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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A6F5E it is the complementary color #6590A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A6F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A6F5E shade: #9F6F59, #B0816C, #C1937F, #D2A592 and #E3B7A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A6F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A6F5E shade: #9A6F5E, #895D4B, #784B38, #673925 and #562712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A6F5E shade: #9A6F5E, #9A5F5E and #9A5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A6F5E shade: #9A6F5E, #9A805E, #9A905E, #959A5E and #859A5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A6F5E shade matches the following richer shades: #9A6F5E, #AF674A, #C35E36, #D75522 and #EB4C0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A6F5E shade: #9A6F5E, #867873, #728187, #5E8A9B and #4A92AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A6F5E shade: #9A5E6D, #9A5F5E, #9A6F5E, #9A7F5E and #9A8F5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A6F5E shade: #674A3F, #815D4F, #9A6F5E, #AB8677 and #BB9C90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A6F5E shade: #9A6F5E, #7D9A5E and #5E659A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A6F5E shade: #9A6F5E, #5E9A6F and #6F5E9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A6F5E shade: #9A6F5E, #7D9A5E, #5E899A and #7B5E9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A6F5E shade: #9A6F5E, #6B9A5E, #5E899A and #8D5E9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 39 / 40

HEX #9A6F5E

RGB 154 111 94

HSL 17, 0.24%, 0.49%

LAB 50.74, 14.74, 16.19

 

Complementary color

CMYK 37 / 11 / 0 / 37

HEX #6590A1

RGB 101 144 161

HSL 197, 0.24%, 0.51%

LAB 57.35, -10.24, -13.66

 

CMYK 0 / 30 / 44 / 38

HEX #9F6F59

RGB 159 111 89

HSL 18.86, 0.28%, 0.49%

LAB 51.22, 16.24, 19.85

 

CMYK 0 / 27 / 39 / 31

HEX #B0816C

RGB 176 129 108

HSL 18.53, 0.3%, 0.56%

LAB 58.05, 15.33, 18.5

 

CMYK 0 / 24 / 34 / 24

HEX #C1937F

RGB 193 147 127

HSL 18.18, 0.35%, 0.63%

LAB 64.75, 14.55, 17.29

 

CMYK 0 / 21 / 30 / 18

HEX #D2A592

RGB 210 165 146

HSL 17.81, 0.42%, 0.7%

LAB 71.34, 13.86, 16.18

 

CMYK 0 / 19 / 27 / 11

HEX #E3B7A5

RGB 227 183 165

HSL 17.42, 0.53%, 0.77%

LAB 77.82, 13.26, 15.16

 

CMYK 0 / 28 / 39 / 40

HEX #9A6F5E

RGB 154 111 94

HSL 17, 0.24%, 0.49%

LAB 50.74, 14.74, 16.19

 

CMYK 0 / 32 / 45 / 46

HEX #895D4B

RGB 137 93 75

HSL 17.42, 0.29%, 0.42%

LAB 43.73, 15.7, 17.6

 

CMYK 0 / 38 / 53 / 53

HEX #784B38

RGB 120 75 56

HSL 17.81, 0.36%, 0.35%

LAB 36.58, 16.86, 19.22

 

CMYK 0 / 45 / 64 / 60

HEX #673925

RGB 103 57 37

HSL 18.18, 0.47%, 0.27%

LAB 29.27, 18.29, 21.15

 

CMYK 0 / 55 / 79 / 66

HEX #562712

RGB 86 39 18

HSL 18.53, 0.65%, 0.2%

LAB 21.85, 20.03, 23.42

 

CMYK 0 / 28 / 39 / 40

HEX #9A6F5E

RGB 154 111 94

HSL 17, 0.24%, 0.49%

LAB 50.74, 14.74, 16.19

 

CMYK 0 / 38 / 39 / 40

HEX #9A5F5E

RGB 154 95 94

HSL 1, 0.24%, 0.49%

LAB 46.79, 23.93, 10.73

 

CMYK 0 / 39 / 39 / 40

HEX #9A5E5E

RGB 154 94 94

HSL 0, 0.24%, 0.49%

LAB 46.56, 24.49, 10.4

 

CMYK 0 / 28 / 39 / 40

HEX #9A6F5E

RGB 154 111 94

HSL 17, 0.24%, 0.49%

LAB 50.74, 14.74, 16.19

 

CMYK 0 / 17 / 39 / 40

HEX #9A805E

RGB 154 128 94

HSL 34, 0.24%, 0.49%

LAB 55.19, 5.01, 22.2

 

CMYK 0 / 6 / 39 / 40

HEX #9A905E

RGB 154 144 94

HSL 50, 0.24%, 0.49%

LAB 59.55, -3.92, 27.92

 

CMYK 3 / 0 / 39 / 40

HEX #959A5E

RGB 149 154 94

HSL 65, 0.24%, 0.49%

LAB 61.92, -11.41, 30.89

 

CMYK 14 / 0 / 39 / 40

HEX #859A5E

RGB 133 154 94

HSL 81, 0.24%, 0.49%

LAB 60.7, -17.9, 29.07

 

CMYK 0 / 28 / 39 / 40

HEX #9A6F5E

RGB 154 111 94

HSL 17, 0.24%, 0.49%

LAB 50.74, 14.74, 16.19

 

CMYK 0 / 41 / 58 / 31

HEX #AF674A

RGB 175 103 74

HSL 17.23, 0.41%, 0.49%

LAB 51.05, 26, 28.63

 

CMYK 0 / 52 / 72 / 24

HEX #C35E36

RGB 195 94 54

HSL 17.02, 0.57%, 0.49%

LAB 51.69, 37.6, 41.06

 

CMYK 0 / 60 / 84 / 16

HEX #D75522

RGB 215 85 34

HSL 16.91, 0.73%, 0.49%

LAB 53.01, 48.76, 52.98

 

CMYK 0 / 68 / 94 / 8

HEX #EB4C0E

RGB 235 76 14

HSL 16.83, 0.89%, 0.49%

LAB 54.93, 59.1, 62.69

 

CMYK 0 / 28 / 39 / 40

HEX #9A6F5E

RGB 154 111 94

HSL 17, 0.24%, 0.49%

LAB 50.74, 14.74, 16.19

 

CMYK 0 / 10 / 14 / 47

HEX #867873

RGB 134 120 115

HSL 15.79, 0.08%, 0.49%

LAB 51.54, 4.49, 4.7

 

CMYK 16 / 4 / 0 / 47

HEX #728187

RGB 114 129 135

HSL 197.14, 0.08%, 0.49%

LAB 52.98, -4.14, -5.1

 

CMYK 39 / 11 / 0 / 39

HEX #5E8A9B

RGB 94 138 155

HSL 196.72, 0.24%, 0.49%

LAB 54.99, -10.5, -13.82

 

CMYK 58 / 17 / 0 / 31

HEX #4A92AF

RGB 74 146 175

HSL 197.23, 0.41%, 0.49%

LAB 57.18, -13.93, -22.03

 

CMYK 0 / 39 / 29 / 40

HEX #9A5E6D

RGB 154 94 109

HSL 345, 0.24%, 0.49%

LAB 46.95, 26.51, 1.92

 

CMYK 0 / 38 / 39 / 40

HEX #9A5F5E

RGB 154 95 94

HSL 1, 0.24%, 0.49%

LAB 46.79, 23.93, 10.73

 

CMYK 0 / 28 / 39 / 40

HEX #9A6F5E

RGB 154 111 94

HSL 17, 0.24%, 0.49%

LAB 50.74, 14.74, 16.19

 

CMYK 0 / 18 / 39 / 40

HEX #9A7F5E

RGB 154 127 94

HSL 33, 0.24%, 0.49%

LAB 54.92, 5.58, 21.84

 

CMYK 0 / 7 / 39 / 40

HEX #9A8F5E

RGB 154 143 94

HSL 49, 0.24%, 0.49%

LAB 59.27, -3.37, 27.56

 

CMYK 0 / 28 / 39 / 60

HEX #674A3F

RGB 103 74 63

HSL 16.5, 0.24%, 0.33%

LAB 34.27, 10.69, 11.41

 

CMYK 0 / 28 / 39 / 49

HEX #815D4F

RGB 129 93 79

HSL 16.8, 0.24%, 0.41%

LAB 42.85, 12.74, 13.84

 

CMYK 0 / 28 / 39 / 40

HEX #9A6F5E

RGB 154 111 94

HSL 17, 0.24%, 0.49%

LAB 50.74, 14.74, 16.19

 

CMYK 0 / 22 / 30 / 33

HEX #AB8677

RGB 171 134 119

HSL 17.31, 0.24%, 0.57%

LAB 59.01, 11.92, 13.48

 

CMYK 0 / 17 / 23 / 27

HEX #BB9C90

RGB 187 156 144

HSL 16.74, 0.24%, 0.65%

LAB 66.79, 9.59, 10.56

 

CMYK 0 / 28 / 39 / 40

HEX #9A6F5E

RGB 154 111 94

HSL 17, 0.24%, 0.49%

LAB 50.74, 14.74, 16.19

 

CMYK 19 / 0 / 39 / 40

HEX #7D9A5E

RGB 125 154 94

HSL 89, 0.24%, 0.49%

LAB 60.14, -21.04, 28.24

 

CMYK 39 / 34 / 0 / 40

HEX #5E659A

RGB 94 101 154

HSL 233, 0.24%, 0.49%

LAB 44.26, 11.07, -29.74

 

CMYK 0 / 28 / 39 / 40

HEX #9A6F5E

RGB 154 111 94

HSL 17, 0.24%, 0.49%

LAB 50.74, 14.74, 16.19

 

CMYK 39 / 0 / 28 / 40

HEX #5E9A6F

RGB 94 154 111

HSL 137, 0.24%, 0.49%

LAB 58.64, -29.15, 16.58

 

CMYK 28 / 39 / 0 / 40

HEX #6F5E9A

RGB 111 94 154

HSL 257, 0.24%, 0.49%

LAB 43.83, 20.44, -30.32

 

CMYK 0 / 28 / 39 / 40

HEX #9A6F5E

RGB 154 111 94

HSL 17, 0.24%, 0.49%

LAB 50.74, 14.74, 16.19

 

CMYK 19 / 0 / 39 / 40

HEX #7D9A5E

RGB 125 154 94

HSL 89, 0.24%, 0.49%

LAB 60.14, -21.04, 28.24

 

CMYK 39 / 11 / 0 / 40

HEX #5E899A

RGB 94 137 154

HSL 197, 0.24%, 0.49%

LAB 54.66, -10.22, -13.74

 

CMYK 20 / 39 / 0 / 40

HEX #7B5E9A

RGB 123 94 154

HSL 269, 0.24%, 0.49%

LAB 45.01, 24.17, -28.38

 

CMYK 0 / 28 / 39 / 40

HEX #9A6F5E

RGB 154 111 94

HSL 17, 0.24%, 0.49%

LAB 50.74, 14.74, 16.19

 

CMYK 31 / 0 / 39 / 40

HEX #6B9A5E

RGB 107 154 94

HSL 107, 0.24%, 0.49%

LAB 59.02, -27.75, 26.56

 

CMYK 39 / 11 / 0 / 40

HEX #5E899A

RGB 94 137 154

HSL 197, 0.24%, 0.49%

LAB 54.66, -10.22, -13.74

 

CMYK 8 / 39 / 0 / 40

HEX #8D5E9A

RGB 141 94 154

HSL 287, 0.24%, 0.49%

LAB 46.98, 29.96, -25.17

 

Description

Color code: HEX #9A6F5E | qconv.com Color code: HEX #9A6F5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 111 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 111 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 39 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 39% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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