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Color name
HEX #9A7C18

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A7C18 it is the complementary color #6583E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A7C18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A7C18 shade: #9F7C13, #B08E26, #C1A039, #D2B24C and #E3C45F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A7C18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A7C18 shade: #9A7C18, #896A05, #785800, #674600 and #563400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A7C18 shade: #9A7C18, #9A5918, #9A3618 and #9A1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A7C18 shade: #9A7C18, #959A18, #729A18, #4F9A18 and #2C9A18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A7C18 shade matches the following richer shades: #9A7C18 and #A9840A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A7C18 shade: #9A7C18, #8C7527, #7E6D35, #6F6543 and #615D52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A7C18 shade: #9A3718, #9A5918, #9A7C18, #969A18 and #739A18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A7C18 shade: #53430D, #776013, #9A7C18, #BE991E and #DDB328

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A7C18 shade: #9A7C18, #1C9A18 and #48189A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A7C18 shade: #9A7C18, #189A7C and #7C189A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A7C18 shade: #9A7C18, #1C9A18, #18379A and #96189A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A7C18 shade: #9A7C18, #189A3B, #18379A and #9A1878

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 84 / 40

HEX #9A7C18

RGB 154 124 24

HSL 46.15, 0.73%, 0.35%

LAB 53.33, 1.98, 53.64

 

Complementary color

CMYK 56 / 43 / 0 / 9

HEX #6583E7

RGB 101 131 231

HSL 226.15, 0.73%, 0.65%

LAB 56.85, 18.32, -54.05

 

CMYK 0 / 22 / 88 / 38

HEX #9F7C13

RGB 159 124 19

HSL 45, 0.79%, 0.35%

LAB 53.85, 4.16, 55.7

 

CMYK 0 / 19 / 78 / 31

HEX #B08E26

RGB 176 142 38

HSL 45.22, 0.64%, 0.42%

LAB 60.53, 2.53, 56.25

 

CMYK 0 / 17 / 70 / 24

HEX #C1A039

RGB 193 160 57

HSL 45.44, 0.54%, 0.49%

LAB 67.11, 1.19, 55.82

 

CMYK 0 / 15 / 64 / 18

HEX #D2B24C

RGB 210 178 76

HSL 45.67, 0.6%, 0.56%

LAB 73.59, 0.06, 54.93

 

CMYK 0 / 14 / 58 / 11

HEX #E3C45F

RGB 227 196 95

HSL 45.91, 0.7%, 0.63%

LAB 79.97, -0.89, 53.83

 

CMYK 0 / 19 / 84 / 40

HEX #9A7C18

RGB 154 124 24

HSL 46.15, 0.73%, 0.35%

LAB 53.33, 1.98, 53.64

 

CMYK 0 / 23 / 96 / 46

HEX #896A05

RGB 137 106 5

HSL 45.91, 0.93%, 0.28%

LAB 46.5, 3.78, 52.1

 

CMYK 0 / 27 / 100 / 53

HEX #785800

RGB 120 88 0

HSL 44, 1%, 0.24%

LAB 39.53, 6.02, 47.53

 

CMYK 0 / 32 / 100 / 60

HEX #674600

RGB 103 70 0

HSL 40.78, 1%, 0.2%

LAB 32.4, 8.51, 41.68

 

CMYK 0 / 40 / 100 / 66

HEX #563400

RGB 86 52 0

HSL 36.28, 1%, 0.17%

LAB 25.06, 11.19, 34.78

 

CMYK 0 / 19 / 84 / 40

HEX #9A7C18

RGB 154 124 24

HSL 46.15, 0.73%, 0.35%

LAB 53.33, 1.98, 53.64

 

CMYK 0 / 42 / 84 / 40

HEX #9A5918

RGB 154 89 24

HSL 30, 0.73%, 0.35%

LAB 44.35, 21.94, 45.85

 

CMYK 0 / 65 / 84 / 40

HEX #9A3618

RGB 154 54 24

HSL 13.85, 0.73%, 0.35%

LAB 37.07, 40.32, 39.33

 

CMYK 0 / 84 / 84 / 40

HEX #9A1818

RGB 154 24 24

HSL 0, 0.73%, 0.35%

LAB 33.11, 51.22, 35.68

 

CMYK 0 / 19 / 84 / 40

HEX #9A7C18

RGB 154 124 24

HSL 46.15, 0.73%, 0.35%

LAB 53.33, 1.98, 53.64

 

CMYK 3 / 0 / 84 / 40

HEX #959A18

RGB 149 154 24

HSL 62.31, 0.73%, 0.35%

LAB 61.28, -16.56, 60.21

 

CMYK 26 / 0 / 84 / 40

HEX #729A18

RGB 114 154 24

HSL 78.46, 0.73%, 0.35%

LAB 58.75, -31.58, 57.04

 

CMYK 49 / 0 / 84 / 40

HEX #4F9A18

RGB 79 154 24

HSL 94.62, 0.73%, 0.35%

LAB 56.92, -44.43, 54.72

 

CMYK 71 / 0 / 84 / 40

HEX #2C9A18

RGB 44 154 24

HSL 110.77, 0.73%, 0.35%

LAB 55.8, -53.46, 53.29

 

CMYK 0 / 19 / 84 / 40

HEX #9A7C18

RGB 154 124 24

HSL 46.15, 0.73%, 0.35%

LAB 53.33, 1.98, 53.64

 

CMYK 0 / 22 / 94 / 34

HEX #A9840A

RGB 169 132 10

HSL 46.04, 0.89%, 0.35%

LAB 57.04, 4.13, 60.54

 

CMYK 0 / 19 / 84 / 40

HEX #9A7C18

RGB 154 124 24

HSL 46.15, 0.73%, 0.35%

LAB 53.33, 1.98, 53.64

 

CMYK 0 / 16 / 72 / 45

HEX #8C7527

RGB 140 117 39

HSL 46.34, 0.56%, 0.35%

LAB 50.03, 0.06, 44.42

 

CMYK 0 / 13 / 58 / 51

HEX #7E6D35

RGB 126 109 53

HSL 46.03, 0.41%, 0.35%

LAB 46.49, -0.85, 33.31

 

CMYK 0 / 9 / 40 / 56

HEX #6F6543

RGB 111 101 67

HSL 46.36, 0.25%, 0.35%

LAB 42.9, -1.51, 20.7

 

CMYK 0 / 4 / 15 / 62

HEX #615D52

RGB 97 93 82

HSL 44, 0.08%, 0.35%

LAB 39.55, -0.52, 6.89

 

CMYK 0 / 64 / 84 / 40

HEX #9A3718

RGB 154 55 24

HSL 14.31, 0.73%, 0.35%

LAB 37.24, 39.86, 39.49

 

CMYK 0 / 42 / 84 / 40

HEX #9A5918

RGB 154 89 24

HSL 30, 0.73%, 0.35%

LAB 44.35, 21.94, 45.85

 

CMYK 0 / 19 / 84 / 40

HEX #9A7C18

RGB 154 124 24

HSL 46.15, 0.73%, 0.35%

LAB 53.33, 1.98, 53.64

 

CMYK 3 / 0 / 84 / 40

HEX #969A18

RGB 150 154 24

HSL 61.85, 0.73%, 0.35%

LAB 61.36, -16.12, 60.32

 

CMYK 25 / 0 / 84 / 40

HEX #739A18

RGB 115 154 24

HSL 78, 0.73%, 0.35%

LAB 58.81, -31.18, 57.12

 

CMYK 0 / 19 / 84 / 67

HEX #53430D

RGB 83 67 13

HSL 46.29, 0.73%, 0.19%

LAB 29.11, 0.65, 33.05

 

CMYK 0 / 19 / 84 / 53

HEX #776013

RGB 119 96 19

HSL 46.2, 0.72%, 0.27%

LAB 41.74, 1.3, 43.72

 

CMYK 0 / 19 / 84 / 40

HEX #9A7C18

RGB 154 124 24

HSL 46.15, 0.73%, 0.35%

LAB 53.33, 1.98, 53.64

 

CMYK 0 / 19 / 84 / 25

HEX #BE991E

RGB 190 153 30

HSL 46.13, 0.73%, 0.43%

LAB 64.82, 2.56, 63.14

 

CMYK 0 / 19 / 82 / 13

HEX #DDB328

RGB 221 179 40

HSL 46.08, 0.73%, 0.51%

LAB 74.68, 2.63, 69.92

 

CMYK 0 / 19 / 84 / 40

HEX #9A7C18

RGB 154 124 24

HSL 46.15, 0.73%, 0.35%

LAB 53.33, 1.98, 53.64

 

CMYK 82 / 0 / 84 / 40

HEX #1C9A18

RGB 28 154 24

HSL 118.15, 0.73%, 0.35%

LAB 55.51, -56, 52.92

 

CMYK 53 / 84 / 0 / 40

HEX #48189A

RGB 72 24 154

HSL 262.15, 0.73%, 0.35%

LAB 24.84, 50.43, -61.09

 

CMYK 0 / 19 / 84 / 40

HEX #9A7C18

RGB 154 124 24

HSL 46.15, 0.73%, 0.35%

LAB 53.33, 1.98, 53.64

 

CMYK 84 / 0 / 19 / 40

HEX #189A7C

RGB 24 154 124

HSL 166.15, 0.73%, 0.35%

LAB 56.84, -40.39, 6.43

 

CMYK 19 / 84 / 0 / 40

HEX #7C189A

RGB 124 24 154

HSL 286.15, 0.73%, 0.35%

LAB 32.42, 58.3, -48.39

 

CMYK 0 / 19 / 84 / 40

HEX #9A7C18

RGB 154 124 24

HSL 46.15, 0.73%, 0.35%

LAB 53.33, 1.98, 53.64

 

CMYK 82 / 0 / 84 / 40

HEX #1C9A18

RGB 28 154 24

HSL 118.15, 0.73%, 0.35%

LAB 55.51, -56, 52.92

 

CMYK 84 / 64 / 0 / 40

HEX #18379A

RGB 24 55 154

HSL 225.69, 0.73%, 0.35%

LAB 27.46, 27.84, -56.9

 

CMYK 3 / 84 / 0 / 40

HEX #96189A

RGB 150 24 154

HSL 298.15, 0.73%, 0.35%

LAB 36.87, 63.09, -40.99

 

CMYK 0 / 19 / 84 / 40

HEX #9A7C18

RGB 154 124 24

HSL 46.15, 0.73%, 0.35%

LAB 53.33, 1.98, 53.64

 

CMYK 84 / 0 / 62 / 40

HEX #189A3B

RGB 24 154 59

HSL 136.15, 0.73%, 0.35%

LAB 55.71, -53.32, 39.77

 

CMYK 84 / 64 / 0 / 40

HEX #18379A

RGB 24 55 154

HSL 225.69, 0.73%, 0.35%

LAB 27.46, 27.84, -56.9

 

CMYK 0 / 84 / 22 / 40

HEX #9A1878

RGB 154 24 120

HSL 315.69, 0.73%, 0.35%

LAB 35.75, 58.89, -21.72

 

Description

Color code: HEX #9A7C18 | qconv.com Color code: HEX #9A7C18 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 124 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 124 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 84 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 84% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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