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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AC6E3 it is the complementary color #65391C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AC6E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AC6E3 shade: #9FC6DE, #B0D8F1, #C1EAFF, #D2FCFF and #E3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AC6E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AC6E3 shade: #9AC6E3, #89B4D0, #78A2BD, #6790AA and #567E97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AC6E3 shade: #9AC6E3, #9AB3E3, #9A9FE3, #A99AE3 and #BD9AE3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AC6E3 shade: #9AC6E3, #9AB3E3, #9A9FE3 and #9A9AE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AC6E3 shade matches the following richer shades: #9AC6E3, #90C8ED and #86CAF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AC6E3 shade: #9AC6E3, #A5C4D9, #AFC2CE, #B9C0C4 and #C4BEBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AC6E3 shade: #9AE3D8, #9ADBE3, #9AC7E3, #9AB4E3 and #9AA0E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AC6E3 shade: #5AA2D1, #7AB4DA, #9AC6E3, #BBD8EC and #DBEBF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AC6E3 shade: #9AC6E3, #C59AE3 and #E3E29A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AC6E3 shade: #9AC6E3, #E39AC7 and #C7E39A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AC6E3 shade: #9AC6E3, #C59AE3, #E3B69A and #B9E39A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AC6E3 shade: #9AC6E3, #DB9AE3, #E3B69A and #A3E39A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 13 / 0 / 11

HEX #9AC6E3

RGB 154 198 227

HSL 203.84, 0.57%, 0.75%

LAB 77.76, -7.67, -19.09

 

Complementary color

CMYK 0 / 44 / 72 / 60

HEX #65391C

RGB 101 57 28

HSL 23.84, 0.57%, 0.25%

LAB 28.84, 16.69, 25.97

 

CMYK 28 / 11 / 0 / 13

HEX #9FC6DE

RGB 159 198 222

HSL 202.86, 0.49%, 0.75%

LAB 77.89, -7.44, -16.17

 

CMYK 27 / 10 / 0 / 5

HEX #B0D8F1

RGB 176 216 241

HSL 203.08, 0.7%, 0.82%

LAB 84.33, -7.52, -16.53

 

CMYK 24 / 8 / 0 / 0

HEX #C1EAFF

RGB 193 234 255

HSL 200.32, 1%, 0.88%

LAB 90.51, -8.7, -14.52

 

CMYK 18 / 1 / 0 / 0

HEX #D2FCFF

RGB 210 252 255

HSL 184, 1%, 0.91%

LAB 96.22, -12.73, -5.91

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 32 / 13 / 0 / 11

HEX #9AC6E3

RGB 154 198 227

HSL 203.84, 0.57%, 0.75%

LAB 77.76, -7.67, -19.09

 

CMYK 34 / 13 / 0 / 18

HEX #89B4D0

RGB 137 180 208

HSL 203.66, 0.43%, 0.68%

LAB 71.22, -7.55, -18.77

 

CMYK 37 / 14 / 0 / 26

HEX #78A2BD

RGB 120 162 189

HSL 203.48, 0.34%, 0.61%

LAB 64.57, -7.42, -18.45

 

CMYK 39 / 15 / 0 / 33

HEX #6790AA

RGB 103 144 170

HSL 203.28, 0.28%, 0.54%

LAB 57.78, -7.25, -18.14

 

CMYK 43 / 17 / 0 / 41

HEX #567E97

RGB 86 126 151

HSL 203.08, 0.27%, 0.46%

LAB 50.84, -7.05, -17.84

 

CMYK 32 / 13 / 0 / 11

HEX #9AC6E3

RGB 154 198 227

HSL 203.84, 0.57%, 0.75%

LAB 77.76, -7.67, -19.09

 

CMYK 32 / 21 / 0 / 11

HEX #9AB3E3

RGB 154 179 227

HSL 219.45, 0.57%, 0.75%

LAB 72.66, 2.59, -26.85

 

CMYK 32 / 30 / 0 / 11

HEX #9A9FE3

RGB 154 159 227

HSL 235.89, 0.57%, 0.75%

LAB 67.44, 13.77, -34.92

 

CMYK 26 / 32 / 0 / 11

HEX #A99AE3

RGB 169 154 227

HSL 252.33, 0.57%, 0.75%

LAB 67.35, 20.93, -34.97

 

CMYK 17 / 32 / 0 / 11

HEX #BD9AE3

RGB 189 154 227

HSL 268.77, 0.57%, 0.75%

LAB 69.09, 26.93, -32.12

 

CMYK 32 / 13 / 0 / 11

HEX #9AC6E3

RGB 154 198 227

HSL 203.84, 0.57%, 0.75%

LAB 77.76, -7.67, -19.09

 

CMYK 32 / 21 / 0 / 11

HEX #9AB3E3

RGB 154 179 227

HSL 219.45, 0.57%, 0.75%

LAB 72.66, 2.59, -26.85

 

CMYK 32 / 30 / 0 / 11

HEX #9A9FE3

RGB 154 159 227

HSL 235.89, 0.57%, 0.75%

LAB 67.44, 13.77, -34.92

 

CMYK 32 / 32 / 0 / 11

HEX #9A9AE3

RGB 154 154 227

HSL 240, 0.57%, 0.75%

LAB 66.16, 16.62, -36.91

 

CMYK 32 / 13 / 0 / 11

HEX #9AC6E3

RGB 154 198 227

HSL 203.84, 0.57%, 0.75%

LAB 77.76, -7.67, -19.09

 

CMYK 39 / 16 / 0 / 7

HEX #90C8ED

RGB 144 200 237

HSL 203.87, 0.72%, 0.75%

LAB 78.08, -8.91, -24.03

 

CMYK 46 / 19 / 0 / 3

HEX #86CAF8

RGB 134 202 248

HSL 204.21, 0.89%, 0.75%

LAB 78.51, -9.5, -29.31

 

CMYK 32 / 13 / 0 / 11

HEX #9AC6E3

RGB 154 198 227

HSL 203.84, 0.57%, 0.75%

LAB 77.76, -7.67, -19.09

 

CMYK 24 / 10 / 0 / 15

HEX #A5C4D9

RGB 165 196 217

HSL 204.23, 0.41%, 0.75%

LAB 77.57, -5.76, -13.92

 

CMYK 15 / 6 / 0 / 19

HEX #AFC2CE

RGB 175 194 206

HSL 203.23, 0.24%, 0.75%

LAB 77.37, -3.99, -8.21

 

CMYK 6 / 2 / 0 / 23

HEX #B9C0C4

RGB 185 192 196

HSL 201.82, 0.09%, 0.75%

LAB 77.28, -1.64, -2.86

 

CMYK 0 / 3 / 5 / 23

HEX #C4BEBA

RGB 196 190 186

HSL 24, 0.08%, 0.75%

LAB 77.35, 1.39, 2.75

 

CMYK 32 / 0 / 5 / 11

HEX #9AE3D8

RGB 154 227 216

HSL 170.96, 0.57%, 0.75%

LAB 85.39, -24.97, -1.87

 

CMYK 32 / 4 / 0 / 11

HEX #9ADBE3

RGB 154 219 227

HSL 186.58, 0.57%, 0.75%

LAB 83.48, -18.5, -10.5

 

CMYK 32 / 12 / 0 / 11

HEX #9AC7E3

RGB 154 199 227

HSL 203.01, 0.57%, 0.75%

LAB 78.03, -8.2, -18.68

 

CMYK 32 / 21 / 0 / 11

HEX #9AB4E3

RGB 154 180 227

HSL 218.63, 0.57%, 0.75%

LAB 72.93, 2.04, -26.45

 

CMYK 32 / 30 / 0 / 11

HEX #9AA0E3

RGB 154 160 227

HSL 235.07, 0.57%, 0.75%

LAB 67.69, 13.2, -34.52

 

CMYK 57 / 22 / 0 / 18

HEX #5AA2D1

RGB 90 162 209

HSL 203.7, 0.56%, 0.59%

LAB 63.85, -8.95, -30.82

 

CMYK 44 / 17 / 0 / 15

HEX #7AB4DA

RGB 122 180 218

HSL 203.75, 0.56%, 0.67%

LAB 70.76, -8.88, -25.02

 

CMYK 32 / 13 / 0 / 11

HEX #9AC6E3

RGB 154 198 227

HSL 203.84, 0.57%, 0.75%

LAB 77.76, -7.67, -19.09

 

CMYK 21 / 8 / 0 / 7

HEX #BBD8EC

RGB 187 216 236

HSL 204.49, 0.56%, 0.83%

LAB 84.86, -5.37, -13.01

 

CMYK 11 / 4 / 0 / 4

HEX #DBEBF5

RGB 219 235 245

HSL 203.08, 0.57%, 0.91%

LAB 92.16, -3.35, -6.65

 

CMYK 32 / 13 / 0 / 11

HEX #9AC6E3

RGB 154 198 227

HSL 203.84, 0.57%, 0.75%

LAB 77.76, -7.67, -19.09

 

CMYK 13 / 32 / 0 / 11

HEX #C59AE3

RGB 197 154 227

HSL 275.34, 0.57%, 0.75%

LAB 69.84, 29.39, -30.9

 

CMYK 0 / 0 / 32 / 11

HEX #E3E29A

RGB 227 226 154

HSL 59.18, 0.57%, 0.75%

LAB 88.47, -10.47, 35.4

 

CMYK 32 / 13 / 0 / 11

HEX #9AC6E3

RGB 154 198 227

HSL 203.84, 0.57%, 0.75%

LAB 77.76, -7.67, -19.09

 

CMYK 0 / 32 / 12 / 11

HEX #E39AC7

RGB 227 154 199

HSL 323.01, 0.57%, 0.75%

LAB 71.94, 33.9, -12.01

 

CMYK 12 / 0 / 32 / 11

HEX #C7E39A

RGB 199 227 154

HSL 83.01, 0.57%, 0.75%

LAB 86.71, -21.42, 32.69

 

CMYK 32 / 13 / 0 / 11

HEX #9AC6E3

RGB 154 198 227

HSL 203.84, 0.57%, 0.75%

LAB 77.76, -7.67, -19.09

 

CMYK 13 / 32 / 0 / 11

HEX #C59AE3

RGB 197 154 227

HSL 275.34, 0.57%, 0.75%

LAB 69.84, 29.39, -30.9

 

CMYK 0 / 20 / 32 / 11

HEX #E3B69A

RGB 227 182 154

HSL 23.01, 0.57%, 0.75%

LAB 77.35, 12.35, 20.42

 

CMYK 19 / 0 / 32 / 11

HEX #B9E39A

RGB 185 227 154

HSL 94.52, 0.57%, 0.75%

LAB 85.8, -26.45, 31.32

 

CMYK 32 / 13 / 0 / 11

HEX #9AC6E3

RGB 154 198 227

HSL 203.84, 0.57%, 0.75%

LAB 77.76, -7.67, -19.09

 

CMYK 4 / 32 / 0 / 11

HEX #DB9AE3

RGB 219 154 227

HSL 293.42, 0.57%, 0.75%

LAB 72.04, 36.25, -27.34

 

CMYK 0 / 20 / 32 / 11

HEX #E3B69A

RGB 227 182 154

HSL 23.01, 0.57%, 0.75%

LAB 77.35, 12.35, 20.42

 

CMYK 28 / 0 / 32 / 11

HEX #A3E39A

RGB 163 227 154

HSL 112.6, 0.57%, 0.75%

LAB 84.51, -33.96, 29.37

 

Description

Color code: HEX #9AC6E3 | qconv.com Color code: HEX #9AC6E3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 198 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 198 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 13 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 13% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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