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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A6B5A it is the complementary color #6594A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A6B5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A6B5A shade: #9F6B55, #B07D68, #C18F7B, #D2A18E and #E3B3A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A6B5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A6B5A shade: #9A6B5A, #895947, #784734, #673521 and #56230E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A6B5A shade: #9A6B5B and #9A5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A6B5A shade: #9A6B5B, #9A7D5B, #9A8E5B, #959A5B and #849A5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A6B5A shade matches the following richer shades: #9A6B5B, #AE6247, #C25933, #D6501F and #E9460B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A6B5A shade: #9A6B5B, #86756E, #737E82, #5F8796 and #4B91AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A6B5A shade: #9A5B6D, #9A5B5C, #9A6A5B, #9A7B5B and #9A8C5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A6B5A shade: #66473C, #80594B, #9A6B5B, #AC8172 and #BB998C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A6B5A shade: #9A6B5A, #7E9A5B and #5B649A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A6B5A shade: #9A6B5A, #5B9A6A and #6A5B9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A6B5A shade: #9A6B5A, #7E9A5B, #5B8A9A and #775B9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A6B5A shade: #9A6B5A, #6A9A5B, #5B8A9A and #8A5B9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 42 / 40

HEX #9A6B5A

RGB 154 107 90

HSL 15.94, 0.26%, 0.48%

LAB 49.65, 16.55, 17.04

 

Complementary color

CMYK 39 / 10 / 0 / 35

HEX #6594A5

RGB 101 148 165

HSL 195.94, 0.26%, 0.52%

LAB 58.66, -11.38, -13.97

 

CMYK 0 / 33 / 47 / 38

HEX #9F6B55

RGB 159 107 85

HSL 17.84, 0.3%, 0.48%

LAB 50.15, 18.09, 20.74

 

CMYK 0 / 29 / 41 / 31

HEX #B07D68

RGB 176 125 104

HSL 17.5, 0.31%, 0.55%

LAB 56.97, 17.1, 19.32

 

CMYK 0 / 26 / 36 / 24

HEX #C18F7B

RGB 193 143 123

HSL 17.14, 0.36%, 0.62%

LAB 63.68, 16.25, 18.05

 

CMYK 0 / 23 / 32 / 18

HEX #D2A18E

RGB 210 161 142

HSL 16.76, 0.43%, 0.69%

LAB 70.28, 15.51, 16.89

 

CMYK 0 / 21 / 29 / 11

HEX #E3B3A1

RGB 227 179 161

HSL 16.36, 0.54%, 0.76%

LAB 76.77, 14.85, 15.83

 

CMYK 0 / 31 / 42 / 40

HEX #9A6B5A

RGB 154 107 90

HSL 15.94, 0.26%, 0.48%

LAB 49.65, 16.55, 17.04

 

CMYK 0 / 35 / 48 / 46

HEX #895947

RGB 137 89 71

HSL 16.36, 0.32%, 0.41%

LAB 42.64, 17.6, 18.53

 

CMYK 0 / 41 / 57 / 53

HEX #784734

RGB 120 71 52

HSL 16.76, 0.4%, 0.34%

LAB 35.49, 18.86, 20.27

 

CMYK 0 / 49 / 68 / 60

HEX #673521

RGB 103 53 33

HSL 17.14, 0.51%, 0.27%

LAB 28.22, 20.38, 22.34

 

CMYK 0 / 59 / 84 / 66

HEX #56230E

RGB 86 35 14

HSL 17.5, 0.72%, 0.2%

LAB 20.87, 22.18, 24.59

 

CMYK 0 / 31 / 41 / 40

HEX #9A6B5B

RGB 154 107 91

HSL 15.24, 0.26%, 0.48%

LAB 49.67, 16.67, 16.48

 

CMYK 0 / 41 / 41 / 40

HEX #9A5B5B

RGB 154 91 91

HSL 0, 0.26%, 0.48%

LAB 45.78, 25.83, 11.13

 

CMYK 0 / 31 / 41 / 40

HEX #9A6B5B

RGB 154 107 91

HSL 15.24, 0.26%, 0.48%

LAB 49.67, 16.67, 16.48

 

CMYK 0 / 19 / 41 / 40

HEX #9A7D5B

RGB 154 125 91

HSL 32.38, 0.26%, 0.48%

LAB 54.34, 6.35, 22.76

 

CMYK 0 / 8 / 41 / 40

HEX #9A8E5B

RGB 154 142 91

HSL 48.57, 0.26%, 0.48%

LAB 58.95, -3.17, 28.78

 

CMYK 3 / 0 / 41 / 40

HEX #959A5B

RGB 149 154 91

HSL 64.76, 0.26%, 0.48%

LAB 61.87, -11.77, 32.43

 

CMYK 14 / 0 / 41 / 40

HEX #849A5B

RGB 132 154 91

HSL 80.95, 0.26%, 0.48%

LAB 60.58, -18.69, 30.51

 

CMYK 0 / 31 / 41 / 40

HEX #9A6B5B

RGB 154 107 91

HSL 15.24, 0.26%, 0.48%

LAB 49.67, 16.67, 16.48

 

CMYK 0 / 44 / 59 / 32

HEX #AE6247

RGB 174 98 71

HSL 15.73, 0.42%, 0.48%

LAB 49.72, 28.1, 28.65

 

CMYK 0 / 54 / 74 / 24

HEX #C25933

RGB 194 89 51

HSL 15.94, 0.58%, 0.48%

LAB 50.51, 39.6, 41.3

 

CMYK 0 / 63 / 86 / 16

HEX #D6501F

RGB 214 80 31

HSL 16.07, 0.75%, 0.48%

LAB 51.99, 50.56, 53.29

 

CMYK 0 / 70 / 95 / 9

HEX #E9460B

RGB 233 70 11

HSL 15.95, 0.91%, 0.48%

LAB 53.74, 60.68, 62.49

 

CMYK 0 / 31 / 41 / 40

HEX #9A6B5B

RGB 154 107 91

HSL 15.24, 0.26%, 0.48%

LAB 49.67, 16.67, 16.48

 

CMYK 0 / 13 / 18 / 47

HEX #86756E

RGB 134 117 110

HSL 17.5, 0.1%, 0.48%

LAB 50.59, 5.37, 6.27

 

CMYK 12 / 3 / 0 / 49

HEX #737E82

RGB 115 126 130

HSL 196, 0.06%, 0.48%

LAB 52.04, -3.19, -3.57

 

CMYK 37 / 10 / 0 / 41

HEX #5F8796

RGB 95 135 150

HSL 196.36, 0.22%, 0.48%

LAB 53.99, -9.89, -12.44

 

CMYK 56 / 15 / 0 / 33

HEX #4B91AA

RGB 75 145 170

HSL 195.79, 0.39%, 0.48%

LAB 56.73, -14.71, -19.86

 

CMYK 0 / 41 / 29 / 40

HEX #9A5B6D

RGB 154 91 109

HSL 342.86, 0.26%, 0.48%

LAB 46.25, 28.21, 0.91

 

CMYK 0 / 41 / 40 / 40

HEX #9A5B5C

RGB 154 91 92

HSL 359.05, 0.26%, 0.48%

LAB 45.8, 25.95, 10.56

 

CMYK 0 / 31 / 41 / 40

HEX #9A6A5B

RGB 154 106 91

HSL 14.29, 0.26%, 0.48%

LAB 49.42, 17.25, 16.14

 

CMYK 0 / 20 / 41 / 40

HEX #9A7B5B

RGB 154 123 91

HSL 30.48, 0.26%, 0.48%

LAB 53.8, 7.49, 22.05

 

CMYK 0 / 9 / 41 / 40

HEX #9A8C5B

RGB 154 140 91

HSL 46.67, 0.26%, 0.48%

LAB 58.4, -2.07, 28.07

 

CMYK 0 / 30 / 41 / 60

HEX #66473C

RGB 102 71 60

HSL 15.71, 0.26%, 0.32%

LAB 33.26, 11.69, 11.89

 

CMYK 0 / 30 / 41 / 50

HEX #80594B

RGB 128 89 75

HSL 15.85, 0.26%, 0.4%

LAB 41.6, 14.17, 14.52

 

CMYK 0 / 31 / 41 / 40

HEX #9A6B5B

RGB 154 107 91

HSL 15.24, 0.26%, 0.48%

LAB 49.67, 16.67, 16.48

 

CMYK 0 / 25 / 34 / 33

HEX #AC8172

RGB 172 129 114

HSL 15.52, 0.26%, 0.56%

LAB 57.74, 14.46, 14.58

 

CMYK 0 / 18 / 25 / 27

HEX #BB998C

RGB 187 153 140

HSL 16.6, 0.26%, 0.64%

LAB 65.94, 10.65, 11.59

 

CMYK 0 / 31 / 42 / 40

HEX #9A6B5A

RGB 154 107 90

HSL 15.94, 0.26%, 0.48%

LAB 49.65, 16.55, 17.04

 

CMYK 18 / 0 / 41 / 40

HEX #7E9A5B

RGB 126 154 91

HSL 86.67, 0.26%, 0.48%

LAB 60.16, -21.06, 29.89

 

CMYK 41 / 35 / 0 / 40

HEX #5B649A

RGB 91 100 154

HSL 231.43, 0.26%, 0.48%

LAB 43.76, 10.84, -30.54

 

CMYK 0 / 31 / 42 / 40

HEX #9A6B5A

RGB 154 107 90

HSL 15.94, 0.26%, 0.48%

LAB 49.65, 16.55, 17.04

 

CMYK 41 / 0 / 31 / 40

HEX #5B9A6A

RGB 91 154 106

HSL 134.29, 0.26%, 0.48%

LAB 58.39, -31.04, 19

 

CMYK 31 / 41 / 0 / 40

HEX #6A5B9A

RGB 106 91 154

HSL 254.29, 0.26%, 0.48%

LAB 42.58, 20.77, -32.3

 

CMYK 0 / 31 / 42 / 40

HEX #9A6B5A

RGB 154 107 90

HSL 15.94, 0.26%, 0.48%

LAB 49.65, 16.55, 17.04

 

CMYK 18 / 0 / 41 / 40

HEX #7E9A5B

RGB 126 154 91

HSL 86.67, 0.26%, 0.48%

LAB 60.16, -21.06, 29.89

 

CMYK 41 / 10 / 0 / 40

HEX #5B8A9A

RGB 91 138 154

HSL 195.24, 0.26%, 0.48%

LAB 54.8, -11.6, -13.55

 

CMYK 23 / 41 / 0 / 40

HEX #775B9A

RGB 119 91 154

HSL 266.67, 0.26%, 0.48%

LAB 43.85, 24.72, -30.21

 

CMYK 0 / 31 / 42 / 40

HEX #9A6B5A

RGB 154 107 90

HSL 15.94, 0.26%, 0.48%

LAB 49.65, 16.55, 17.04

 

CMYK 31 / 0 / 41 / 40

HEX #6A9A5B

RGB 106 154 91

HSL 105.71, 0.26%, 0.48%

LAB 58.91, -28.56, 28.03

 

CMYK 41 / 10 / 0 / 40

HEX #5B8A9A

RGB 91 138 154

HSL 195.24, 0.26%, 0.48%

LAB 54.8, -11.6, -13.55

 

CMYK 10 / 41 / 0 / 40

HEX #8A5B9A

RGB 138 91 154

HSL 284.76, 0.26%, 0.48%

LAB 45.93, 30.72, -26.82

 

Description

Color code: HEX #9A6B5A | qconv.com Color code: HEX #9A6B5A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 107 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 107 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 42 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 42% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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