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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9ABDDF it is the complementary color #654220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9ABDDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9ABDDF shade: #9FBDDA, #B0CFED, #C1E1FF, #D2F3FF and #E3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9ABDDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9ABDDF shade: #9ABDDF, #89ABCC, #7899B9, #6787A6 and #567593

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9ABDDF shade: #9ABDDF, #9AAADF, #9C9ADF, #AF9ADF and #C19ADF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9ABDDF shade: #9ABDDF, #9AAADF and #9A9ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9ABDDF shade matches the following richer shades: #9ABDDF, #8FBDE9 and #84BDF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9ABDDF shade: #9ABDDF, #A4BDD4, #AFBCC9, #BABCBE and #C5BCB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9ABDDF shade: #9ADFDB, #9AD0DF, #9ABDDF, #9AABDF and #9B9ADF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9ABDDF shade: #5B94CB, #7AA8D5, #9ABDDF, #B9D1E9 and #D8E6F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9ABDDF shade: #9ABDDF, #C99ADF and #D9DF9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9ABDDF shade: #9ABDDF, #DF9ABD and #BDDF9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9ABDDF shade: #9ABDDF, #C99ADF, #DFBB9A and #B0DF9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9ABDDF shade: #9ABDDF, #DE9ADF, #DFBB9A and #9BDF9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 15 / 0 / 13

HEX #9ABDDF

RGB 154 189 223

HSL 209.57, 0.52%, 0.74%

LAB 75.2, -3.85, -20.82

 

Complementary color

CMYK 0 / 35 / 68 / 60

HEX #654220

RGB 101 66 32

HSL 29.57, 0.52%, 0.26%

LAB 31.27, 11.42, 26.43

 

CMYK 27 / 13 / 0 / 15

HEX #9FBDDA

RGB 159 189 218

HSL 209.49, 0.44%, 0.74%

LAB 75.34, -3.59, -17.85

 

CMYK 26 / 13 / 0 / 7

HEX #B0CFED

RGB 176 207 237

HSL 209.51, 0.63%, 0.81%

LAB 81.82, -3.72, -18.18

 

CMYK 24 / 12 / 0 / 0

HEX #C1E1FF

RGB 193 225 255

HSL 209.03, 1%, 0.88%

LAB 88.16, -4.07, -18.03

 

CMYK 18 / 5 / 0 / 0

HEX #D2F3FF

RGB 210 243 255

HSL 196, 1%, 0.91%

LAB 93.89, -8.22, -9.36

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 31 / 15 / 0 / 13

HEX #9ABDDF

RGB 154 189 223

HSL 209.57, 0.52%, 0.74%

LAB 75.2, -3.85, -20.82

 

CMYK 33 / 16 / 0 / 20

HEX #89ABCC

RGB 137 171 204

HSL 209.55, 0.4%, 0.67%

LAB 68.61, -3.67, -20.54

 

CMYK 35 / 17 / 0 / 27

HEX #7899B9

RGB 120 153 185

HSL 209.54, 0.32%, 0.6%

LAB 61.89, -3.48, -20.28

 

CMYK 38 / 19 / 0 / 35

HEX #6787A6

RGB 103 135 166

HSL 209.52, 0.26%, 0.53%

LAB 55.04, -3.25, -20.04

 

CMYK 41 / 20 / 0 / 42

HEX #567593

RGB 86 117 147

HSL 209.51, 0.26%, 0.46%

LAB 48.02, -2.97, -19.82

 

CMYK 31 / 15 / 0 / 13

HEX #9ABDDF

RGB 154 189 223

HSL 209.57, 0.52%, 0.74%

LAB 75.2, -3.85, -20.82

 

CMYK 31 / 24 / 0 / 13

HEX #9AAADF

RGB 154 170 223

HSL 226.09, 0.52%, 0.74%

LAB 70.14, 6.57, -28.55

 

CMYK 30 / 31 / 0 / 13

HEX #9C9ADF

RGB 156 154 223

HSL 241.74, 0.52%, 0.74%

LAB 66.14, 16.17, -34.72

 

CMYK 22 / 31 / 0 / 13

HEX #AF9ADF

RGB 175 154 223

HSL 258.26, 0.52%, 0.74%

LAB 67.69, 21.77, -32.19

 

CMYK 13 / 31 / 0 / 13

HEX #C19ADF

RGB 193 154 223

HSL 273.91, 0.52%, 0.74%

LAB 69.31, 27.3, -29.56

 

CMYK 31 / 15 / 0 / 13

HEX #9ABDDF

RGB 154 189 223

HSL 209.57, 0.52%, 0.74%

LAB 75.2, -3.85, -20.82

 

CMYK 31 / 24 / 0 / 13

HEX #9AAADF

RGB 154 170 223

HSL 226.09, 0.52%, 0.74%

LAB 70.14, 6.57, -28.55

 

CMYK 31 / 31 / 0 / 13

HEX #9A9ADF

RGB 154 154 223

HSL 240, 0.52%, 0.74%

LAB 65.99, 15.59, -34.97

 

CMYK 31 / 15 / 0 / 13

HEX #9ABDDF

RGB 154 189 223

HSL 209.57, 0.52%, 0.74%

LAB 75.2, -3.85, -20.82

 

CMYK 39 / 19 / 0 / 9

HEX #8FBDE9

RGB 143 189 233

HSL 209.33, 0.67%, 0.74%

LAB 74.9, -4.34, -26.74

 

CMYK 46 / 23 / 0 / 4

HEX #84BDF4

RGB 132 189 244

HSL 209.46, 0.84%, 0.74%

LAB 74.72, -4.12, -33.01

 

CMYK 31 / 15 / 0 / 13

HEX #9ABDDF

RGB 154 189 223

HSL 209.57, 0.52%, 0.74%

LAB 75.2, -3.85, -20.82

 

CMYK 23 / 11 / 0 / 17

HEX #A4BDD4

RGB 164 189 212

HSL 208.75, 0.36%, 0.74%

LAB 75.48, -3.47, -14.37

 

CMYK 13 / 6 / 0 / 21

HEX #AFBCC9

RGB 175 188 201

HSL 210, 0.19%, 0.74%

LAB 75.64, -1.84, -8.08

 

CMYK 2 / 1 / 0 / 25

HEX #BABCBE

RGB 186 188 190

HSL 210, 0.03%, 0.74%

LAB 76.14, -0.32, -1.26

 

CMYK 0 / 5 / 9 / 23

HEX #C5BCB4

RGB 197 188 180

HSL 28.24, 0.13%, 0.74%

LAB 76.76, 1.77, 5.16

 

CMYK 31 / 0 / 2 / 13

HEX #9ADFDB

RGB 154 223 219

HSL 176.52, 0.52%, 0.74%

LAB 84.36, -22.34, -4.96

 

CMYK 31 / 7 / 0 / 13

HEX #9AD0DF

RGB 154 208 223

HSL 193.04, 0.52%, 0.74%

LAB 80.35, -13.85, -13.04

 

CMYK 31 / 15 / 0 / 13

HEX #9ABDDF

RGB 154 189 223

HSL 209.57, 0.52%, 0.74%

LAB 75.2, -3.85, -20.82

 

CMYK 31 / 23 / 0 / 13

HEX #9AABDF

RGB 154 171 223

HSL 225.22, 0.52%, 0.74%

LAB 70.4, 6.01, -28.14

 

CMYK 30 / 31 / 0 / 13

HEX #9B9ADF

RGB 155 154 223

HSL 240.87, 0.52%, 0.74%

LAB 66.06, 15.88, -34.84

 

CMYK 55 / 27 / 0 / 20

HEX #5B94CB

RGB 91 148 203

HSL 209.46, 0.52%, 0.58%

LAB 59.63, -2.74, -34.02

 

CMYK 43 / 21 / 0 / 16

HEX #7AA8D5

RGB 122 168 213

HSL 209.67, 0.52%, 0.66%

LAB 67.24, -3.71, -27.68

 

CMYK 31 / 15 / 0 / 13

HEX #9ABDDF

RGB 154 189 223

HSL 209.57, 0.52%, 0.74%

LAB 75.2, -3.85, -20.82

 

CMYK 21 / 10 / 0 / 9

HEX #B9D1E9

RGB 185 209 233

HSL 210, 0.52%, 0.82%

LAB 82.81, -2.97, -14.51

 

CMYK 11 / 5 / 0 / 5

HEX #D8E6F2

RGB 216 230 242

HSL 207.69, 0.5%, 0.9%

LAB 90.6, -2.33, -7.42

 

CMYK 31 / 15 / 0 / 13

HEX #9ABDDF

RGB 154 189 223

HSL 209.57, 0.52%, 0.74%

LAB 75.2, -3.85, -20.82

 

CMYK 10 / 31 / 0 / 13

HEX #C99ADF

RGB 201 154 223

HSL 280.87, 0.52%, 0.74%

LAB 70.08, 29.8, -28.32

 

CMYK 3 / 0 / 31 / 13

HEX #D9DF9A

RGB 217 223 154

HSL 65.22, 0.52%, 0.74%

LAB 86.93, -12.76, 33.22

 

CMYK 31 / 15 / 0 / 13

HEX #9ABDDF

RGB 154 189 223

HSL 209.57, 0.52%, 0.74%

LAB 75.2, -3.85, -20.82

 

CMYK 0 / 31 / 15 / 13

HEX #DF9ABD

RGB 223 154 189

HSL 329.57, 0.52%, 0.74%

LAB 71.2, 30.91, -7.62

 

CMYK 15 / 0 / 31 / 13

HEX #BDDF9A

RGB 189 223 154

HSL 89.57, 0.52%, 0.74%

LAB 84.96, -23.09, 30.24

 

CMYK 31 / 15 / 0 / 13

HEX #9ABDDF

RGB 154 189 223

HSL 209.57, 0.52%, 0.74%

LAB 75.2, -3.85, -20.82

 

CMYK 10 / 31 / 0 / 13

HEX #C99ADF

RGB 201 154 223

HSL 280.87, 0.52%, 0.74%

LAB 70.08, 29.8, -28.32

 

CMYK 0 / 16 / 31 / 13

HEX #DFBB9A

RGB 223 187 154

HSL 28.7, 0.52%, 0.74%

LAB 78.21, 8.15, 21.53

 

CMYK 21 / 0 / 31 / 13

HEX #B0DF9A

RGB 176 223 154

HSL 100.87, 0.52%, 0.74%

LAB 84.14, -27.68, 29

 

CMYK 31 / 15 / 0 / 13

HEX #9ABDDF

RGB 154 189 223

HSL 209.57, 0.52%, 0.74%

LAB 75.2, -3.85, -20.82

 

CMYK 0 / 31 / 0 / 13

HEX #DE9ADF

RGB 222 154 223

HSL 299.13, 0.52%, 0.74%

LAB 72.21, 36.45, -24.86

 

CMYK 0 / 16 / 31 / 13

HEX #DFBB9A

RGB 223 187 154

HSL 28.7, 0.52%, 0.74%

LAB 78.21, 8.15, 21.53

 

CMYK 30 / 0 / 31 / 13

HEX #9BDF9A

RGB 155 223 154

HSL 119.13, 0.52%, 0.74%

LAB 82.95, -34.71, 27.2

 

Description

Color code: HEX #9ABDDF | qconv.com Color code: HEX #9ABDDF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 189 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 189 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 15 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 15% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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