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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AA0FB it is the complementary color #655F04. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AA0FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AA0FB shade: #9FA0F6, #B0B2FF, #C1C4FF, #D2D6FF and #E3E8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AA0FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AA0FB shade: #9AA0FB, #898EE8, #787CD5, #676AC2 and #5658AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AA0FB shade: #989EFB, #AD98FB, #C798FB, #E298FB and #FB98F9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AA0FB shade: #989EFB and #9898FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AA0FB shade matches the following richer shades: #989EFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AA0FB shade: #989EFB, #A1A6F2, #AAADE9, #B2B5E1 and #BBBDD8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AA0FB shade: #98D3FB, #98B9FB, #989FFB, #AC98FB and #C698FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AA0FB shade: #4954F7, #7179F9, #989EFB, #C0C4FC and #E7E9FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AA0FB shade: #9AA0FB, #FB98EE and #C6FB98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AA0FB shade: #9AA0FB, #FB989F and #9FFB98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AA0FB shade: #9AA0FB, #FB98EE, #FBF498 and #98FBA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AA0FB shade: #9AA0FB, #FB98D0, #FBF498 and #98FBC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 36 / 0 / 2

HEX #9AA0FB

RGB 154 160 251

HSL 236.29, 0.92%, 0.79%

LAB 68.73, 19.52, -46.02

 

Complementary color

CMYK 0 / 6 / 96 / 60

HEX #655F04

RGB 101 95 4

HSL 56.29, 0.92%, 0.21%

LAB 39.51, -7.39, 45.43

 

CMYK 35 / 35 / 0 / 4

HEX #9FA0F6

RGB 159 160 246

HSL 239.31, 0.83%, 0.79%

LAB 68.87, 19.5, -43.06

 

CMYK 31 / 30 / 0 / 0

HEX #B0B2FF

RGB 176 178 255

HSL 238.48, 1%, 0.85%

LAB 75.01, 16.33, -38.27

 

CMYK 24 / 23 / 0 / 0

HEX #C1C4FF

RGB 193 196 255

HSL 237.1, 1%, 0.88%

LAB 80.76, 11.33, -29.29

 

CMYK 18 / 16 / 0 / 0

HEX #D2D6FF

RGB 210 214 255

HSL 234.67, 1%, 0.91%

LAB 86.51, 6.81, -20.42

 

CMYK 11 / 9 / 0 / 0

HEX #E3E8FF

RGB 227 232 255

HSL 229.29, 1%, 0.95%

LAB 92.25, 2.69, -11.68

 

CMYK 39 / 36 / 0 / 2

HEX #9AA0FB

RGB 154 160 251

HSL 236.29, 0.92%, 0.79%

LAB 68.73, 19.52, -46.02

 

CMYK 41 / 39 / 0 / 9

HEX #898EE8

RGB 137 142 232

HSL 236.84, 0.67%, 0.72%

LAB 62.08, 20.33, -46.16

 

CMYK 44 / 42 / 0 / 16

HEX #787CD5

RGB 120 124 213

HSL 237.42, 0.53%, 0.65%

LAB 55.29, 21.25, -46.36

 

CMYK 47 / 45 / 0 / 24

HEX #676AC2

RGB 103 106 194

HSL 238.02, 0.43%, 0.58%

LAB 48.37, 22.33, -46.6

 

CMYK 51 / 50 / 0 / 31

HEX #5658AF

RGB 86 88 175

HSL 238.65, 0.36%, 0.51%

LAB 41.3, 23.61, -46.9

 

CMYK 39 / 37 / 0 / 2

HEX #989EFB

RGB 152 158 251

HSL 236.36, 0.93%, 0.79%

LAB 68.09, 20.15, -47.05

 

CMYK 31 / 39 / 0 / 2

HEX #AD98FB

RGB 173 152 251

HSL 252.73, 0.93%, 0.79%

LAB 68.25, 29.08, -46.69

 

CMYK 21 / 39 / 0 / 2

HEX #C798FB

RGB 199 152 251

HSL 268.48, 0.93%, 0.79%

LAB 70.57, 36.3, -42.88

 

CMYK 10 / 39 / 0 / 2

HEX #E298FB

RGB 226 152 251

HSL 284.85, 0.93%, 0.79%

LAB 73.28, 44.11, -38.45

 

CMYK 0 / 39 / 1 / 2

HEX #FB98F9

RGB 251 152 249

HSL 301.21, 0.93%, 0.79%

LAB 75.95, 51.1, -33.01

 

CMYK 39 / 37 / 0 / 2

HEX #989EFB

RGB 152 158 251

HSL 236.36, 0.93%, 0.79%

LAB 68.09, 20.15, -47.05

 

CMYK 39 / 39 / 0 / 2

HEX #9898FB

RGB 152 152 251

HSL 240, 0.93%, 0.79%

LAB 66.59, 23.59, -49.4

 

CMYK 39 / 37 / 0 / 2

HEX #989EFB

RGB 152 158 251

HSL 236.36, 0.93%, 0.79%

LAB 68.09, 20.15, -47.05

 

CMYK 39 / 37 / 0 / 2

HEX #989EFB

RGB 152 158 251

HSL 236.36, 0.93%, 0.79%

LAB 68.09, 20.15, -47.05

 

CMYK 33 / 31 / 0 / 5

HEX #A1A6F2

RGB 161 166 242

HSL 236.3, 0.76%, 0.79%

LAB 70.36, 15.61, -38.55

 

CMYK 27 / 26 / 0 / 9

HEX #AAADE9

RGB 170 173 233

HSL 237.14, 0.59%, 0.79%

LAB 72.44, 12.01, -30.37

 

CMYK 21 / 20 / 0 / 12

HEX #B2B5E1

RGB 178 181 225

HSL 236.17, 0.44%, 0.79%

LAB 74.79, 8.13, -22.36

 

CMYK 13 / 13 / 0 / 15

HEX #BBBDD8

RGB 187 189 216

HSL 235.86, 0.27%, 0.79%

LAB 77.23, 4.67, -13.74

 

CMYK 39 / 16 / 0 / 2

HEX #98D3FB

RGB 152 211 251

HSL 204.24, 0.93%, 0.79%

LAB 81.96, -9.02, -25.55

 

CMYK 39 / 26 / 0 / 2

HEX #98B9FB

RGB 152 185 251

HSL 220, 0.93%, 0.79%

LAB 75.04, 4.97, -36.19

 

CMYK 39 / 37 / 0 / 2

HEX #989FFB

RGB 152 159 251

HSL 235.76, 0.93%, 0.79%

LAB 68.34, 19.58, -46.65

 

CMYK 31 / 39 / 0 / 2

HEX #AC98FB

RGB 172 152 251

HSL 252.12, 0.93%, 0.79%

LAB 68.16, 28.81, -46.83

 

CMYK 21 / 39 / 0 / 2

HEX #C698FB

RGB 198 152 251

HSL 267.88, 0.93%, 0.79%

LAB 70.47, 36.02, -43.03

 

CMYK 70 / 66 / 0 / 3

HEX #4954F7

RGB 73 84 247

HSL 236.21, 0.92%, 0.63%

LAB 44.9, 47.73, -82.41

 

CMYK 55 / 51 / 0 / 2

HEX #7179F9

RGB 113 121 249

HSL 236.47, 0.92%, 0.71%

LAB 56.11, 32.4, -65.18

 

CMYK 39 / 37 / 0 / 2

HEX #989EFB

RGB 152 158 251

HSL 236.36, 0.93%, 0.79%

LAB 68.09, 20.15, -47.05

 

CMYK 24 / 22 / 0 / 1

HEX #C0C4FC

RGB 192 196 252

HSL 236, 0.91%, 0.87%

LAB 80.58, 10.35, -27.97

 

CMYK 9 / 8 / 0 / 0

HEX #E7E9FE

RGB 231 233 254

HSL 234.78, 0.92%, 0.95%

LAB 92.76, 3.26, -10.36

 

CMYK 39 / 36 / 0 / 2

HEX #9AA0FB

RGB 154 160 251

HSL 236.29, 0.92%, 0.79%

LAB 68.73, 19.52, -46.02

 

CMYK 0 / 39 / 5 / 2

HEX #FB98EE

RGB 251 152 238

HSL 307.88, 0.93%, 0.79%

LAB 75.54, 49.2, -27.67

 

CMYK 21 / 0 / 39 / 2

HEX #C6FB98

RGB 198 251 152

HSL 92.12, 0.93%, 0.79%

LAB 93.13, -33.4, 42.07

 

CMYK 39 / 36 / 0 / 2

HEX #9AA0FB

RGB 154 160 251

HSL 236.29, 0.92%, 0.79%

LAB 68.73, 19.52, -46.02

 

CMYK 0 / 39 / 37 / 2

HEX #FB989F

RGB 251 152 159

HSL 355.76, 0.93%, 0.79%

LAB 73.2, 37.83, 12.29

 

CMYK 37 / 0 / 39 / 2

HEX #9FFB98

RGB 159 251 152

HSL 115.76, 0.93%, 0.79%

LAB 91.07, -46.2, 39

 

CMYK 39 / 36 / 0 / 2

HEX #9AA0FB

RGB 154 160 251

HSL 236.29, 0.92%, 0.79%

LAB 68.73, 19.52, -46.02

 

CMYK 0 / 39 / 5 / 2

HEX #FB98EE

RGB 251 152 238

HSL 307.88, 0.93%, 0.79%

LAB 75.54, 49.2, -27.67

 

CMYK 0 / 3 / 39 / 2

HEX #FBF498

RGB 251 244 152

HSL 55.76, 0.93%, 0.79%

LAB 94.94, -10.47, 45.12

 

CMYK 39 / 0 / 34 / 2

HEX #98FBA5

RGB 152 251 165

HSL 127.88, 0.93%, 0.79%

LAB 90.96, -46.29, 32.33

 

CMYK 39 / 36 / 0 / 2

HEX #9AA0FB

RGB 154 160 251

HSL 236.29, 0.92%, 0.79%

LAB 68.73, 19.52, -46.02

 

CMYK 0 / 39 / 17 / 2

HEX #FB98D0

RGB 251 152 208

HSL 326.06, 0.93%, 0.79%

LAB 74.52, 44.38, -12.81

 

CMYK 0 / 3 / 39 / 2

HEX #FBF498

RGB 251 244 152

HSL 55.76, 0.93%, 0.79%

LAB 94.94, -10.47, 45.12

 

CMYK 39 / 0 / 22 / 2

HEX #98FBC3

RGB 152 251 195

HSL 146.06, 0.93%, 0.79%

LAB 91.51, -41.03, 17.85

 

Description

Color code: HEX #9AA0FB | qconv.com Color code: HEX #9AA0FB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 160 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 160 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 36 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 36% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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