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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A396C it is the complementary color #65C693. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A396C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A396C shade: #9F3967, #B04B7A, #C15D8D, #D26FA0 and #E381B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A396C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A396C shade: #9A396C, #892759, #781546, #670333 and #560020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A396C shade: #99386B, #993851 and #993838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A396C shade: #99386B, #993885, #923899, #783899 and #5E3899

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A396C shade matches the following richer shades: #99386B, #AA286C, #BA176D and #CB066E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A396C shade: #99386B, #88496A, #775A69, #666B68 and #557C68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A396C shade: #923899, #993885, #99386C, #993852 and #993838

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A396C shade: #5C2241, #7B2D56, #99386B, #B74480 and #C46094

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A396C shade: #9A396C, #997938 and #389299

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A396C shade: #9A396C, #6C9938 and #386C99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A396C shade: #9A396C, #997938, #389965 and #385999

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A396C shade: #9A396C, #999538, #389965 and #383C99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 30 / 40

HEX #9A396C

RGB 154 57 108

HSL 328.45, 0.46%, 0.41%

LAB 39.38, 45.74, -8.65

 

Complementary color

CMYK 49 / 0 / 26 / 22

HEX #65C693

RGB 101 198 147

HSL 148.45, 0.46%, 0.59%

LAB 73.06, -40.36, 16.93

 

CMYK 0 / 64 / 35 / 38

HEX #9F3967

RGB 159 57 103

HSL 332.94, 0.47%, 0.42%

LAB 40.04, 46.68, -4.44

 

CMYK 0 / 57 / 31 / 31

HEX #B04B7A

RGB 176 75 122

HSL 332.08, 0.4%, 0.49%

LAB 46.54, 46.19, -6.2

 

CMYK 0 / 52 / 27 / 24

HEX #C15D8D

RGB 193 93 141

HSL 331.2, 0.45%, 0.56%

LAB 53.05, 45.5, -7.61

 

CMYK 0 / 47 / 24 / 18

HEX #D26FA0

RGB 210 111 160

HSL 330.3, 0.52%, 0.63%

LAB 59.53, 44.72, -8.77

 

CMYK 0 / 43 / 21 / 11

HEX #E381B3

RGB 227 129 179

HSL 329.39, 0.64%, 0.7%

LAB 65.97, 43.92, -9.76

 

CMYK 0 / 63 / 30 / 40

HEX #9A396C

RGB 154 57 108

HSL 328.45, 0.46%, 0.41%

LAB 39.38, 45.74, -8.65

 

CMYK 0 / 72 / 35 / 46

HEX #892759

RGB 137 39 89

HSL 329.39, 0.56%, 0.35%

LAB 32.9, 45.82, -6.58

 

CMYK 0 / 83 / 42 / 53

HEX #781546

RGB 120 21 70

HSL 330.3, 0.7%, 0.28%

LAB 26.65, 45.05, -3.71

 

CMYK 0 / 97 / 50 / 60

HEX #670333

RGB 103 3 51

HSL 331.2, 0.94%, 0.21%

LAB 20.78, 42.99, 0.32

 

CMYK 0 / 100 / 63 / 66

HEX #560020

RGB 86 0 32

HSL 337.67, 1%, 0.17%

LAB 15.92, 37.77, 6.53

 

CMYK 0 / 63 / 30 / 40

HEX #99386B

RGB 153 56 107

HSL 328.45, 0.46%, 0.41%

LAB 39.01, 45.75, -8.6

 

CMYK 0 / 63 / 47 / 40

HEX #993851

RGB 153 56 81

HSL 344.54, 0.46%, 0.41%

LAB 38.19, 42.71, 6.61

 

CMYK 0 / 63 / 63 / 40

HEX #993838

RGB 153 56 56

HSL 0, 0.46%, 0.41%

LAB 37.64, 40.59, 21.61

 

CMYK 0 / 63 / 30 / 40

HEX #99386B

RGB 153 56 107

HSL 328.45, 0.46%, 0.41%

LAB 39.01, 45.75, -8.6

 

CMYK 0 / 63 / 13 / 40

HEX #993885

RGB 153 56 133

HSL 312.37, 0.46%, 0.41%

LAB 40.07, 49.56, -23.09

 

CMYK 5 / 63 / 0 / 40

HEX #923899

RGB 146 56 153

HSL 295.67, 0.46%, 0.41%

LAB 39.98, 51.15, -35.48

 

CMYK 22 / 63 / 0 / 40

HEX #783899

RGB 120 56 153

HSL 279.59, 0.46%, 0.41%

LAB 36.22, 44.59, -41.7

 

CMYK 39 / 63 / 0 / 40

HEX #5E3899

RGB 94 56 153

HSL 263.51, 0.46%, 0.41%

LAB 32.94, 38.36, -47.15

 

CMYK 0 / 63 / 30 / 40

HEX #99386B

RGB 153 56 107

HSL 328.45, 0.46%, 0.41%

LAB 39.01, 45.75, -8.6

 

CMYK 0 / 76 / 36 / 33

HEX #AA286C

RGB 170 40 108

HSL 328.62, 0.62%, 0.41%

LAB 39.83, 56.98, -7.69

 

CMYK 0 / 88 / 41 / 27

HEX #BA176D

RGB 186 23 109

HSL 328.34, 0.78%, 0.41%

LAB 41.46, 65.31, -5.55

 

CMYK 0 / 97 / 46 / 20

HEX #CB066E

RGB 203 6 110

HSL 328.32, 0.94%, 0.41%

LAB 44.16, 71.4, -1.8

 

CMYK 0 / 63 / 30 / 40

HEX #99386B

RGB 153 56 107

HSL 328.45, 0.46%, 0.41%

LAB 39.01, 45.75, -8.6

 

CMYK 0 / 46 / 22 / 47

HEX #88496A

RGB 136 73 106

HSL 328.57, 0.3%, 0.41%

LAB 39.65, 31.16, -7.28

 

CMYK 0 / 24 / 12 / 53

HEX #775A69

RGB 119 90 105

HSL 328.97, 0.14%, 0.41%

LAB 41.62, 14.53, -3.96

 

CMYK 5 / 0 / 3 / 58

HEX #666B68

RGB 102 107 104

HSL 144, 0.02%, 0.41%

LAB 44.72, -2.54, 1.01

 

CMYK 31 / 0 / 16 / 51

HEX #557C68

RGB 85 124 104

HSL 149.23, 0.19%, 0.41%

LAB 48.69, -18.28, 6.58

 

CMYK 5 / 63 / 0 / 40

HEX #923899

RGB 146 56 153

HSL 295.67, 0.46%, 0.41%

LAB 39.98, 51.15, -35.48

 

CMYK 0 / 63 / 13 / 40

HEX #993885

RGB 153 56 133

HSL 312.37, 0.46%, 0.41%

LAB 40.07, 49.56, -23.09

 

CMYK 0 / 63 / 29 / 40

HEX #99386C

RGB 153 56 108

HSL 327.84, 0.46%, 0.41%

LAB 39.04, 45.88, -9.17

 

CMYK 0 / 63 / 46 / 40

HEX #993852

RGB 153 56 82

HSL 343.92, 0.46%, 0.41%

LAB 38.22, 42.81, 6.01

 

CMYK 0 / 63 / 63 / 40

HEX #993838

RGB 153 56 56

HSL 0, 0.46%, 0.41%

LAB 37.64, 40.59, 21.61

 

CMYK 0 / 63 / 29 / 64

HEX #5C2241

RGB 92 34 65

HSL 327.93, 0.46%, 0.25%

LAB 23, 30.3, -6.33

 

CMYK 0 / 63 / 30 / 52

HEX #7B2D56

RGB 123 45 86

HSL 328.46, 0.46%, 0.33%

LAB 31.25, 38.4, -7.36

 

CMYK 0 / 63 / 30 / 40

HEX #99386B

RGB 153 56 107

HSL 328.45, 0.46%, 0.41%

LAB 39.01, 45.75, -8.6

 

CMYK 0 / 63 / 30 / 28

HEX #B74480

RGB 183 68 128

HSL 328.7, 0.46%, 0.49%

LAB 46.66, 52.37, -9.54

 

CMYK 0 / 51 / 24 / 23

HEX #C46094

RGB 196 96 148

HSL 328.8, 0.46%, 0.57%

LAB 54.28, 45.96, -9.84

 

CMYK 0 / 63 / 30 / 40

HEX #9A396C

RGB 154 57 108

HSL 328.45, 0.46%, 0.41%

LAB 39.38, 45.74, -8.65

 

CMYK 0 / 21 / 63 / 40

HEX #997938

RGB 153 121 56

HSL 40.21, 0.46%, 0.41%

LAB 52.66, 4.84, 39.6

 

CMYK 63 / 5 / 0 / 40

HEX #389299

RGB 56 146 153

HSL 184.33, 0.46%, 0.41%

LAB 55.78, -24.11, -11.63

 

CMYK 0 / 63 / 30 / 40

HEX #9A396C

RGB 154 57 108

HSL 328.45, 0.46%, 0.41%

LAB 39.38, 45.74, -8.65

 

CMYK 29 / 0 / 63 / 40

HEX #6C9938

RGB 108 153 56

HSL 87.84, 0.46%, 0.41%

LAB 58.28, -31.51, 44.84

 

CMYK 63 / 29 / 0 / 40

HEX #386C99

RGB 56 108 153

HSL 207.84, 0.46%, 0.41%

LAB 44.04, -2.88, -29.65

 

CMYK 0 / 63 / 30 / 40

HEX #9A396C

RGB 154 57 108

HSL 328.45, 0.46%, 0.41%

LAB 39.38, 45.74, -8.65

 

CMYK 0 / 21 / 63 / 40

HEX #997938

RGB 153 121 56

HSL 40.21, 0.46%, 0.41%

LAB 52.66, 4.84, 39.6

 

CMYK 63 / 0 / 34 / 40

HEX #389965

RGB 56 153 101

HSL 147.84, 0.46%, 0.41%

LAB 56.65, -40.72, 19.18

 

CMYK 63 / 42 / 0 / 40

HEX #385999

RGB 56 89 153

HSL 219.59, 0.46%, 0.41%

LAB 38.35, 9.05, -38.63

 

CMYK 0 / 63 / 30 / 40

HEX #9A396C

RGB 154 57 108

HSL 328.45, 0.46%, 0.41%

LAB 39.38, 45.74, -8.65

 

CMYK 0 / 3 / 63 / 40

HEX #999538

RGB 153 149 56

HSL 57.53, 0.46%, 0.41%

LAB 60.38, -10.61, 48.08

 

CMYK 63 / 0 / 34 / 40

HEX #389965

RGB 56 153 101

HSL 147.84, 0.46%, 0.41%

LAB 56.65, -40.72, 19.18

 

CMYK 63 / 61 / 0 / 40

HEX #383C99

RGB 56 60 153

HSL 237.53, 0.46%, 0.41%

LAB 30.33, 28.16, -51.54

 

Description

Color code: HEX #9A396C | qconv.com Color code: HEX #9A396C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 57 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 57 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 30 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 30% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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