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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AD2EF it is the complementary color #652D10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AD2EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AD2EF shade: #9FD2EA, #B0E4FD, #C1F6FF, #D2FFFF and #E3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AD2EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AD2EF shade: #9AD2EF, #89C0DC, #78AEC9, #679CB6 and #568AA3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AD2EF shade: #9AD2EF, #9ABBEF, #9AA4EF, #A69AEF and #BD9AEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AD2EF shade: #9AD2EF, #9ABBEF, #9AA4EF and #9A9AEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AD2EF shade matches the following richer shades: #9AD2EF and #90D5F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AD2EF shade: #9AD2EF, #A3CFE6, #ADCCDC, #B6C9D3 and #BFC6C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AD2EF shade: #9AEFDE, #9AE9EF, #9AD3EF, #9ABCEF and #9AA5EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AD2EF shade: #52B2E4, #76C2EA, #9AD2EF, #BDE2F5 and #E1F2FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AD2EF shade: #9AD2EF, #C79AEF and #EFE99A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AD2EF shade: #9AD2EF, #EF9AD3 and #D3EF9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AD2EF shade: #9AD2EF, #C79AEF, #EFB69A and #C1EF9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AD2EF shade: #9AD2EF, #E19AEF, #EFB69A and #A8EF9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 12 / 0 / 6

HEX #9AD2EF

RGB 154 210 239

HSL 200.47, 0.73%, 0.77%

LAB 81.4, -11.01, -20.01

 

Complementary color

CMYK 0 / 55 / 84 / 60

HEX #652D10

RGB 101 45 16

HSL 20.47, 0.73%, 0.23%

LAB 25.81, 23.21, 29.42

 

CMYK 32 / 10 / 0 / 8

HEX #9FD2EA

RGB 159 210 234

HSL 199.2, 0.64%, 0.77%

LAB 81.51, -10.86, -17.15

 

CMYK 30 / 10 / 0 / 1

HEX #B0E4FD

RGB 176 228 253

HSL 199.48, 0.95%, 0.84%

LAB 87.88, -10.92, -17.52

 

CMYK 24 / 4 / 0 / 0

HEX #C1F6FF

RGB 193 246 255

HSL 188.71, 1%, 0.88%

LAB 93.65, -14.76, -9.82

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 36 / 12 / 0 / 6

HEX #9AD2EF

RGB 154 210 239

HSL 200.47, 0.73%, 0.77%

LAB 81.4, -11.01, -20.01

 

CMYK 38 / 13 / 0 / 14

HEX #89C0DC

RGB 137 192 220

HSL 200.24, 0.54%, 0.7%

LAB 74.94, -10.9, -19.67

 

CMYK 40 / 13 / 0 / 21

HEX #78AEC9

RGB 120 174 201

HSL 200, 0.43%, 0.63%

LAB 68.37, -10.76, -19.33

 

CMYK 43 / 14 / 0 / 29

HEX #679CB6

RGB 103 156 182

HSL 199.75, 0.35%, 0.56%

LAB 61.69, -10.59, -19

 

CMYK 47 / 15 / 0 / 36

HEX #568AA3

RGB 86 138 163

HSL 199.48, 0.31%, 0.49%

LAB 54.87, -10.37, -18.66

 

CMYK 36 / 12 / 0 / 6

HEX #9AD2EF

RGB 154 210 239

HSL 200.47, 0.73%, 0.77%

LAB 81.4, -11.01, -20.01

 

CMYK 36 / 22 / 0 / 6

HEX #9ABBEF

RGB 154 187 239

HSL 216.71, 0.73%, 0.77%

LAB 75.23, 1.25, -29.42

 

CMYK 36 / 31 / 0 / 6

HEX #9AA4EF

RGB 154 164 239

HSL 232.94, 0.73%, 0.77%

LAB 69.22, 14.05, -38.72

 

CMYK 31 / 36 / 0 / 6

HEX #A69AEF

RGB 166 154 239

HSL 248.47, 0.73%, 0.77%

LAB 67.61, 23.02, -41.16

 

CMYK 21 / 36 / 0 / 6

HEX #BD9AEF

RGB 189 154 239

HSL 264.71, 0.73%, 0.77%

LAB 69.58, 29.61, -37.94

 

CMYK 36 / 12 / 0 / 6

HEX #9AD2EF

RGB 154 210 239

HSL 200.47, 0.73%, 0.77%

LAB 81.4, -11.01, -20.01

 

CMYK 36 / 22 / 0 / 6

HEX #9ABBEF

RGB 154 187 239

HSL 216.71, 0.73%, 0.77%

LAB 75.23, 1.25, -29.42

 

CMYK 36 / 31 / 0 / 6

HEX #9AA4EF

RGB 154 164 239

HSL 232.94, 0.73%, 0.77%

LAB 69.22, 14.05, -38.72

 

CMYK 36 / 36 / 0 / 6

HEX #9A9AEF

RGB 154 154 239

HSL 240, 0.73%, 0.77%

LAB 66.68, 19.74, -42.69

 

CMYK 36 / 12 / 0 / 6

HEX #9AD2EF

RGB 154 210 239

HSL 200.47, 0.73%, 0.77%

LAB 81.4, -11.01, -20.01

 

CMYK 42 / 14 / 0 / 2

HEX #90D5F9

RGB 144 213 249

HSL 200.57, 0.9%, 0.77%

LAB 82.03, -12.58, -24.42

 

CMYK 36 / 12 / 0 / 6

HEX #9AD2EF

RGB 154 210 239

HSL 200.47, 0.73%, 0.77%

LAB 81.4, -11.01, -20.01

 

CMYK 29 / 10 / 0 / 10

HEX #A3CFE6

RGB 163 207 230

HSL 200.6, 0.57%, 0.77%

LAB 80.81, -9.13, -16.05

 

CMYK 21 / 7 / 0 / 14

HEX #ADCCDC

RGB 173 204 220

HSL 200.43, 0.4%, 0.77%

LAB 80.31, -6.87, -11.38

 

CMYK 14 / 5 / 0 / 17

HEX #B6C9D3

RGB 182 201 211

HSL 200.69, 0.25%, 0.77%

LAB 79.85, -4.39, -7.17

 

CMYK 5 / 1 / 0 / 21

HEX #BFC6C9

RGB 191 198 201

HSL 198, 0.08%, 0.77%

LAB 79.43, -1.82, -2.34

 

CMYK 36 / 0 / 7 / 6

HEX #9AEFDE

RGB 154 239 222

HSL 168, 0.73%, 0.77%

LAB 88.86, -29.43, 0.07

 

CMYK 36 / 3 / 0 / 6

HEX #9AE9EF

RGB 154 233 239

HSL 184.24, 0.73%, 0.77%

LAB 87.67, -22.64, -10.6

 

CMYK 36 / 12 / 0 / 6

HEX #9AD3EF

RGB 154 211 239

HSL 199.76, 0.73%, 0.77%

LAB 81.67, -11.53, -19.6

 

CMYK 36 / 21 / 0 / 6

HEX #9ABCEF

RGB 154 188 239

HSL 216, 0.73%, 0.77%

LAB 75.49, 0.71, -29.01

 

CMYK 36 / 31 / 0 / 6

HEX #9AA5EF

RGB 154 165 239

HSL 232.24, 0.73%, 0.77%

LAB 69.48, 13.49, -38.32

 

CMYK 64 / 22 / 0 / 11

HEX #52B2E4

RGB 82 178 228

HSL 200.55, 0.73%, 0.61%

LAB 68.92, -13.19, -33.46

 

CMYK 50 / 17 / 0 / 8

HEX #76C2EA

RGB 118 194 234

HSL 200.69, 0.73%, 0.69%

LAB 75.06, -12.84, -27.14

 

CMYK 36 / 12 / 0 / 6

HEX #9AD2EF

RGB 154 210 239

HSL 200.47, 0.73%, 0.77%

LAB 81.4, -11.01, -20.01

 

CMYK 23 / 8 / 0 / 4

HEX #BDE2F5

RGB 189 226 245

HSL 200.36, 0.74%, 0.85%

LAB 87.87, -7.98, -13.24

 

CMYK 10 / 3 / 0 / 2

HEX #E1F2FA

RGB 225 242 250

HSL 199.2, 0.71%, 0.93%

LAB 94.49, -4.04, -5.77

 

CMYK 36 / 12 / 0 / 6

HEX #9AD2EF

RGB 154 210 239

HSL 200.47, 0.73%, 0.77%

LAB 81.4, -11.01, -20.01

 

CMYK 17 / 36 / 0 / 6

HEX #C79AEF

RGB 199 154 239

HSL 271.76, 0.73%, 0.77%

LAB 70.51, 32.56, -36.42

 

CMYK 0 / 3 / 36 / 6

HEX #EFE99A

RGB 239 233 154

HSL 55.76, 0.73%, 0.77%

LAB 91.22, -9.39, 39.16

 

CMYK 36 / 12 / 0 / 6

HEX #9AD2EF

RGB 154 210 239

HSL 200.47, 0.73%, 0.77%

LAB 81.4, -11.01, -20.01

 

CMYK 0 / 36 / 12 / 6

HEX #EF9AD3

RGB 239 154 211

HSL 319.76, 0.73%, 0.77%

LAB 73.65, 39.87, -15.91

 

CMYK 12 / 0 / 36 / 6

HEX #D3EF9A

RGB 211 239 154

HSL 79.76, 0.73%, 0.77%

LAB 90.74, -22.84, 38.15

 

CMYK 36 / 12 / 0 / 6

HEX #9AD2EF

RGB 154 210 239

HSL 200.47, 0.73%, 0.77%

LAB 81.4, -11.01, -20.01

 

CMYK 17 / 36 / 0 / 6

HEX #C79AEF

RGB 199 154 239

HSL 271.76, 0.73%, 0.77%

LAB 70.51, 32.56, -36.42

 

CMYK 0 / 24 / 36 / 6

HEX #EFB69A

RGB 239 182 154

HSL 19.76, 0.73%, 0.77%

LAB 78.54, 16.97, 22.25

 

CMYK 19 / 0 / 36 / 6

HEX #C1EF9A

RGB 193 239 154

HSL 92.47, 0.73%, 0.77%

LAB 89.58, -29.32, 36.41

 

CMYK 36 / 12 / 0 / 6

HEX #9AD2EF

RGB 154 210 239

HSL 200.47, 0.73%, 0.77%

LAB 81.4, -11.01, -20.01

 

CMYK 6 / 36 / 0 / 6

HEX #E19AEF

RGB 225 154 239

HSL 290.12, 0.73%, 0.77%

LAB 73.12, 40.41, -32.18

 

CMYK 0 / 24 / 36 / 6

HEX #EFB69A

RGB 239 182 154

HSL 19.76, 0.73%, 0.77%

LAB 78.54, 16.97, 22.25

 

CMYK 30 / 0 / 36 / 6

HEX #A8EF9A

RGB 168 239 154

HSL 110.12, 0.73%, 0.77%

LAB 88.16, -37.8, 34.27

 

Description

Color code: HEX #9AD2EF | qconv.com Color code: HEX #9AD2EF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 210 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 210 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 12 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 12% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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