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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9ACDED it is the complementary color #653212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9ACDED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9ACDED shade: #9FCDE8, #B0DFFB, #C1F1FF, #D2FFFF and #E3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9ACDED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9ACDED shade: #9ACDED, #89BBDA, #78A9C7, #6797B4 and #5685A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9ACDED shade: #9BCEED, #9BB8ED, #9BA1ED, #AB9BED and #C19BED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9ACDED shade: #9BCEED, #9BB8ED, #9BA1ED and #9B9BED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9ACDED shade matches the following richer shades: #9BCEED and #92D0F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9ACDED shade: #9BCEED, #A5CCE4, #AEC9DA, #B8C7D1 and #C1C5C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9ACDED shade: #9BEDE1, #9BE4ED, #9BCEED, #9BB8ED and #9BA2ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9ACDED shade: #55ABE1, #78BCE7, #9BCEED, #BEDFF4 and #E1F0FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9ACDED shade: #9ACDED, #CB9BED and #EDEC9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9ACDED shade: #9ACDED, #ED9BCE and #CEED9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9ACDED shade: #9ACDED, #CB9BED, #EDBB9B and #BEED9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9ACDED shade: #9ACDED, #E49BED, #EDBB9B and #A5ED9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 14 / 0 / 7

HEX #9ACDED

RGB 154 205 237

HSL 203.13, 0.7%, 0.77%

LAB 79.98, -8.89, -21.09

 

Complementary color

CMYK 0 / 50 / 82 / 60

HEX #653212

RGB 101 50 18

HSL 23.13, 0.7%, 0.23%

LAB 26.99, 20.37, 29.54

 

CMYK 31 / 12 / 0 / 9

HEX #9FCDE8

RGB 159 205 232

HSL 202.19, 0.61%, 0.77%

LAB 80.1, -8.74, -18.21

 

CMYK 30 / 11 / 0 / 2

HEX #B0DFFB

RGB 176 223 251

HSL 202.4, 0.9%, 0.84%

LAB 86.49, -8.82, -18.56

 

CMYK 24 / 5 / 0 / 0

HEX #C1F1FF

RGB 193 241 255

HSL 193.55, 1%, 0.88%

LAB 92.34, -12.25, -11.78

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 35 / 14 / 0 / 7

HEX #9ACDED

RGB 154 205 237

HSL 203.13, 0.7%, 0.77%

LAB 79.98, -8.89, -21.09

 

CMYK 37 / 14 / 0 / 15

HEX #89BBDA

RGB 137 187 218

HSL 202.96, 0.52%, 0.7%

LAB 73.49, -8.75, -20.78

 

CMYK 40 / 15 / 0 / 22

HEX #78A9C7

RGB 120 169 199

HSL 202.78, 0.41%, 0.63%

LAB 66.89, -8.59, -20.48

 

CMYK 43 / 16 / 0 / 29

HEX #6797B4

RGB 103 151 180

HSL 202.6, 0.34%, 0.55%

LAB 60.17, -8.39, -20.18

 

CMYK 47 / 17 / 0 / 37

HEX #5685A1

RGB 86 133 161

HSL 202.4, 0.3%, 0.48%

LAB 53.31, -8.14, -19.89

 

CMYK 35 / 13 / 0 / 7

HEX #9BCEED

RGB 155 206 237

HSL 202.68, 0.69%, 0.77%

LAB 80.31, -9.15, -20.59

 

CMYK 35 / 22 / 0 / 7

HEX #9BB8ED

RGB 155 184 237

HSL 218.78, 0.69%, 0.77%

LAB 74.42, 2.65, -29.58

 

CMYK 35 / 32 / 0 / 7

HEX #9BA1ED

RGB 155 161 237

HSL 235.61, 0.69%, 0.77%

LAB 68.44, 15.5, -38.84

 

CMYK 28 / 35 / 0 / 7

HEX #AB9BED

RGB 171 155 237

HSL 251.71, 0.69%, 0.77%

LAB 68.18, 23.37, -39.15

 

CMYK 19 / 35 / 0 / 7

HEX #C19BED

RGB 193 155 237

HSL 267.8, 0.69%, 0.77%

LAB 70.1, 29.79, -36.01

 

CMYK 35 / 13 / 0 / 7

HEX #9BCEED

RGB 155 206 237

HSL 202.68, 0.69%, 0.77%

LAB 80.31, -9.15, -20.59

 

CMYK 35 / 22 / 0 / 7

HEX #9BB8ED

RGB 155 184 237

HSL 218.78, 0.69%, 0.77%

LAB 74.42, 2.65, -29.58

 

CMYK 35 / 32 / 0 / 7

HEX #9BA1ED

RGB 155 161 237

HSL 235.61, 0.69%, 0.77%

LAB 68.44, 15.5, -38.84

 

CMYK 35 / 35 / 0 / 7

HEX #9B9BED

RGB 155 155 237

HSL 240, 0.69%, 0.77%

LAB 66.92, 18.91, -41.22

 

CMYK 35 / 13 / 0 / 7

HEX #9BCEED

RGB 155 206 237

HSL 202.68, 0.69%, 0.77%

LAB 80.31, -9.15, -20.59

 

CMYK 41 / 16 / 0 / 3

HEX #92D0F7

RGB 146 208 247

HSL 203.17, 0.86%, 0.77%

LAB 80.7, -10, -25.37

 

CMYK 35 / 13 / 0 / 7

HEX #9BCEED

RGB 155 206 237

HSL 202.68, 0.69%, 0.77%

LAB 80.31, -9.15, -20.59

 

CMYK 28 / 11 / 0 / 11

HEX #A5CCE4

RGB 165 204 228

HSL 202.86, 0.54%, 0.77%

LAB 80.06, -7.45, -16.1

 

CMYK 20 / 8 / 0 / 15

HEX #AEC9DA

RGB 174 201 218

HSL 203.18, 0.37%, 0.77%

LAB 79.52, -5.43, -11.48

 

CMYK 12 / 5 / 0 / 18

HEX #B8C7D1

RGB 184 199 209

HSL 204, 0.21%, 0.77%

LAB 79.41, -3.1, -6.74

 

CMYK 3 / 1 / 0 / 22

HEX #C1C5C7

RGB 193 197 199

HSL 200, 0.05%, 0.77%

LAB 79.27, -1, -1.49

 

CMYK 35 / 0 / 5 / 7

HEX #9BEDE1

RGB 155 237 225

HSL 171.22, 0.69%, 0.77%

LAB 88.43, -27.54, -2.12

 

CMYK 35 / 4 / 0 / 7

HEX #9BE4ED

RGB 155 228 237

HSL 186.59, 0.69%, 0.77%

LAB 86.29, -20.38, -11.59

 

CMYK 35 / 13 / 0 / 7

HEX #9BCEED

RGB 155 206 237

HSL 202.68, 0.69%, 0.77%

LAB 80.31, -9.15, -20.59

 

CMYK 35 / 22 / 0 / 7

HEX #9BB8ED

RGB 155 184 237

HSL 218.78, 0.69%, 0.77%

LAB 74.42, 2.65, -29.58

 

CMYK 35 / 32 / 0 / 7

HEX #9BA2ED

RGB 155 162 237

HSL 234.88, 0.69%, 0.77%

LAB 68.7, 14.93, -38.44

 

CMYK 62 / 24 / 0 / 12

HEX #55ABE1

RGB 85 171 225

HSL 203.14, 0.7%, 0.61%

LAB 66.9, -9.83, -34.95

 

CMYK 48 / 19 / 0 / 9

HEX #78BCE7

RGB 120 188 231

HSL 203.24, 0.7%, 0.69%

LAB 73.37, -10.04, -28.11

 

CMYK 35 / 13 / 0 / 7

HEX #9BCEED

RGB 155 206 237

HSL 202.68, 0.69%, 0.77%

LAB 80.31, -9.15, -20.59

 

CMYK 22 / 9 / 0 / 4

HEX #BEDFF4

RGB 190 223 244

HSL 203.33, 0.71%, 0.85%

LAB 87.12, -6.35, -13.84

 

CMYK 10 / 4 / 0 / 2

HEX #E1F0FA

RGB 225 240 250

HSL 204, 0.71%, 0.93%

LAB 93.98, -3.03, -6.52

 

CMYK 35 / 14 / 0 / 7

HEX #9ACDED

RGB 154 205 237

HSL 203.13, 0.7%, 0.77%

LAB 79.98, -8.89, -21.09

 

CMYK 14 / 35 / 0 / 7

HEX #CB9BED

RGB 203 155 237

HSL 275.12, 0.69%, 0.77%

LAB 71.05, 32.79, -34.48

 

CMYK 0 / 0 / 35 / 7

HEX #EDEC9B

RGB 237 236 155

HSL 59.27, 0.69%, 0.77%

LAB 91.85, -11.53, 39.45

 

CMYK 35 / 14 / 0 / 7

HEX #9ACDED

RGB 154 205 237

HSL 203.13, 0.7%, 0.77%

LAB 79.98, -8.89, -21.09

 

CMYK 0 / 35 / 13 / 7

HEX #ED9BCE

RGB 237 155 206

HSL 322.68, 0.69%, 0.77%

LAB 73.48, 37.88, -13.43

 

CMYK 13 / 0 / 35 / 7

HEX #CEED9B

RGB 206 237 155

HSL 82.68, 0.69%, 0.77%

LAB 89.89, -23.58, 36.47

 

CMYK 35 / 14 / 0 / 7

HEX #9ACDED

RGB 154 205 237

HSL 203.13, 0.7%, 0.77%

LAB 79.98, -8.89, -21.09

 

CMYK 14 / 35 / 0 / 7

HEX #CB9BED

RGB 203 155 237

HSL 275.12, 0.69%, 0.77%

LAB 71.05, 32.79, -34.48

 

CMYK 0 / 21 / 35 / 7

HEX #EDBB9B

RGB 237 187 155

HSL 23.41, 0.69%, 0.77%

LAB 79.56, 13.67, 23.08

 

CMYK 20 / 0 / 35 / 7

HEX #BEED9B

RGB 190 237 155

HSL 94.39, 0.69%, 0.77%

LAB 88.87, -29.29, 34.94

 

CMYK 35 / 14 / 0 / 7

HEX #9ACDED

RGB 154 205 237

HSL 203.13, 0.7%, 0.77%

LAB 79.98, -8.89, -21.09

 

CMYK 4 / 35 / 0 / 7

HEX #E49BED

RGB 228 155 237

HSL 293.41, 0.69%, 0.77%

LAB 73.58, 40.41, -30.36

 

CMYK 0 / 21 / 35 / 7

HEX #EDBB9B

RGB 237 187 155

HSL 23.41, 0.69%, 0.77%

LAB 79.56, 13.67, 23.08

 

CMYK 30 / 0 / 35 / 7

HEX #A5ED9B

RGB 165 237 155

HSL 112.68, 0.69%, 0.77%

LAB 87.45, -37.72, 32.81

 

Description

Color code: HEX #9ACDED | qconv.com Color code: HEX #9ACDED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 205 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 205 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 14 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 14% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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