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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9ACCDC it is the complementary color #653323. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9ACCDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9ACCDC shade: #9FCCD7, #B0DEEA, #C1F0FD, #D2FFFF and #E3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9ACCDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9ACCDC shade: #9ACCDC, #89BAC9, #78A8B6, #6796A3 and #568490

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9ACCDC shade: #98CCDC, #98B9DC, #98A7DC, #9C98DC and #AE98DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9ACCDC shade: #98CCDC, #98B9DC, #98A7DC and #9898DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9ACCDC shade matches the following richer shades: #98CCDC, #8DD1E7, #82D7F2 and #77DDFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9ACCDC shade: #98CCDC, #A4C6D1, #AFC0C6, #BABABA and #C5B5AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9ACCDC shade: #98DCC8, #98DCDA, #98CCDC, #98BADC and #98A8DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9ACCDC shade: #5BADC7, #7ABCD1, #98CCDC, #B7DBE6 and #D6EAF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9ACCDC shade: #9ACCDC, #B698DC and #DCD198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9ACCDC shade: #9ACCDC, #DC98CC and #CCDC98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9ACCDC shade: #9ACCDC, #B698DC, #DCA898 and #BFDC98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9ACCDC shade: #9ACCDC, #CA98DC, #DCA898 and #AADC98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 7 / 0 / 14

HEX #9ACCDC

RGB 154 204 220

HSL 194.55, 0.49%, 0.73%

LAB 79.17, -12.49, -13.21

 

Complementary color

CMYK 0 / 50 / 65 / 60

HEX #653323

RGB 101 51 35

HSL 14.55, 0.49%, 0.27%

LAB 27.45, 20.83, 20.09

 

CMYK 26 / 5 / 0 / 16

HEX #9FCCD7

RGB 159 204 215

HSL 191.79, 0.41%, 0.73%

LAB 79.31, -12.2, -10.29

 

CMYK 25 / 5 / 0 / 8

HEX #B0DEEA

RGB 176 222 234

HSL 192.41, 0.58%, 0.8%

LAB 85.71, -12.19, -10.75

 

CMYK 24 / 5 / 0 / 1

HEX #C1F0FD

RGB 193 240 253

HSL 193, 0.94%, 0.87%

LAB 92.02, -12.18, -11.21

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 30 / 7 / 0 / 14

HEX #9ACCDC

RGB 154 204 220

HSL 194.55, 0.49%, 0.73%

LAB 79.17, -12.49, -13.21

 

CMYK 32 / 7 / 0 / 21

HEX #89BAC9

RGB 137 186 201

HSL 194.06, 0.37%, 0.66%

LAB 72.66, -12.48, -12.77

 

CMYK 34 / 8 / 0 / 29

HEX #78A8B6

RGB 120 168 182

HSL 193.55, 0.3%, 0.59%

LAB 66.04, -12.46, -12.33

 

CMYK 37 / 8 / 0 / 36

HEX #6796A3

RGB 103 150 163

HSL 193, 0.25%, 0.52%

LAB 59.29, -12.44, -11.88

 

CMYK 40 / 8 / 0 / 44

HEX #568490

RGB 86 132 144

HSL 192.41, 0.25%, 0.45%

LAB 52.39, -12.4, -11.41

 

CMYK 31 / 7 / 0 / 14

HEX #98CCDC

RGB 152 204 220

HSL 194.12, 0.49%, 0.73%

LAB 79.06, -13.06, -13.39

 

CMYK 31 / 16 / 0 / 14

HEX #98B9DC

RGB 152 185 220

HSL 210.88, 0.49%, 0.73%

LAB 73.89, -3, -21.18

 

CMYK 31 / 24 / 0 / 14

HEX #98A7DC

RGB 152 167 220

HSL 226.76, 0.49%, 0.73%

LAB 69.1, 6.91, -28.52

 

CMYK 29 / 31 / 0 / 14

HEX #9C98DC

RGB 156 152 220

HSL 243.53, 0.49%, 0.73%

LAB 65.51, 16.55, -34.04

 

CMYK 21 / 31 / 0 / 14

HEX #AE98DC

RGB 174 152 220

HSL 259.41, 0.49%, 0.73%

LAB 66.99, 21.9, -31.62

 

CMYK 31 / 7 / 0 / 14

HEX #98CCDC

RGB 152 204 220

HSL 194.12, 0.49%, 0.73%

LAB 79.06, -13.06, -13.39

 

CMYK 31 / 16 / 0 / 14

HEX #98B9DC

RGB 152 185 220

HSL 210.88, 0.49%, 0.73%

LAB 73.89, -3, -21.18

 

CMYK 31 / 24 / 0 / 14

HEX #98A7DC

RGB 152 167 220

HSL 226.76, 0.49%, 0.73%

LAB 69.1, 6.91, -28.52

 

CMYK 31 / 31 / 0 / 14

HEX #9898DC

RGB 152 152 220

HSL 240, 0.49%, 0.73%

LAB 65.2, 15.4, -34.55

 

CMYK 31 / 7 / 0 / 14

HEX #98CCDC

RGB 152 204 220

HSL 194.12, 0.49%, 0.73%

LAB 79.06, -13.06, -13.39

 

CMYK 39 / 10 / 0 / 9

HEX #8DD1E7

RGB 141 209 231

HSL 194.67, 0.65%, 0.73%

LAB 80.2, -15.9, -17.62

 

CMYK 46 / 11 / 0 / 5

HEX #82D7F2

RGB 130 215 242

HSL 194.46, 0.81%, 0.73%

LAB 81.71, -18.78, -21.25

 

CMYK 53 / 13 / 0 / 1

HEX #77DDFD

RGB 119 221 253

HSL 194.33, 0.97%, 0.73%

LAB 83.3, -21.2, -24.71

 

CMYK 31 / 7 / 0 / 14

HEX #98CCDC

RGB 152 204 220

HSL 194.12, 0.49%, 0.73%

LAB 79.06, -13.06, -13.39

 

CMYK 22 / 5 / 0 / 18

HEX #A4C6D1

RGB 164 198 209

HSL 194.67, 0.33%, 0.73%

LAB 77.81, -8.92, -9.26

 

CMYK 12 / 3 / 0 / 22

HEX #AFC0C6

RGB 175 192 198

HSL 195.65, 0.17%, 0.73%

LAB 76.61, -4.59, -5

 

CMYK 0 / 0 / 0 / 27

HEX #BABABA

RGB 186 186 186

HSL 0, 0%, 0.73%

LAB 75.51, 0, -0.01

 

CMYK 0 / 8 / 11 / 23

HEX #C5B5AF

RGB 197 181 175

HSL 16.36, 0.16%, 0.73%

LAB 74.83, 4.67, 5.1

 

CMYK 31 / 0 / 9 / 14

HEX #98DCC8

RGB 152 220 200

HSL 162.35, 0.49%, 0.73%

LAB 82.93, -25.59, 3

 

CMYK 31 / 0 / 1 / 14

HEX #98DCDA

RGB 152 220 218

HSL 178.24, 0.49%, 0.73%

LAB 83.4, -21.64, -5.85

 

CMYK 31 / 7 / 0 / 14

HEX #98CCDC

RGB 152 204 220

HSL 194.12, 0.49%, 0.73%

LAB 79.06, -13.06, -13.39

 

CMYK 31 / 15 / 0 / 14

HEX #98BADC

RGB 152 186 220

HSL 210, 0.49%, 0.73%

LAB 74.16, -3.54, -20.77

 

CMYK 31 / 24 / 0 / 14

HEX #98A8DC

RGB 152 168 220

HSL 225.88, 0.49%, 0.73%

LAB 69.36, 6.35, -28.11

 

CMYK 54 / 13 / 0 / 22

HEX #5BADC7

RGB 91 173 199

HSL 194.44, 0.49%, 0.57%

LAB 66.7, -17.68, -20.9

 

CMYK 42 / 10 / 0 / 18

HEX #7ABCD1

RGB 122 188 209

HSL 194.48, 0.49%, 0.65%

LAB 72.7, -15.54, -17.16

 

CMYK 31 / 7 / 0 / 14

HEX #98CCDC

RGB 152 204 220

HSL 194.12, 0.49%, 0.73%

LAB 79.06, -13.06, -13.39

 

CMYK 20 / 5 / 0 / 10

HEX #B7DBE6

RGB 183 219 230

HSL 194.04, 0.48%, 0.81%

LAB 85.22, -9.44, -9.32

 

CMYK 11 / 3 / 0 / 5

HEX #D6EAF1

RGB 214 234 241

HSL 195.56, 0.49%, 0.89%

LAB 91.46, -5.22, -5.65

 

CMYK 30 / 7 / 0 / 14

HEX #9ACCDC

RGB 154 204 220

HSL 194.55, 0.49%, 0.73%

LAB 79.17, -12.49, -13.21

 

CMYK 17 / 31 / 0 / 14

HEX #B698DC

RGB 182 152 220

HSL 266.47, 0.49%, 0.73%

LAB 67.7, 24.35, -30.47

 

CMYK 0 / 5 / 31 / 14

HEX #DCD198

RGB 220 209 152

HSL 50.29, 0.49%, 0.73%

LAB 83.49, -4.76, 29.7

 

CMYK 30 / 7 / 0 / 14

HEX #9ACCDC

RGB 154 204 220

HSL 194.55, 0.49%, 0.73%

LAB 79.17, -12.49, -13.21

 

CMYK 0 / 31 / 7 / 14

HEX #DC98CC

RGB 220 152 204

HSL 314.12, 0.49%, 0.73%

LAB 70.89, 33.46, -16.42

 

CMYK 7 / 0 / 31 / 14

HEX #CCDC98

RGB 204 220 152

HSL 74.12, 0.49%, 0.73%

LAB 85.14, -16.4, 31.7

 

CMYK 30 / 7 / 0 / 14

HEX #9ACCDC

RGB 154 204 220

HSL 194.55, 0.49%, 0.73%

LAB 79.17, -12.49, -13.21

 

CMYK 17 / 31 / 0 / 14

HEX #B698DC

RGB 182 152 220

HSL 266.47, 0.49%, 0.73%

LAB 67.7, 24.35, -30.47

 

CMYK 0 / 24 / 31 / 14

HEX #DCA898

RGB 220 168 152

HSL 14.12, 0.49%, 0.73%

LAB 73.21, 16.89, 15.65

 

CMYK 13 / 0 / 31 / 14

HEX #BFDC98

RGB 191 220 152

HSL 85.59, 0.49%, 0.73%

LAB 84.24, -21.19, 30.33

 

CMYK 30 / 7 / 0 / 14

HEX #9ACCDC

RGB 154 204 220

HSL 194.55, 0.49%, 0.73%

LAB 79.17, -12.49, -13.21

 

CMYK 8 / 31 / 0 / 14

HEX #CA98DC

RGB 202 152 220

HSL 284.12, 0.49%, 0.73%

LAB 69.6, 30.6, -27.39

 

CMYK 0 / 24 / 31 / 14

HEX #DCA898

RGB 220 168 152

HSL 14.12, 0.49%, 0.73%

LAB 73.21, 16.89, 15.65

 

CMYK 23 / 0 / 31 / 14

HEX #AADC98

RGB 170 220 152

HSL 104.12, 0.49%, 0.73%

LAB 82.91, -28.63, 28.32

 

Description

Color code: HEX #9ACCDC | qconv.com Color code: HEX #9ACCDC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 204 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 204 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 7 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 7% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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