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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A8DCC it is the complementary color #657233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A8DCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A8DCC shade: #9F8DC7, #B09FDA, #C1B1ED, #D2C3FF and #E3D5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A8DCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A8DCC shade: #9A8DCC, #897BB9, #7869A6, #675793 and #564580

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A8DCC shade: #9B8ECC, #AB8ECC, #BC8ECC, #CC8ECB and #CC8EBA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A8DCC shade: #9B8ECC and #8E8ECC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A8DCC shade matches the following richer shades: #9B8ECC, #9381D9, #8B73E6 and #8366F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A8DCC shade: #9B8ECC, #A29BBF, #AAA8B2, #B2B6A4 and #BAC397

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A8DCC shade: #8EA3CC, #8E92CC, #9A8ECC, #AB8ECC and #BB8ECC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A8DCC shade: #6855B2, #8171BF, #9B8ECC, #B4AAD9 and #CDC7E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A8DCC shade: #9A8DCC, #CC8EB3 and #9ACC8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A8DCC shade: #9A8DCC, #CC9A8E and #8ECC9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A8DCC shade: #9A8DCC, #CC8EB3, #C0CC8E and #8ECCA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A8DCC shade: #9A8DCC, #CC8EA0, #C0CC8E and #8ECCB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 31 / 0 / 20

HEX #9A8DCC

RGB 154 141 204

HSL 252.38, 0.38%, 0.68%

LAB 61.89, 18.31, -30.75

 

Complementary color

CMYK 11 / 0 / 55 / 55

HEX #657233

RGB 101 114 51

HSL 72.38, 0.38%, 0.32%

LAB 45.69, -15.2, 32.86

 

CMYK 20 / 29 / 0 / 22

HEX #9F8DC7

RGB 159 141 199

HSL 258.62, 0.34%, 0.67%

LAB 62.12, 18.67, -27.56

 

CMYK 19 / 27 / 0 / 15

HEX #B09FDA

RGB 176 159 218

HSL 257.29, 0.44%, 0.74%

LAB 68.82, 18.13, -27.69

 

CMYK 19 / 25 / 0 / 7

HEX #C1B1ED

RGB 193 177 237

HSL 256, 0.63%, 0.81%

LAB 75.39, 17.64, -27.86

 

CMYK 18 / 24 / 0 / 0

HEX #D2C3FF

RGB 210 195 255

HSL 255, 1%, 0.88%

LAB 81.81, 16.97, -27.56

 

CMYK 11 / 16 / 0 / 0

HEX #E3D5FF

RGB 227 213 255

HSL 260, 1%, 0.92%

LAB 87.55, 12.64, -18.72

 

CMYK 25 / 31 / 0 / 20

HEX #9A8DCC

RGB 154 141 204

HSL 252.38, 0.38%, 0.68%

LAB 61.89, 18.31, -30.75

 

CMYK 26 / 34 / 0 / 27

HEX #897BB9

RGB 137 123 185

HSL 253.55, 0.31%, 0.6%

LAB 55.06, 18.94, -30.7

 

CMYK 28 / 37 / 0 / 35

HEX #7869A6

RGB 120 105 166

HSL 254.75, 0.26%, 0.53%

LAB 48.07, 19.64, -30.71

 

CMYK 30 / 41 / 0 / 42

HEX #675793

RGB 103 87 147

HSL 256, 0.26%, 0.46%

LAB 40.91, 20.45, -30.76

 

CMYK 33 / 46 / 0 / 50

HEX #564580

RGB 86 69 128

HSL 257.29, 0.3%, 0.39%

LAB 33.55, 21.38, -30.87

 

CMYK 24 / 30 / 0 / 20

HEX #9B8ECC

RGB 155 142 204

HSL 252.58, 0.38%, 0.68%

LAB 62.23, 18.04, -30.22

 

CMYK 16 / 30 / 0 / 20

HEX #AB8ECC

RGB 171 142 204

HSL 268.06, 0.38%, 0.68%

LAB 63.64, 23, -27.92

 

CMYK 8 / 30 / 0 / 20

HEX #BC8ECC

RGB 188 142 204

HSL 284.52, 0.38%, 0.68%

LAB 65.28, 28.41, -25.27

 

CMYK 0 / 30 / 0 / 20

HEX #CC8ECB

RGB 204 142 203

HSL 300.97, 0.38%, 0.68%

LAB 66.9, 33.41, -22.09

 

CMYK 0 / 30 / 9 / 20

HEX #CC8EBA

RGB 204 142 186

HSL 317.42, 0.38%, 0.68%

LAB 66.31, 30.34, -13.47

 

CMYK 24 / 30 / 0 / 20

HEX #9B8ECC

RGB 155 142 204

HSL 252.58, 0.38%, 0.68%

LAB 62.23, 18.04, -30.22

 

CMYK 30 / 30 / 0 / 20

HEX #8E8ECC

RGB 142 142 204

HSL 240, 0.38%, 0.68%

LAB 61.18, 14.16, -31.93

 

CMYK 24 / 30 / 0 / 20

HEX #9B8ECC

RGB 155 142 204

HSL 252.58, 0.38%, 0.68%

LAB 62.23, 18.04, -30.22

 

CMYK 32 / 41 / 0 / 15

HEX #9381D9

RGB 147 129 217

HSL 252.27, 0.54%, 0.68%

LAB 58.89, 26.49, -42.77

 

CMYK 40 / 50 / 0 / 10

HEX #8B73E6

RGB 139 115 230

HSL 252.52, 0.7%, 0.68%

LAB 55.55, 36.01, -55.41

 

CMYK 46 / 58 / 0 / 4

HEX #8366F4

RGB 131 102 244

HSL 252.25, 0.87%, 0.68%

LAB 52.8, 45.56, -67.69

 

CMYK 24 / 30 / 0 / 20

HEX #9B8ECC

RGB 155 142 204

HSL 252.58, 0.38%, 0.68%

LAB 62.23, 18.04, -30.22

 

CMYK 15 / 19 / 0 / 25

HEX #A29BBF

RGB 162 155 191

HSL 251.67, 0.22%, 0.68%

LAB 65.66, 9.87, -17.64

 

CMYK 4 / 6 / 0 / 30

HEX #AAA8B2

RGB 170 168 178

HSL 252, 0.06%, 0.68%

LAB 69.3, 2.64, -4.89

 

CMYK 2 / 0 / 10 / 29

HEX #B2B6A4

RGB 178 182 164

HSL 73.33, 0.11%, 0.68%

LAB 73.29, -4.65, 8.68

 

CMYK 5 / 0 / 23 / 24

HEX #BAC397

RGB 186 195 151

HSL 72.27, 0.27%, 0.68%

LAB 77.1, -10.6, 21.12

 

CMYK 30 / 20 / 0 / 20

HEX #8EA3CC

RGB 142 163 204

HSL 219.68, 0.38%, 0.68%

LAB 66.75, 2.21, -23.34

 

CMYK 30 / 28 / 0 / 20

HEX #8E92CC

RGB 142 146 204

HSL 236.13, 0.38%, 0.68%

LAB 62.23, 11.86, -30.31

 

CMYK 25 / 30 / 0 / 20

HEX #9A8ECC

RGB 154 142 204

HSL 251.61, 0.38%, 0.68%

LAB 62.15, 17.74, -30.35

 

CMYK 16 / 30 / 0 / 20

HEX #AB8ECC

RGB 171 142 204

HSL 268.06, 0.38%, 0.68%

LAB 63.64, 23, -27.92

 

CMYK 8 / 30 / 0 / 20

HEX #BB8ECC

RGB 187 142 204

HSL 283.55, 0.38%, 0.68%

LAB 65.18, 28.09, -25.43

 

CMYK 42 / 52 / 0 / 30

HEX #6855B2

RGB 104 85 178

HSL 252.26, 0.38%, 0.52%

LAB 42.24, 30.65, -47.08

 

CMYK 32 / 41 / 0 / 25

HEX #8171BF

RGB 129 113 191

HSL 252.31, 0.38%, 0.6%

LAB 52.11, 24.05, -38.82

 

CMYK 24 / 30 / 0 / 20

HEX #9B8ECC

RGB 155 142 204

HSL 252.58, 0.38%, 0.68%

LAB 62.23, 18.04, -30.22

 

CMYK 17 / 22 / 0 / 15

HEX #B4AAD9

RGB 180 170 217

HSL 252.77, 0.38%, 0.76%

LAB 71.87, 13.03, -22.44

 

CMYK 10 / 13 / 0 / 10

HEX #CDC7E5

RGB 205 199 229

HSL 252, 0.37%, 0.84%

LAB 81.56, 7.8, -14.1

 

CMYK 25 / 31 / 0 / 20

HEX #9A8DCC

RGB 154 141 204

HSL 252.38, 0.38%, 0.68%

LAB 61.89, 18.31, -30.75

 

CMYK 0 / 30 / 12 / 20

HEX #CC8EB3

RGB 204 142 179

HSL 324.19, 0.38%, 0.68%

LAB 66.09, 29.15, -9.87

 

CMYK 25 / 0 / 30 / 20

HEX #9ACC8E

RGB 154 204 142

HSL 108.39, 0.38%, 0.68%

LAB 77.29, -28.02, 25.78

 

CMYK 25 / 31 / 0 / 20

HEX #9A8DCC

RGB 154 141 204

HSL 252.38, 0.38%, 0.68%

LAB 61.89, 18.31, -30.75

 

CMYK 0 / 25 / 30 / 20

HEX #CC9A8E

RGB 204 154 142

HSL 11.61, 0.38%, 0.68%

LAB 67.95, 16.99, 13.55

 

CMYK 30 / 0 / 25 / 20

HEX #8ECC9A

RGB 142 204 154

HSL 131.61, 0.38%, 0.68%

LAB 76.84, -29.97, 18.73

 

CMYK 25 / 31 / 0 / 20

HEX #9A8DCC

RGB 154 141 204

HSL 252.38, 0.38%, 0.68%

LAB 61.89, 18.31, -30.75

 

CMYK 0 / 30 / 12 / 20

HEX #CC8EB3

RGB 204 142 179

HSL 324.19, 0.38%, 0.68%

LAB 66.09, 29.15, -9.87

 

CMYK 6 / 0 / 30 / 20

HEX #C0CC8E

RGB 192 204 142

HSL 71.61, 0.38%, 0.68%

LAB 79.81, -14.21, 29.6

 

CMYK 30 / 0 / 18 / 20

HEX #8ECCA7

RGB 142 204 167

HSL 144.19, 0.38%, 0.68%

LAB 77.12, -27.54, 12.18

 

CMYK 25 / 31 / 0 / 20

HEX #9A8DCC

RGB 154 141 204

HSL 252.38, 0.38%, 0.68%

LAB 61.89, 18.31, -30.75

 

CMYK 0 / 30 / 22 / 20

HEX #CC8EA0

RGB 204 142 160

HSL 342.58, 0.38%, 0.68%

LAB 65.53, 26.12, 0

 

CMYK 6 / 0 / 30 / 20

HEX #C0CC8E

RGB 192 204 142

HSL 71.61, 0.38%, 0.68%

LAB 79.81, -14.21, 29.6

 

CMYK 30 / 0 / 9 / 20

HEX #8ECCB9

RGB 142 204 185

HSL 161.61, 0.38%, 0.68%

LAB 77.54, -23.87, 3.13

 

Description

Color code: HEX #9A8DCC | qconv.com Color code: HEX #9A8DCC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 141 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 141 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 31 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 31% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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