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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A72DA it is the complementary color #658D25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A72DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A72DA shade: #9F72D5, #B084E8, #C196FB, #D2A8FF and #E3BAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A72DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A72DA shade: #9A72DA, #8960C7, #784EB4, #673CA1 and #562A8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A72DA shade: #9A72DA, #B672DA, #D272DA, #DA72C5 and #DA72AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A72DA shade: #9A72DA, #7E72DA and #7272DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A72DA shade matches the following richer shades: #9A72DA, #9664E8 and #9355F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A72DA shade: #9A72DA, #9D80CB, #A08FBD, #A49DAE and #A7ACA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A72DA shade: #7282DA, #7E72DA, #9A72DA, #B572DA and #D172DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A72DA shade: #6C34C5, #8251D1, #9A72DA, #B193E2 and #C9B3EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A72DA shade: #9A72DA, #DA729D and #74DA72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A72DA shade: #9A72DA, #DA9A72 and #72DA9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A72DA shade: #9A72DA, #DA729D, #B2DA72 and #72DAAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A72DA shade: #9A72DA, #DA727E, #B2DA72 and #72DACD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 48 / 0 / 15

HEX #9A72DA

RGB 154 114 218

HSL 263.08, 0.58%, 0.65%

LAB 56.05, 37.25, -47.78

 

Complementary color

CMYK 28 / 0 / 74 / 45

HEX #658D25

RGB 101 141 37

HSL 83.08, 0.58%, 0.35%

LAB 53.97, -30.06, 48.15

 

CMYK 25 / 46 / 0 / 16

HEX #9F72D5

RGB 159 114 213

HSL 267.27, 0.54%, 0.64%

LAB 56.3, 37.39, -44.54

 

CMYK 24 / 43 / 0 / 9

HEX #B084E8

RGB 176 132 232

HSL 266.4, 0.68%, 0.71%

LAB 62.98, 36.52, -44.52

 

CMYK 23 / 40 / 0 / 2

HEX #C196FB

RGB 193 150 251

HSL 265.54, 0.93%, 0.79%

LAB 69.55, 35.71, -44.51

 

CMYK 18 / 34 / 0 / 0

HEX #D2A8FF

RGB 210 168 255

HSL 268.97, 1%, 0.83%

LAB 75.41, 31.64, -37.43

 

CMYK 11 / 27 / 0 / 0

HEX #E3BAFF

RGB 227 186 255

HSL 275.65, 1%, 0.86%

LAB 81.11, 27.05, -28.51

 

CMYK 29 / 48 / 0 / 15

HEX #9A72DA

RGB 154 114 218

HSL 263.08, 0.58%, 0.65%

LAB 56.05, 37.25, -47.78

 

CMYK 31 / 52 / 0 / 22

HEX #8960C7

RGB 137 96 199

HSL 263.88, 0.48%, 0.58%

LAB 49.26, 38.24, -47.87

 

CMYK 33 / 57 / 0 / 29

HEX #784EB4

RGB 120 78 180

HSL 264.71, 0.4%, 0.51%

LAB 42.36, 39.28, -47.96

 

CMYK 36 / 63 / 0 / 37

HEX #673CA1

RGB 103 60 161

HSL 265.54, 0.46%, 0.43%

LAB 35.38, 40.34, -48

 

CMYK 39 / 70 / 0 / 44

HEX #562A8E

RGB 86 42 142

HSL 266.4, 0.54%, 0.36%

LAB 28.35, 41.28, -47.88

 

CMYK 29 / 48 / 0 / 15

HEX #9A72DA

RGB 154 114 218

HSL 263.08, 0.58%, 0.65%

LAB 56.05, 37.25, -47.78

 

CMYK 17 / 48 / 0 / 15

HEX #B672DA

RGB 182 114 218

HSL 279.23, 0.58%, 0.65%

LAB 59.01, 44.89, -42.91

 

CMYK 4 / 48 / 0 / 15

HEX #D272DA

RGB 210 114 218

HSL 295.38, 0.58%, 0.65%

LAB 62.34, 52.76, -37.46

 

CMYK 0 / 48 / 10 / 15

HEX #DA72C5

RGB 218 114 197

HSL 312.12, 0.58%, 0.65%

LAB 62.48, 51.43, -25.33

 

CMYK 0 / 48 / 22 / 15

HEX #DA72AA

RGB 218 114 170

HSL 327.69, 0.58%, 0.65%

LAB 61.52, 47.27, -11.43

 

CMYK 29 / 48 / 0 / 15

HEX #9A72DA

RGB 154 114 218

HSL 263.08, 0.58%, 0.65%

LAB 56.05, 37.25, -47.78

 

CMYK 42 / 48 / 0 / 15

HEX #7E72DA

RGB 126 114 218

HSL 246.92, 0.58%, 0.65%

LAB 53.53, 30.12, -51.95

 

CMYK 48 / 48 / 0 / 15

HEX #7272DA

RGB 114 114 218

HSL 240, 0.58%, 0.65%

LAB 52.59, 27.3, -53.5

 

CMYK 29 / 48 / 0 / 15

HEX #9A72DA

RGB 154 114 218

HSL 263.08, 0.58%, 0.65%

LAB 56.05, 37.25, -47.78

 

CMYK 35 / 57 / 0 / 9

HEX #9664E8

RGB 150 100 232

HSL 262.73, 0.74%, 0.65%

LAB 53.41, 47.56, -59.9

 

CMYK 40 / 65 / 0 / 4

HEX #9355F6

RGB 147 85 246

HSL 263.11, 0.9%, 0.65%

LAB 51.1, 58.31, -71.48

 

CMYK 29 / 48 / 0 / 15

HEX #9A72DA

RGB 154 114 218

HSL 263.08, 0.58%, 0.65%

LAB 56.05, 37.25, -47.78

 

CMYK 23 / 37 / 0 / 20

HEX #9D80CB

RGB 157 128 203

HSL 263.2, 0.42%, 0.65%

LAB 58.9, 26.45, -34.82

 

CMYK 15 / 24 / 0 / 26

HEX #A08FBD

RGB 160 143 189

HSL 262.17, 0.26%, 0.65%

LAB 62.33, 15.57, -21.6

 

CMYK 6 / 10 / 0 / 32

HEX #A49DAE

RGB 164 157 174

HSL 264.71, 0.09%, 0.65%

LAB 65.8, 5.83, -7.91

 

CMYK 3 / 0 / 7 / 33

HEX #A7ACA0

RGB 167 172 160

HSL 85, 0.07%, 0.65%

LAB 69.65, -4, 5.55

 

CMYK 48 / 40 / 0 / 15

HEX #7282DA

RGB 114 130 218

HSL 230.77, 0.58%, 0.65%

LAB 56.69, 17.7, -46.98

 

CMYK 42 / 48 / 0 / 15

HEX #7E72DA

RGB 126 114 218

HSL 246.92, 0.58%, 0.65%

LAB 53.53, 30.12, -51.95

 

CMYK 29 / 48 / 0 / 15

HEX #9A72DA

RGB 154 114 218

HSL 263.08, 0.58%, 0.65%

LAB 56.05, 37.25, -47.78

 

CMYK 17 / 48 / 0 / 15

HEX #B572DA

RGB 181 114 218

HSL 278.65, 0.58%, 0.65%

LAB 58.9, 44.62, -43.09

 

CMYK 4 / 48 / 0 / 15

HEX #D172DA

RGB 209 114 218

HSL 294.81, 0.58%, 0.65%

LAB 62.21, 52.48, -37.66

 

CMYK 45 / 74 / 0 / 23

HEX #6C34C5

RGB 108 52 197

HSL 263.17, 0.58%, 0.49%

LAB 37.25, 54.86, -66.27

 

CMYK 38 / 61 / 0 / 18

HEX #8251D1

RGB 130 81 209

HSL 262.97, 0.58%, 0.57%

LAB 45.95, 47.48, -58.97

 

CMYK 29 / 48 / 0 / 15

HEX #9A72DA

RGB 154 114 218

HSL 263.08, 0.58%, 0.65%

LAB 56.05, 37.25, -47.78

 

CMYK 22 / 35 / 0 / 11

HEX #B193E2

RGB 177 147 226

HSL 262.78, 0.58%, 0.73%

LAB 66.29, 27, -36

 

CMYK 14 / 24 / 0 / 8

HEX #C9B3EB

RGB 201 179 235

HSL 263.57, 0.58%, 0.81%

LAB 76.47, 18.59, -25.06

 

CMYK 29 / 48 / 0 / 15

HEX #9A72DA

RGB 154 114 218

HSL 263.08, 0.58%, 0.65%

LAB 56.05, 37.25, -47.78

 

CMYK 0 / 48 / 28 / 15

HEX #DA729D

RGB 218 114 157

HSL 335.19, 0.58%, 0.65%

LAB 61.11, 45.47, -4.58

 

CMYK 47 / 0 / 48 / 15

HEX #74DA72

RGB 116 218 114

HSL 118.85, 0.58%, 0.65%

LAB 79.08, -50.4, 41.98

 

CMYK 29 / 48 / 0 / 15

HEX #9A72DA

RGB 154 114 218

HSL 263.08, 0.58%, 0.65%

LAB 56.05, 37.25, -47.78

 

CMYK 0 / 29 / 48 / 15

HEX #DA9A72

RGB 218 154 114

HSL 23.08, 0.58%, 0.65%

LAB 68.92, 19.31, 30.49

 

CMYK 48 / 0 / 29 / 15

HEX #72DA9A

RGB 114 218 154

HSL 143.08, 0.58%, 0.65%

LAB 79.64, -44.42, 22.39

 

CMYK 29 / 48 / 0 / 15

HEX #9A72DA

RGB 154 114 218

HSL 263.08, 0.58%, 0.65%

LAB 56.05, 37.25, -47.78

 

CMYK 0 / 48 / 28 / 15

HEX #DA729D

RGB 218 114 157

HSL 335.19, 0.58%, 0.65%

LAB 61.11, 45.47, -4.58

 

CMYK 18 / 0 / 48 / 15

HEX #B2DA72

RGB 178 218 114

HSL 83.08, 0.58%, 0.65%

LAB 82.28, -29.74, 46.64

 

CMYK 48 / 0 / 20 / 15

HEX #72DAAE

RGB 114 218 174

HSL 154.62, 0.58%, 0.65%

LAB 80.05, -40.42, 12.44

 

CMYK 29 / 48 / 0 / 15

HEX #9A72DA

RGB 154 114 218

HSL 263.08, 0.58%, 0.65%

LAB 56.05, 37.25, -47.78

 

CMYK 0 / 48 / 42 / 15

HEX #DA727E

RGB 218 114 126

HSL 353.08, 0.58%, 0.65%

LAB 60.29, 41.74, 12.1

 

CMYK 18 / 0 / 48 / 15

HEX #B2DA72

RGB 178 218 114

HSL 83.08, 0.58%, 0.65%

LAB 82.28, -29.74, 46.64

 

CMYK 48 / 0 / 6 / 15

HEX #72DACD

RGB 114 218 205

HSL 172.5, 0.58%, 0.65%

LAB 80.81, -33.36, -2.95

 

Description

Color code: HEX #9A72DA | qconv.com Color code: HEX #9A72DA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 114 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 114 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 48 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 48% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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