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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AD4DA it is the complementary color #652B25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AD4DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AD4DA shade: #9FD4D5, #B0E6E8, #C1F8FB, #D2FFFF and #E3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AD4DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AD4DA shade: #9AD4DA, #89C2C7, #78B0B4, #679EA1 and #568C8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AD4DA shade: #9AD4DA, #9AC3DA, #9AB2DA, #9AA1DA and #A59ADA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AD4DA shade: #9AD4DA, #9AC3DA, #9AB2DA, #9AA1DA and #9A9ADA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AD4DA shade matches the following richer shades: #9AD4DA, #8FDDE5, #84E6F0 and #79EFFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AD4DA shade: #9AD4DA, #A6CBCF, #B1C2C4, #BCB9B8 and #C7B0AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AD4DA shade: #9ADABD, #9ADACE, #9AD5DA, #9AC4DA and #9AB3DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AD4DA shade: #5EBAC4, #7CC7CF, #9AD4DA, #B9E1E5 and #D7EEF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AD4DA shade: #9AD4DA, #AC9ADA and #DAC69A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AD4DA shade: #9AD4DA, #DA9AD5 and #D5DA9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AD4DA shade: #9AD4DA, #AC9ADA, #DAA09A and #C8DA9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AD4DA shade: #9AD4DA, #BF9ADA, #DAA09A and #B5DA9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 3 / 0 / 15

HEX #9AD4DA

RGB 154 212 218

HSL 185.63, 0.46%, 0.73%

LAB 81.3, -17.06, -8.95

 

Complementary color

CMYK 0 / 57 / 63 / 60

HEX #652B25

RGB 101 43 37

HSL 5.63, 0.46%, 0.27%

LAB 25.65, 25.63, 16.54

 

CMYK 25 / 0 / 0 / 16

HEX #9FD4D5

RGB 159 212 213

HSL 181.11, 0.39%, 0.73%

LAB 81.44, -16.75, -6.06

 

CMYK 24 / 1 / 0 / 9

HEX #B0E6E8

RGB 176 230 232

HSL 182.14, 0.55%, 0.8%

LAB 87.8, -16.68, -6.6

 

CMYK 23 / 1 / 0 / 2

HEX #C1F8FB

RGB 193 248 251

HSL 183.1, 0.88%, 0.87%

LAB 94.07, -16.61, -7.13

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 29 / 3 / 0 / 15

HEX #9AD4DA

RGB 154 212 218

HSL 185.63, 0.46%, 0.73%

LAB 81.3, -17.06, -8.95

 

CMYK 31 / 3 / 0 / 22

HEX #89C2C7

RGB 137 194 199

HSL 184.84, 0.36%, 0.66%

LAB 74.84, -17.12, -8.43

 

CMYK 33 / 2 / 0 / 29

HEX #78B0B4

RGB 120 176 180

HSL 184, 0.29%, 0.59%

LAB 68.27, -17.18, -7.89

 

CMYK 36 / 2 / 0 / 37

HEX #679EA1

RGB 103 158 161

HSL 183.1, 0.24%, 0.52%

LAB 61.58, -17.25, -7.32

 

CMYK 39 / 1 / 0 / 44

HEX #568C8E

RGB 86 140 142

HSL 182.14, 0.25%, 0.45%

LAB 54.75, -17.3, -6.72

 

CMYK 29 / 3 / 0 / 15

HEX #9AD4DA

RGB 154 212 218

HSL 185.63, 0.46%, 0.73%

LAB 81.3, -17.06, -8.95

 

CMYK 29 / 11 / 0 / 15

HEX #9AC3DA

RGB 154 195 218

HSL 201.56, 0.46%, 0.73%

LAB 76.66, -8.25, -15.91

 

CMYK 29 / 18 / 0 / 15

HEX #9AB2DA

RGB 154 178 218

HSL 217.5, 0.46%, 0.73%

LAB 72.08, 0.9, -22.85

 

CMYK 29 / 26 / 0 / 15

HEX #9AA1DA

RGB 154 161 218

HSL 233.44, 0.46%, 0.73%

LAB 67.59, 10.36, -29.72

 

CMYK 24 / 29 / 0 / 15

HEX #A59ADA

RGB 165 154 218

HSL 250.31, 0.46%, 0.73%

LAB 66.65, 17.59, -31.11

 

CMYK 29 / 3 / 0 / 15

HEX #9AD4DA

RGB 154 212 218

HSL 185.63, 0.46%, 0.73%

LAB 81.3, -17.06, -8.95

 

CMYK 29 / 11 / 0 / 15

HEX #9AC3DA

RGB 154 195 218

HSL 201.56, 0.46%, 0.73%

LAB 76.66, -8.25, -15.91

 

CMYK 29 / 18 / 0 / 15

HEX #9AB2DA

RGB 154 178 218

HSL 217.5, 0.46%, 0.73%

LAB 72.08, 0.9, -22.85

 

CMYK 29 / 26 / 0 / 15

HEX #9AA1DA

RGB 154 161 218

HSL 233.44, 0.46%, 0.73%

LAB 67.59, 10.36, -29.72

 

CMYK 29 / 29 / 0 / 15

HEX #9A9ADA

RGB 154 154 218

HSL 240, 0.46%, 0.73%

LAB 65.78, 14.33, -32.52

 

CMYK 29 / 3 / 0 / 15

HEX #9AD4DA

RGB 154 212 218

HSL 185.63, 0.46%, 0.73%

LAB 81.3, -17.06, -8.95

 

CMYK 38 / 3 / 0 / 10

HEX #8FDDE5

RGB 143 221 229

HSL 185.58, 0.62%, 0.73%

LAB 83.55, -21.94, -11.51

 

CMYK 45 / 4 / 0 / 6

HEX #84E6F0

RGB 132 230 240

HSL 185.56, 0.78%, 0.73%

LAB 85.9, -26.29, -13.86

 

CMYK 52 / 5 / 0 / 2

HEX #79EFFB

RGB 121 239 251

HSL 185.54, 0.94%, 0.73%

LAB 88.33, -30.14, -16.03

 

CMYK 29 / 3 / 0 / 15

HEX #9AD4DA

RGB 154 212 218

HSL 185.63, 0.46%, 0.73%

LAB 81.3, -17.06, -8.95

 

CMYK 20 / 2 / 0 / 19

HEX #A6CBCF

RGB 166 203 207

HSL 185.85, 0.3%, 0.73%

LAB 79.23, -11.34, -6.06

 

CMYK 10 / 1 / 0 / 23

HEX #B1C2C4

RGB 177 194 196

HSL 186.32, 0.14%, 0.73%

LAB 77.23, -5.39, -3

 

CMYK 0 / 2 / 2 / 26

HEX #BCB9B8

RGB 188 185 184

HSL 15, 0.03%, 0.73%

LAB 75.36, 0.87, 0.87

 

CMYK 0 / 12 / 13 / 22

HEX #C7B0AD

RGB 199 176 173

HSL 6.92, 0.19%, 0.73%

LAB 73.68, 7.76, 4.56

 

CMYK 29 / 0 / 13 / 15

HEX #9ADABD

RGB 154 218 189

HSL 152.81, 0.46%, 0.73%

LAB 82.21, -26.3, 7.81

 

CMYK 29 / 0 / 6 / 15

HEX #9ADACE

RGB 154 218 206

HSL 168.75, 0.46%, 0.73%

LAB 82.63, -22.75, -0.61

 

CMYK 29 / 2 / 0 / 15

HEX #9AD5DA

RGB 154 213 218

HSL 184.69, 0.46%, 0.73%

LAB 81.58, -17.57, -8.55

 

CMYK 29 / 10 / 0 / 15

HEX #9AC4DA

RGB 154 196 218

HSL 200.63, 0.46%, 0.73%

LAB 76.93, -8.78, -15.5

 

CMYK 29 / 18 / 0 / 15

HEX #9AB3DA

RGB 154 179 218

HSL 216.56, 0.46%, 0.73%

LAB 72.34, 0.35, -22.44

 

CMYK 52 / 5 / 0 / 23

HEX #5EBAC4

RGB 94 186 196

HSL 185.88, 0.46%, 0.57%

LAB 70.51, -24.56, -13.47

 

CMYK 40 / 4 / 0 / 19

HEX #7CC7CF

RGB 124 199 207

HSL 185.78, 0.46%, 0.65%

LAB 75.85, -21.2, -11.34

 

CMYK 29 / 3 / 0 / 15

HEX #9AD4DA

RGB 154 212 218

HSL 185.63, 0.46%, 0.73%

LAB 81.3, -17.06, -8.95

 

CMYK 19 / 2 / 0 / 10

HEX #B9E1E5

RGB 185 225 229

HSL 185.45, 0.46%, 0.81%

LAB 86.91, -12.11, -6.28

 

CMYK 10 / 1 / 0 / 6

HEX #D7EEF0

RGB 215 238 240

HSL 184.8, 0.45%, 0.89%

LAB 92.53, -7.13, -3.55

 

CMYK 29 / 3 / 0 / 15

HEX #9AD4DA

RGB 154 212 218

HSL 185.63, 0.46%, 0.73%

LAB 81.3, -17.06, -8.95

 

CMYK 21 / 29 / 0 / 15

HEX #AC9ADA

RGB 172 154 218

HSL 256.88, 0.46%, 0.73%

LAB 67.23, 19.71, -30.16

 

CMYK 0 / 9 / 29 / 15

HEX #DAC69A

RGB 218 198 154

HSL 41.25, 0.46%, 0.73%

LAB 80.53, 0.42, 24.64

 

CMYK 29 / 3 / 0 / 15

HEX #9AD4DA

RGB 154 212 218

HSL 185.63, 0.46%, 0.73%

LAB 81.3, -17.06, -8.95

 

CMYK 0 / 29 / 2 / 15

HEX #DA9AD5

RGB 218 154 213

HSL 304.69, 0.46%, 0.73%

LAB 71.43, 33.32, -20.58

 

CMYK 2 / 0 / 29 / 15

HEX #D5DA9A

RGB 213 218 154

HSL 64.69, 0.46%, 0.73%

LAB 85.31, -11.76, 31.01

 

CMYK 29 / 3 / 0 / 15

HEX #9AD4DA

RGB 154 212 218

HSL 185.63, 0.46%, 0.73%

LAB 81.3, -17.06, -8.95

 

CMYK 21 / 29 / 0 / 15

HEX #AC9ADA

RGB 172 154 218

HSL 256.88, 0.46%, 0.73%

LAB 67.23, 19.71, -30.16

 

CMYK 0 / 27 / 29 / 15

HEX #DAA09A

RGB 218 160 154

HSL 5.63, 0.46%, 0.73%

LAB 71.13, 20.7, 11.6

 

CMYK 8 / 0 / 29 / 15

HEX #C8DA9A

RGB 200 218 154

HSL 76.88, 0.46%, 0.73%

LAB 84.36, -16.62, 29.57

 

CMYK 29 / 3 / 0 / 15

HEX #9AD4DA

RGB 154 212 218

HSL 185.63, 0.46%, 0.73%

LAB 81.3, -17.06, -8.95

 

CMYK 12 / 29 / 0 / 15

HEX #BF9ADA

RGB 191 154 218

HSL 274.69, 0.46%, 0.73%

LAB 68.93, 25.61, -27.4

 

CMYK 0 / 27 / 29 / 15

HEX #DAA09A

RGB 218 160 154

HSL 5.63, 0.46%, 0.73%

LAB 71.13, 20.7, 11.6

 

CMYK 17 / 0 / 29 / 15

HEX #B5DA9A

RGB 181 218 154

HSL 94.69, 0.46%, 0.73%

LAB 83.07, -23.52, 27.62

 

Description

Color code: HEX #9AD4DA | qconv.com Color code: HEX #9AD4DA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 212 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 212 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 3 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 3% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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