53, -46.42, 30.35

 

CMYK 49 / 0 / 74 / 20

HEX #68CD36

RGB 104 205 54

HSL 100.13, 0.6%, 0.51%

LAB 74.11, -54.89, 62.07

 

CMYK 40 / 0 / 59 / 16

HEX #80D557

RGB 128 213 87

HSL 100.48, 0.6%, 0.59%

LAB 77.8, -47.91, 53.17

 

CMYK 31 / 0 / 46 / 13

HEX #99DD78

RGB 153 221 120

HSL 100.4, 0.6%, 0.67%

LAB 81.75, -39.35, 42.75

 

CMYK 23 / 0 / 33 / 10

HEX #B2E699

RGB 178 230 153

HSL 100.52, 0.61%, 0.75%

LAB 86.19, -30.45, 32.27

 

CMYK 15 / 0 / 22 / 7

HEX #CBEEBA

RGB 203 238 186

HSL 100.38, 0.6%, 0.83%

LAB 90.5, -20.66, 21.48

 

CMYK 31 / 0 / 45 / 13

HEX #9ADE79

RGB 154 222 121

HSL 100.4, 0.6%, 0.67%

LAB 82.11, -39.33, 42.72

 

CMYK 46 / 0 / 6 / 13

HEX #78DDD0

RGB 120 221 208

HSL 172.28, 0.6%, 0.67%

LAB 81.98, -32.66, -2.8

 

CMYK 0 / 46 / 12 / 13

HEX #DD78C2

RGB 221 120 194

HSL 316.04, 0.6%, 0.67%

LAB 63.92, 48.87, -21.41

 

CMYK 31 / 0 / 45 / 13

HEX #9ADE79

RGB 154 222 121

HSL 100.4, 0.6%, 0.67%

LAB 82.11, -39.33, 42.72

 

CMYK 46 / 30 / 0 / 13

HEX #789ADD

RGB 120 154 221

HSL 219.8, 0.6%, 0.67%

LAB 63.61, 5.96, -37.74

 

CMYK 0 / 46 / 30 / 13

HEX #DD789A

RGB 221 120 154

HSL 339.8, 0.6%, 0.67%

LAB 62.62, 43.05, -0.59

 

CMYK 31 / 0 / 45 / 13

HEX #9ADE79

RGB 154 222 121

HSL 100.4, 0.6%, 0.67%

LAB 82.11, -39.33, 42.72

 

CMYK 46 / 0 / 6 / 13

HEX #78DDD0

RGB 120 221 208

HSL 172.28, 0.6%, 0.67%

LAB 81.98, -32.66, -2.8

 

CMYK 15 / 46 / 0 / 13

HEX #BC78DD

RGB 188 120 221

HSL 280.4, 0.6%, 0.67%

LAB 61.08, 44.01, -41.29

 

CMYK 0 / 46 / 39 / 13

HEX #DD7886

RGB 221 120 134

HSL 351.68, 0.6%, 0.67%

LAB 62.11, 40.63, 10.12

 

CMYK 31 / 0 / 45 / 13

HEX #9ADE79

RGB 154 222 121

HSL 100.4, 0.6%, 0.67%

LAB 82.11, -39.33, 42.72

 

CMYK 46 / 7 / 0 / 13

HEX #78CDDD

RGB 120 205 221

HSL 189.5, 0.6%, 0.67%

LAB 77.8, -21.59, -15.97

 

CMYK 15 / 46 / 0 / 13

HEX #BC78DD

RGB 188 120 221

HSL 280.4, 0.6%, 0.67%

LAB 61.08, 44.01, -41.29

 

CMYK 0 / 38 / 46 / 13

HEX #DD8978

RGB 221 137 120

HSL 10.1, 0.6%, 0.67%

LAB 65.45, 30.22, 22.67

 

Description

Color code: HEX #9ADE79 | qconv.com Color code: HEX #9ADE79 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 222 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 222 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 45 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 45% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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